15 Things to Look For the Next Time You Watch The Warriors

Paramount Home Video
Paramount Home Video

It turns out people really, really can dig The Warriors. Though, at the time of its release, the low-budget 1979 action movie was mostly known for inspiring a string of vandalism and violent acts, it has gathered a fiendish cult devotion over the years. Fans frequently quote the lingo of its young New York City street gang members (“Warriors, come out to play!”), and the actors who played the film’s titular crew reunited on the city’s subway in 2015 to breathless reactions.

Whether you’re already indoctrinated in the ways of The Warriors, or you’ve yet to experience the movie’s fantastical thrills, here are some interesting facts and moments to keep in mind when watching.

1. IT'S BASED ON A GRAPHIC NOVEL—AND AN ANCIENT GREEK STORY.

The script for The Warriors was adapted from Sol Yurick’s graphic novel of the same name, which in turn quotes and borrows elements from Anabasis, a seven-book adventure by the ancient Greek soldier and writer Xenophon. So just know that while The Warriors might seem very time-stamped, it has roots going back to BC times.

2. IT’S NOT A VERY FAITHFUL ADAPTATION, THOUGH.

A scene from Walter Hill's 'The Warriors' (1979)
Paramount Home Video

After being handed Yurick’s novel, director Walter Hill immediately had an idea for a fun movie. “I felt very strongly that it certainly was not a very realistic book, and I wanted to make it even less so,” he told Esquire. “I wanted to take it into a fantasy element, but at the same time add some contemporary flash.” The Warriors in the novel are actually the Coney Island Dominators, a black and Hispanic gang. In Hill’s cinematic rendering, the main crew is a diverse group of white and nonwhite misfits.

3. IT HAS COMIC BOOK STYLE.

A scene from Walter Hill's 'The Warriors' (1979)
Paramount Home Video

The filmmakers used a cool trick to integrate animation into the live-action photography. Sections of the movie are broken up by drawn images, which then seamlessly transition into shots of the human actors. For a late 1970s feature made on a shoestring budget, it’s quite a feat.

4. YES, THAT’S THE REAL WONDER WHEEL.

A scene from Walter Hill's 'The Warriors' (1979)
Paramount Home Video

The Warriors was shot in the Big Apple almost entirely in darkness. That proved tremendously difficult, since it was summer and the nights didn’t last long. But the cast and crew got a lot of leeway to roam from the city, which was dealing with a fiscal crisis. The Warriors showcases a metropolis that truly was teetering on the brink of chaos.

5. THE WARRIORS OFFERS A GREAT EDUCATION IN THE NEW YORK CITY SUBWAY SYSTEM.

A scene from Walter Hill's 'The Warriors' (1979)
Paramount Home Video

Innumerable scenes take place in the real New York City subways, run by the Metropolitan Transportation Authority, including both underground and elevated trains. As seen on the screen, the trains did operate with tokens back then. The characters also avoid paying by jumping the turnstiles, which seems perfectly acceptable when running for your life.

6. WHY IS THERE A GANG OF ... MIMES?

A scene from Walter Hill's 'The Warriors' (1979)
Paramount Home Video

The Warriors takes a lot of humorous liberties in concocting its fictional street gangs, which seem to have free rein in a dystopian, futuristic version of New York City. One of the more eccentric tribes is a cluster of mimes in full costume. It begs a number of questions, most importantly: How do they get anything done?

7. IT'S NOT EXACTLY POLITICALLY CORRECT.

A scene from Walter Hill's 'The Warriors' (1979)
Paramount Home Video

Then again, neither was 1979. The first “f*ggot” is uttered by Warriors member Ajax after Vermin gives him a hard time for only ever thinking about women. (Side note: What did Vermin ever do to deserve that nickname?) Ajax’s go-to defense mechanism is to accuse his friend of being gay with a slur. Some version of the word is used several times throughout the movie. Though it might seem like the film is being homophobic, which is certainly possible, the dialogue is also fairly faithful to the way young men in a tough world at the time would trash-talk each other.

8. THIS IS ONE LONG CHASE FROM A CHASE MASTER.

A scene from Walter Hill's 'The Warriors' (1979)
Paramount Home Video

The Warriors is one of the more exceptional works from director Walter Hill, who earned a deserved reputation for his hard-boiled tough-guy movies made with elegance. While he’ll always be most famous for 48 Hrs., the hit starring Eddie Murphy and Nick Nolte, his other features like The Driver and The Long Riders are worth seeking out. In particular, The Driver, featuring Ryan O’Neal and Bruce Dern, perfected the car-chase move long before Ryan Gosling’s Drive liberally took inspiration from it.

9. YOU’RE WATCHING REAL GANG MEMBERS.

A scene from Walter Hill's 'The Warriors' (1979)
Paramount Home Video

The real action in The Warriors kicks off with an impressively epic meeting of various gangs in the Bronx’s Van Cortlandt Park (though it was actually filmed in Riverside Park). Cyrus, the leader of the city’s most powerful gang, invites everyone in an attempt to forge an alliance and increase the gangs’ leverage over police, before being abruptly shot and killed. Hill refers to it as “our big production number.” In order to pull off the sequence, the filmmakers asked real gangs to be extras. So The Warriors feels legit for good reason.

10. IT’S NOT ACTUALLY ALL THAT VIOLENT.

A scene from Walter Hill's 'The Warriors' (1979)
Paramount Home Video

Well, that is, by the standards of today’s superhero movies watched by young children. While the R-rated film puts on a tough pose, beginning with the murder of Cyrus, most of the violence is contained to non-lethal, hand-to-hand combat. The death toll is low relative to the movie’s image, and includes Warriors leader Cleon, who’s framed for Cyrus’s death, and Fox, who’s a victim of a moving train.

11. A DJ STARTS THE TROUBLE.

A scene from Walter Hill's 'The Warriors' (1979)
Paramount Home Video

Messages are relayed to the gangs by an unnamed female DJ, played by Lynne Thigpen, to whom they all apparently have their radios tuned. We never even see her full face, but her hip attitude is memorable. She may or may not have been an influence on Samuel L. Jackson’s DJ Señor Love Daddy in Do the Right Thing, who’s shot in a similar style and hovers over the proceedings of that other New York-to-its-core narrative.

12. A NEW YORK BASEBALL GANG MAKES A LOT OF SENSE.

A scene from Walter Hill's 'The Warriors' (1979)
Paramount Home Video

If you’ve ever met a passionate Yankees fan, you might already feel like you’ve been in the presence of a baseball gang member. The infamous Baseball Furies in The Warriors are decked out in uniforms strikingly similar to the Bronx-based MLB team. They wield bats as weapons and wear terrifying face makeup. It’s not so dissimilar from what you might find at a brawl outside Yankee Stadium.

13. THE LEADING LADY HAD A HIDDEN INJURY.

A scene from Walter Hill's 'The Warriors' (1979)
Paramount Home Video

Deborah Van Valkenburgh plays the fiery Mercy, a sexy woman who catches Swan’s (Michael Beck) eye and joins the Warriors on their journey and turns out to be as tough as the boys. While she’s scantily clad when we first meet her, she’s later dressed in a long-sleeved jacket. That’s likely because, as Hill explained, Van Valkenburgh broke her wrist and had to wear a cast, forcing the crew to get creative.

14. THE REAL VILLAINS ARE THE DISCO DANCERS.

One of the more quietly powerful scenes goes by nearly wordlessly. A pack of merry partiers board the subway and, based on their ruffled attire, seem to be coming from or going to some wholesome disco dancing. They fall silent upon seeing the bruised Swan and Mercy, then leave at the next station. The audience, of course, instantly despises them. It seems like a bit of an overreaction from people on a graffiti-splattered train in then-grimy New York, but the point is clear. Two years after Saturday Night Fever, disco had reached peak saturation. And in fact Hill has complained that Paramount hoped The Warriors would be something like the John Travolta hit. Maybe this was his quiet revenge.

15. THE WARRIORS IS ESSENTIALLY AN URBAN WESTERN.

A scene from Walter Hill's 'The Warriors' (1979)
Paramount Home Video

The Warriors emerge at the end of the movie in their native Coney Island after morning has come, where they face Luther (David Patrick Kelly) and his rival gang who pinned Cyrus’s death on them. It’s striking how much this standoff is filmed like a Western—except on the shores of Brooklyn—but it’s not surprising. Hill’s movies are heavily indebted to Westerns, and The Warriors often resembles one in a different context. It’s also notable that the final duel goes off with only minor injury: Swan throws a switchblade into Luther’s arm. What happens to Luther after the end credits roll—well, that’ll have to be explained in a sequel.

16 Biting Facts About Fright Night

William Ragsdale stars in Fright Night (1985).
William Ragsdale stars in Fright Night (1985).
Columbia Pictures

Charley Brewster is your typical teen: he’s got a doting mom, a girlfriend whom he loves, a wacky best friend … and an enigmatic vampire living next door.

For more than 30 years, Tom Holland’s critically acclaimed directorial debut has been a staple of Halloween movie marathons everywhere. To celebrate the season, we dug through the coffins of the horror classic in order to discover some things you might not have known about Fright Night.

1. Fright Night was based on "The Boy Who Cried Wolf."

Or, in this case, "The Boy Who Cried Vampire." “I started to kick around the idea about how hilarious it would be if a horror movie fan thought that a vampire was living next door to him,” Holland told TVStoreOnline of the film’s genesis. “I thought that would be an interesting take on the whole Boy Who Cried Wolf thing. It really tickled my funny bone. I thought it was a charming idea, but I really didn't have a story for it.”

2. Peter Vincent made Fright Night click.

It wasn’t until Holland conceived of the character of Peter Vincent, the late-night horror movie host played by Roddy McDowall, that he really found the story. While discussing the idea with a department head at Columbia Pictures, Holland realized what The Boy Who Cried Vampire would do: “Of course, he's gonna go to Vincent Price!” Which is when the screenplay clicked. “The minute I had Peter Vincent, I had the story,” Holland told Dread Central. “Charley Brewster was the engine, but Peter Vincent was the heart.”

3. Peter Vincent is named after two horror icons.

Peter Cushing and Vincent Price.

4. The Peter Vincent role was intended for Vincent Price.

Roddy McDowall in Fright Night (1985)
Roddy McDowall as Peter Vincent in Fright Night (1985).
Columbia Pictures

“Now the truth is that when I first went out with it, I was thinking of Vincent Price, but Vincent Price was not physically well at the time,” Holland said.

5. Roddy McDowall did not want to play the part like Vincent Price.

Once he was cast, Roddy McDowall made the decision that Peter Vincent was nothing like Vincent Price—specifically: he was a terrible actor. “My part is that of an old ham actor,” McDowall told Monster Land magazine in 1985. “I mean a dreadful actor. He had a moderate success in an isolated film here and there, but all very bad product. Basically, he played one character for eight or 10 films, for which he probably got paid next to nothing. Unlike stars of horror films who are very good actors and played lots of different roles, such as Peter Lorre and Vincent Price or Boris Karloff, this poor sonofabitch just played the same character all the time, which was awful.”

6. It took Holland just three weeks to write the Fright Night script.

And he had a helluva good time doing it, too. “I couldn’t stop writing,” Holland said in 2008, during a Fright Night reunion at Fright Fest. “I wrote it in about three weeks. And I was laughing the entire time, literally on the floor, kicking my feet in the air in hysterics. Because there’s something so intrinsically humorous in the basic concept. So it was always, along with the thrills and chills, something there that tickled your funny bone. It wasn’t broad comedy, but it’s a grin all the way through.”

7. Tom Holland directed Fright Night out of "self-defense."

By the time Fright Night came around, Holland was already a Hollywood veteran—just not as a director. He had spent the past two decades as an actor and writer and he told the crowd at Fright Fest that “this was the first film where I had sufficient credibility in Hollywood to be able to direct ... I had a film after Psycho 2 and before Fright Night called Scream For Help, which … I thought was so badly directed that [directing Fright Night] was self-defense. In self-defense, I wanted to protect the material, and that’s why I started directing with Fright Night."

8. Chris Sarandon had a number of reasons for not wanting to make Fright Night.

Chris Sarandon stars in 'Fright Night' (1985)
Chris Sarandon stars in Fright Night (1985).
Columbia Pictures

At the Fright Night reunion, Chris Sarandon recalled his initial reaction to being approached about playing vampire Jerry Dandrige. "I was living in New York and I got the script,” he explained. “My agent said that someone was interested in the possibility of my doing the movie, and I said to myself, ‘There’s no way I can do a horror movie. I can’t do a vampire movie. I can’t do a movie with a first-time director.’ Not a first-time screenwriter, but first-time director. And I sat down and read the script, and I remember very vividly sitting at my desk, looked over at my then wife and said, ‘This is amazing. I don’t know. I have to meet this guy.’ And so, I came out to L.A. And I met with Tom [Holland] and our producer. And we just hit it off, and that was it.”

9. Jerry Dandridge is part fruit bat.

After doing some research into the history of vampires and the legends surrounding them, Sarandon decided that Jerry had some fruit bat in him, which is why he’s often seen snacking on fruit in the film. When asked about the 2011 remake with Colin Farrell, Sarandon commented on how much he appreciated that that specific tradition continued. “In this one, it's an apple, but in the original, Jerry ate all kinds of fruit because it was just sort of something I discovered by searching it—that most bats are not blood-sucking, but they're fruit bats,” Sarandon told io9. “And I thought well maybe somewhere in Jerry's genealogy, there's fruit bat in him, so that's why I did it.”

10. William Ragsdale learned he had booked the part of Charley Brewster on Halloween.

William Ragsdale had only ever appeared in one film before Fright Night (in a bit part). He had recently been considered for the role of Rocky Dennis in Mask, which “didn’t work out,” Ragsdale recalled. “But a few months later, [casting director] Jackie Burch tells me, ‘There’s this movie I’m casting. You might be really right for it.’ So, I had this 1976 Toyota Celica and I drove that through the San Joaquin valley desert for four or five trips down for auditioning. And in the last one, Stephen [Geoffreys] was there, Amanda [Bearse] was there and that’s when it happened. I had read the script and at the time I had been doing Shakespeare and Greek drama, so I read this thing and thought, ‘Well, God, this looks like a lot of fun. There’s no … iambic pentameter, there’s no rhymes. You know? Where’s the catharsis? Where’s the tragedy?’ … I ended up getting a call on Halloween that they had decided to use me, and I was delighted.”

11. Not being Anthony Michael Hall worked in Stephen Geoffreys's favor.

In a weird way, it was by not being Anthony Michael Hall that Stephen Geoffreys was cast as Evil Ed. “I actually met Jackie Burch, the casting director, by mistake in New York months before this movie was cast and she remembered me,” Geoffreys shared at Fright Fest. “My agent sent me for an audition for Weird Science. And Anthony Michael Hall was with the same agent that I was with, and she sent me by mistake. And Jackie looked at me when I walked into the office and said, ‘You’re not Anthony Michael Hall!’ and I’m like ‘No!’ But anyway, I sat down and I talked to Jackie for a half hour and she remembered me from that interview and called my agent, and my agent sent me the script while I was with Amanda [Bearse] in Palm Springs doing Fraternity Vacation, and I read it. It was awesome. The writing was incredible.”

12. Evil Ed wanted to be Charley Brewster.

Stephen Geoffreys stars in 'Fright Night' (1985).
Stephen Geoffreys stars in Fright Night (1985).
Columbia Pictures

Geoffreys loved the script for Fright Night. “I just got this really awesome feeling about it,” he said. “I read it and thought I’ve got to do this. I called my agent and said ‘I would love to audition for the part of Charley Brewster!’ [And he said] ‘No, Steve, you’re wanted for the part of Evil Ed.’ And I went, ‘Are you kidding me? Why? I couldn’t… What do they see in me that they think I should be this?' Well anyway, it worked out. It was awesome and I had a great time.”

13. Fright Night's original ending was much different.

The film’s original ending saw Peter Vincent transform into a vampire—while hosting “Fright Night” in front of a live television audience.

14. A ghost from Ghostbusters made a cameo in Fright Night.

Visual effects producer Richard Edlund had recently finished up work on Ghostbusters when he and his team began work on Fright Night. And the movie gave them a great reason to recycle one of the library ghosts they had created for Ghostbusters—which was deemed too scary for Ivan Reitman's PG-rated classic—and use it as a vampire bat for Fright Night.

15. Fright Night's cast and crew took it upon themselves to record some DVD commentaries.

Because the earliest DVD versions of Fright Night contained no commentary tracks, in 2008 the cast and crew partnered with Icons of Fright to record a handful of downloadable “pirate” commentary tracks about the making of the film. The tracks ended up on a limited-edition 30th anniversary Blu-ray of the film, which sold out in hours.

16. Vincent Price loved Fright Night.


Columbia Pictures

Holland had the chance to meet Vincent Price one night at a dinner party at McDowall’s. And the actor was well aware that McDowall’s character was based on him. “I was a little bit embarrassed by it,” Holland admitted. “He said it was wonderful and he thought Roddy did a wonderful job. Thank God he didn’t ask why he wasn’t cast in it.”

7 Timeless Facts About Paul Rudd

Rich Fury, Getty Images
Rich Fury, Getty Images

Younger fans may know Paul Rudd as Ant-Man, one of the newest members of the Marvel Cinematic Universe. However, the actor has been a Hollywood mainstay for half his life.

Rudd's breakout role came in 1995’s Clueless, where he played Josh, Alicia Silverstone's charming love interest in Amy Heckerling's beloved spin on Jane Austen's Emma. In the 2000s, Rudd became better known for his comedic work when he starred in movies like Wet Hot American Summer (2001), Anchorman (2004), The 40-Year-Old Virgin (2005), Knocked Up (2007), and I Love You, Man (2009).

It wasn’t until 2015 that Rudd stepped into the ever-growing world of superhero movies when he was cast as Scott Lang, a.k.a. Ant-Man, and became part of the MCU.

Rudd has proven he can take on any part, serious or goofy. More amazingly, he never seems to age. But in honor of (what is reportedly) his 50th birthday on April 6, here are some things you might not have known about the star.

1. Paul Rudd is technically Paul Rudnitzky.

Though Paul Rudd was born in Passaic, New Jersey, both of his parents hail from London—his father was from Edgware and his mother from Surbiton. Both of his parents were descendants of Jewish immigrants who moved to England from from Russia and Poland. Rudd’s last name was actually Rudnitzky, but it was changed by his grandfather.

2. His parents are second cousins.

In a 2017 episode of Finding Your Roots, Rudd learned that his parents were actually second cousins. Rudd responded to the discovery in typical comedic fashion: "Which explains why I have six nipples." He also wondered what that meant for his own family. "Does this make my son also my uncle?," he asked.

3. He loved comic books as a kid.

While Rudd did read Marvel Comics as a kid, he preferred Archie Comics and other funny stories. His English cousins would send him British comics, too, like Beano and Dandy, which he loved.

4. Rudd wanted to play Christian in Clueless. And Murray.

Clueless would have been a completely different movie if Rudd had been cast as the suave Christian instead of the cute older step-brother-turned-love-interest Josh. But before he was cast as Cher’s beau, he initially wanted the role of the “ringa ding kid” Christian.

"I thought Justin Walker’s character, Christian, was a really good part," Rudd told Entertainment Weekly in 2012. "It was a cool idea, something I’d never seen in a movie before—the cool gay kid. And then I asked to read for Donald Faison's part, because I thought he was kind of a funny hip-hop wannabe. I didn’t realize that the character was African-American.”

5. His role model is Paul Newman.

In a 2008 interview for Role Models, which he both co-wrote and starred in, Rudd was asked about his real-life role model. He answered Paul Newman, saying he admired the legendary actor because he gave a lot to the world before leaving it.

6. Before he was Ant-Man, he wanted to be Adam Ant.

In a 2011 interview with Grantland, Rudd talked about his teenage obsession with '80s English rocker Adam Ant. "Puberty hit me like a Mack truck, and my hair went from straight to curly overnight," Rudd explained. "But it was an easier pill to swallow because Adam Ant had curly hair. I used to ask my mom to try and shave my head on the sides to give me a receding hairline because Adam Ant had one. I didn’t know what a receding hairline was. I just thought he looked cool. She said, 'Absolutely not,' but I was used to that."

Ant wasn't the only musician Rudd tried to emulate. "[My mom] also shot me down when I asked if I could bleach just the top of my head like Howard Jones. Any other kid would’ve been like, 'F*** you, mom! I’m bleaching my hair.' I was too nice," he said.

7. Romeo + Juliet wasn’t Rudd's first go as a Shakespearean actor.

Yet another one of Rudd's iconic '90s roles was in Baz Luhrmann's Romeo + Juliet, but it was far from the actor's first brush with Shakespeare. Rudd spent three years studying Jacobean theater in Oxford, England, and starred in a production of Twelfth Night. He was described by his director, Sir Nicholas Hytner, as having “emotional and intellectual volatility.” Hytner’s praise was a big deal, considering he was the director of London's National Theatre from 2003 until 2015.

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