11 Famous People Who Once Had Paper Routes

fillyfolly, iStock
fillyfolly, iStock

As publications evolve, so do their methods of distribution. Between the rise of suburbs and the fall of afternoon daily newspapers, many countries teemed with youthful paperboys and papergirls. But thanks to shifting trends, most print media deliverers are now adults. This year, October 13 is International Newspaper Carrier Day, and we're taking a look at some of the most influential people who’ve ever worked a paper route, including a vice president, an astronaut, a supermodel, and the star of Risky Business. "Read all about 'em!"

1. WALT DISNEY

American animator and producer Walt Disney in 1946.
Keystone, Getty Images

"When I was 9, my brother Roy and I were already businessmen," Walt Disney reminisced of his childhood. In July 1911, their father, Elias, acquired a sizable newspaper delivery route from the Kansas City Star. Although this route officially belonged to Roy, Elias took charge of its operation. Together, Walt, Roy, and Elias Disney were responsible for delivering the Star's afternoon and Sunday editions to over 600 customers. And that was only part of the Disney trio's workload: Every morning, they'd dole out around 700 copies of the Kansas City Times.

Disney kept distributing KC newspapers until he was 15 years old. To hit all the houses on his itinerary before school started, the animator-to-be would wake up at 3:30 a.m. and usually work until 6 a.m. He'd then retrace his steps after classes ended. "During the winter months," Disney noted, "it was always dark and bitter cold [in the morning] … many times, I had to plow through three feet of freshly fallen snow, breaking my own path as I went.”

2. MARTIN LUTHER KING, JR.

Martin Luther King, Jr talking with someone.
Reg Lancaster, Daily Express/Hulton Archive/Getty Images

Growing up, King earned spending money by working as a paperboy for the Atlanta Journal-Constitution. He landed the gig with some help from his father and frequently used his newspaper funds to purchase books. At age 13, the future Civil Rights hero became the youngest person to assistant manage one of the AJC's delivery stations. Four years later, King—then a sophomore—wrote a passionate letter to the editor of the same publication condemning the historic mistreatment of African Americans. His father would subsequently write that he had "no intimation of [King, Jr.'s] developing greatness" until the publication of said letter, "which received widespread and favorable comment."

3. JOE BIDEN

Joe Biden giving a speech.
Frederick M. Brown, Getty Images

America's 47th vice president used a childhood paper route to hone his people skills—and work on his speech mechanics. Biden had a noticeable stutter as a boy (some classmates in a prep school Latin course took to calling him "Joe Impedimenta"). In 1955, his family relocated to Mayfield, Delaware, and Biden got himself a paper route shortly thereafter. The job presented him with a lingual challenge at first. "I lived in dread of Saturday mornings when I had to go collect [money] from people I was just getting to know," Biden has said. To make small talk with his assigned subscribers go smoothly, young Biden "learned to anticipate the conversation to come." Then he'd rehearse some sentences that might prove useful in the discussion.

"My next-door neighbor was a big Yankees fan, and I'd always check the Yankee box score, because I knew he'd ask, and I knew I'd have to say something [about the team] without making a fool of myself," Biden recalled in his autobiography. "I had played out the entire conversation before he opened his front door."

4. EARL "THE PEARL" MONROE

Former professional basketball player Earl 'The Pearl' Monroe in 2015.
Mike Coppola, Getty Images

Inducted into the Naismith Memorial Basketball Hall of Fame in 1990, Monroe was a prolific scorer who spent 13 seasons in the NBA and helped the New York Knicks win their most recent world championship in 1973. (His number, 15, has been retired by the team and now hangs in the rafters at Madison Square Garden.) A native Philadelphian, Monroe entered the newspaper carrier game with some parental help. "In junior high, I had a paper route that my mother [Rose] and I built up until it was profitable," wrote Monroe in his autobiography. On deliveries, the teen would often be accompanied by his mom. "[She] did everything to help me when I was growing up," Monroe said. "She really didn't want me being out there by myself."

5. KATHY IRELAND

Model Kathy Ireland at a fashion show in 2018.
Astrid Stawiarz, Getty Images for AHA

Kathy Ireland was one of the most recognizable supermodels of the 1980s, posing for Sports Illustrated on several occasions before launching what turned into a global licensing company valued at $2 billion. Her success in the business world was foreshadowed by a historic newspaper-delivering stint. Ireland was raised in Santa Barbara, California, where—at age 4—she used to sell hand-painted rocks. When she was about 10, an advertisement calling for new paperboys appeared in one of the local newspapers. "Are you the boy for the job?" it asked. Young Ireland responded by writing a pointed letter to the editor. "No, I'm not the boy for the job, I'm the girl for the job, and I can do it just as well as any boy," she declared. "I think I deserve a chance." And she got one: Ireland became Santa Barbara's first-ever papergirl. By the time she retired from that gig, the budding mogul had made 120,000 newspaper deliveries and was voted her district's carrier of the year for three consecutive years.

6. ALAN BEAN

Former astronaut Alan Bean signs his photo in 2006.
David Livingston, Getty Images

As the lunar module pilot of NASA's Apollo 12 mission, the late Alan Bean became the fourth person to walk on the moon in 1969. He also spent 59 days orbiting Earth during a 1973 Skylab excursion and had a celebrated artistic career as well. A Texan by birth, Bean spent much of his youth delivering papers for his hometown Fort Worth Star-Telegram. "My first route was in the early mornings," Bean recalled. "Every day was the same. I pulled myself out of my warm bed and pedaled up and down the dark streets on my bicycle, loaded with folded-up newspapers. It was a lonely job, too—it seemed as if there were no one else in the whole world." Poignant words coming from an astronaut …

7. BOB HOPE

Bob Hope playing golf in England, circa 1965.
Keystone, Hulton Archive/Getty Images

Long before he became synonymous with Hollywood road comedies, Leslie Townes "Bob" Hope was helping to support his family as a Cleveland paperboy. He later returned to the job while struggling to break into the entertainment industry. "At 8, I had a paper route. At 12, I worked in my brother's butcher shop. At 18, I was out on the road singing and dancing and at 19, I was back on my paper route," Hope wryly noted.

Selling newspapers from street corners was another revenue stream for the aspiring performer. While working at his stand on 102nd Street in Cleveland, Hope managed to brush shoulders with the highest of high-rollers. "I had one regular customer whose name I didn't know; all I knew was that he snapped his face open and shut like a wrinkled old coin purse," explained the comedian. One day, the mystery patron needed change for a dime, so Hope ran across the street to procure some pennies from a local department store. According to Hope, "When I came back, my customer said, 'Young man, I’m going to give you some advice. If you want to succeed in business, trust nobody. Never give credit and always keep the change on hand. That way, you won't miss any customers while you're going for it."

A few moments later, a passing inspector came up to the stand and asked, "Do you know who that man was?" "No," replied Hope. "He's only the richest man in the world,'" announced the inspector. "That's John D. Rockefeller, Senior."

8. JAMES A. MICHENER

James Michener wearing a flower necklace.
Wikimedia Commons // Public Domain

The author of over 40 books which together sold upwards of 75 million copies, Michener is best remembered for Tales of the South Pacific. Inspired by his service in the United States Navy, the novel won the 1948 Pulitzer Prize and was later adapted into the popular Rodgers and Hammerstein musical South Pacific. But long before his travels, a young Michener was an enthusiastic paperboy from seventh through twelfth grade. Working in his childhood home of Doylestown, Pennsylvania, Michener distributed various Philadelphia-based newspapers along five different routes. "I can still remember the residents of certain entire streets that I had served the longest," he wrote in 1992. "My paper routes gave me an insight into the complexity of life in a small town that not many boys acquired."

9. TOM CRUISE

Tom Cruise leaning against a wall.
Carlo Allegri, Getty Images

Raised in a less-than-affluent household, Cruise turned to newspaper-carrying as a means of picking up extra cash. (He also raked lawns and put in some time at an ice cream parlor.) "When I was 13," the actor told Sports Illustrated, "I had a paper route and paid $50 for my first go-cart, $75 for my first motorcycle." To help meet his delivery schedule, Cruise enlisted the aid of his younger sister, Cass. "I always told her I'd pay her back. I bought her a car after Risky Business."

10. WARREN BUFFETT

Warren Buffett giving a talk.
Paul Morigi, Getty Images for Fortune/Time Inc

He's the third-richest man in the world, with an estimated net worth of $91.5 billion, and Buffett's remarkable investment acumen has earned the Nebraskan the nickname "Oracle of Omaha." But the self-made billionaire got his start distributing newspapers on behalf of the Washington Post and other publications. "You had to deliver [them] every day, including Christmas Day," Buffett has said, adding that on Christmas morning, his "family would have to wait until I had done my paper route" before the festivities could start. At age 14, Buffett filed his first tax return, which reported that in 1944 he'd earned the equivalent of $8221 in modern U.S. dollars. And, given the nature of his job, the youngster knew he was able to write off the cost of his watch and various bicycle repairs as business expenses.

11. DAVID LYNCH

David Lynch seated in a large yellow chair.
TIZIANA FABI, AFP/Getty Images

Auteur director David Lynch was so low on personal funds during the production of Eraserhead (1977) that he needed a couple of side hustles to make ends meet. In addition to working a part-time plumbing job, Lynch delivered copies of The Wall Street Journal. "I built three sheds in my back yard during that period," he claims. "They were made out of wood I found on my paper route. My route took me through two different trash areas. On trash nights, my route would take two hours instead of one because I stopped and sorted through the garbage." Hey, everyone needs a hobby.

20 Surprising Facts About Pulp Fiction

Miramax
Miramax

On October 14, 1994, Quentin Tarantino's Pulp Fiction was released in theaters in America and a new Hollywood auteur was born. In addition to teaching Americans what a Quarter Pounder with Cheese is called in Europe, the film reignited the career of John Travolta (who received a Best Actor Oscar nomination for his work) and showed audiences a different side of Bruce Willis. In honor of the film's anniversary, here are 20 things you might not have known about Pulp Fiction.

1. THE FILM WAS RELEASED IN SOUTH KOREA, JAPAN, AND EVEN SLOVAKIA BEFORE IT ARRIVED IN AMERICA.

Tarantino’s film first played the Cannes Film Festival in May 1994. It was shown at other festivals around the world, from Munich to Locarno, before hitting American shores on September 23, 1994, at the New York Film Festival. The film was released in South Korea, Japan, and Slovakia before it officially opened in the U.S. on October 14, 1994. The feature rolled out across Asia and Europe throughout 1994 and 1995.

2. HONEY BUNNY WAS NAMED AFTER AN ACTUAL RABBIT.

Honey Bunny belonged to Linda Chen, who typed up Tarantino's handwritten script for Pulp Fiction. In lieu of payment, she asked Tarantino to watch her rabbit when she went on location; Tarantino wouldn't do it, and when the rabbit later died, he named Amanda Plummer's character after Chen's pet.

3. YOU CAN WATCH THE FILM CHRONOLOGICALLY ... KIND OF.

The narrative structure of the film plays out of sequence, but it’s easy enough to break it down into seven distinct sections (a prologue, an epilogue, two preludes, and three large segments) that can then be re-ordered into a chronological narrative (Hint: The first prelude, to the “Gold Watch” section, plays first. If that doesn’t help, here’s an infographic).

4. THE FILM CONTAINS 265 “F WORDS.”

Even that hefty number isn’t Tarantino’s highest (1992’s Reservoir Dogs used it 269 times). Still, the film was the big “f word” winner of 1994, as no other film released that year even came close to that amount of profanity.

5. VINCENT VEGA’S 1964 CHEVELLE MALIBU WAS STOLEN AFTER THE SHOOT.

John Travolta’s character in the film had a sweet ride—which, in real life, belonged to Tarantino—and it was such a hot rod that it was stolen soon after the film’s release. It wasn’t found for nearly two decades, when two cops happened on a pair of kids stripping an older car. After running the Vehicle Identification Number, they found it shared the number with a car in Oakland, which turned out to be Tarantino’s car.

6. THE MOVIE COST ONLY $8.5 MILLION TO MAKE.

Five million went to the actors’ salaries. It made that all back in its first week at the U.S. box office (the film pulled in $9.3 million the first weekend of release).

7. THE FILM WAS THE THIRD BIGGEST R-RATED EARNER OF 1994.

The film lost out on the title to True Lies ($146.2 million) and Speed ($121.2 million). The film’s earnings were strong enough to place it in the overall top 10 for the year, though 1994 was dominated by Forrest Gump, which made $329.6 million that year.

8. EVEN THOUGH THE FILM MADE OVER $100 MILLION, IT TOOK A LONG TIME TO GET THERE.

Even though Tarantino’s film ended up being a tremendous hit—especially considering that slim budget—it took some time to get there. The film was in release for 178 days before it finally pulled in 100 million domestic dollars. A little comparison? It took Harry Potter and the Deathly Hallows – Part 2 only two days.

9. VINCENT VEGA WAS WRITTEN FOR MICHAEL MADSEN ...

Tarantino specifically wrote a number of roles in the film for chosen actors (including Samuel L. Jackson, Harvey Keitel, Tim Roth, and Amanda Plummer), but nothing compared to his dedication to having Michael Madsen play Vince. Madsen, who knew of Tarantino’s plans and said he wanted to do the part, dropped out two weeks before the script was finished to star in Wyatt Earp.

10. ... WHICH COULD HAVE MADE HIM MR. BLONDE’S TWIN.

Tarantino has a long tradition of connecting characters in his various films—basically, the filmmaker is working with a number of sprawling family trees, and it’s always a treat to see how characters intersect—which would have made Madsen’s casting of Vince come with a surprising twist: it might have made him Mr. Blonde’s (Madsen’s character from Reservoir Dogs) twin, as it’s long been known that Vince and Blonde are brothers.

11. IT INSPIRED TOP GEAR’S STIG.

The mysterious, anonymous Stig was inspired by the mysterious, anonymous Gimp. The Gimp was even the original name for the Stig, until they couldn’t find a racing driver willing to use that name.

12. BUTCH WAS SUPPOSED TO BE A LOT YOUNGER.

Tarantino wrote the part as a young boxer, with Matt Dillon specifically in mind for the role, but when the actor took too much time considering the part, it was tweaked slightly to accommodate Bruce Willis (who was a little ticked that he wasn’t asked to play Vincent).

13. TARANTINO LOVES VINTAGE BOARD GAMES, AND IT SHOWS.

The filmmaker is an avid board game collector, which is why the film features Operation and The Game of Life. Tarantino convinced Travolta to come on board with an all-day Welcome Back, Kotter, Grease, and Saturday Night Fever board game marathon.

14. VINCENT’S PREFERRED READING MATERIAL IS REAL.

Vince loves reading pulp fiction books during his, ahem, private time, including Peter O’Donnell’s Modesty Blaise, a real pulp fiction novel based on O’Donnell’s '60s comic strip. Tarantino has long expressed interest in bringing that tale to the big screen, including giving his official license to the 2003 film (Quentin Tarantino Presents) My Name is Modesty.

15. DESPITE TARANTINO’S LOVE FOR UMA THURMAN, SHE WASN’T HIS FIRST PICK.

Other possible Mias? Isabella Rossellini, Julia Louis-Dreyfus, Meg Ryan, Alfre Woodard, Halle Berry, Daryl Hannah, Rosanna Arquette, Joan Cusack, and Michelle Pfeiffer. Tarantino’s original favorite was supposedly Pfeiffer.

16. THE ORIGINAL POSTER CAN FETCH YOU SEVERAL HUNDRED DOLLARS.

The first poster had Thurman smoking from a box of Lucky Strike cigarettes—but Miramax hadn’t licensed usage rights from Lucky Strikes, who threatened to sue. Rather than fight it, Miramax had the posters returned. Those that survived can now command big money.

17. JULES MAY HAVE BEEN WRITTEN FOR SAMUEL L. JACKSON, BUT HE ALMOST LOST THE PART.

Tarantino very much had Jackson in mind for the role of Jules, but when he auditioned Paul Calderon, he was so struck by the performance that he very nearly hired him. Jackson, desperate to get “his” role back, flew to Los Angeles and auditioned for Tarantino again.

18. CAPTAIN KOONS MIGHT HAVE A FAMOUS RELATIVE.

Well, famous in the Tarantino universe, anyway: It’s widely believed that Christopher Walken’s Captain Koons is a descendent of Django Unchained character Crazy Craig Koons, who is only mentioned by name in a Wanted poster.

19. ROBERT RODRIGUEZ DIRECTED PARTS OF THE FILM.

When Tarantino is on screen as Jimmie, someone else had to be behind the camera—and that someone was Robert Rodriguez. The pair later teamed up for a number of other projects, including From Dusk Till Dawn and Grindhouse.

20. TRAVOLTA DIDN’T REALLY INJECT THURMAN IN THAT SCENE.

The infamous scene in which Mia is stabbed with a very necessary adrenaline shot was stressful enough, so Tarantino took off some of the pressure: the needle was inserted, and then Travolta pulled it out. The scene was reversed in post-production so it looks as if Vincent Vega really is plunging that syringe into her. Movie magic!

Additional Sources: Short List; Box Office Mojo (1, 2)

This article originally ran in 2015.

Aaugh! 10 Facts About It's the Great Pumpkin, Charlie Brown

Warner Home Video
Warner Home Video

Lee Mendelson hadn’t planned on a career in animation. But when television sponsors saw the filmmaker’s documentary about cartoonist Charles Schulz, they asked if the two could team up to produce a Christmas special based on Schulz’s Peanuts strip. The result, A Charlie Brown Christmas, was seen by roughly half of all households watching television during its premiere on CBS on December 9, 1965.

Mendelson went on to produce other Peanuts primetime specials, but 1966’s It’s the Great Pumpkin, Charlie Brown remains one of the most endearing. As you prepare annual sympathy for poor ol' Chuck (“I got a rock”), check out some facts about naked composers, vomiting voice actors, and CBS’s bizarre ultimatum.

1. THE FUTURE OF ANIMATED PEANUTS SPECIALS DEPENDED ON IT.  


Warner Home Video

Mendelson and animator Bill Melendez had very high aspirations for A Charlie Brown Christmas. When they screened it prior to its premiere, however, they felt it didn’t live up to its potential—and CBS agreed. The network said it was the last Peanuts special they would buy. But after it delivered huge ratings, CBS changed their mind and asked for more. When the two delivered another hit—the baseball-themed Charlie Brown All-Stars—they thought they had earned the network’s confidence.

Instead, CBS told them they needed a special that could run every year, like A Charlie Brown Christmas. If Mendelson couldn’t provide it, they told him they might not pick up an option for a fourth show. Despite Schulz and his collaborators being annoyed by the network's abrasive attitude, they hammered out a story with a seasonal clothesline that could be rerun in perpetuity.   

2. THE VOICE OF VIOLET PUKED AFTER EVERY RECORDING SESSION.

It’s standard practice these days to use adult actors to mimic juvenile cartoon characters: adults are (presumably) better able to take direction and deliver a performance in line with the director’s wishes. But for many Peanuts specials, children were used to voice Charlie Brown, Lucy, Linus, and the rest. Anne Altieri, who portrayed both Violet and Frieda, was so nervous to be part of the show that she threw up every time she was done with a recording session.

3. IT WAS THE FIRST TIME LUCY SNATCHED THE FOOTBALL FROM CHARLIE BROWN.

In animated form, anyway. When Schulz, Mendelson, and Melendez were brainstorming scene ideas for the special, talk turned to the fact that Lucy’s habit of pulling the football away from Charlie Brown had never been seen in animation. They also decided it would be a good time to introduce Snoopy’s World War I Flying Ace. The joke had appeared in the strip, but Mendelson thought it would work even better in motion. He was right: the sequence with Snoopy in a doghouse dogfight is one of the most memorable in the Peanuts animated canon.

4. IT’S SECRETLY ABOUT SANTA.

The Great Pumpkin saga was adapted from Schulz’s newspaper strip, where he had conceived it as a metaphor for some of the hope (and disappointment) associated with Saint Nick. Schulz disliked the idea kids heard of a jolly fat man who delivered presents all over the world when he knew many families could only afford one or two gifts for the holidays. “The Great Pumpkin is really kind of a satire on Santa Claus,” he told Mendelson. “When [he] doesn’t come, Linus is crushed.”

5. THE MUSIC COMPOSER WAS FOUND NAKED BY COPS.


Warner Home Video

The jazzy scores of the early Peanuts specials were the work of composer Vince Guaraldi. When he was busy putting together “The Great Pumpkin Waltz” for the show, he decided to break for a shower. When he came out, he thought he heard noises outside and went to investigate, naked, and locked himself out in the process. Keyless, Guaraldi tried climbing a ladder to a second-floor window when cops spotted him. “Don’t shoot,” he said. “I’m the Great Pumpkin.” Police, who were many months away from getting the joke, let him back inside.  

6. A LISP ALMOST RUINED THE SHOW.

Kathy Steinberg was only four years old when she portrayed Sally for the first time in A Charlie Brown Christmas: her big break came when Mendelson, her neighbor, started work on the specials. While Steinberg had some limitations—like being too young to know how to read a script—things were going well until producers realized she was on the verge of losing a tooth. Fearing a lisp would ruin the voiceover work, they rushed to get her lines done. The day after finishing, the tooth fell out.  

7. KIDS SENT CHARLIE BROWN CANDY FOR YEARS.

One of the most poignant moments of any Peanuts cartoon comes when downtrodden Charlie Brown opens his Halloween goodie sack and discovers he’s been given rocks instead of candy. According to Schulz, this so angered viewers that for years his California office was inundated with sacks of treats addressed to the character.

8. THE ORIGINAL AIRINGS WERE SLIGHTLY DIFFERENT.

Production costs for the early Charlie Brown specials were subsidized by television sponsors Coca-Cola and Dolly Madison snack cakes: the brands appear at the beginning and end of the broadcast. The Coke “bug” appeared for several years before getting phased out. 

9. CBS GOT A LITTLE SALTY ABOUT LOSING THE RIGHTS.

After spending decades at CBS, the rights to three holiday Peanuts installments went up for grabs in 2000. Though CBS could make the first offer, it was ABC who made the winning bid. Privately, CBS executives were not at all pleased about the business decision to take the football away. “It's a shame that a few more dollars meant more to them than years of tradition and loyalty," one network employee anonymously told Variety

10. SOME SCHOLARS THOUGHT THE GREAT PUMPKIN WAS REAL.


Warner Home Video

A real myth, at any rate. Talking to the Schenectady Gazette in 1968, Schulz said that since the special began airing two years earlier, he had received a number of letters from academics wondering where the Great Pumpkin story had originated. “A number of professional scholars have written me about the origination of the legend,” he said. “They insist it must be based on something.” Schulz suggested they broach the topic with Linus instead.

This article originally ran in 2015.

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