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27 Things You Probably Didn't Know About Unsolved Mysteries

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Join me. Perhaps you will learn some things you didn't know about the wonderfully spooky Unsolved Mysteries, a show that aired is finale 15 years ago, but still creeps people out to this day.

1. IT STARTED AS A SERIES OF SPECIALS.

An Unsolved Mysteries reenactment
NBC

The three specials, called Missing… Have You Seen This Person?, were hosted by David Birney and his wife Meredith Baxter and aired on NBC in April 1986. The specials were so successful that producers Terry Dunn Meurer and John Cosgrove decided to broaden the scope of the show to include all kinds of mysteries.

2. IT WASN’T ALWAYS HOSTED BY ROBERT STACK.

When what would become the pilot episode of Unsolved Mysteries (but was then just a special) debuted on January 20, 1987, it was hosted by Raymond Burr. Karl Malden helmed the next two specials, and then Stack took over hosting duties, narrating the next few specials and the weekly episodes until the show went off the air in 2002. Later, when the show was revived, Dennis Farina took over hosting duties. (Stack had passed away in 2003.)

3. IN EARLY EPISODES, THE SHOW DIDN'T USE ACTORS IN THE REENACTMENTS.

According to director David Vassar, who directed 100 segments of the show, "In the early episodes, if there were any reenactments, we actually had the real people play themselves." That's why, he said in DVD commentary, "the acting of these first seasons when we were just getting our feet wet was not up to snuff. As we went through the seasons we were able to pay top dollar and get good people, so it just got better and better."

4. AND THERE'S AN EASY WAY TO TELL IF THE ACTORS WERE BAD.

"This is an Unsolved Mysteries hallmark, and it’s a secret," Vassar said in DVD commentary, "but if the narrator talks a lot, and the actors don’t talk at all, it means the acting is really pretty bad, and the narrator is going to cover everything up. If there’s everything out in the clear between the actors, it means the actors were usually pretty good. So the game was, how many seconds of the sync sound takes could you get to play in the open? The more sync you got to play in the open, the better the scene. Pretty simple."

5. THE REENACTMENTS WEREN'T THE SHOW'S MOST IMPORTANT COMPONENT, THOUGH.

"The interviews were so important to the way Unsolved Mysteries was produced," Cosgrove said. "People would think that the most important thing was the recreations, but really, having articulate people who can summon up the emotions of what it felt like [was key]."

"You trusted the interviews," added director Keva Rosenfeld. "If you didn’t have that, you didn’t have a good episode."

6. THE SHOW'S DIRECTORS CAME FROM DOCUMENTARY FILMMAKING.

A still from season four of Unsolved Mysteries
NBC

"We were all used to real life," Vassar said, "and in the first couple of seasons, it shows. Only occasionally had we worked with actors, and if we did, we worked with actors as hosts because they were hosting a documentary we were making." In the beginning seasons, the show shot with a small crew, too: "On the first season, it was basically director, a director of photography, an assistant photographer, a sound man, a producer, and lighting or grip guy," Vassar said. "There were five or six of us, trying to make these little movies. It was like silent films in the 1900s. We did everything ourselves."

7. IT WAS CHEAP TO MAKE.

In the early ‘90s, an hourlong scripted drama cost about $1.5 million per episode. Cosgrove told the Baltimore Sun that Unsolved Mysteries could be made for 25 to 40 percent of that cost. “If you're the president of NBC Entertainment, which show are you going to buy?” the Sun asked. “The one that costs $375,000 to make and finishes 11th in overall ratings or the one that costs $1.5 million to make and finishes 40th?”

8. STACK COMPARED UNSOLVED MYSTERIES TO THEATER.

"We're balancing two needs here," Stack told the Los Angeles Times in 1990. "We're trying to produce theater and we're trying to do a public service."

Stack’s stage comparisons didn’t end there: He saw his duty as host, according to Cosgrove, as akin to the stage manager of Our Town. The three-act play, written by Thornton Wilder, takes place in the small town of Grover’s Corners and features stories from a period between the years of 1901 and 1913. The stage manager served as the narrator.

9. THE SHOW’S FOUR-SEGMENT FORMAT WAS A DESIGN TO GET VIEWERS.

The show’s segments covered a number of themes, including Murder, Missing Persons, Wanted Fugitives, UFOs, Ghosts, The Unexplained (Paranormal), Missing Heirs, Amnesia, Fraud, and more. Each show consisted of four segments, plus an update on an older case. "Almost every show has an unexplained death in it, and almost every show has a lost love story," Meurer told the Los Angeles Times. "Then we'll mix and match in there a legend or a gold mine, or we'll put in one of our UFO stories."

“The idea,” Cosgrove said in DVD commentary, “was to have four different segments in four different areas so people would find something that they liked.” 

10. THE SPOOKY THEME MUSIC WAS COMPOSED BY GARY MALKIN.

Unsolved Mysteries’ original goosebump-inducing theme was written by Gary Malkin, who also served as the show’s main composer. “One of the things that really worked was the music,” Cosgrove said. “I had a lot of friends whose kids would run out the room because the music scared them so much.” Producer Raymond Bridgers agreed: “The music was so distinctive that you didn’t even have to be in the room to know that Unsolved Mysteries was on,” he said. The theme was updated four times (you can hear the 1995 version here), and when the show was revived in 2008, it came back with a new theme (and new logo) altogether.

11. IT PULLED IN GREAT RATINGS.

In 1990, the show ranked #11 for all TV series that year. “Once a sleeper, the reality series hosted by Robert Stack, former star of The Untouchables, now is just a flat-out smash,” the Los Angeles Times wrote two years later. “In the last four weeks, for instance, the unshowy but rock-solid series has demonstrated its clout—ranking 3rd, 16th, 8th and 10th in the ratings.”

12. IT WAS NOMINATED FOR SIX EMMYS.

The category was the Outstanding Informational Series, and Unsolved Mysteries was nominated in 1989, 1990, 1991, 1992, 1993, and 1995. Unfortunately, the show didn’t win, losing out to PBS’s Nature (1989), Smithsonian World (1990), The Civil War (1991), TNT’s MGM: When the Lion Roars (1992), PBS’s Healing and the Mind with Bill Moyers (1993), and PBS’s Baseball and NBC’s TV Nation (1995).

13. PRODUCERS HAVE SOME IDEAS ABOUT WHY THE SHOW WAS SO SUCCESSFUL.

Robert Stack hosts the first season of Unsolved Mysteries
NBC

Number one, of course, was Robert Stack, whose poker-faced delivery could send chills up anyone’s spine. “Bob’s contributions were immense, really impossible to calculate,” Cosgrove said in a tribute to the actor after Stack’s death in 2003. “His fame and charisma helped attract an audience.” Said Bridges: “No one could deliver a spooky line like Robert Stack.”

Number two: Curiosity. "People are fascinated by the idea that they might be living next door to one of these people, and might be able to help find them," Meurer told the LA Times in 1990.

And number three: “One of the things that attracted people to the show,” Cosgrove said, was that “they wanted to be scared.”

14. THANKS TO JACK THE RIPPER, THERE WAS AN UNSOLVED MYSTERIES HALLOWEEN SPECIAL.

In its first year on the air, Unsolved Mysteries had a Halloween special—an entire hour devoted to ghosts. "Bob was pretty skeptical at this point about doing an entire hour about ghosts," Cosgrove said on DVD commentary. "He definitely, I don’t think, thought it was a great idea for us to change the formula of having four segments of different categories for this Halloween special. It was a little risky doing an hour on one topic."

NBC had asked the producers to create a one hour special, Cosgrove said, because the network "had gotten wind that there was going to be a Jack the Ripper special in syndication, one of those live event specials, that revealed the secret identity of Jack the Ripper at the end of the show. And they said, 'We want you to come up with a stunt program on Halloween.' But we said, 'Wait, we’re the people producing the Jack the Ripper special—we don't want to do that!' And they said 'We don’t care!' So we came up with this, which clobbered the Jack the Ripper special."

After this, though, the show would occasionally do single-topic episodes.

15. THE SHOW ONCE BLEW UP A CHURCH.

The segment "Lucky Choir" tells the story of a choir that met to practice every Wednesday night at 7:25 p.m. Except one night, when every choir member was late—and, as a result, avoided an explosion at 7:27 p.m. that surely would have killed them. The producers chose a church in Unadilla, Nebraska, that was slated for demolition, and planned an explosion. They flew a special effects expert to the site and surrounded the church with five cameras framed by plywood boxes that would protect the gear and the cameramen. "We were supposed to cave in the roof, and we framed [the shot] slightly above the roof," Rosenfeld, who directed the segment, recalled. "[The special effects guy] blew it up way bigger than we expected. A fireball went into the air, probably a quarter mile. We were all scared."

Shrapnel speared the plywood boxes around the cameras and their operators, and debris rained down for 20 minutes. "The cameraman walked up to the macho special effects guy, pretty angry, and said 'What did you put in there?' And this macho guy goes, 'Ninety-five sticks of dynamite and three 10 gallon tubs of gasoline,'" Rosenfeld remembers. "We immediately rushed the site to film the scene because we couldn’t recreate that. We knew we weren't doing that again."

16. A NUMBER OF STARS GOT THEIR BREAKS ON UNSOLVED MYSTERIES.

Matthew McConaughey in an episode of Unsolved Mysteries
CBS

In his first professional acting gig, Matthew McConaughey appeared as a (shirtless, of course) murder victim in an episode of Unsolved Mysteries. "They got the guy," the Academy Award winner told Entertainment Weekly in 2014. "They found him around Bryan, Texas, about two weeks after that show." Virginia Madsen also co-hosted the show with Stack in 1999. Curb Your Enthusiasm’s Cheryl Hines, MADtv’s Stephnie Weir, Saw’s Ned Bellamy, and Lost’s Daniel Dae Kim also appeared in episodes.

17. ONE OF THE SHOW'S MOST POPULAR SEGMENTS WAS ALSO TOUGH TO SHOOT.

It was called "Mystery Hum," about the Taos Hum, so named because the low-frequency sound began to be reported in Taos, New Mexico, in 1992. (In other parts of the world, it's called the Bristol Hum, the Bondi Hum, or just "The Hum.") Director Bob Wise said the segment was particularly difficult to film because there weren't many visual elements for the audience—and the hum's low frequencies didn't come through televisions well. Still, he said, "we got a lot of response to this, because a lot of people around the country and the world are hearing this same thing, and there’s a whole network of people who hear this thing."

18. THE SHOW USED A VISUAL EFFECTS COMPANY CALLED AREA 51.

That company was tasked with creating the show’s effects, from sparking clocks to creepy ghosts to, appropriately, aliens. In fact, the “Allagash Abduction” segment featured some of Cosgrove’s favorite effects created by Area 51. “We had such detailed paintings and drawings from [the abductees], and we based our special effects session on their drawings and paintings, not just from the descriptions,” Bridgers said.

19. BUT SOMETIMES, THEY DID EFFECTS THE OLD FASHIONED WAY.

In Unsolved Mysteries's early years, visual effects weren't very advanced and the show didn't have a huge budget for them, either. "When you’re shooting ghost stories, it gets kind of tricky if you want to do it without special effects," director Bob Wise said in DVD commentary. The crew was forced to get creative: For the episode "Gordy's Ghosts," Wise chose to give the ghosts an overblown white look. "We put a lot of light on [the actor's] face," Wise said. "The poor little girl could barely keep her eyes open."

For another sequence that showed a ghost lying down next to the little girl on the bed, the crew took off the mattress and had the actor lie on boxes, and pulled on springs underneath to achieve the effect. Ghostly effects in other episodes were created in camera using double exposure and projection.

20. ROBERT STACK—AND THE PRODUCERS—WERE PRETTY SKEPTICAL OF THE PARANORMAL STUFF.

DVD cover of Unsolved Mysteries: UFOs
Alchemy

Though Stack was, in Cosgrove’s words, “terribly proud of our contributions to catching bad guys,” he was pretty skeptical of the show’s paranormal and extraterrestrial segments. “In some of those narration sessions, he’d be like, 'Come on, Raymond!'” Bridgers recalled. But even Stack found some stories—like the “Allagash Abductions” segment—pretty compelling. “[That] one even nailed Bob,” Cosgrove said. “[It] got under his skin. These guys were so normal and credible and stood to gain nothing by making up a story.”

As many as 80 percent of the supernatural cases were dismissed outright, according to Bridgers. But, like Stack, the producers found themselves swayed by certain stories. “When we pick a ghost story, we’re always mindful of those stories where there seems to be a historical reason for there to be a haunting,” Cosgrove said in the DVD commentary for “Black Hope Curse.” “I don’t think any of us, when we started Unsolved Mysteries, really believed in ghosts ... we’ve all had to take a second look at our preconceived notions after the experiences that we’ve had. Initially we’d be very skeptical of stories, but when you find that there is a story, that there are facts and history and accounts from the past that match up to what people see ... it takes your breath away, and makes the stories a lot more credible.”

21. NOT EVERYONE WANTED THEIR MYSTERY ON UNSOLVED MYSTERIES.

In the early days of Unsolved Mysteries, it could be tough to get people who'd had supernatural experiences to appear on the show—they were afraid, Cosgrove said, of exposing themselves to potential ridicule. "Back then, people didn’t want to come out of the woodwork to say that they’d seen ghosts," he said. "It was really tough to get people to agree to do the interviews." Still, there seemed to be some therapeutic value in it for the interviewees. "Having us talk to them and pay such close attention to them and help them explain it to the public seems to help them," Cosgrove said.

22. THEY FILMED MANY OF STACK’S SEGMENTS AT A MASONIC TEMPLE.

The temple was located in Pasadena, California. “We liked it as a set because it evoked ghostly spirits and things like that,” Cosgrove said.

23. UNSOLVED MYSTERIES RAN ON FOUR NETWORKS.

The show spent 10 seasons on NBC before moving to CBS, where it aired for two seasons before being cancelled. It later ran on Lifetime and on Spike TV.

24. THE REALITY SHOW SPAWNED TV MOVIES.

Victim of Love: The Shannon Mohr Story, which aired in September 1993, was based on an Unsolved Mysteries segment from November 1987. In the movie, Mohr (Sally Murphy) marries Dave Davis (Dwight Schultz) in a quickie Vegas ceremony. She soon discovers that he’s a pathological liar who neglected to tell her about his first wife. When Mohr dies of what appears to be a horse riding accident, her parents become suspicious. John J. O’Connor, who reviewed the movie for the New York Times, wrote,

The parents embark on a 10-year campaign to seek justice. A journalist and a detective prove most helpful. Confronted with mounting evidence against him, Dave flees the country, finally ending up in American Samoa. How can he be found? There's one possibility left, says the detective: "Unsolved Mysteries." And so we find the actors in this movie recreating the interview the real parents gave on the "Unsolved Mysteries" broadcast. The repackaging turns out to be an ingenious plug for the series itself. … Actually, Dave wasn't captured for more than two years after the original telecast. Credit, it seems, must go to the reruns. Marketing comes full circle.

Other TV movies followed: Escape From Terror: The Teresa Stamper Story (1995), Voice from the Grave (1996), and The Sleepwalker Killing (1997).

25. IT HAD A DRAMATIZED SPIN-OFF.

It was called Final Appeal: From the Files of Unsolved Mysteries. According to a synopsis from the New York Times, the show was “a reality-based series based on the NBC series, Unsolved Mysteries. [It] examines real-life cases of potential injustice involving convicted persons who, according to impartial observers, may be innocent.” Stack hosted. Final Appeal premiered in September 1992 and was cancelled shortly after.

26. MANY OF THE MYSTERIES ACTUALLY GOT SOLVED.

“Join me. Perhaps you may be able to help solve a mystery,” Stack said at the beginning of each episode. The show asked its viewers to call police or a tipline if they had any information on a crime, missing person, or lost loved one—and boy, did they. The LA Times wrote about one case that appeared on Unsolved Mysteries in 1988:

It was no mystery to Jerry Strickland and Melissa K. Munday when police showed up at their door in Moses Lake, Wash. Hours earlier they had been watching television as the show "Unsolved Mysteries" mentioned them in connection with the unsolved robbery and slaying of a gas station worker near Pontiac, Mich. Police got about 15 calls from area residents after the program aired, and Officer John Mays and Sgt. Dennis Duke arrived to find the couple waiting for them, Mays said.

Unsolved Mysteries covered more than one thousand cases, and according to its website, more than half of the episodes featuring wanted fugitives have been solved. Over 100 separated families have been reunited—including LeeAnn Robinson, who ran away from her father’s home when she was 16 and found her brother and sister years later through the show. "I was standing there in the studio (after the program ran) and this guy came over and said, 'I have your sister on the phone,'" Robinson said. "I just started to cry. I cried for a week."

27. AND YOU CAN STILL HELP SOLVE A MYSTERY.

Though the show isn’t currently in production, visitors can submit information that might pertain to an unsolved crime on the show’s website. But just because it isn't currently in production doesn't mean it won't be back: in April, the show's creators participated in a Reddit AMA where they said that they were actively "in the process of reaching out to networks to see if there is interest in ordering new shows. Let's keep our fingers crossed!”

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Check Out These 10 Fun Facts About Supermarket Sweep
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Thanks to a recent deleted SNL scene in which host Melissa McCarthy lost her mind on a segment of Supermarket Sweep, we started reminiscing about the heart-pumping, family-friendly game show back in early 2016. Back in the day, you couldn’t watch the show—which debuted in 1965—without fantasizing about reenacting it at your local grocery store. On it, pairs of contestants would race through supermarket aisles, attempting to pack their carts full of the most valuable items, in between quiz-style segments. Revivals of the series stopped filming in 2003, but there's good news for fans who can't let the dream of appearing on the game show die: Deadline reports that it's about to make a television comeback. Relive the high of Supermarket Sweep with these fun facts about the game show.

1. THE MEAT WAS FAKE.

In a special for Great Big Story, former host David Ruprecht confirmed, “All the meat was fake.” Former contestant Mike Futia reaffirmed the fact to The A.V. Club saying, “Everything that was meat, cheese—all that was fake because they’d get the meat juices on their sweaters. And that’s not telegenic, so they wanted to get rid of that.”

2. A LOT OF THE FOOD WAS EXPIRED.

“We shot for about five months every year and they used the same food over and over again,” Ruprecht admitted to Great Big Story. “A lot of the food, having been thrown in and out of the carts for three, four months had gotten pretty beaten up.”

3. WINNERS DIDN’T GET TO KEEP THE FOOD.

Given what Ruprecht said above, contestants were probably thankful that they didn’t get to keep the food. And according to Great Big Story, they didn’t get to keep their sweatshirts either. “They got $5000 but they didn’t get their sweatshirts,” said Ruprecht.

4. BEAUTY PRODUCTS COULD WIN YOU THE GAME.

Pro tip: Heading for the beauty aisle instead of the meat freezer could very well have won you the game. “Those who [used this strategy] won,” Ruprecht told Great Big Story. “Instead of five hams and five turkeys that load up your cart, you ... get five hair colorings ... get five of all these expensive health and beauty products. With one cart, you could beat everybody.”

5. FOR CONTESTANTS, PERSONALITY WAS KEY.

Supermarket Sweep was a TV show, after all, and vibrant personalities have always made for good television. “When we were going through the process, they put you in a room with a few other people and ask you sample questions,” former contestant Mike Futia recalled to The A.V. Club. “And you could sense it was because they wanted to see if you were slouching and things like that ... I felt pretty confident that we’d get the callback to have a taping.”

6. WINNING DURING THE TAPING DIDN’T GUARANTEE YOU’D ACTUALLY COLLECT YOUR WINNINGS.

“It was a syndicated show,” Mike Futia explained to The A.V. Club, “so they taped all the episodes, and you didn’t even know if you were going to get the money if you won unless it aired, which could be six months later, because they then had to sell it.” On the bright side: Even if you didn’t collect, at least you could always say you played Supermarket Sweep.

7. SHOOTING DAYS LASTED 12 TO 14 HOURS.

Most of that time consisted of waiting around. “We literally got in a room when we got called back for the actual taping, and they said, ‘Be prepared to be here. It could be a 12- to 14-hour day because there are three pairs of people on each show,’” Futia explained to The A.V. Club. “That day, I want to say they were taping something like eight shows. So you had 48 people just in a room, and the first thing they tape is your introduction where you run down to the camera and everybody gets introduced to [host] David Ruprecht ... Then they call you back and you tape the first segment.”

8. CONTESTANTS WORE DICKEYS.

Talk about dated fashion: “By winning, we didn’t get to keep the sweaters because we got paid,” Futia recalled to The A.V. Club. “But if you lost, your consolation prize was that you got to keep the sweater—but you didn’t get to keep the dickey.”

9. CONTESTANTS GOT TO MAP OUT THEIR ROUTES.

To prevent contestants from looking like chickens running around with their heads cut off, the show allowed them some time to strategize. “When you’re taping the show before the …  Supermarket Sweep round, you get about 10 minutes or so to walk around the supermarket so you can see the prices,” Futia told The A.V. Club. “Everything has a price on it, so ... you map out what you’re going to do. And it’s the weirdest things that were expensive, like hoses.”

10. THE “SUPERMARKET” WAS REALLY, REALLY SMALL.

“A little bit bigger than a bodega in the city” was how Futia described the supermarket set that was built for the 1990s revival of the series. “It’s very tiny. It looks huge, but it’s small. Even in the aisles, you had to be careful if you and your cameraman were running and another group was coming down that aisle. You had to make sure you were all the way to the side or there could have been an accident.”

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15 Fascinating Facts About Candyman
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Helen Lyle (Virginia Madsen) is a Chicago graduate student with a deep fascination with urban legends, which she and her friend Bernadette (Kasi Lemmons) are using as the basis for a thesis project. After they stumble across the local legend of Candyman, a well-to-do black artist who fell in love with a white woman in the late 1800s and was murdered for it, Helen wants to learn more. When she’s told that Candyman still haunts Chicago's Cabrini-Green housing project, and that his spirit can be summoned by repeating his name into a mirror five times, Helen does just that … and all hell breaks loose.

What began as a low-budget indie film has morphed into a contemporary classic of the horror genre, and essential Halloween viewing. In 1992, English filmmaker Bernard Rose—who got his start working as a gopher on The Muppet Show—turned Clive Barker’s short story “The Forbidden” into Candyman, which was released in theaters 25 years ago today. In honor of the film’s anniversary, here are 15 things you might not have known about Candyman.

1. EDDIE MURPHY WAS CONSIDERED FOR THE LEAD.

Though the role of Candyman turned Tony Todd into a horror icon, he wasn’t the only actor in consideration for the film’s title role: Eddie Murphy was also reportedly a contender for the part. Though it’s unclear exactly why he wasn’t cast, sources have reported that it had to do with everything from his height (at 5 feet 9 inches, he wouldn’t seem nearly as intimidating as the 6-foot-5 Todd) to his salary demands.

2. AN UNEXPECTED PREGNANCY LANDED VIRGINIA MADSEN THE LEAD.

Virginia Madsen stars in 'Candyman'
PolyGram Filmed Entertainment

When asked by HorrorNewsNetwork about how she got the role of Helen in Candyman, Virginia Madsen shared that it was almost by accident: She was supposed to play Bernie, Helen’s friend and classmate, the role that eventually went to Kasi Lemmons.

“I was actually very good friends with Bernard [Rose] and his wife Alexandra,” Madsen said. “She is a wonderful actress, who actually brought Clive Barker’s short story ‘The Forbidden’ to her husband. She thought this would be a great film, and he could direct her. She was supposed to be Helen. I was going to play [Kasi Lemmons'] part, until they made the character African American. Then I was out.

“Right before shooting, Alexandra found out she was pregnant. It was great for me, but it was so sad for her because this was her role; she found this story and really wanted it. So when I was asked to step in I felt like ‘I can’t take my friend’s role.’ She actually came over one day and said ‘It would just kill me to see someone else play this role, you have to be the one who plays it.’ So with her blessing I took on the role. I really tried to work my butt off just to honor her.”

3. IT COULD HAVE STARRED SANDRA BULLOCK.

On the film’s DVD commentary, producer Alan Poul said that had Madsen been unable to step into the role of Helen, the part would have likely been offered to Sandra Bullock, who was still a relative unknown actress at that point. Though she had played the role of Tess McGill in the television adaptation of Working Girl, she was still a couple of years away from Speed (1994), the role that launched her into stardom.

4. ITS OPENING SHOT WAS GROUNDBREAKING.

The film’s opening credits feature a great aerial view of Chicago, which was pretty revolutionary for its time. “We did that with an incredible new machine called the Skycam, which can shoot up to a 500mm lens with no vibration,” Rose told The Independent. “You've never seen that shot before, at least not done that smoothly.”

5. NOT ALL OF THE FILM’S CREEPY DETAILS SPRUNG FROM CLIVE BARKER’S IMAGINATION.

While investigating one of Candyman’s crime scenes, Helen and Bernie discover that the design of the apartment’s medicine cabinet made it a possible point of entry for an intruder. This was not a made-up piece of horror movie fiction. While researching the film, Rose learned that a series of murders had been committed in Chicago in this very way.

6. BERNARD ROSE SEES CANDYMAN AS A ROMANTIC FIGURE.

Tony Todd stars in 'Candyman'
PolyGram Filmed Entertainment

Viewers may think of Candyman as one of the horror genre’s most terrifying villains, but Rose said that “the idea always was that he was kind of a romantic figure. And again, romantic in sort of the Edgar Allan Poe sense—it's the romance of death. He's a ghost, and he's also the resurrection of something that is kind of unspoken or unspeakable in American history, which is slavery, as well. So he's kind of come back and he's haunting what is the new version of the racial segregation in Chicago.

“And I think there's also something very seductive and very sweet and very romantic about him, and that's what makes him interesting. In the same way there is about Dracula. In the end, the Bogeyman is someone you want to surrender to. You're not just afraid of. There's a certain kind of joy in his seduction. And Tony was always so romantic. Tony ties him in so elegantly and is such a gentleman. He was wonderful.”

7. THE BEES IN THE FILM WERE BRED SPECIFICALLY TO APPEAR ONSCREEN.

No, that is not CGI! The bees that play a key role in Candyman are indeed real. So that they looked appropriately terrifying, but were less dangerous to the cast and crew, the filmmakers used newborn bees—they were just 12 hours old—so that they looked fully grown, but had less powerful stingers.

8. TONY TODD WAS STUNG 23 TIMES, AND GOT A BONUS EACH TIME IT HAPPENED.

Photo of Tony Todd in 'Candyman'
PolyGram Filmed Entertainment

In addition to allowing the filmmakers to cover his face with bees, Todd actually agreed to film a scene in which he had a mouthful of bees—and that, too, was all real. He told TMZ that he wore a dental dam to prevent any bees from sliding into his throat—which doesn’t mean that he didn’t suffer a sting or two … or 23, to be exact, over the course of three Candyman movies. Though it might have been worth it. “I had a great lawyer,” he told TMZ. “A thousand dollars a pop.”

9. THE BEES WEREN’T GREAT NEWS FOR MADSEN, EITHER.

Madsen, too, had to get up close and personal with those bees—a fact that almost forced her to pass on the role. “When Bernie was first asking me to do the role I said, ‘Well, I can’t. I’m allergic to bees,’” she told HorrorNewsNetwork. “He said ‘No you’re not allergic to bees, you’re just afraid.’ So I had to go to UCLA and get tested because he didn’t believe [me]. I was tested for every kind of venom. I was far more allergic to wasps. So he said, ‘We’ll just [have] paramedics there, it will be fine!’ You know actors, we’ll do anything for a paycheck! So fine, I’ll be covered with bees.

“So we a had a bee wrangler and he pretty much told us you can’t freak out around the bees, or be nervous, or swat at them, it would just aggravate them. They used baby bees on me. They can still sting you, but are less likely. When they put the bees on me it was crazy because they have fur. They felt like little Q-tips roaming around on me. Then you have pheromones on you, so they’re all in love with you and think you’re a giant queen. I really just had to go into this Zen sort of place and the takes were very short. What took the longest was getting the bees off of us. They had this tiny ‘bee vacuum,’ which wouldn’t harm the bees. After the scene where the bees were all over my face and my head, it took both Tony and I 45 minutes just to get the bees off. That’s when it became difficult to sit still. It was cool though, I felt like a total badass doing it.”

10. PHILIP GLASS COMPOSED THE SCORE, BUT WAS DISAPPOINTED IN THE MOVIE.

When Philip Glass signed on to compose the score for Candyman, he apparently envisioned the final film being something totally different. According to Rolling Stone, “What he'd presumed would be an artful version of Clive Barker's short story ‘The Forbidden’ had ended up, in his view, a low-budget slasher.” Glass was reportedly disappointed in the film, and felt that he had been manipulated. Still, the haunting music is considered a classic score—and Glass’s own view of it seems to have softened over time. “It has become a classic, so I still make money from that score, get checks every year,” he told Variety in 2014.

11. MANY OF THE FILM'S SCENES WERE SHOT AT CABRINI-GREEN.

In 2011, the last remaining high-rise in the Cabrini-Green housing project was demolished. Over the years, the property—which opened in 1942—gained a notorious reputation around the world for being a haven for violence, drugs, gangs, and other criminal activities. While the project’s real-life history weaves its way into the narrative of Candyman, it only makes sense that Rose would want to shoot there. Which he did. But in order to gain permission to shoot there, he had to agree to cast some of the residents as extras.

“I went to Chicago on a research trip to see where it could be done and I was shown around by some people from the Illinois Film Commission and they took me to Cabrini-Green,” Rose said. “And I spent some time there and I realized that this was an incredible arena for a horror movie because it was a place of such palpable fear. And rule number one when you're making a horror movie is set it somewhere frightening. And the fear of the urban housing project, it seemed to me, was actually totally irrational because you couldn't really be in that much danger. Yes, there was crime there, but people were actually afraid of driving past it. And there was such an aura of fear around the place and I thought that was really something interesting to look into because it's sort of a kind of fear that's at the heart of modern cities. And obviously, it's racially motivated, but more than that—it's poverty motivated.”

12. THE FILM’S PRODUCERS WERE WORRIED THAT THE FILM WOULD BE CONSIDERED RACIST.

During pre-production, Candyman’s producers began to worry that the film might draw criticism for being racist, given that its villain was black and it was largely set in an infamous housing project. “I had to go and have a whole set of meetings with the NAACP, because the producers were so worried,” Rose told The Independent. “And what they said to me when they'd read the script was 'Why are we even having this meeting? You know, this is just good fun.' Their argument was 'Why shouldn't a black actor be a ghost? Why shouldn't a black actor play Freddy Krueger or Hannibal Lecter? If you're saying that they can't be, it's really perverse. This is a horror movie.'”

13. STILL, SOME FILMMAKERS COMPLAINED THAT IT WAS RACIST.

In a 1992 story in the Chicago Tribune, some high-profile black filmmakers expressed their disappointment that the film seemed to perpetuate several racist stereotypes. “There’s no question that this film plays on white middle-class fears of black people,” director Carl Franklin (Out of Time, Devil in a Blue Dress) said. “It unabashedly uses racial stereotypes and destructive myths to create shock. I found it hokey and unsettling. It didn't work for me because I don’t share those fears, buy into those myths.”

Reginald Hudlin, who directed House Party, Boomerang, and Marshall, described the film as “worrisome,” though he didn’t want to speak on the record about his specific issues with the film. “I've gotten calls about [the movie], but I think I'm going to reserve comment,” he said. “Some of my friends are in it and I may someday want to work for TriStar.”

For Rose, those assessments may have been hard to hear, as his goal in adapting Barker’s story and directing it was to upend the myths about inner cities. “[T]he tradition of oral storytelling is very much alive, especially when it's a scary story,” he told The Independent. “And the biggest urban legend of all for me was the idea that there are places in cities where you do not go, because if you go in them something dreadful will happen—not to say that there isn't danger in ghettos and inner city areas, but the exaggerated fear of them is an urban myth.”

14. IT’S STILL THE ROLE THAT MADSEN IS MOST RECOGNIZED FOR (ESPECIALLY AT AIRPORTS).

Kasi Lemmons and Virginia Madsen in 'Candyman'
PolyGram Filmed Entertainment

Though she earned a Best Supporting Actress nomination in 2005 for Alexander Payne’s Sideways, in 2012 Madsen said that Candyman is still the role she is most recognized for—especially at airports.

“More people recognize me from that movie than anything I’ve done,” she told HorrorNewsNetwork. “It means a lot to me. It was after years of struggling. As an actor, you always want a film that’s annual, like It’s a Wonderful Life or A Christmas Story. I just love that I have a Halloween movie. Now it’s kind of legend this story. People have watched it since they were kids, and every Halloween it’s on, and they watch it now with their kids. That means a lot to me. The place I get recognized the most is the airport security for some reason. Every person in airport security has seen Candyman. Maybe it makes them a little afraid of me.”

15. THERE WAS AN ACTUAL CANDYMAN KILLER.

Though the Chicago-based legend of Candyman is a work of fiction, there was an actual serial killer known as “Candyman” or “The Candy Man.” Between 1970 and 1973, Dean Corll kidnapped, tortured, and murdered at least 28 young boys in the Houston area. Corll earned his sweet nickname from the fact that his family owned a candy factory.

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