10 Marvelous Facts About The Marvelous Mrs. Maisel

Amazon Studios
Amazon Studios

Miriam “Midge” Maisel has it all. Beauty, wit, a home that belongs in a magazine spread, and an alliterative name. Then she loses a major piece of the puzzle: her husband, who philanders and leaves her high and dry after sparking an interest in stand-up comedy in her. It’s on the stage that she finds success and herself, and it’s online that The Marvelous Mrs. Maisel has found similar success.

An effervescent comedy from Gilmore Girls creator Amy Sherman-Palladino, the Rachel Brosnahan-starring series also tackles modern sexual politics with quick quips and antique flair. Here are 10 facts about the Emmy Award-winning Amazon Studios series, which just debuted its second season.

1. THEY BORROWED AN HERB FROM ROSEMARY’S BABY.

Rachel Brosnahan in 'The Marvelous Mrs. Maisel'
Nicole Rivelli, Amazon Studios

In an early episode, a fortune teller hands over a charm to Midge’s mom, Rose (Marin Hinkle), that includes tannis root, which is made up. Specifically, it was invented for the Roman Polanski horror film Rosemary’s Baby, which doesn’t involve comedy so much as it involves a New York City apartment complex filled with Satan worshippers.

2. SOME INITIAL ADVERTISING MADE A CONFUSING RELIGIOUS STATEMENT.

Early Amazon promos for the series described Midge’s home as “an elegant Upper East Side apartment perfect for hosting Yom Kippur dinner,” which may have confused potential Jewish fans since Yom Kippur is marked by fasting. There is a meal called a “Break-the-Fast,” and while the pilot episode of the show gets that right, the advertising does not.

3. AMY SHERMAN-PALLADINO’S FATHER WAS A COMIC IN THE 1950S.

The pillot opens in 1958, which required a healthy amount of research, but Sherman-Palladino had the inside track. Her father was Don Sherman, a stand-up who started off in the Greenwich Village comedy scene. “I grew up with stand-up comedians hanging out in my house,” Sherman-Palladino told Variety. “Stand-up comedians either work a lot or they have a lot of time on their hands to hang around with each other eating deli and making each other laugh. It was like Broadway Danny Rose a lot of the time at my house.” She also dedicated an episode to her father.

4. RACHEL BROSNAHAN WAS TOLD REPEATEDLY THAT SHE WASN’T FUNNY.

Rachel Brosnahan and Wakeema Hollis in 'The Marvelous Mrs. Maisel'
Nicole Rivelli, Amazon Studios

Up until she was cast as Midge, Rachel Brosnahan mostly played haunted-eyed girls in severe dramas (see: House of Cards). A lot of bad stuff happened to her characters. She also lost a lot of acting jobs because, while talented, casting directors didn’t think she was funny. “It happened enough times that there was a pattern,” Brosnahan told Glamour. “I thought, ‘Maybe I should listen to it.’ Now I’ve realized you can continue to learn things even when you’ve formed a really solid sense of self.” Now she’s an Emmy-winning comedic actor. Not bad for someone who isn’t funny.

5. THE CREATOR KEEPS ASKING ACTORS IF THEY HAVE MORE HIDDEN TALENTS.

Beyond making a dramatic actor learn how to be a convincing stand-up comic, Sherman-Palladino continues to keep the actors on their toes. After wrapping the first season, Brosnahan got a text from Sherman-Palladino asking if she could ride a bike. Marin Hinkle got a text asking if she could speak French. They also made Brosnahan do something involving “a rolling chair and some choreography” that you'll see in the new season. “Took a tumble, so I’m learning new skills,” Brosnahan said.

6. MIDGE IS A SALUTE TO JOAN RIVERS.

Midge is brimming with the same kind of pioneering spirit exemplified by early female comics like Phyllis Diller and Joan Rivers. Midge has a certain brashness that would resonate particularly with the latter. Brosnahan watched a lot of Rivers’s performances to prepare for the role, and even though their styles are somewhat different, their drive and tenacity in a male-dominated field is the same.

7. SHERMAN-PALLADINO WANTED TO MAKE A PERIOD PIECE BECAUSE SHE DOESN’T LIKE TECHNOLOGY.

The writer/producer is known for caffeine-powered dialogue that’s laced with pop culture references aplenty, but she’s not the biggest fan of modernity. Besides creating an homage to her father’s early career, mounting a mid-century series appealed to Sherman-Palladino because of its technological limitations. She relished “the opportunity to do any sort of show where I don’t have to think about Shapchat—I’m thrilled, delighted because I don’t understand technology. I just want to go back to a time where there wasn’t any,” she told Vanity Fair.

8. COFFEE IS ONE KEY TO THE CHARACTER.

How does one spew all those lines written by Sherman-Palladino? “It helps when you really love the project and the role,” Brosnahan told Harper's Bazaar. “But as we went on, it definitely involved digging pretty deep, and a lot of coffee. Lots and lots and lots of coffee.” The show’s scripts are 10 to 15 pages longer than the average television series.

9. BROSNAHAN GOT THE ROLE DESPITE BOMBING AN AUDITION AND GETTING APOCALYPTICALLY SICK.

After years of being told she wasn’t funny, Brosnahan almost missed the Mrs. Maisel boat, too. She thought she’d done horribly in her initial audition, and then she got sick just before a second chance test with Sherman-Palladino and executive producer Dan Palladino. She postponed the test to see if she’d get better, but she only got worse.

“I rallied, but I honestly was so sick during the camera test," Brosnahan admitted. "I was so sweaty Amy kept stopping me because I had to powder my face, I was blowing my nose, I took my shoes off at some point ... at best, that test was a beautiful disaster. But Midge is kind of a disaster sometimes.”

10. BROSNAHAN DOESN’T THINK OF MIDGE AS A FEMINIST.

Despite treading on traditionally male ground, Brosnahan doesn’t apply the feminist label to her character. Hers is more of a quiet, personal, subversive revolution. “What I love about Midge is that she is so not a feminist,” she told The New York Times. “She’s a creature of her time. What she is, is curious. She’s insatiable. If she doesn’t know things, she wants to know them. And she doesn’t know any other way than forward."

The 10 Best Movies of 2018, According to Rotten Tomatoes

The Weinstein Company
The Weinstein Company

We're a few weeks into the new year, but it's not too late to catch up on the best movies of 2018. If you're looking for a place to start, why not check out the top 10 films most widely loved by critics last year, according to Rotten Tomatoes.

The list, reported by Cinema Blend, includes a mix of family flicks, action-packed blockbusters, and art house films. Marvel's Black Panther—which was a hit with both critics and moviegoers, and just became the first superhero movie to earn an Oscar nomination for Best Picture—tops the list as Rotten Tomatoes's best-reviewed movie of 2018 with a wide release. It's accompanied by two other superheroes movies: Incredibles 2 and Spider-Man: Into the Spiderverse (both of which earned Oscar nominations for Best Animated Film).

Last year proved that critics aren't prejudiced against sequels if they're well made, with Paddington 2 and Mission: Impossible - Fallout making the list along with the second Incredibles film. This list is limited to movies that had a wide release in 2018 (600 theaters or more), so some awards darlings like Netflix's Roma didn't make the cut. But there were a few indie hits that received wider showings and earned critical acclaim, including Bo Burnham's Eighth Grade and the Mister Rogers documentary Won't You Be My Neighbor?.

After checking out the full list below, you can start getting excited about the highly-anticipated films coming out in 2019.

1. Black Panther
2. Mission: Impossible - Fallout
3. BlacKkKlansman
4. Spider-Man: Into the Spider-Verse
5. A Star is Born
6. A Quiet Place
7. Paddington 2
8. Incredibles 2
9. Eighth Grade
10. Won't You Be My Neighbor

[h/t Cinema Blend]

Game of Thrones Star Sophie Turner Says Latest Teaser Has 'Nothing to Do' With Season 8

HBO
HBO

If you ever want to get lost down a Reddit rabbit hole, check out the Game of Thrones and Game of Thrones Theories subreddits. Since season 7 ended in August 2017, fans have been rabidly theorizing about what they believe will happen in the final season, even going so far as to comb through old episodes and interviews and re-read George RR Martin’s A Song of Ice and Fire book series for any clues. Now that we've finally seen a few teasers for season 8, fans have begun analyzing even the tiniest details to see what sort of future they might hint at. There's just one problem: The promos apparently have nothing to do with the details of the final season.

Fansite Winter Is Coming recently resurfaced an interview with actress Sophie Turner, who plays Sansa Stark, from October 2018's New York Comic Con, in which she stated that the latest teaser—which features Sansa, Arya Stark, and Jon Snow coming face-to-face with statues of themselves—is actually irrelevant to the final season. According to Turner:

“We did this promo for season 8 where—I don’t know if I can say this, actually. Well, actually, no. It’s got nothing to do with the series; it’s just a promo. It was this big kind of statue of me, of Sansa, and I wanted to have it in the garden of my new house. But they obviously wouldn’t ship it from Belfast to New York, so …”

Since it debuted more than a week ago, the newest teaser has spawned a range of fan theories, from speculation that Bran Stark is either the Night King or the Three-Eyed Raven to Jon Snow being one of the series' few (or only) survivors.

Though it seemed clear that the teaser wasn't actual footage from season 8, fans were all banking on it meaning something about the series' final season. But the fact that Turner could talk about it without revealing any spoilers is pretty strong proof that it doesn’t include any hints about how it will all end. Which just goes to show that, like Jon Snow, we know nothing.

Game of Thrones returns for the final time on April 14, 2019.

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