18 Things You Might Not Know About The A-Team

Hulu
Hulu

It was only a matter of time before the television remake trend found its way back to Hannibal, Murdock, Face, and B.A. Baracus, the four mercenaries better known as The A-Team. In 2015, 20th Century Fox Television announced that a reboot of the mid-1980s action series is in the works, and that this "team" will be made up of both men and women. (Though it still has yet to materialize, there have been some rumors about who some of the cast members might be.) On the 35th anniversary of the original series's premiere, let's take a look back at the show that started it all.

1. THE "CRIME THEY DIDN'T COMMIT" WAS MURDER.

In 1972, the A-Team was sent on a covert mission to rob the Bank of Hanoi of gold bullion, with the intent of helping to end the Vietnam War. They succeeded, only to find that their commanding officer had been murdered in a traitorous double-cross and his headquarters burned to the ground. Unable to prove that they were acting under orders, they were sent to a maximum security stockade.

2. THERE WAS ONLY ONE (SORT OF) ON-SCREEN DEATH IN THE ENTIRE RUN OF THE SHOW.

Fans will remember that almost every episode climaxed with explosions and gunfire and bad guys flying every which way, but no one ever actually got hurt. Crooks were shown scrambling out of cars before they blew up, or running away after being thrown from a window. The only on-screen death was the death-by-explosion one implied of General Fulbright in “The Sound of Thunder.”

3. B.A. NEVER ACTUALLY SAYS "I PITY THE FOOL."


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This was a catchphrase belonging to Mr. T, but just like “Play it again Sam” and “Beam me up, Scotty!” the exact quote never appeared in the series. Usually B.A. preferred to call people “suckers.”

4. THE VAN HAS ITS OWN WEBSITE.

Well, not the van. But a replica of the highest standard, built and painstakingly refurbished by two brothers, Liam and Jerome Brett. They built it up from an original 1982 G Series Cargo Van, which they imported to the U.K. from Vermont, and scoured the world for authentic parts. Their amazing work can be appreciated here.

5. "A-TEAM" IS ACTUAL MILITARY TERMINOLOGY.

Military actions, such as a forward attack, are often done by an assembled Alpha Team. The “A-team” advances first, and then is often supported by a Bravo Team, or B-team. Alpha Team can also refer to a small special forces unit, which was more likely the designation on the show.

6. THERE IS A BATTLESTAR GALACTICA IN-JOKE IN THE OPENING CREDITS.

Before Dirk Benedict became Faceman, he was Lieutenant Starbuck of the Colonial Service on the original Battlestar Galactica. The credits scene is lifted from an episode that partially takes place on a Universal Studios lot, where a Cylon (one of the Battlestar Galactica bad guys) strolls past a perplexed looking Faceman.

7. MURDOCK'S FIRST NAME WAS NEVER REVEALED.

The members of The A-Team included: Lieutenant Colonel John “Hannibal” Smith; Lieutenant Templeton Arthur “Faceman” Peck; Sergeant Bosco Albert “Bad Attitude” Baracus; and Captain H.M. “Howlin’ Mad” Murdock. Murdock’s first name was never revealed.  

8. DIRK BENEDICT GOT THE ROLE OF FACE BECAUSE HE WAS OLD.

Another actor, Tim Dunigan, was originally cast and shot the pilot episode of the show. However, on camera, Dunigan admitted he looked “like a high school sophomore"—too young to play a Vietnam veteran. He was replaced with Benedict.

9. HANNIBAL IS LOOSELY BASED ON A REAL-LIFE COLONEL.


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Lieutenant Colonel Gordon “Bo” Gritz was a controversial Army Special Forces soldier who was popular because of the efforts he made to recover lost soldiers after the Vietnam War. His popularity coincided with the conception of The A-Team, so Hannibal—the leader of a ragtag band of crazy special forces heroes—was modeled after him.  

10. IT SPAWNED A SERIES OF NOVELS.

With titles like Bullets, Bikinis and Bells and Operation Desert Sun: The Untold Story, the books are mostly novelizations of popular episodes. There were 10 published in all, although half were only printed in the UK. Most can be found on Amazon.

11. MR. T THOUGHT THE MOVIE VERSION WAS TOO SMUTTY.


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The original B.A. had this to say about the 2010 big-screen adaptation of the series, starring Liam Neeson and Bradley Cooper:

"People die in the film and there’s plenty of sex but when we did it no one got hurt and it was all played for fun and family entertainment. These seem to be elements nobody is interested in anymore. It was too graphic for me. I’ve no doubt it will do big business at the box office but it’s nothing like the show we turned out every week. We ran on TV for five years without having to sex-up the show. You can’t get away with that these days."

12. MR. T "QUIT" DURING THE FOURTH SEASON AND HAD HIMSELF FLOWN OFF THE SET.

While filming the fourth season premiere on a cruise ship, T had just suffered a loss in his family. Also, the air conditioner was annoying him. He had himself helicoptered off the set and phoned the producer with a list of demands, at which point he was “fired.” But the two were able to work out their grievances and filming resumed. 

13. AMY LEFT BECAUSE EVERYONE GANGED UP ON HER.

We’ll never know the particulars of why Melinda Culea, who played the Team’s first feisty journalist sidekick, was written out in the second season. But consensus seems to be that there was bad blood between her and Peppard from the beginning. Culea claimed the animosity spread, and by the second season the entire cast “ganged up on her” to get the producers to dump her.

14. THE A-TEAM WAS (ALMOST) TOO VIOLENT FOR GERMANY.

In 1989, German broadcasters were interested in purchasing the rights to The A-Team to run on German television. However, they found the show had a tendency to be excessively violent, and chose only 26 of the 98 episodes to run.

15. GIRLS WERE JUST THERE TO LOOK PRETTY.

The producers of the show tried to attach female sidekicks to the team in the first two seasons to stem criticism of sexism, but it just didn’t work. According to Marla Heasley, the second short-lived sidekick Tawnia, Peppard took her aside to tell her no one wanted her there. Or, as better put years later by Dirk Benedict:

"It was a guy's show. It was male-driven. It was written by guys. It was directed by guys. It was acted by guys. It's about what guys do. We talked the way guys talked. We were the boss. We were the God. We smoked when we wanted. We shot guns when we wanted. We kissed the girls and made them cry ... when we wanted. It was the last truly masculine show."

16. GEORGE PEPPARD SMOKED THREE PACKS OF CIGARETTES A DAY.

Hannibal was always at his best when chomping on a cigar, but in real life Peppard stuck mainly to cigarettes. He gave up smoking in 1992 after the removal of a tumor from his lung. Unfortunately, it may have been too little, too late; Peppard died of pneumonia while still being treated for lung cancer in 1994, at the age of 65.

17. MARVEL COMICS RELEASED AN A-TEAM COMIC BOOK SERIES.

There were three comic books released—separately at first, then repackaged together as The A-Team Story Book.

18. THE SERIES FINALE WAS BURIED IN RERUNS.

“The Grey Team” was intended to be the series finale, but for some reason it aired as the second-to-last episode. NBC forgot about the “Without Reservations” episode and didn’t air it until March of 1987, amongst reruns. In “Reservations,” Murdock wears a shirt that reads “almost fini.” In “Grey Team,” his shirt reads “fini” (the French word for “end”).

This article originally appeared in 2014.

These Breaking Bad K-Swiss Sneakers Are Heisenberg-Approved

K-Swiss
K-Swiss

On the heels of last week's Netflix release of El Camino: A Breaking Bad Movie, fans of Breaking Bad have another treat on tap. Sneaker brand K-Swiss just announced a special edition sneaker modeled after the now-iconic RV camper where unlikely drug kingpin Walter White and his sidekick Jesse Pinkman cooked batches of the finest methamphetamine New Mexico had ever seen.

A K-Swiss Classic 2000 x 'Breaking Bad' Recreational Vehicle sneaker is pictured
K-Swiss

The Classic 2000 x Breaking Bad Recreational Vehicle sneakers sport the same distinctive striped pattern as the camper and feature the show’s logo on the tongue. Inside is a lining that resembles the upholstery of the camper’s interior. The shoebox even has a few bullet holes to mimic the ones on the camper’s door.

Unlike Walt's meth, the sneakers are available only in limited quantities. K-Swiss plans on launching the shoe beginning at 6 p.m. PST on Thursday, October 17, at a pop-up store at 7100 Santa Monica Boulevard in West Hollywood, California. (The “store” is actually the screen-used RV from the series, and fans are welcome to stop by to take pictures with it.) The company will release 50 pairs at the pop-up, with another 250 through K-Swiss.com and through Greenhouse, a designer and collectible shoe app from Foot Locker.

The shoes retail for $80, but unless you’re one of the lucky few able to grab a pair through the routes above, you’ll probably have to consider a marked-up eBay sale. As Walter White well knows, quality comes at a heavy price.

10 Gruesome Facts About Dawn of the Dead

Anchor Bay Entertainment
Anchor Bay Entertainment

In the late 1960s, George A. Romero changed horror cinema forever with Night of the Living Dead, an instant classic that defined zombie storytelling on the big and small screens for decades to come. Over the next decade, Romero—who was reluctant to revisit the creepy world of shambling corpses he’d brought to life—tried other things. But then a chance encounter with a shopping mall and a little help from a fellow horror master changed his mind. The result was Dawn of the Dead, an over-the-top horror comic book for the big screen that remains, for many fans, the greatest zombie film ever made.

It’s been more than 40 years since Dawn of the Dead first arrived in theaters, and the film remains a wickedly fun piece of horror satire full of exploding heads, mischievous bikers, and one very dangerous helicopter. In celebration of four decades of terror at the mall, here are 10 facts about the making of Dawn of the Dead.

1. We can thank the mall (and Dario Argento) for Dawn of the Dead.

When Night of the Living Dead became a massive hit after its release in 1968, Romero began fielding various offers to potentially revisit the world of ghouls that he had created. Romero, who’d made a living making TV commercials in Pittsburgh before Night of the Living Dead was made, was "paranoid" about the idea of returning for a second film, and left it alone for years until an idea unexpectedly came to him.

As Romero explained on Anchor Bay’s Dawn of the Dead commentary track, the idea for the film initially came to him when he touring Pennsylvania's Monroeville Mall, which was owned by some friends of his. During the tour, he was shown some crawlspace within the mall where various supplies were stored, and started thinking about what might happen if people holed up in the mall to try and ride out a zombie apocalypse.

The second big ingredient that led to Dawn of the Dead was Dario Argento, the acclaimed Italian director best known for Suspiria and Deep Red. Argento offered to help Romero get financing for a Night of the Dead sequel, and even invited him to Rome to work on the script.

“They got us a little apartment, I sat in Rome and banged this out,” Romero said.

2. George A. Romero came up with the most famous line while drinking.

A photograph of George A. Romero
Vittorio Zunino Celotto, Getty Images

The most famous line in Dawn of the Dead—a line so famous it became the movie's tagline and was later reused in Zack Snyder’s 2004 remake—belongs to the character of Peter: “When there’s no more room in hell, the dead will walk the Earth.” As catchy and unforgettable as it is, Romero doesn’t recall any grand moment of inspiration. He was just drunk one night, trying to get the script finished.

“I just made that up. Truly. On a drunken night when I was really crashing to finish the script and I thought that was kind of nice. It was from something Dario Argento told me,” Romero told Rolling Stone in 1978. “My family is Cuban and Dario said, ‘Well you have a Caribbean background and that’s why you’re into the zombie thing; zombies originated in Haiti.’ I said, well, all right, and I just figured that’s something a voodoo priest might say. Whee! I’m just having fun, man.”

3. Multiple versions of Dawn of the Dead exist.

Argento helped Romero find financing for Dawn of the Dead and served as a “script consultant” on the film. In exchange, Argento retained the right to recut the film for various foreign markets, while Romero retained final cut for North and South America. As a result, the Italian version of the film was shorter than Romero’s U.S. version, as Argento trimmed certain jokes he felt Italian audiences wouldn’t get. This increased the darkness of the film, which led to certain content cuts in other foreign markets. This is why several different cuts of the film wound up existing around the world, including an R-rated re-release that was re-cut for drive-in theaters in 1982.

4. Dawn of the Dead was released unrated in America.

Dawn of the Dead was released first in international markets, arriving in Italian theaters in the fall of 1978, months before it would land in the United States. In just a few weeks, the film was a commercial success overseas without ever playing to American audiences. So, when Romero and company ran into MPAA demands that they cut the film down or get an X rating, they doubled down and released the film unrated without any cuts to the gore.

5. The zombies didn’t get a lot of direction.

Though he’s renowned among horror fans as the man responsible for building zombies into one of the most effective movie monsters, Romero didn’t spend too much time guiding his undead ghouls. The director felt that if he tried to offer detailed direction in terms of zombie behavior, the zombies would all start acting one way instead of like a group of individuals. So, direction was kept to a minimum.

“You just have to say, ‘Be dead,’” he later recalled.

6. Yes, it was filmed in a working mall.

The Monroeville Mall was not a Romero invention. It was a real, working shopper’s paradise, owned by friends of his, which meant that it wasn’t just going to be shut down for weeks at a time so a zombie movie crew could come in and wreck it. Though Romero and his wife Chris later recalled having to stay out of the mall while the Christmas decorations were up (which is when scenes set elsewhere were shot), once the crew did get into the mall they could only shoot at night.

To make that easier, the crew replaced many of the lights in the mall with color-corrected lighting, so they could essentially shoot wherever they chose. At 7 a.m. each morning the mall’s Muzak would automatically start playing, which meant shooting was done for the day, and the cast and crew could shamble home for a little rest. (The Monroeville Mall, which is located about 10 miles from Pittsburgh, is still in operation today.)

7. Many of Dawn of the Dead's gore effects were improvised.

Though he would eventually become known as one of horror’s great gore wizards, at the time of Dawn of the Dead Tom Savini’s career as a special effects artist was still quite young. As he recalled later, he was doing a play in North Carolina when Romero called him and said: “We got another gig. Think of ways to kill people.”

Savini later recalled that he was given a great deal of freedom to play with different ideas for the many, many gore effects in Dawn of the Dead, so much so that many of the most memorable effects were made up on the day of shooting, including the scene in which a zombie takes a screwdriver through the ear and the exploding head during the SWAT raid on the housing project near the beginning of the film. Savini’s knack for improvisation also served him well in another capacity: The character of Blades the biker, which Savini plays, was not in the original script. He was simply added during shooting.

“George let us go play,” Savini recalled.

8. Dawn of the Dead is packed with cameos.

Like many of Romero’s films, Dawn of the Dead’s production was based in his native Pittsburgh, which meant that getting people to be in the movie was often as simple as contacting friends and family and inviting them to appear on camera. Romero makes a cameo in the film himself, alongside his future wife and producer Chris, in the film’s opening sequence at the TV station, where the couple is sitting side by side at a control panel (Romero, Savini noted on the commentary track, is also wearing his “lucky scarf”). Other cameos scattered throughout the film include Chris Romero’s brother Cliff Forrest as the man who leans over a sleeping Francine in the opening shot, and Tom Savini’s niece and nephew as the two zombie children who burst out of a closet at the landing strip and attack Peter.

9. The bikers were not actors.

As with some of the smaller speaking roles, getting extras to show up in Dawn of the Dead was often a matter of simply asking around Pittsburgh for the right people. As a result, the National Guardsmen present in the film, as well as some of the police officers, were real National Guardsmen and real cops.

For the legendary sequence in which a biker gang stages a raid on the mall, the production also managed to find real bikers in form of a group called The Pagans, who brought their own motorcycles for the shoot.

“I don’t remember who contacted them, but they just showed up,” Chris Romero later recalled.

10. Dawn of the Dead almost featured a darker ending.

During production on Dawn of the Dead, George Romero told Rolling Stone writer Chet Flippo that the film had, in Flippo’s words “no beginning and two endings.” Romero explained that this was because he was working “moment to moment” on the film. He eventually figured the beginning of the film out, of course, and went with an ending in which Peter and Francine fight their way out of the mall and onto the roof, where they escape in the helicopter. So, what was the other ending?

On the film’s commentary track, George and Chris Romero and Tom Savini all discuss a much darker concept to close the film, in which Peter would have shot himself (which he contemplates doing in the final cut) while Francine would have leapt into the spinning blades of the helicopter, mirroring one of the most famous zombie deaths earlier in the film. That ending would have followed in the footsteps of Night of the Living Dead’s dark ending, but Romero ultimately decided on something lighter.

Still, the original plan didn’t go to waste: Savini had already made a cast of actress Gaylen Ross’s head to use for Francine’s death scene, so he repurposed it—with the help of some makeup and a wig—for the famous exploding head shot during the housing project raid.

Additional Sources:
Shock Value by Jason Zinoman (The Penguin Press, 2011)
Dawn of the Dead DVD Commentary (Anchor Bay, 2004)

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