11 Famous People Who Once Had Paper Routes

fillyfolly, iStock
fillyfolly, iStock

As publications evolve, so do their methods of distribution. Between the rise of suburbs and the fall of afternoon daily newspapers, many countries teemed with youthful paperboys and papergirls. But thanks to shifting trends, most print media deliverers are now adults. This year, October 13 is International Newspaper Carrier Day, and we're taking a look at some of the most influential people who’ve ever worked a paper route, including a vice president, an astronaut, a supermodel, and the star of Risky Business. "Read all about 'em!"

1. WALT DISNEY

American animator and producer Walt Disney in 1946.
Keystone, Getty Images

"When I was 9, my brother Roy and I were already businessmen," Walt Disney reminisced of his childhood. In July 1911, their father, Elias, acquired a sizable newspaper delivery route from the Kansas City Star. Although this route officially belonged to Roy, Elias took charge of its operation. Together, Walt, Roy, and Elias Disney were responsible for delivering the Star's afternoon and Sunday editions to over 600 customers. And that was only part of the Disney trio's workload: Every morning, they'd dole out around 700 copies of the Kansas City Times.

Disney kept distributing KC newspapers until he was 15 years old. To hit all the houses on his itinerary before school started, the animator-to-be would wake up at 3:30 a.m. and usually work until 6 a.m. He'd then retrace his steps after classes ended. "During the winter months," Disney noted, "it was always dark and bitter cold [in the morning] … many times, I had to plow through three feet of freshly fallen snow, breaking my own path as I went.”

2. MARTIN LUTHER KING, JR.

Martin Luther King, Jr talking with someone.
Reg Lancaster, Daily Express/Hulton Archive/Getty Images

Growing up, King earned spending money by working as a paperboy for the Atlanta Journal-Constitution. He landed the gig with some help from his father and frequently used his newspaper funds to purchase books. At age 13, the future Civil Rights hero became the youngest person to assistant manage one of the AJC's delivery stations. Four years later, King—then a sophomore—wrote a passionate letter to the editor of the same publication condemning the historic mistreatment of African Americans. His father would subsequently write that he had "no intimation of [King, Jr.'s] developing greatness" until the publication of said letter, "which received widespread and favorable comment."

3. JOE BIDEN

Joe Biden giving a speech.
Frederick M. Brown, Getty Images

America's 47th vice president used a childhood paper route to hone his people skills—and work on his speech mechanics. Biden had a noticeable stutter as a boy (some classmates in a prep school Latin course took to calling him "Joe Impedimenta"). In 1955, his family relocated to Mayfield, Delaware, and Biden got himself a paper route shortly thereafter. The job presented him with a lingual challenge at first. "I lived in dread of Saturday mornings when I had to go collect [money] from people I was just getting to know," Biden has said. To make small talk with his assigned subscribers go smoothly, young Biden "learned to anticipate the conversation to come." Then he'd rehearse some sentences that might prove useful in the discussion.

"My next-door neighbor was a big Yankees fan, and I'd always check the Yankee box score, because I knew he'd ask, and I knew I'd have to say something [about the team] without making a fool of myself," Biden recalled in his autobiography. "I had played out the entire conversation before he opened his front door."

4. EARL "THE PEARL" MONROE

Former professional basketball player Earl 'The Pearl' Monroe in 2015.
Mike Coppola, Getty Images

Inducted into the Naismith Memorial Basketball Hall of Fame in 1990, Monroe was a prolific scorer who spent 13 seasons in the NBA and helped the New York Knicks win their most recent world championship in 1973. (His number, 15, has been retired by the team and now hangs in the rafters at Madison Square Garden.) A native Philadelphian, Monroe entered the newspaper carrier game with some parental help. "In junior high, I had a paper route that my mother [Rose] and I built up until it was profitable," wrote Monroe in his autobiography. On deliveries, the teen would often be accompanied by his mom. "[She] did everything to help me when I was growing up," Monroe said. "She really didn't want me being out there by myself."

5. KATHY IRELAND

Model Kathy Ireland at a fashion show in 2018.
Astrid Stawiarz, Getty Images for AHA

Kathy Ireland was one of the most recognizable supermodels of the 1980s, posing for Sports Illustrated on several occasions before launching what turned into a global licensing company valued at $2 billion. Her success in the business world was foreshadowed by a historic newspaper-delivering stint. Ireland was raised in Santa Barbara, California, where—at age 4—she used to sell hand-painted rocks. When she was about 10, an advertisement calling for new paperboys appeared in one of the local newspapers. "Are you the boy for the job?" it asked. Young Ireland responded by writing a pointed letter to the editor. "No, I'm not the boy for the job, I'm the girl for the job, and I can do it just as well as any boy," she declared. "I think I deserve a chance." And she got one: Ireland became Santa Barbara's first-ever papergirl. By the time she retired from that gig, the budding mogul had made 120,000 newspaper deliveries and was voted her district's carrier of the year for three consecutive years.

6. ALAN BEAN

Former astronaut Alan Bean signs his photo in 2006.
David Livingston, Getty Images

As the lunar module pilot of NASA's Apollo 12 mission, the late Alan Bean became the fourth person to walk on the moon in 1969. He also spent 59 days orbiting Earth during a 1973 Skylab excursion and had a celebrated artistic career as well. A Texan by birth, Bean spent much of his youth delivering papers for his hometown Fort Worth Star-Telegram. "My first route was in the early mornings," Bean recalled. "Every day was the same. I pulled myself out of my warm bed and pedaled up and down the dark streets on my bicycle, loaded with folded-up newspapers. It was a lonely job, too—it seemed as if there were no one else in the whole world." Poignant words coming from an astronaut …

7. BOB HOPE

Bob Hope playing golf in England, circa 1965.
Keystone, Hulton Archive/Getty Images

Long before he became synonymous with Hollywood road comedies, Leslie Townes "Bob" Hope was helping to support his family as a Cleveland paperboy. He later returned to the job while struggling to break into the entertainment industry. "At 8, I had a paper route. At 12, I worked in my brother's butcher shop. At 18, I was out on the road singing and dancing and at 19, I was back on my paper route," Hope wryly noted.

Selling newspapers from street corners was another revenue stream for the aspiring performer. While working at his stand on 102nd Street in Cleveland, Hope managed to brush shoulders with the highest of high-rollers. "I had one regular customer whose name I didn't know; all I knew was that he snapped his face open and shut like a wrinkled old coin purse," explained the comedian. One day, the mystery patron needed change for a dime, so Hope ran across the street to procure some pennies from a local department store. According to Hope, "When I came back, my customer said, 'Young man, I’m going to give you some advice. If you want to succeed in business, trust nobody. Never give credit and always keep the change on hand. That way, you won't miss any customers while you're going for it."

A few moments later, a passing inspector came up to the stand and asked, "Do you know who that man was?" "No," replied Hope. "He's only the richest man in the world,'" announced the inspector. "That's John D. Rockefeller, Senior."

8. JAMES A. MICHENER

James Michener wearing a flower necklace.
Wikimedia Commons // Public Domain

The author of over 40 books which together sold upwards of 75 million copies, Michener is best remembered for Tales of the South Pacific. Inspired by his service in the United States Navy, the novel won the 1948 Pulitzer Prize and was later adapted into the popular Rodgers and Hammerstein musical South Pacific. But long before his travels, a young Michener was an enthusiastic paperboy from seventh through twelfth grade. Working in his childhood home of Doylestown, Pennsylvania, Michener distributed various Philadelphia-based newspapers along five different routes. "I can still remember the residents of certain entire streets that I had served the longest," he wrote in 1992. "My paper routes gave me an insight into the complexity of life in a small town that not many boys acquired."

9. TOM CRUISE

Tom Cruise leaning against a wall.
Carlo Allegri, Getty Images

Raised in a less-than-affluent household, Cruise turned to newspaper-carrying as a means of picking up extra cash. (He also raked lawns and put in some time at an ice cream parlor.) "When I was 13," the actor told Sports Illustrated, "I had a paper route and paid $50 for my first go-cart, $75 for my first motorcycle." To help meet his delivery schedule, Cruise enlisted the aid of his younger sister, Cass. "I always told her I'd pay her back. I bought her a car after Risky Business."

10. WARREN BUFFETT

Warren Buffett giving a talk.
Paul Morigi, Getty Images for Fortune/Time Inc

He's the third-richest man in the world, with an estimated net worth of $91.5 billion, and Buffett's remarkable investment acumen has earned the Nebraskan the nickname "Oracle of Omaha." But the self-made billionaire got his start distributing newspapers on behalf of the Washington Post and other publications. "You had to deliver [them] every day, including Christmas Day," Buffett has said, adding that on Christmas morning, his "family would have to wait until I had done my paper route" before the festivities could start. At age 14, Buffett filed his first tax return, which reported that in 1944 he'd earned the equivalent of $8221 in modern U.S. dollars. And, given the nature of his job, the youngster knew he was able to write off the cost of his watch and various bicycle repairs as business expenses.

11. DAVID LYNCH

David Lynch seated in a large yellow chair.
TIZIANA FABI, AFP/Getty Images

Auteur director David Lynch was so low on personal funds during the production of Eraserhead (1977) that he needed a couple of side hustles to make ends meet. In addition to working a part-time plumbing job, Lynch delivered copies of The Wall Street Journal. "I built three sheds in my back yard during that period," he claims. "They were made out of wood I found on my paper route. My route took me through two different trash areas. On trash nights, my route would take two hours instead of one because I stopped and sorted through the garbage." Hey, everyone needs a hobby.

9 Words That Were Borrowed From One Language, Transformed, Then Borrowed Back

iStock/Rawpixel
iStock/Rawpixel

One of the ways languages expand is to borrow words from other languages. After the borrowed word gets comfy in its new language, it can get transformed in such a way that the original language finds a reason to borrow it back in its transformed version. Here are some words that found new meanings on a foreign exchange adventure and returned home with a fresh perspective.

1. Turquoise

French called the blue-colored gem “Turkish stone,” and then the Turquoise part of pierre turquoise came to stand for the color on its own. It was then borrowed into Turkish as tukuaz—which does not mean “Turkish,” but rather the blue-green color.

2. Tornado

Borrowed from Spanish tronada (for thunderstorm) into English as tornado. Borrowed back into Spanish for the funnel cloud storm as tornado.

3. Anime

Animation was borrowed from English into Japanese as animeshon, and shortened to anime. Borrowed back into English as anime.

4. Safari

Borrowed from Arabic safar (travel) into Swahili as safari and from there into English and other languages. Borrowed back into Arabic for wildlife tour, specifically as “safari journey.”

5. Camp

Borrowed from French champ for "field" into English. Borrowed back into French from English as camping for tent camping.

6. Manager

Borrowed from Italian maneggiare into English as manage (to handle or direct). Borrowed from English into Italian il manager for music, talent, or sports manager.

7. Cravat

Borrowed into French from the Croatian word for Croatian person, Hrvat, after the scarf they saw on Croatian mercenaries that became the style in Europe. Borrowed back into Croatian for the necktie specifically as kravata.

8. Mannequin

Borrowed into French from Dutch manneken, for little man. Borrowed back into Dutch as mannequin for runway model.

9. Beef

Borrowed into English from French boeuf for the meat of a cow, ox, or bull. Borrowed back into French in the term for roast beef as rosbif.

12 Wild Facts About Butch Cassidy and the Sundance Kid

Paul Newman and Robert Redford star in Butch Cassidy and the Sundance Kid (1969).
Paul Newman and Robert Redford star in Butch Cassidy and the Sundance Kid (1969).
20th Century Fox

Lovable outlaws, buddy comedies, and Westerns have always been a part of the cinematic landscape. But it was Butch Cassidy and the Sundance Kid that first combined those elements into a box office smash, setting the tone for the dozens (hundreds?) of action comedies that have followed. It also put Robert Redford on the A-list (Paul Newman was already there), and introduced audiences to the bizarrely anachronistic pop song “Raindrops Keep Fallin’ on My Head.” Here are a dirty dozen facts about one of our favorite movies about bad guys, which was released 40 years ago.

1. “Most of what follows is true” isn’t true.

That disclaimer at the beginning of the film, a variation of the familiar “based on a true story,” is tongue-in-cheek. The reality is that much of the lore surrounding Butch and Sundance was difficult or impossible to confirm or debunk, so screenwriter William Goldman (who’d primarily been a novelist before this) just went with it. In fact, that’s why he wrote a movie instead of a book: he was interested in the story, but he didn’t want to do the laborious research into day-to-day turn-of-the-century frontier life that a novel would require.

2. Paul Newman was in from the beginning, but finding his co-star took some work.

Paul Newman and Robert Redford star in Butch Cassidy and the Sundance Kid
20th Century Fox

When he wrote it, Goldman had in mind Newman—then perhaps the biggest movie star in the world—and Jack Lemmon, who’d done a 1958 Western called Cowboy and seemed like a good fit. Lemmon turned out not to be interested, and numerous other candidates were approached, including Steve McQueen (see below), Warren Beatty, and Marlon Brando. Newman’s wife, Joanne Woodward, suggested Robert Redford—then a stage actor who’d been in a few films but was considered something of a lightweight. Woodward, Newman, and director George Roy Hill all pestered the reluctant 20th Century Fox bosses until they conceded to casting Redford.

3. The president of 20th Century Fox could have lost his job for buying the screenplay.

Not because he bought it, but because he paid $400,000 for it. Richard Zanuck, son of Fox co-founder Darryl F. Zanuck, was authorized to spend $200,000, and later had to justify to the board of directors his decision to spend twice that much, especially since $400,000 was more than anyone had ever paid for a screenplay before. (That’s about $2.8 million in 2019 dollars, a figure that has been paid plenty of times.) The price turned out to be worth it, as Butch Cassidy and the Sundance Kid was the top-grossing film of 1969. But despite that and a few other hits, Fox was hemorrhaging money due to expensive flops like Dr. Dolittle, and Zanuck was fired in 1970.

4. Steve Mcqueen dropped out over billing.

If Newman was the biggest movie star in the world at the time, Steve McQueen was right up there with him. The idea of casting not one but two mega-stars as Butch and Sundance made perfect sense, but there was a problem: whose name would go first in the credits? Fox president Darryl F. Zanuck later said that he proposed an unusual arrangement where half the prints of the film would list Newman first, the other half McQueen, but McQueen (or his representatives) wouldn’t accept anything other than top billing across the board. And that was that.

5. It was titled “The Sundance Kid And Butch Cassidy” until the casting was settled.

Once they’d settled on Redford as Newman’s costar, a new (minor) issue arose. Newman thought he was playing Sundance in what had heretofore been known as The Sundance Kid and Butch Cassidy. It turned out Hill, the director, actually wanted him to play Butch, and Redford to play Sundance. No problem; Newman was fine with the switch. But now they had a situation where the character being played by the less-famous actor came first in the title. The obvious Hollywood solution: reverse the title. “The Sundance Kid and Butch Cassidy” sounds weird to us now (as does the notion of Redford being significantly less famous than Newman), but there you go.

6. They had to change the name of Butch and Sundance’s gang to steer clear of Sam Peckinpah.

In real life, Butch and Sundance’s crew of bandits were collectively known as the Wild Bunch, and were so named in Goldman’s script. But as the film was going into production, Fox execs became aware of a Warner Bros. property called The Wild Bunch, written and directed by Sam Peckinpah. It wasn’t about the same guys, but it was a Western, and the story bore some coincidental similarities. What’s more, WB was rushing to get it into theaters before Butch Cassidy and the Sundance Kid. So calling anybody “the Wild Bunch” in the Butch and Sundance movie was out of the question. Fox’s solution was to rename them the Hole-in-the-Wall Gang, after a place in Wyoming that Butch (and other bad guys) sometimes used as home base.

7. Newman did his own bicycling stunts—because the stuntman couldn’t.

The studio sent a guy who practiced Butch’s showing-off moments for days ahead of time, but when it came time to shoot it, he couldn’t stay upright. Newman ended up doing most of it himself, which looked better on camera anyway. (The one shot he didn’t perform—the one at the end where the bike crashes through a fence—was done by cinematographer Conrad Hall.) Director Hill was duly annoyed by the waste of money on the bike stuntman.

8. Newman got mad at Redford for doing his own stunts.

To be fair, Redford’s stunts were a lot more dangerous. It was the scene where Sundance leaps onto the top of a moving train and runs stealthily across the cars. It wasn’t that Newman was jealous of Redford’s derring-do—he was concerned for his safety. “I don’t want to lose a costar” is what Redford recalls Newman saying. Chastened (and touched), Redford agreed it was a selfish move on his part, and he refrained from risking his life after that.

9. Katharine Ross was banned from the set for being too helpful.

Katharine Ross and Paul Newman in 'Butch Cassidy and the Sundance Kid' (2019)
20th Century Fox

The 29-year-old actress, an Oscar nominee for playing Elaine Robinson in The Graduate, played Sundance’s girlfriend, Etta Place. In real life, she was dating (and would soon marry) cinematographer Conrad Hall, and that’s how she got into trouble. Ross was interested in photography, and while observing a scene that she wasn’t in, she asked Hall if she could operate one of the cameras. There were several cameras in use for this particular scene, so it didn’t matter (to Hall, anyway) if one of the less important ones was operated by an amateur, just for fun. Many crew members felt otherwise, and director Hill was furious when he found out. He sent word to Ross back at her hotel that she was no longer allowed on the set except when she was working. “It became a very difficult shoot for me,” she later said. “In fact, it took me a long time before I even wanted to see the film.”

Ross and Hall were married in 1969, the same years as the film's release, and divorced in 1974. Ten years later, Ross married fellow actor Sam Elliott; the couple is celebrating their 35th anniversary this year.

10. The film had to endure additional editing because it was too funny.

One of the complaints some critics had about the movie was that the glib, humorous tone felt anachronistic. They should have seen the earlier cut, which was even more uproarious. Zanuck later recalled that test-screening audiences found it too funny, funnier than the studio had in mind. They wanted it to be an amusing Western, but not an all-out comedy Western (a genre that tended to do poorly). The film was sent back for re-editing to take a few laughs out and make the whole thing feel a little more respectable.

11. There was a super-posse in real life, but with a very different outcome.

The film depicts several of the best lawmen teaming up to hunt Butch and Sundance as a group (which could actually make for a very interesting movie on its own). For a 30-minute chunk of the film, our heroes are on the run, barely staying a step ahead, ultimately escaping by leaping into a river and then moving to Bolivia. That’s all an embellishment of the truth. There was a super-posse, but they didn’t engage Butch and Sundance in much of a chase: as soon as Butch and Sundance heard who was in the group, they fled, knowing they’d never be able to beat them. The hunt was over before it started.

12. They wanted to shoot some of it on the set of Hello, Dolly!

The script called for a sequence where Butch, Sundance, and Etta go to New York before heading for South America. Recreating turn-of-the-century New York would be prohibitively expensive—but as it happened, 20th Century Fox had another movie in production for which just such a set had been built: Hello, Dolly!, the movie version of the hit Broadway musical. Maybe the Butch Cassidy team could borrow it for a few days? But Fox’s Zanuck nixed it for general cost-cutting reasons (and possibly because the Hello, Dolly! team objected). Instead, Hill created a montage of period photographs with the actors pasted in.

Additional Sources: DVD interviews and features Paul Newman: A Life, by Shawn Levy American Film Institute

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