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15 Things You Might Not Know About This Is Spinal Tap

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This is Spinal Tap may not have invented the mockumentary genre, but it certainly popularized it. Rob Reiner’s cult classic comedy—which starred Michael McKean, Christopher Guest, and Harry Shearer—turned the fictional heavy metal band of its title into bona fide musical superstars. It also called into question what the exact dimensions of an on-stage Stonehenge should be. Here are 15 things you might not know about the 1984 film.

1. THIS IS SPINAL TAP WASN’T AN IMMEDIATE HIT.

Like Smell the Glove, the new album that the band is promoting in the film, This Is Spinal Tap didn’t immediately find its audience. In preview screenings, some viewers complained about the camerawork, offering up such feedback as “Too shaky. Get new cameraman.” It wasn’t until the film was released on home video that it truly found its audience; it has since gone on to garner loads of critical acclaim. In 2011, Time Out London named This is Spinal Tap the Best Comedy of All Time, noting that “It’s sublimely funny and sharp—a comedy built for the long haul which matures with each viewing.” Entertainment Weekly, Empire, The New York Times, and the American Film Institute have all singled the film out in similar lists.

2. MANY VIEWERS BELIEVED IT WAS AN ACTUAL DOCUMENTARY.

Reiner thinks he knows the reason why it took so long for fans to come around to the film. “When Spinal Tap initially came out, everybody thought it was a real band,” Reiner told Newsweek in 2010. “Everyone said, ‘Why would you make a movie about a band that no one has heard of?’ The reason it did go over everybody’s head was it was very close to the bone.” This despite the fact that the credits state the band is fictional, “And there’s no Easter Bunny, either!”

3. OZZY OSBOURNE WAS ONE SUCH VIEWER.

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Ozzy Osbourne was among the audience members who assumed the band was real. When he learned the truth, he admitted that he should have known better. “They seemed quite tame compared to what we got up to,” he once said.

4. IT’S GOT AN 8.0 RATING ON IMDB… OUT OF 11.

Ratings are a regular feature on the Internet Movie Database, with every title featuring a user-generated rating on a scale of one to 10. Well, almost every title. This is Spinal Tap has its very own scale, and it goes to 11.

5. ROB REINER DOESN’T WEAR SPANDEX WELL.

Reiner had originally planned to play a fourth member of the band, but changed his mind when Shearer reportedly told him that he “didn't look good in spandex.”

6. ANY SIMILARITIES TO BLACK SABBATH ARE PURELY COINCIDENTAL.

In one of the film’s most iconic moments, a miscommunication in measurements causes what is supposed to be a life-sized version of Stonehenge to end up being small enough that it “was in danger of being crushed by a dwarf.” A similar incident occurred on Black Sabbath’s “Born Again” tour in 1983, except their monument was too big to fit on the stage. Given that This is Spinal Tap was released a year later, that Black Sabbath would have influenced the film seems logical. But the movie scene in question was actually filmed in 1982, as part of a 20-minute short the production team used to get a greenlight.

7. THE FILM HIT TOO CLOSE TO HOME FOR MANY FAMOUS MUSICIANS.

“We do love that, the musicians who have said, ‘Man, I can't watch Spinal Tap, it’s too much like my life,’” Harry Shearer says in John Kenneth Muir’s book, Best in Show: The Films of Christopher Guest and Company. “That's the highest compliment of all. It beats all the Oscar nominations we never got.” It’s a compliment the movie’s cast and crew hear quite often. Robert Plant, Jimmy Page, Eddie Van Halen, Eddie Vedder, and Dee Snider are just a few of the musicians who have referenced similarities between their own lives and the movie’s plot.

8. IT MADE TOM WAITS AND THE EDGE CRY.

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Tom Waits once said that when he watched the film for the first time, he cried because of its realism. The Edge shared a similar sentiment in 2005, when U2 was inducted into The Rock and Roll Hall of Fame: “It's so hard to keep things fresh, and not to become a parody of yourself,” the legendary guitarist told the crowd of onlookers. “And if you've ever seen that movie Spinal Tap, you will know how easy it is to parody what we all do. The first time I ever saw it, I didn't laugh. I wept. I wept because I recognized so much and so many of those scenes.”

9. MOST OF THE DIALOGUE WAS AD-LIBBED.

Because the vast majority of the film was improvised, all four of the film’s main stars—Reiner, McKean, Guest, and Shearer—received equal billing on the script. But because all of the actors contributed to the script, the foursome lobbied the Writers Guild of America to give every member of the cast a writing credit. The request was promptly denied.

10. ALL THAT IMPROVISATION RESULTED IN MORE THAN 100 HOURS OF FOOTAGE.

Reiner managed to edit the film’s original theatrical release down to 82 minutes, but fans of the film have very actively sought out the unedited footage. In 1998, the Criterion Collection released its only single-layer, double-sided disc that included more than an hour of additional footage (it’s now out of print, but can be found on eBay). MGM’s DVD features an additional 70 minutes of footage. But the holy grail of alternate versions is a four-and-a-half-hour bootleg edition.

11. A SLOPPY SECONDS SUBPLOT WAS REMOVED.

The film’s original script included a fun subplot which explained why the band members are often seen with cold sores on their lips: all three of them had slept with the lead singer of their opening act, and she gave them all herpes.

12. THE BAND IS NOW ONLY SEMI-FICTIONAL.

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Though Spinal Tap was created as a pure parody, the film’s success has led to a legitimate music career for McKean, Guest, and Shearer. In the three decades since the film’s debut, the trio has released albums, done numerous interviews in character, and performed in concert. “We played the Pyramid Stage,” Guest told The Wrap in 2013. “There were 130,000 people there or something. Since the film 30 years ago we've gone on tour, playing Wembley, the [Royal] Albert Hall, Carnegie Hall… It's weird but great. The fiction became real.” In the same interview, Guest also hinted that they may be returning to the stage this year.

13. THE FILM HAS A (SORT OF) SEQUEL.

As part of the marketing campaign for their 1992 album, Break Like the Wind, a made-for-television sequel to the original film, The Return of Spinal Tap, was released. In addition to concert footage from a show at the Royal Albert Hall, the 58-minute film featured an appearance by The Folksmen, the fictional folk music band that McKean, Guest, and Shearer created in 1984 for an episode of Saturday Night Live. They have subsequently “opened” in concert for Spinal Tap as The Folksmen, and were once booed off the stage in New York City. The Folksmen also appeared in Guest’s 2003 mockumentary, A Mighty Wind.

14. NORWEGIANS KNOW THE FILM AS HELP! WE ARE IN THE POP BUSINESS!

When This is Spinal Tap was released on video in Norway in 1984, its title was translated as Help! We are in the Pop Business! This caused some Norwegian filmgoers to believe it was related to Airplane!, as that had been released as Help! We are Flying! a few years earlier.

15. THE FILM WILL LIVE ON AND ON AND ON.

In 2002, This Is Spinal Tap was selected for preservation by the National Film Registry because it is a film that is considered “culturally, historically, or aesthetically significant” by the Library of Congress.

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20 Facts About Your Favorite Coen Brothers’ Movies
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Ethan Coen turns 60 years old today, if you can believe it. Since bursting onto the scene in 1984 with the cult classic Blood Simple, the younger half of (arguably) the most dynamic moviemaking sibling duo in Hollywood has helped create some of the most memorable and quirky films in cinematic history, from Raising Arizona to Fargo and The Big Lebowski to No Country For Old Men. To celebrate the monumental birthday of one of the great writer-directors of our time (though he’s mostly uncredited as a director), here are some facts about your favorite Coen brothers’s movies.

1. THE COENS THINK BLOOD SIMPLE IS “PRETTY DAMN BAD.”

Fifteen years after Blood Simple’s release, the Coens reflected upon their first feature in the 2000 book My First Movie. “It’s crude, there’s no getting around it,” Ethan said. “On the other hand, it’s all confused with the actual process of making the movie and finishing the movie which, by and large, was a positive experience,” Joel said. “You never get entirely divorced from it that way. So, I don’t know. It’s a movie that I have a certain affection for. But I think it’s pretty damn bad!”

2. KEVIN COSTNER AND RICHARD JENKINS AUDITIONED FOR RAISING ARIZONA.

Kevin Costner auditioned three times to play H.I., only to see Nicolas Cage snag the role. Richard Jenkins had his first of many auditions for the Coens for Raising Arizona. He also (unsuccessfully) auditioned for Miller's Crossing (1990) and Fargo (1996) before calling it quits with the Coens. In 2001, Joel and Ethan cast Jenkins in The Man Who Wasn't There, even though he had never auditioned for it.

3. THE BROTHERS TURNED DOWN BATMAN TO MAKE MILLER’S CROSSING.

After Raising Arizona’s success established them as more than one-hit indie film wonders, the Coens had some options with regard to what project they could tackle next. Reportedly, their success meant that they were among the filmmakers being considered to make Batman for Warner Bros. Of course, the Coens ultimately decided to go the less commercial route, and Tim Burton ended up telling the story of The Dark Knight on the big screen.

4. BARTON FINK AND W.P. MAYHEW WERE LOOSELY BASED ON CLIFFORD ODETS AND WILLIAM FAULKNER.

The Coens acknowledge that Fink and Odets had similar backgrounds, but they had different personalities: Odets was extroverted, for one thing. Turturro, not his directors, read Odets’ 1940 journal. The Coens acknowledged that John Mahoney (Mayhew) looks a lot like the The Sound and the Fury author.

5. THE COENS'S WEB OF DECEPTION IN FARGO GOES EVEN FURTHER THAN THE OPENING CREDITS. 

While the tag on the beginning of the movie reads “This is a true story. The events depicted in this film took place in Minnesota in 1987,” Fargo is, by no stretch of the imagination, a true story. During the film's press tour, the Coens admitted that while not pinpoint accurate, the story was indeed inspired by a similar crime that occurred in Minnesota, with Joel stating “In its general structure, the film is based on a real event, but the details of the story and the characters are fictional.”

However, any and all efforts to uncover anything resembling such a crime ever occurring in Minnesota come up empty, and in an introduction to the published script, Ethan pretty much admitted as much, writing that Fargo “aims to be both homey and exotic, and pretends to be true." 

6. THEY WANTED MARLON BRANDO TO PLAY JEFFREY LEBOWSKI.

According to Alex Belth, who wrote the e-book The Dudes Abide on his time spent working as an assistant to the Coens, casting the role of Jeffrey Lebowski was one of the last decisions made before filming. Names tossed around for the role included Robert Duvall (who passed because he wasn’t fond of the script), Anthony Hopkins (who passed since he had no interest in playing an American), and Gene Hackman (who was taking a break at the time). A second “wish list” included an oddball “who’s who," including Norman Mailer, George C. Scott, Jerry Falwell, Gore Vidal, Andy Griffith, William F. Buckley, and Ernest Borgnine.

The Coens’ ultimate Big Lebowski, however, was the enigmatic Marlon Brando, who by that time was reaching the end of his career (and life). Apparently, the Coens amused themselves by quoting some of their favorite Jeffrey Lebowski lines (“Strong men also cry”) in a Brando accent. The role would eventually go to the not-particularly-famous—albeit pitch-perfect—veteran character actor David Huddleston. In true Dude fashion, it all worked out in the end.

7. JOEL COEN WOOED FRANCES MCDORMAND ON THE SET OF BLOOD SIMPLE.

Coen and McDormand fell in love while making Blood Simple and got married a couple of years later, after production wrapped. McDormand told The Daily Beast about the moment when she roped him in. “I’d only brought one book to read to Austin, Texas, where we were filming, and I asked him if there was anything he’d recommend,” she said. “He brought me a box of James M. Cain and Raymond Chandler paperbacks, and I said, ‘Which one should I start with?’ And he said, ‘The Postman Always Rings Twice.’ I read it, and it was one of the sexiest f*ckin’ books I’ve ever read. A couple of nights later, I said, ‘Would you like to come over and discuss the book?’ That did it. He seduced me with literature. And then we discussed books and drank hot chocolate for several evenings. It was f*ckin’ hot. Keep it across the room for as long as you can—that’s a very important element.”

8. O BROTHER, WHERE ART THOU? WAS ORIGINALLY INSPIRED BY THE WIZARD OF OZ.

Joel Coen revealed as much at the 15th anniversary reunion. “It started as a 'three saps on the run' kind of movie, and then at a certain point we looked at each other and said, 'You know, they're trying to get home—let's just say this is The Odyssey. We were thinking of it more as The Wizard of Oz. We wanted the tag on the movie to be: 'There's No Place Like Home.’”

9. THE ACTORS IN FARGO WENT THROUGH EXTENSIVE TRAINING TO GET THEIR ACCENTS RIGHT.

Having grown up in Minnesota, the Coens were more than familiar with the idiosyncrasies of the “Minnesota nice” accent, but much of the cast—including Frances McDormand and William H. Macy—needed coaching to get the intricacies right. Actors were even given copies of the scripts with extensive pronunciation notes. According to dialect coach Larissa Kokernot, who also appeared as one of the prostitutes Gaear and Carl rendezvous with in Brainerd, the “musicality” of the Minnesota nice accent comes from a place of “wanting people to agree with each other and get along.” This homey sensibility, contrasted with the ugly crimes committed throughout the movie, is, of course, one of the major reasons why the dark comedy is such an enduring classic.

10. NICOLAS CAGE'S HAIR REACTED TO H.I.'S STRESS LEVEL IN RAISING ARIZONA.

Ethan claimed that Cage was "crazy about his Woody Woodpecker haircut. The more difficulties his character got in, the bigger the wave in his hair got. There was a strange connection between the character and his hair."

11. A PROP FROM THE HUDSUCKER PROXY INSPIRED THE MAN WHO WASN’T THERE.

A bit of set dressing from 1994’s The Hudsucker Proxy eventually led to 2001’s The Man Who Wasn’t There. In a barbershop scene, there’s a poster hanging in the background that featured a range of men’s hairstyles from the 1940s. The brothers liked the prop and kept it, and it’s what eventually served as the inspiration for The Man Who Wasn’t There.

12. GEORGE CLOONEY SIGNED ON TO O BROTHER, WHERE ART THOU? BEFORE EVEN READING THE SCRIPT.

The brothers visited George Clooney in Phoenix while he was making Three Kings (1999), wanting to work with him after seeing his performance in Out of Sight (1998). Moments after they put their script on Clooney’s hotel room table, the actor said “Great, I’m in.”

13. A SNAG IN THE MILLER’S CROSSING SCRIPT ULTIMATELY LED TO BARTON FINK.

Miller’s Crossing is a complicated beast, full of characters double-crossing each other and scheming for mob supremacy. In fact, it’s so complicated that at one point during the writing process the Coens had to take a break. It turned out to be a productive one: While Miller’s Crossing was on pause, the brothers wrote the screenplay for Barton Fink, the story of a writer who can’t finish a script.

14. INTOLERABLE CRUELTY IS THE FIRST COEN MOVIE THAT WASN’T THE BROTHERS’ ORIGINAL IDEA.

In 1995, the Coens rewrote a script originally penned by other screenwriters, Robert Ramsey, Matthew Stone, and John Romano. They didn’t decide to direct the movie, which became Intolerable Cruelty, until 2003.

15. THE LADYKILLERS WAS WRITTEN FOR BARRY SONNENFELD TO DIRECT.

The Coens effortlessly jump from crime thriller to comedy without missing a beat. So when they were commissioned to write a remake of the British black comedy The Ladykillers for director Barry Sonnenfeld, it seemed to fall in line with their cinematic sensibilities. When Sonnenfeld dropped out of the project, the Coens were hired to direct the film.

16. BURN AFTER READING MARKED THE FIRST TIME SINCE MILLER’S CROSSING THAT THE COENS DIDN’T WORK WITH THEIR USUAL CINEMATOGRAPHER, ROGER DEAKINS.

Instead, eventual Academy Award-winner Emmanuel Lubezki acted as the director of photography. The Coens would work with Deakins again on every one of their films until 2013’s Inside Llewyn Davis.

17. IT TOOK SOME CONVINCING TO GET JAVIER BARDEM TO SAY “YES” TO NO COUNTRY FOR OLD MEN

Though it’s hard to imagine No Country for Old Men without Javier Bardem’s menacing—and Oscar-winning—performance as antagonist Anton Chigurh, he almost passed on the role. “It’s not something I especially like, killing people—even in movies,” Bardem said of his disdain for violence. “When the Coens called, I said, ‘Listen, I’m the wrong actor. I don’t drive, I speak bad English, and I hate violence.’ They laughed and said, ‘Maybe that’s why we called you.”’

18. PATTON OSWALT AUDITIONED FOR A SERIOUS MAN.

Patton Oswalt auditioned for the role of the obnoxious Arthur Gopnik in A Serious Man, a part that ultimately went to Richard Kind. Oswalt talked about his audition while appearing on Marc Maron’s WTF podcast, in which it was also revealed that Maron was being considered for the lead role of Larry Gopnik (the role that earned Michael Stuhlbarg his first, and so far only, Golden Globe nomination). 

19. THE CAT IN INSIDE LLEWYN DAVIS WAS “A NIGHTMARE.”

Ulysses, the orange cat who practically stole Inside Llewyn Davis away from Oscar Isaac, was reportedly a bit of a diva. "The cat was a nightmare,” Ethan Coen said on the DVD commentary. “The trainer warned us and she was right. She said, uh, "Dogs like to please you. The cat only likes to please itself.’ A cat basically is impossible to train. We have a lot of footage of cats doing things we don't want them to do, if anyone's interested; I don't know if there's a market for that."

20. THE COEN BROTHERS PROBABLY DON’T LOVE THE BIG LEBOWSKI AS MUCH AS YOU DO. 

We’re assuming the Coen Brothers are plenty fond of The Dude: after all, he doesn’t end up facing imminent death or tragedy, which is more than most of their protagonists have going for them. But in a rare Coen Brothers interview in 2009, Joel Coen flatly stated, “That movie has more of an enduring fascination for other people than it does for us.”

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10 Terrific Facts About Stephen King
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As if being one of the world's most successful and prolific writers wasn't already reason enough to celebrate, Stephen King is ringing in his birthday as the toast of Hollywood. As It continues to break box office records, we're digging into the horror master's past. Here are 10 things you might not have known about Stephen King, who turns 70 years old today.

1. STEPHEN KING AND HIS WIFE, TABITHA, OWN A RADIO STATION.

Stephen and Tabitha King own Zone Radio, a company that serves to head their three radio stations in Maine. One of them, WKIT, is a classic rock station that goes by the tagline "Stephen King's Rock Station."

2. HE'S A HARDCORE RED SOX FAN.

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Not only did he write a story about the Boston Red Sox—The Girl Who Loved Tom Gordon (who was a former Red Sox pitcher)—he also had a cameo in the Jimmy Fallon/Drew Barrymore movie Fever Pitch, which is about a crazed Sox fan. He plays himself and throws out the first pitch at a game.

In 2004, King and Stewart O'Nan, another novelist, chronicled their reactions to the season that finally brought the World Series title back to Beantown. It's appropriately titled Faithful: Two Diehard Boston Red Sox Fans Chronicle the Historic 2004 Season.

3. HE WAS HIT BY A CAR, THEN BOUGHT THE CAR THAT HIT HIM.

You probably remember that King was hit by a van not far from his summer home in Maine in 1999. The incident left King with a collapsed lung, multiple fractures to his hip and leg, and a gash to the head. Afterward, King and his lawyer bought the van for $1500 with King announcing that, "Yes, we've got the van, and I'm going to take a sledgehammer and beat it!"

4. AS A KID, HIS FRIEND WAS STRUCK AND KILLED BY A TRAIN.

King's brain seems to be able to create chilling stories at such an amazing clip, yet he's seen his fair share of horror in real life. In addition to the aforementioned car accident, when King was just a kid his friend was struck and killed by a train (a plot line that made it into his story "The Body," which was adapted into Stand By Me). While it would be easy to assume that this incident informed much of King's writing, the author claims to have no memory of the event:

"According to Mom, I had gone off to play at a neighbor’s house—a house that was near a railroad line. About an hour after I left I came back (she said), as white as a ghost. I would not speak for the rest of the day; I would not tell her why I’d not waited to be picked up or phoned that I wanted to come home; I would not tell her why my chum’s mom hadn’t walked me back but had allowed me to come alone.

"It turned out that the kid I had been playing with had been run over by a freight train while playing on or crossing the tracks (years later, my mother told me they had picked up the pieces in a wicker basket). My mom never knew if I had been near him when it happened, if it had occurred before I even arrived, or if I had wandered away after it happened. Perhaps she had her own ideas on the subject. But as I’ve said, I have no memory of the incident at all; only of having been told about it some years after the fact."

5. HE WROTE A MUSICAL WITH JOHN MELLENCAMP.

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King, John Mellencamp, and T Bone Burnett collaborated on a musical, Ghost Brothers of Darkland County, which made its debut in 2012. The story is based on a house that Mellencamp bought in Indiana that came complete with a ghost story. Legend has it that three siblings were messing around in the woods and one of the brothers accidentally got shot. The surviving brother and sister jumped in the car to go get help, and in their panic, swerved off the road right into a tree and were killed instantly. Of course, the three now haunt the woods by Mellencamp's house.

6. HE PLAYED IN A BAND WITH OTHER SUCCESSFUL AUTHORS.

King played rhythm guitar for a band made up of successful writers called The Rock Bottom Remainders. From 1992 to 2012, the band "toured" about once a year. In addition to King, Amy Tan, Dave Barry, Mitch Albom, Barbara Kingsolver, Matt Groening and Ridley Pearson were just some of its other members.

7. HE'S A NATIVE MAINER.

A photo of Stephen King's home in Bangor, Maine.
By Julia Ess - Own work, CC BY-SA 3.0, Wikimedia Commons

King writes about Maine a lot because he knows and loves The Pine Tree State: he was born there, grew up there, and still lives there (in Bangor). Castle Rock, Derry, and Jerusalem's Lot—the fictional towns he has written about in his books—are just products of King's imagination, but he can tell you exactly where in the state they would be if they were real.

8. HE HAS BATTLED DRUG AND ALCOHOL PROBLEMS.

Throughout much of the 1980s, King struggled with drug and alcohol abuse. In discussing this time, he admitted that, "There's one novel, Cujo, that I barely remember writing at all. I don't say that with pride or shame, only with a vague sense of sorrow and loss. I like that book. I wish I could remember enjoying the good parts as I put them down on the page."

It came to a head when his family members staged an intervention and confronted him with drug paraphernalia they had collected from his trash can. It was the eye-opener King needed; he got help and has been sober ever since.

9. THERE WAS A RUMOR THAT HE WROTE A LOST TIE-IN NOVEL.

King was an avid Lost fan and sometimes wrote about the show in his Entertainment Weekly column, "The Pop of King." The admiration was mutual. Lost's writers mentioned that King was a major influence in their work. There was a lot of speculation that he was the man behind Bad Twin, a Lost tie-in mystery, but he debunked that rumor.

10. HE IS SURROUNDED BY WRITERS.

A photo of Stephen King's son, author Joe Hill
Joe Hill
Alberto E. Rodriguez/Getty Images

Stephen isn't the only writer in the King family: His wife, Tabitha King, has published several novels. Joe, their oldest son, followed in his dad's footsteps and is a bestselling horror writer (he writes under the pen name Joe Hill). Youngest child Owen has written a collection of short stories and one novella and he and his dad co-wrote Sleeping Beauties, which will be released later this month (Owen also married a writer). Naomi, the only King daughter, is a minister and gay activist.

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