10 Happy Little Facts About The Joy of Painting

Bob Ross Inc.
Bob Ross Inc.

The smooth jazz intro. The calm, welcoming voice. The larger-than-life hair. The low-budget production values. The constant encouragement that even you can create the same fan-brushed “happy little trees” as the jovial onscreen instructor. We’re talking about none other than the long-running PBS series The Joy of Painting, which, 35 years after its debut, continues to both engage and relax audiences via digital outlets like Netflix, Hulu, Amazon Prime and YouTube.

It was a simple enough premise: Each half-hour episode would feature host Bob Ross demonstrating—in real time—how to create a bucolic landscape (popular vistas included mountains, streams, and forests) using a specific palette of oil paints that would become as iconic as Ross himself. (Seriously, The Joy of Painting could’ve been renamed Titanium White or Prussian Blue and devoted fans would’ve just gone with it.)

Although the series ceased production in 1994—several months before Ross’s untimely death from lymphoma at age 52—The Joy of Painting is showing zero signs of fading into obscurity. Not only is the show ridiculously easy to access, but it also spawned a 2011 documentary, Bob Ross: The Happy Painter (where celebrities like Jane Seymour and Brad Paisley are outed among the Bob Ross acolytes), merchandise galore (including a Funko POP! toy), and a veritable YouTube rabbit hole of hilarious parodies.

So pull up an easy chair and get ready to chillax with these 10 facts about The Joy of Painting, where mistakes didn’t exist, only happy accidents.


Sometimes, all it takes to surpass your mentor is a gentle voice and one wild coiffure. Much as history likes to peg Bob Ross as an innovator, his art-for-the-masses television show was nothing new by the time The Joy of Painting premiered in 1983. For nearly a decade prior, PBS stations had been airing a similar series called The Magic of Oil Painting, hosted by German painter Bill Alexander. Ross himself was intrigued by the show and its signature “wet-on-wet” technique, and soon began studying under Alexander.

But this student-teacher relationship would eventually dissolve into a rivalry once Ross’s series took off and Alexander was relegated to a footnote in TV history. In a 1991 article in The New York Times, Alexander, who died in 1997, had harsh words for his onetime protégé.

"He betrayed me," Alexander said of Ross. “I invented ‘wet on wet.’ I trained him and he is copying me—what bothers me is not just that he betrayed me, but that he thinks he can do it better.” (For the record, Alexander did not invent the “wet on wet,” or “alla prima” method; it has been in existence for more than 500 years.)


Who would’ve thought that the same guy who became a celebrity off his soft-spoken, hippie-dippy demeanor also spent nearly 20 years in the military barking orders to his subordinates? After joining the Air Force at the age of 18, Ross rose to the rank of First Sergeant, or, as he called it in a 1990 interview with The Orlando Sentinel, “the guy who makes you scrub the latrine, the guy who makes you make your bed, the guy who screams at you for being late to work.”

But Ross knew deep down he wasn’t cut out for a career as a hard-ass: “The job requires you to be a mean, tough person,” the Florida native told the Sentinel. "And I was fed up with it. I promised myself that if I ever got away from it, it wasn’t going to be that way anymore.” He was right: While stationed in Alaska, Ross discovered his love for painting, and by the time he retired from the Air Force in 1981, a far more fulfilling job lay ahead.


Nope, Ross wasn’t trying to make an ironic fashion statement with his outdated hair. He was just a guy looking to save a few bucks while pursuing a painting career after leaving the Air Force. According to Annette Kowalski, Ross’s longtime business partner, the eventual Joy of Painting host got his hair permed as a way of avoiding regular hair maintenance. “He got this bright idea that he could save money on haircuts,” Kowalski told NPR in 2016. “So he let his hair grow, he got a perm, and decided he would never need a haircut again.”

What Ross didn’t count on was his perm’s, well, permanence: Once that look became part of his company’s logo—and The Joy of Painting—there was no turning back, and per Kowalski, it was a thorn in Ross’ side. “He could never, ever, ever change his hair, and he was so mad about that,” she said. “He got tired of that curly hair.”


We're not sure how Ross would’ve felt about having his face charred onto folks’ morning toast, but it’s now an option for The Joy of Painting fans and people with breakfast idiosyncrasies. For the price of $40, you can own a toaster that will burn Ross’s immediately recognizable visage onto a couple of slices of bread.


In June 2018, it was announced that episodes of The Joy of Painting would be reborn as versions of “Sleep Stories” on the Calm sleep and meditation app. It was the first time that Bob Ross Inc., which manages Ross’s estate, had agreed to license audio of the series, citing the high likelihood of the painting guru’s approval.

“We asked ourselves, ‘What would Bob do?’” Joan Kowalski, president of Bob Ross Inc. (and daughter of Ross’s business partners Walt and Annette Kowalski), told the Times. “Using his voice to help put people to sleep? Well, he would love that.” This couldn’t have been a better marriage of commerce and tranquility, because Ross, his comforting voice and The Joy of Painting had been honorary members of the ASMR (“autonomous sensory meridian response”) community for years.


The addition of The Joy of Painting to Netflix in 2016 was the cause of both excitement and confusion for viewers. The reason for the excitement was obvious, but the confusion was due to Netflix’s decision to repackage the episodes as two separate, differently named series: Chill With Bob Ross and Bob Ross: Beauty Is Everywhere. Don’t let these catchy titles fool you though, because they’re just fancy names for 52 episodes of The Joy of Painting.

However, if after binge-watching all of Bob Ross that Netflix (and Hulu and Amazon Prime; several seasons are available to subscribers) have to offer, and you still have an irrepressible hunger for more seascapes and woodland vistas, head on over to the official Bob Ross YouTube channel, where you will be able to watch all 403 episodes of The Joy of Painting—for free.


If you live and breathe The Joy of Painting and enjoy preaching Bob Ross’s happy little trees gospel, then perhaps becoming a Certified Ross Instructor is in your future. But don’t think that this program will be as laid-back as a Joy of Painting episode—quite the opposite. The official website for Bob Ross Inc. warns prospective students that “training is intense,” a sentiment echoed by this 2015 HuffPost article. One instructor called the experience “grueling,” emphasizing that the program is “fast-paced and pretty hard. If you are not paying attention, you get lost.”


As lovable as Bob Ross is, his style and folksy manner do lend themselves to satire. But when sifting through the innumerable spoofs available on YouTube, anyone can see that they’re made out of love, not disdain—even this NSFW “Joy of Tattooing” clip—for The Joy of Painting.

In late 2017, 20th Century Fox hopped on the R-rated The Joy of Painting parody bandwagon when the studio released a Deadpool 2 teaser featuring star Ryan Reynolds doing an impeccable Bob Ross impression—entirely from beneath his masked bodysuit. While most of the jokes are unprintable, let’s just say Reynolds’s take on how Ross cleaned his paintbrushes was nothing short of genius.


It sounds like something that might have happened during The Joy of Painting’s 1980s heyday: Crowds of people gathering at the library to watch Bob Ross paint wispy clouds while putting their own brushes to canvas. But this analog activity is a very real craze happening right in the digital depths of 2018. Back in July, The Washington Post reported that across the United States, there are now six-month-long waiting lists at certain local libraries just for the privilege of watching an episode of The Joy of Painting—and painting along with the show’s bushy-haired master.

This latest Bob Ross renaissance can be chalked up to the divisive headlines permeating the country, at least according to one Salt Lake City librarian who helps organize these paint-alongs. “In these times when everything seems so controversial and everyone fighting with each other and all of this bad news all the time—it’s very uplifting to hear [Ross’ positive quips],” Jen Scott told the Post. “People feel this connection with Bob Ross—that he’s their friend.”


The New York Times brought this phenomenon to the world’s attention back in 2015, when it reported on a now-defunct annual Chicago event that saw attendees dressing in curly wigs, facial hair (both men and women, mind you), jeans, and oxford shirts to traipse around various watering holes in honor of Bob Ross. Although the Windy City Bob Ross Bar Crawl has ceased operation (the last post to its Facebook page was in September 2017), others have since popped up in the Cleveland area and in Macon, Georgia.

6 Times There Were Ties at the Oscars

getty images (March and Beery)/ istock (oscar)
getty images (March and Beery)/ istock (oscar)

Only six ties have ever occurred during the Academy Awards's more than 90-year history. The Academy of Motion Picture Arts and Sciences (AMPAS) members vote for nominees in their corresponding categories; here are the six times they have come to a split decision.

1. Best Actor // 1932

Back in 1932, at the fifth annual Oscars ceremony, the voting rules were different than they are today. If a nominee received an achievement that came within three votes of the winner, then that achievement (or person) would also receive an award. Actor Fredric March had one more vote than competitor Wallace Beery, but because the votes were so close, the Academy honored both of them. (They beat the category’s only other nominee, Alfred Lunt.) March won for his performance in horror film Dr. Jekyll and Mr. Hyde, and Beery won for The Champ (writer Frances Marion won Best Screenplay for the film), which was remade in 1979 with Ricky Schroder and Jon Voight. Both Beery and March were previous nominees: Beery was nominated for The Big House and March for The Royal Family of Broadway. March won another Oscar in 1947 for The Best Years of Our Lives, also a Best Picture winner. Fun fact: March was the first actor to win an Oscar for a horror film.

2. Best Documentary Short Subject // 1950

By 1950, the above rule had been changed, but there was still a tie at that year's Oscars. A Chance to Live, an 18-minute movie directed by James L. Shute, tied with animated film So Much for So Little. Shute’s film was a part of Time Inc.’s "The March of Time" newsreel series and chronicles Monsignor John Patrick Carroll-Abbing putting together a Boys’ Home in Italy. Directed by Bugs Bunny’s Chuck Jones, So Much for So Little was a 10-minute animated film about America’s troubling healthcare situation. The films were up against two other movies: a French film named 1848—about the French Revolution of 1848—and a Canadian film entitled The Rising Tide.

3. Best Actress // 1969

Probably the best-known Oscars tie, this was the second and last time an acting award was split. When presenter Ingrid Bergman opened up the envelope, she discovered a tie between newcomer Barbra Streisand and two-time Oscar winner Katharine Hepburn—both received 3030 votes. Streisand, who was 26 years old, tied with the 61-year-old The Lion in Winter star, who had already been nominated 10 times in her lengthy career, and won the Best Actress Oscar the previous year for Guess Who’s Coming to Dinner. Hepburn was not in attendance, so all eyes fell on Funny Girl winner Streisand, who wore a revealing, sequined bell-bottomed-pantsuit and gave an inspired speech. “Hello, gorgeous,” she famously said to the statuette, echoing her first line in Funny Girl.

A few years earlier, Babs had received a Tony nomination for her portrayal of Fanny Brice in the Broadway musical Funny Girl, but didn’t win. At this point in her career, she was a Grammy-winning singer, but Funny Girl was her movie debut (and what a debut it was). In 1974, Streisand was nominated again for The Way We Were, and won again in 1977 for her and Paul Williams’s song “Evergreen,” from A Star is Born. Four-time Oscar winner Hepburn won her final Oscar in 1982 for On Golden Pond.

4. Best Documentary Feature // 1987

The March 30, 1987 telecast made history with yet another documentary tie, this time for Documentary Feature. Oprah presented the awards to Brigitte Berman’s film about clarinetist Artie Shaw, Artie Shaw: Time is All You’ve Got, and to Down and Out in America, a film about widespread American poverty in the ‘80s. Former Oscar winner Lee Grant (who won the Best Supporting Actress Oscar in 1976 for Shampoo) directed Down and Out and won the award for producers Joseph Feury and Milton Justice. “This is for the people who are still down and out in America,” Grant said in her acceptance speech.

5. Best Short Film (Live Action) // 1995

More than 20 years ago—the same year Tom Hanks won for Forrest Gump—the Short Film (Live Action) category saw a tie between two disparate films: the 23-minute British comedy Franz Kafka’s It’s a Wonderful Life, and the LGBTQ youth film Trevor. Doctor Who star Peter Capaldi wrote and directed the former, which stars current Oscar nominee Richard E. Grant as Kafka. The BBC Scotland film envisions Kafka stumbling through writing The Metamorphosis.

Trevor is a dramatic film about a gay 13-year-old boy who attempts suicide. Written by James Lecesne and directed by Peggy Rajski, the film inspired the creation of The Trevor Project to help gay youths in crisis. “We made our film for anyone who’s ever felt like an outsider,” Rajski said in her acceptance speech, which came after Capaldi's. “It celebrates all those who make it through difficult times and mourns those who didn’t.” It was yet another short film ahead of its time.

6. Best Sound Editing // 2013

The latest Oscar tie happened in 2013, when Zero Dark Thirty and Skyfall beat Argo, Django Unchained, and Life of Pi in sound editing. Mark Wahlberg and his animated co-star Ted presented the award to Zero Dark Thirty’s Paul N.J. Ottosson and Skyfall’s Per Hallberg and Karen Baker Landers. “No B.S., we have a tie,” Wahlberg told the crowd, assuring them he wasn’t kidding. Ottosson was announced first and gave his speech before Hallberg and Baker Landers found out that they were the other victors.

It wasn’t any of the winners' first trip to the rodeo: Ottosson won two in 2010 for his previous collaboration with Kathryn Bigelow, The Hurt Locker (Best Achievement in Sound Editing and Sound Mixing); Hallberg previously won an Oscar for Best Sound Effects Editing for Braveheart in 1996, and in 2008 both Hallberg and Baker Landers won Best Achievement in Sound Editing for The Bourne Ultimatum.

Ottosson told The Hollywood Reporter he possibly predicted his win: “Just before our category came up another fellow nominee sat next to me and I said, ‘What if there’s a tie, what would they do?’ and then we got a tie,” Ottosson said. Hallberg also commented to the Reporter on his win. “Any time that you get involved in some kind of history making, that would be good.”

10 Game of Thrones Fan Theories About How the Series Will End


Our faces are longer than Jon Snow’s right now. It's been more than a year since the last season of Game of Thrones ended, but season 8—the series's final one—is coming back on April 14, 2019. To tide you over until then, we’ve collected some of the most plausible as well as the most bonkers fan theories about what could go down in the final episodes. They predict everything from a new contender for the Iron Throne to a new species classification for a major character. On the bright side, we'll all have plenty of time to debate these before the first episode airs.

1. Jon Snow will kill Daenerys.

Almost since the series began, fans have been predicting that Jon Snow is the Prince Who Was Promised—a reincarnation of the legendary hero Azor Ahai. But most predictions have overlooked a central piece of the Azor Ahai legend, which may spell doom for Daenerys: Azor Ahai, a lousy metallurgist, had a tough time forging his fabled flaming sword Lightbringer. Then he realized he needed to temper the blade by plunging it into the heart of his wife, Nissa Nissa, to imbue it with her power. (Because in the logic of this legend, killing a powerful woman turns a mediocre man into a hero.) If Jon Snow is Azor Ahai, the theory goes, then Daenerys will be his Nissa Nissa—the one true love he must kill in order to save the realm.

2. The Lannisters' repaid debt will be their downfall.

Lena Headey in 'Game of Thrones'

You know the family creed: A Lannister always pays his debts. In season 7, Cersei stayed true to her family name when she paid off a large debt to the Iron Bank. Most viewers read this as a play to buy the loyalty of the bank and its mercenary soldiers, but one Machiavellian Redditor has predicted that paying off the debt will have the opposite effect. "While the Lannisters were in debt to the Bank, the Bank had a vested interest in their success," one Redditor wrote. Now that the debt is paid, the Iron Bank will invest in the side that seems to have the best chance of winning—and right now, that doesn't look like Cersei's.

3. Euron Greyjoy is the father of Cersei's child.

Somehow this seems more disturbing than Jaime being the baby's incestuous father. PopSugar rolled out this hot take based on some circumstantial evidence. First, Euron and Cersei cooked up a plan to betray Jon and Daenerys without telling Jaime, which "raises the question about what else Cersei was doing with Euron behind Jaime's back." Then there's the fact that Cersei just let Jaime ride north to fight the White Walkers, which doesn't seem like a risk you'd want your unborn child's father to take. She has no idea when or if he'll be back. But on the other hand, she knows exactly where Euron will be. Perhaps she's keeping an eye on her baby's true father.

4. Daenerys will die beyond the wall.

Redditor Try_Another_NO reached all the way back to season 2 to substantiate this theory about Daenerys's demise. While Daenerys is in the House of the Undying, she has a series of possibly prophetic visions. She walks through the throne room in Kings Landing, which is damaged and filled with snow. Before she can touch the Iron Throne, she's called away by a sound and suddenly finds herself walking beyond the wall. There she meets Khal Drogo who says he has resisted death to wait for her. According to the theory, these were clues about the series's end: The White Walkers will threaten Kings Landing. Daenerys will turn away from the throne to fight the White Walkers. Death awaits her beyond the wall.

5. Cleganebowl will finally happen.

For years fans have eagerly awaited a fight between Sandor and Gregor Clegane, which has been affectionately dubbed "Cleganebowl." In the season 7 finale, the Hound hinted that the much-hyped fight is coming when he told his brother, "You know who's coming for you." The cryptic message also spawned a fan theory about the real origin of the Clegane brothers' beef. Our only version of the tale comes from noted liar/sleazebag Littlefinger, who claimed Ser Gregor burned his brother's face over a stolen toy. But Redditor 440k11 thinks the Hound has always had a talent for reading the future in the flames. In fact, the theory goes, the Hound saw his brother's death foretold in a fire and told him about it. Enraged, young Gregor pushed his brother's face into the fire he was reading, burning Sandor and cementing their lifelong enmity.

6. Varys is actually a merman.

The case for this one is watertight. The books make several mentions of merlings living alongside dragons, giants, and White Walkers—mythical creatures we know exist in Essos. Varys, meanwhile, constantly covers his lower body in long robes. What is he hiding? According to Redditor nightflyer, it's his freaky fish body. In the books, it would explain his cryptic response when Tyrion threatened to have him thrown off a ship: "You might be disappointed by the result." In the show, it might explain how Varys traveled from Dorne to Daenerys's ship in Mereen seemingly overnight in the middle of season 7. (It wasn't lazy writing—he swam there!) In general, it might explain why he's such a slimy weirdo.

7. The maesters are colluding with Cersei to beat Daenerys.

Finally, a fan theory fit for our political age! According to this theory, the maesters are natural enemies of magic. The strange forces that bring the dead back to life, reveal the future in fire, and allow Arya to wear many faces are beyond the maesters' powers of rational explanation. But if magic were eliminated, the maesters' monopoly on knowledge would continue unchallenged. It follows, then, that the maesters would feel comfortable with Cersei's cruel reign but threatened by Daenerys's magical dragons. Maybe that explains why a former maester built Cersei a weapon meant to kill dragons. And maybe the maesters will intervene in the conflict more directly in the next season.

8. Arya will kill Cersei ... wearing Jaime's face.

Maisie Williams in 'Game of Thrones'

Predicting that Jaime will kill Cersei is so mainstream. Seeing Jaime kill Cersei for the good of the realm would reprise his role as the Kingslayer (or Queenslayer). It would neatly fulfill the Volanqar prophecy—the prediction a witch made to a young Cersei, that she would be killed by a volanqar (which translates to "younger sibling" in High Valyrian). And it would be so easy. Reasoning that George R.R. Martin would never do something so obvious, and that Arya's assassin character arc has to led to a more consequential target than Walder Frey, Redditor greypiano predicts that Arya will be Cersei's killer. If she first kills Jaime and uses his face to catch Cersei unaware, then the volanqar prophecy will be confirmed (even if it's on a technicality).

9. Viserion will come back to life.

Here's a fan theory for moms, from a mom. Redditor Cornholio_the_white wrote that after the season 7 finale, their mom called to say she was sad about Viserion's death. But she had a prediction: "I think it's going to remember its mother." She explained that Daenerys's love would free Viserion from the Night King's spell. Cornholio_the_white scoffed. That wasn't possible. The dragon was dead. But then Mom dropped a compelling counterargument: "Not if the Red Woman brings it back. They're keeping her around for something."

10. Gendry is the legitimate child of Cersei and Robert Baratheon.

This theory throws another contender for the Iron Throne into the mix. It maintains that Gendry was not Robert Barathean's bastard son—in fact, he was the only legitimate child of the king. We know that Cersei and Robert had a child—a "black-haired beauty"—who supposedly died shortly after birth. Curiously, Cersei says she never visited her firstborn child in the crypt, even though we know she is a fiercely devoted mother. Perhaps that's because she knew her son was actually in Fleabottom as a blacksmith's apprentice. And perhaps it was Cersei all along who was looking out for Gendry, securing his apprenticeship and protecting him from Joffrey's purge of Robert’s bastards. Gendry, for his part, remembers only that his mother had yellow hair. If that yellow-haired woman was Cersei, Gendry would have the most legitimate claim to the Iron Throne of anyone in Westeros.