CLOSE
HBO
HBO

25 Golden Facts About Deadwood  

HBO
HBO

David Milch's Deadwood, which premiered on HBO in 2004, earned critical praise, launched careers, and won a devoted fan following over its three seasons. While admirers of the dark Western crime drama have long lamented its too-short run on television, it looks as if the series could be making a comeback. Milch, who has long wanted to tie up the show's loose ends with a feature, recently submitted a script to HBO to do just that—and those who have read it have been impressed.

W. Earl Brown, who played Dan Dority on the series, tweeted (in true Deadwood fashion) that, "The hour and half it took me to read was f*cking thrilling and f*cking heartbreaking. I was sitting on an airplane, cheering and crying as I took a journey that only David Milch could create. I've read the Deadwood film script. It's stunning."

Whether or not the feature finally comes to fruition, there's still reason to celebrate this stellar series with these behind-the-scenes details that will deepen your appreciation of all things Bullock and Swearengen.

1. DEADWOOD WAS SHOT ON A FAMOUS RANCH.

Much of the series was shot on the sets of Melody Ranch in Santa Clarita Valley, California. Established in 1915, this location has been the backdrop to a long legacy of Westerns. Television shows like Gunsmoke, The Cisco Kid, The Gene Autry Show, The Lone Ranger, and Have Gun—Will Travel lensed there, as did movies like High Noon, The Gunfighter, and Django Unchained.

2. IT WAS BASED ON THE REAL DEADWOOD, SOUTH DAKOTA.


H. R. Locke & Co. of Deadwood, public domain via Wikimedia Commons

In the 1870s, Deadwood, South Dakota was a place full of criminals and entrepreneurs. Series creator David Milch rigorously researched the real Deadwood by reading its newspapers, the diaries of its residents, and formal historical accounts like Black Hills expert Watson Parker's Deadwood: The Golden Years.

3. IT IS FILLED WITH REAL CHARACTERS.

Wild Bill Hickok and Calamity Jane might have been Deadwood's most famous residents, but Al Swearengen, Seth Bullock, Sol Star, E.B. Farnum, A.W. Merrick, Charlie Utter, and George Hearst were all real people with noted moments in history, too. However, characters like Trixie, Whitney Ellsworth, and Alma Garret were largely fictional, based more on archetypes of people who would've had a place in Deadwood.

4. THE REAL SETH BULLOCK WAS CALLED A "BAD MAN WITH A GUN."


Public Domain, via Wikimedia Commons

As in the show, Seth Bullock came to Deadwood with his friend Sol Star to open a hardware store. He invested in the community, headed health care boards, and became the town's first sheriff. That last vocation earned him the aforementioned reputation, which endeared him to Theodore Roosevelt, whom Bullock later successfully helped campaign for the presidency of the United States. The Chicago Tribune later ran a delightful description of Bullock: "Bullock attracted general attention around the White House today. He has a fierce looking melodrama-villain's mustache and wears a sombrero."

5. THE REAL AL SWEARENGEN WAS NO ROMANTIC ANTI-HERO.

In Deadwood, Swearengen is a pimp, crook, and murderer, but he is also the protector of the "crippled" Jewel and grimly civic-minded. The real Swearengen was much less admirable. He was a sex trafficker, tricking women into coming to Deadwood to work in his various business ventures—like a theater—but then forcing them into prostitution. His wife publicly accused him of domestic abuse. Eventually, he was run out of Deadwood and died of a massive head wound that was either caused by a fall from a failed leap onto a freight train or a willful act of murder.

6. DAVID MILCH DIDN'T WANT IAN MCSHANE TO AUDITION FOR SWEARENGEN.


Getty Images

Milch was convinced Ian McShane would be miscast as Swearengen. In Deadwood: Stories of the Black Hills, he recalls, "Physically, Ian was absolutely wrong for the part. I didn't even want to read him. I had imagined Swearengen as a physically imposing specimen. But when Ian came in, he neutralized all of that, because he had Swearengen's essence, which was fierce matter-of-factness. He was who he was, unadulterated."

7. THE REAL GEORGE HEARST WAS A WORKING CLASS HERO.


Public domain, via Wikimedia Commons.

George Hearst was a self-made man who had a real gift for mining gold. The series painted him as a robber baron whose gold lust threatened Deadwood's existence. But there was much more to Hearst. He was raised on his parents' farm in Franklin County, Missouri, but left their homestead to join the Gold Rush in 1850. He made his first million in the Comstock Lode in Nevada, and after his dealings in Deadwood, he went on to become a senator.

Described as a "plain old Missourian, of small education and no polish of manners" by Cosmopolitan in 1888, Hearst purchased The San Francisco Daily Examiner in 1880, and a new family business was born seven years later when he handed the reins to his only son, William Randolph Hearst.

8. CALAMITY JANE REALLY DID CARE FOR THE SICK.


Public Domain, via Wikimedia Commons

In season one, smallpox hits Deadwood and Doc and Jane see to the afflicted. This generous action has been historically documented, along with Jane's trademark rough-and-tumble appearance. In Estelle Bennett's Old Deadwood Days, she paints a picture of Calamity Jane (a.k.a. Martha Canary):

She was a plain woman, looking older than she really was. She wore a dark cloth coat that never had been good, a cheap little hat, a faded frayed skirt and arctic overshoes … She came unscathed through the long smallpox siege and most of her patients lived. Dr. Babcock believed that without her care not one of them would have pulled through.

9. CALAMITY JANE AND WILD BILL WEREN'T REALLY THAT CLOSE.

It's suspected that their connection has been conflated over the years as a part of the blossoming tall tales of the Old West. The pair did come to Deadwood together, but hadn't known each other long before that. However, in her memoir, Jane did describe him as a friend. And the two, who died nearly 30 years apart, were buried beside each other in Deadwood's Mount Moriah Cemetery.

10. GENERAL SAMUEL FIELDS WAS A DEADWOOD CELEBRITY.

As he did on the series, Fields proudly called himself "The N****r General." He was a notable presence in the camp not only for his claims of being a Union Army general, but also for his flamboyant personality. This made him a recurring figure in the local newspapers like the Black Hills Pioneer, where he was described as "irrepressible, duplicatory, candescent," "the 'slycoon' senegambian," and "The Shakespearian Darkey." He was also an outspoken activist for the African-American community of Deadwood.

11. ST. PAUL INSPIRED REVEREND SMITH'S EPILEPSY PLOT LINE.

It was the tragic end of Deadwood preacher Reverend Henry Weston Smith that earned the notice of Milch. Though he was fond of saying The Bible was his protection, Smith was murdered making his way from Deadwood to a neighboring town to preach. The sermon found with his remains was "Upon Whose Life We Shall Base Ours, Upon Whom Better Than the Great Sinner Paul."

As Milch had suspected, St. Paul might have been a sufferer of temporal-lobe epilepsy. He decided to blend this element into Smith's Deadwood counterpart, leading to a different demise (in this case: mercy killing at the hands of Swearengen).

12. IF THE SERIES HADN'T BEEN CANCELED, THE GEM WOULD HAVE BURNED.


Public Domain, via Wikimedia Commons

Assuming Milch continued to follow the path the real Swearengen blazed, then his beloved saloon would be burned down—likely by one of the whoremonger's many enemies. But you can't keep Al down. In real life, Swearengen rebuilt it bigger and better than before, and it stood for another 20 years … until someone burned it down again.

13. THE ORIGIN OF TRIXIE'S NAME CAME FROM AN OLD CRIME REPORT.

In the first episode, we meet Trixie after she shoots a john in self-defense. This is a nod to the inspiration for her name. In John S. McClintock's memoir, Pioneer Days Of The Black Hills, he recounts, "I beheld a man lying on the floor with a bullet hole clear through his head back of his eyes. The woman 'Tricksie' grabbed a pistol while he was beating her and turned the tables on him."

In another Deadwood nod to true life, Doc Cochran responds to the corpse just as the doctor who arrived on the scene did. He "ran a probe through his head" to inspect the damage to the brain.

14. PAULA MALCOMSON MAY HAVE SAVED TRIXIE'S LIFE.


Getty Images

Over the seasons, Trixie the whore became an indelible part of Deadwood and the makeup of its titular town. But early on, the actress who played her feared her stint on the series would be short-lived. According to Malcomson, this all changed with "Reconnoitering the Rim," in which Trixie shaves the calluses off of Al's feet with a straight razor.

The scene was originally set with the two in bed, but Malcomson suggested the foot shaving business—something her father used to do for her grandfather—would give the pair's relationship a greater sense of depth and intimacy. She improvised the line, "Shall I do the other foot?" And McShane replied, "Please." She recalls, "The minute he said, 'Please,' I knew it was a new place for us." And Trixie was preserved.

15. SOL AND TRIXIE WOULD NEVER HAVE MARRIED.


Public Domain, via Wikimedia Commons

Though Sol Star became a celebrated and respected leader in the Deadwood community—first as a businessman then as its mayor—he never did get married, even after traveling East in search of a bride. All the same, it seems he was too well liked to ever be lonely.

In 1901's The Great Northwest and Its Men of Progress, he was described thusly:

Some men have a genius for popularity. With no effort on their part they become a sort of social or political center from which there seems to radiate an aroma of good fellowship, permeating the entire community. Frank and generous; genial in disposition; ever ready with a helping hand for a fellow in distress; jovial and social, yet, in serious matters keen and penetrating; sound in judgment; full of resources in emergency; energy unbounded, and a public spirit ready for war in the interests of his town, country, or state. These are some of the characteristics of a naturally popular man.

16. MILCH WAS DETERMINED TO GET GARRET DILLAHUNT ON DEADWOOD.


Getty Images

Maybe you noticed Dillahunt played both Wild Bill's crop-eared killer James McCall as well as the kinky and sadistic geologist Francis Wolcott. But his road to Deadwood was paved with false starts. Dillahunt initially auditioned for the role of Seth Bullock, then Doc Cochran, before being cast as McCall. After the rogue fled Deadwood for good in season one, Milch decided to bring Dillahunt back in season two. First Milch considered him for the role of Hearst, but ultimately chose him to play Wolcott, minus the prosthetics that marred his appearance in season one.

17. BEFORE DEADWOOD, MILCH PITCHED A SERIES ABOUT NERO'S ROME.

Unbeknownst to Milch, HBO had already green-lit Rome. Milch believed his fascination with how society can form from chaos could be explored in another historical setting, so he set his sights on the Black Hills of the Old West.

18. THE UNIFIER OF DEADWOOD (AND AMERICA) IS GOLD.


Getty Images

How do you transform chaos into society? According to Milch, mankind does so by rallying around a "totem of the leader." For Deadwood, that totem is gold. Those who have it rule those who want it. "Agreeing on this single symbol of value has allowed us to organize our individual energies on a wider scale," he has explained. As the place where the last of the great gold strikes occurred, Deadwood seemed the perfect place to show how gold and our accepted value of it could forge a civilization.

19. THOUGH THE CURSE WORDS WERE ANACHRONISTIC, CURSING WAS NOT.

Milch was dedicated to getting the tone of the Black Hills right. It was a dangerous and gruff place where men toiled, fought, and cursed. But the curse words of the 1870s would seem downright laughable today, even with the glowering Ian McShane delivering them. So "tarnation" and "goldarn" were swapped out for contemporary cursing's heavy hitters, even though the f-word didn't come into popularity until the 1920s.

20. A LOT OF F-BOMBS WERE DROPPED—BUT NOT AS MANY PER MINUTE AS THE WOLF OF WALL STREET HAD.


Paramount Pictures

Along with being praised for being an impeccably written show with outstanding performances, Deadwood earned attention for its aggressive use of the f-word. According to one dedicated viewer, the entire series clocked in with 2980 uses of the word. While that beats out Martin Scorsese's curse-laden white-collar crime drama's 569 uses, The Wolf of Wall Street wins when you break it down by uses-per-minute, boasting 3.16 to Deadwood's 1.56.

21. TIMOTHY OLYPHANT'S MOM IS NOT A FAN.

When her son was first cast as Deadwood's reluctant sheriff Seth Bullock, Mrs. Olyphant was thrilled her boy would be in a Western. Then she saw the first episode and was turned off by Milch's approach with its violence and coarse language. "I told all the ladies at church you were finally gonna be in something they could watch," she told Olyphant, "and now I've got to call them all back."

22. W. EARL BROWN FOUND HIS INSPIRATION FOR DAN DORITY CLOSE TO HOME.

Deadwood's Dan Dority is Swearengen's right hand man in many respects. The same was true in real life, where both Dority and Johnny Burns worked as general manager and floor manager of Swearengen's saloon. But in his portrayal of Dan, Brown found inspiration in his uncle. "He doesn't like to hear it," Brown confessed, "but I tell him, 'I get up there and I pretend I'm you.'" As a tough Kentuckian with a past full of fights, his uncle proved a great starting point for the character. From there, Brown considers Dan "an animal walking upright" until he met Swearengen, who gave him a path and a home in Deadwood.

23. A BELLA UNION BABE SINKS INTO THE TUB IN THE OPENING CREDITS.


Zero Alpha, YouTube

Though we never saw her face, Badass Digest recently uncovered the identity of this beautiful bather. Bethalyn Staples was one of 20 actresses cast as background extras to play the prostitutes of the Gem and The Bella Union. Staples was selected for Cy's Bella Union. But after production wrapped on season one, she was called back for some second unit shoots for the opening credits.

"I had no idea that I was going to be getting into a bathtub until just before we set up the shot," she said. "It was as no frills as it gets. They literally set a garden hose out in the sun to get warm so that the water wouldn't be cold when I got into the tub in a barn. We shot the scene in a hurry because we were losing the natural light that was shining through the window. My directions were probably the easiest I've ever received. Simply, sink into the tub as slowly as you can while still making it look natural. A few takes and that was it. When the series debuted, I was astonished by how gorgeous it looked."

24. MILCH REJECTED HBO'S OFFER FOR A FOURTH SEASON.

Deadwood fans reeled when news of the show's cancelation came just ahead of its season three premiere in the spring of 2006. Common speculation has laid the blame at the feet of Milch's then-greenlit John From Cincinnati; however, Milch himself admitted HBO offered a six-episode order for season four. But he turned it down, saying, "For my part, I did not want to accept a short order. We couldn’t have done the work the way we wanted. I didn’t want to limp home. My old man used to say, ‘Never go anyplace where you’re only tolerated.’”

25. DEADWOOD MAY NOT BE TRULY DEAD.

In the more than 10 years since its finale aired, there have been various rumors of movie specials that would tie up the loose threads left behind by season three. But hope for a long-awaited and craved finale dwindled to dust as time passed, especially in 2009, when McShane told The Daily Show With Jon Stewart, "No hope. That's dead." Milch confirmed this sad news himself in 2012, admitting, "We got really close about a year ago. Never say never, but it doesn’t look that way."

But earlier this year, reports began to surface that Milch was working on a script for a Deadwood movie. In April, a number of outlets began reporting that Milch had finished the script and turned it into HBO. McShane, too, confirmed the news, telling TVLine that a “two-hour movie script has been delivered to HBO. If they don’t deliver [a finished product], blame them.”

nextArticle.image_alt|e
The Criterion Collection
arrow
entertainment
14 Deep Facts About Valley of the Dolls
The Criterion Collection
The Criterion Collection

Based on Jacqueline Susann's best-selling 1966 novel (which sold more than 30 million copies), Valley of the Dolls was a critically maligned film that somehow managed to gross $50 million when it was released 50 years ago, on December 15, 1967. Both the film and the novel focus on three young women—Neely O’Hara (Patty Duke), Jennifer North (Sharon Tate), and Anne Welles (Barbara Parkins)—who navigate the entertainment industry in both New York City and L.A., but end up getting addicted to barbiturates, a.k.a. “dolls.”

Years after its original release, the film became a so-bad-it’s-good classic about the perils of fame. John Williams received his first of 50 Oscar nominations for composing the score. Mark Robson directed it, and he notoriously fired the booze- and drug-addled Judy Garland, who was cast to play aging actress Helen Lawson (Susan Hayward took over), who was supposedly based on Garland. (Garland died on June 22, 1969 from a barbituate overdose.) Two months after Garland’s sudden demise, the Manson Family murdered the very pregnant Tate in August 1969.

Despite all of the glamour depicted in the movie and novel, Susann said, “Valley of the Dolls showed that a woman in a ranch house with three kids had a better life than what happened up there at the top.” A loose sequel, Beyond the Valley of the Dolls—which was written by Roger Ebert—was released in 1970, but it had little to do with the original. In 1981, a TV movie updated the Dolls. Here are 14 deep facts about the iconic guilty pleasure.

1. JACQUELINE SUSANN DIDN'T LIKE THE MOVIE.

To promote the film, the studio hosted a month-long premiere party on a luxury liner. At a screening in Venice, Susann said the film “appalled” her, according to Parkins. She also thought Hollywood “had ruined her book,” and Susann asked to be taken off the boat. At one point she reportedly told Robson directly that she thought the film was “a piece of sh*t.”

2. BARBARA PARKINS WAS “NERVOUS” TO WORK WITH JUDY GARLAND.

Barbara Parkins had only been working with Judy Garland for two days when the legendary actress was fired for not coming out of her dressing room (and possibly being drunk). “I called up Jackie Susann, who I had become close to—I didn’t call up the director strangely enough—and I said, ‘What do I do? I’m nervous about going on the set with Judy Garland and I might get lost in this scene because she knows how to chew up the screen,’” Parkins told Windy City Times. “She said, ‘Honey, just go in there and enjoy her.’ So I went onto the set and Judy came up to me and wrapped her arms around me and said, ‘Oh, baby, let’s just do this scene,’ and she was wonderful.”

3. WILLIAM TRAVILLA BASED THE FILM'S COSTUMES ON THE WOMEN’S LIKES.

Costume designer William Travilla had to assemble 134 outfits for the four leading actresses. “I didn't have a script so I read the book and then the script once I got one,” he explained of his approach to the film. “I met with the director and producer and asked how they felt about each character and then I met with the girls and asked them what they liked and didn’t like and how they were feeling. Then I sat down with my feelings and captured their feelings, too.”

4. SUSANN THOUGHT GARLAND “GOT RATTLED.”

In an interview with Roger Ebert, Susann offered her thoughts on why Garland was let go. “Everybody keeps asking me why she was fired from the movie, as if it was my fault or something,” she said. “You know what I think went wrong? Here she was, raised in the great tradition of the studio stars, where they make 30 takes of every scene to get it right, and the other girls in the picture were all raised as television actresses. So they’re used to doing it right the first time. Judy just got rattled, that’s all.”

5. PATTY DUKE PARTIALLY BLAMES THE DIRECTOR’S BEHAVIOR FOR GARLAND’S EXIT.

During an event at the Castro Theatre, Duke discussed working with Garland. “The director, who was the meanest son of a bitch I ever met in my life ... the director, he kept this icon, this sparrow, waiting and waiting,” Duke said. “She had to come in at 6:30 in the morning and he wouldn’t even plan to get to her until four in the afternoon. She was very down to earth, so she didn’t mind waiting. The director decided that some guy from some delicatessen on 33rd Street should talk to her, and she crumbled. And she was fired. She shouldn’t have been hired in the first place, in my opinion.”

6. DUKE DIDN’T SING NEELY’S SONGS.

All of Neely’s songs in the movie were dubbed, which disappointed Duke. “I knew I couldn’t sing like a trained singer,” she said. “But I thought it was important for Neely maybe to be pretty good in the beginning but the deterioration should be that raw, nerve-ending kind of the thing. And I couldn’t convince the director. They wanted to do a blanket dubbing. It just doesn’t have the passion I wanted it to have.”

7. GARLAND STOLE ONE OF THE MOVIE'S COSTUMES.

Garland got revenge in “taking” the beaded pantsuit she was supposed to wear in the movie, and she was unabashed about it. “Well, about six months later, Judy’s going to open at the Palace,” Duke said. “I went to opening night at the Palace and out she came in her suit from Valley of the Dolls.”

8. A SNEAK PREVIEW OF THE FILM HID THE TITLE.

Fox held a preview screening of the film at San Francisco’s Orpheum Theatre, but the marquee only read “The Biggest Book of the Year.” “And the film was so campy, everyone roared with laughter,” producer David Brown told Vanity Fair. “One patron was so irate he poured his Coke all over Fox president Dick Zanuck in the lobby. And we knew we had a hit. Why? Because of the size of the audience—the book would bring them in.”

9. IT MARKED RICHARD DREYFUSS'S FILM DEBUT.


Twentieth Century Fox

Richard Dreyfuss made his big-screen debut near the end of Valley of the Dolls, playing an assistant stage manager who knocks on Neely’s door to find her intoxicated. After appearing on several TV shows, this was his first role in a movie, but it was uncredited. That same year, he also had a small role in The Graduate. Dreyfuss told The A.V. Club he was in the best film of 1967 (The Graduate) and the worst (Valley of the Dolls). “But then one day I realized that I had never actually seen Valley of the Dolls all the way through, so I finally did it,” he said. “And I realized that I was in the last 45 seconds of the worst film ever made. And I watched from the beginning with a growing sense of horror. And then I finally heard my line. And I thought, ‘I’ll never work again.’ But I used to make money by betting people about being in the best and worst films of 1967: No one would ever come up with the answer, so I’d make 20 bucks!”

10. THE DIRECTOR DIDN’T DIG TOO DEEP.

In the 2006 documentary Gotta Get Off This Merry Go Round: Sex, Dolls & Showtunes, Barbara Parkins scolded the director for keeping the film’s pill addiction on the surface. “The director never took us aside and said, look this is the effect,” she said. “We didn’t go into depth about it. Now, if you would’ve had a Martin Scorsese come in and direct this film, he would’ve sat you down, he would’ve put you through the whole emotional, physical, mental feeling of what that drug was doing to you. This would’ve been a whole different film. He took us to one, maybe two levels of what it’s like to take pills. The whole thing was to show the bottle and to show the jelly beans kinda going back. That was the important thing for him, not the emotional part.”

11. A STAGE ADAPTATION MADE IT TO OFF-BROADWAY.

In 1995, Los Angeles theater troupe Theatre-A-Go-Go! adapted the movie into a stage play. Kate Flannery, who’d go on to play Meredith Palmer on The Office, portrayed Neely. “Best thing about Valley of the Dolls to make fun of it is to actually just do it,” Flannery said in the Dolls doc. “You don’t need to change anything.” Parkins came to a production and approved of it. Eventually, the play headed to New York in an Off-Broadway version, with Illeana Douglas playing the Jackie Susann reporter role.

12. JACKIE SUSANN BARELY ESCAPED THE MANSON FAMILY.


By 20th Century-Fox - eBayfrontback, Public Domain, Wikimedia Commons

The night the Manson Family murdered Tate, the actress had invited Susann to her home for a dinner party. According to Vanity Fair, Rex Reed came by The Beverly Hills Hotel, where Susann was staying, and they decided to stay in instead of going to Tate’s. The next day Susann heard about the murder, and cried by the pool. A few years later, when Susann was diagnosed with cancer for the second time, she joked her death would’ve been quicker if she had gone to Tate’s that night.

13. PATTY DUKE LEARNED TO EMBRACE THE FILM.

Of all of the characters in the movie, Duke’s Neely is the most over-the-top. “I used to be embarrassed by it," Duke said in a 2003 interview. "I used to say very unkind things about it, and through the years there are so many people who have come to me, or written me, or emailed who love it so, that I figured they all can’t be wrong." She eventually appreciated the camp factor. “I can have fun with that,” she said. “And sometimes when I’m on location, there will be a few people who bring it up, and then we order pizza and rent a VCR and have a Valley night, and it is fabulous.”

14. LEE GRANT DOESN’T THINK IT’S THE WORST MOVIE EVER MADE.

In 2000, Grant, Duke, and Parkins reunited on The View. “It’s the best, funniest, worst movie ever made,” Grant stated. She then mentioned how she and Duke made a movie about killer bees called The Swarm. “Valley of the Dolls was like genius compared to it,” Grant said.

nextArticle.image_alt|e
Star Wars © & TM 2015 Lucasfilm Ltd. All Rights Reserved.
arrow
Pop Culture
How to Perform the Star Wars Theme—On Calculators
Star Wars © & TM 2015 Lucasfilm Ltd. All Rights Reserved.
Star Wars © & TM 2015 Lucasfilm Ltd. All Rights Reserved.

The iconic Star Wars theme has been recreated with glass harps, theremins, and even cat meows. Now, Laughing Squid reports that the team over at YouTube channel It’s a small world have created a version that can be played on calculators.

The channel’s math-related music videos feature covers of popular songs like Luis Fonsi’s "Despacito," Ed Sheeran’s "Shape of You," and the Pirates of the Caribbean theme, all of which are performed on two or more calculators. The Star Wars theme, though, is played across five devices, positioned together into a makeshift keyboard of sorts.

The video begins with a math-musician who transcribes number combinations into notes. Then, they break into an elaborate practice chord sequence on two, and then four, calculators. Once they’re all warmed up, they begin playing the epic opening song we all know and love, which you can hear for yourself in all its electronic glory below.

[h/t Laughing Squid]

SECTIONS

arrow
LIVE SMARTER
More from mental floss studios