The Long-Buried 16th-Century Theater Where Shakespeare's Earliest Plays Were Performed Will Reopen

Archaeologists on site at The Theatre during the 2008 excavation
Archaeologists on site at The Theatre during the 2008 excavation
Museum of London Archaeology

Before Shakespeare performed his plays at the famous Globe theater, he graced the stage of another London-based playhouse. It was known simply as The Theatre, and Shakespeare staged some of his most famous plays there (including Romeo and Juliet). Plans are now underway to publicly unveil the site for the first time in over 400 years, Smithsonian reports.

The remains of the 16th-century playhouse were discovered in 2008 during an excavation. Now, the Museum of London Archaeology (MOLA) is working to turn the site into a public exhibition.

Floor plan of the exhibition
A floor plan of the exhibition, including The Theatre's footprint
Nissen Richards Studio

A reconstructed view of The Theatre
A reconstructed view of what The Theatre once looked like
David Toon, Lee Sands, and Museum of London Archaeology

Visitors will have the chance to view the remains of The Theatre through a window inside the exhibition, dubbed The Box Office. Other artifacts unearthed during the excavation will also be on view, as well as items loaned from institutions across London that highlight the history and culture of Elizabethan theater. The exhibition is expected to open in late 2019.

In the meantime, the process continues to be a learning experience for archaeologists. Just last week, MOLA announced new findings that showed that actor James Burbage, who designed the polygonal, three-tiered Theatre, also created a space surrounding the theater where visitors could relax during long performances. Shakespearean plays often lasted over four hours, and Burbage's complex was an area where guests could chat and stretch their legs.

"Shakespearean playhouses were melting pots of society, and whilst the interior seating arrangements reflected the everyday class divides, theatregoers from across the social spectrum gathered outside to eat and drink and mingle before a performance," MOLA said in a statement. "The recent archaeological excavations are exploring small pockets of these outside areas, and it is hoped that this ongoing research will reveal new insight and artifacts that will eventually be displayed in the exhibition."

[h/t Smithsonian]

A (Still-Sharp) Medieval Sword Was Pulled from a Sewer in Denmark

Pipe layer Jannick Vestergaard and engineer Henning Nøhr hold up the sword they found.
Pipe layer Jannick Vestergaard and engineer Henning Nøhr hold up the sword they found.
Nordjyllands Historiske Museum (Historical Museum of Northern Jutland)

If the legend of King Arthur and Excalibur is anything to go by, anyone who successfully extracts a sword in a stone will be treated like royalty. The fable doesn’t say anything about the reward one gets for removing a medieval weapon from feces, though.

As Smithsonian reports, a pipe layer and an engineer recently found a sword from the medieval era while doing construction work on a sewer in Aalborg, Denmark’s fourth-largest city. The relic was plucked from a layer of waste that had accumulated atop an old slab of pavement that once ran through the city.

Most remarkably, the sword was still intact—and the blade still sharp. It’s about 3.5 feet long and of extremely high quality, according to archaeologists. The sword may have been used between 1100 and 1400, but the likeliest explanation is that it got separated from its owner sometime in the 14th century. “Findings from here have always pointed to the 1300s, so the sword must have ended up in the earth in this century,” archaeologist Kenneth Nielsen said in a translated statement.

The sword next to a tape measure
Nordjyllands Historiske Museum (Historical Museum of Northern Jutland)

It’s rare for such an important historical artifact to turn up in such an unlikely—and unhygienic—place. Swords were valuable and highly prized possessions, and they were treated as such. They were typically buried with their owners, but no graves are situated above the sewer where the weapon was found.

The country’s history offers some clues about what may have transpired, though. In the 1300s, power struggles and internecine war were common throughout Denmark. “The best explanation we can come up with is that the owner of the sword was defeated in a battle,” Nielsen told The Local Denmark. “In the tumult, it was then trod down into the layer of mud that formed the street back then.”

Similarly, a 14th-century sword was found in a Polish peat bog in 2017, and archaeologists suspect the owner either sunk into the marsh and met a grisly end, or merely dropped his weapon and was unable to retrieve it.

While these questions will likely remain unanswered, members of the public will have the chance to admire the Danish "sewer sword" in all its glory at the Aalborg Historiske Museum (Aalborg Historical Museum), which is located near the site where the sword was found. Fortunately for future visitors, it will be cleaned and preserved first.

[h/t Smithsonian]

George Pollard Jr., Unlucky Captain of the Ship That Inspired Moby-Dick

Gregory Peck as Captain Ahab during the shooting of the 1956 film Moby Dick
Gregory Peck as Captain Ahab during the shooting of the 1956 film Moby Dick
Hulton Archive/Getty Images

Captain George Pollard Jr. had no choice but to eat his cousin. Crammed aboard a small whaleboat with some of his crew, the captain had been drifting aimlessly in the South Pacific for more than two months. The sun was relentless, their thirst was unquenchable, and the hull was leaking. Saltwater had leached into the men’s stash of bread, and one by one, Pollard’s men died of starvation—and were promptly devoured by the hungry survivors.

It was a nightmare scenario. Weeks earlier, in November 1820, Pollard's crew had been pursuing (and harpooning) a pod of sperm whales when an angry 85-foot-long whale barreled head-on into the captain's ship, The Essex of Nantucket, sending it to the ocean's bottom. The 20 survivors scrambled into three small whaleboats, which eventually became separated during a storm. After two and a half months at sea, the days began to blur and the stockpile of food dwindled, and the four men remaining on Pollard’s boat realized they were all going to starve if food didn’t soon become available. So they agreed to draw lots: Whoever pulled the short stick would volunteer to be shot and eaten.

It was a terribly irony. When the Essex sank, the men had been relatively close to the Marquesas Islands, but Pollard's men were afraid of landing there—the islands were rumored to be full of cannibals. Pollard agreed to follow a longer route, hoping to drift south and then east in hopes of reaching Chile. That decision, however, had made cannibals of the men on board.

As for the drawing of lots, Pollard’s 18-year-old cousin, Owen Coffin, was the unlucky loser. When Pollard insisted that he take the young man's place, Coffin refused—and was summarily shot in the head. “He was soon dispatched,” Pollard grimly recalled, “and nothing of him left.” About two weeks later, Pollard's boat was discovered. By that point, the two surviving men—Pollard and sailor Charles Ramsdell—had resorted to drinking their own urine and were found gnawing on the bones of their deceased mates.

The ordeal would haunt Captain Pollard. Before the voyage, he had promised Coffin’s mother that the boy would return home safely, and his failure to keep Coffin alive plagued Pollard's conscience. After surviving a second shipwreck, the captain took a job on sturdy land as Nantucket's night watchman, where he looked over the streets and wharves.

Three decades later, when Pollard was 60, Herman Melville—fresh from finishing Moby-Dick—paid the aging skipper a visit. Pollard didn’t know about the book, and the two didn’t exchange many words. But Melville harbored a secret: The sinking of the Essex had inspired his novel. (We should caution that Melville did not base the monomaniacal character of Ahab on Pollard himself. "While Melville was inspired by Pollard's adventures," the BBC says, "the unlucky seafarer's character is not thought to have been the basis for the novel's obsessive Capt Ahab.")

Melville marveled at the tormented man, saying of his encounter: “To the islanders he was a nobody—to me, the most impressive man, tho’ wholly unassuming, even humble—that I ever encountered.” In fact, Melville mentioned Pollard in his epic Clarel, the longest poem in American literature.

Never he smiled;
Call him, and he would come; not sour
In spirit, but meek and reconciled:
Patient he was, he none withstood;
Oft on some secret thing would brood.

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