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Why Are There Only 28 Days in February?

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Thirty days hath September,
April, June, and November.
All the rest have 31,
Except for February,
Which got the short stick because it's cold and no one likes it.  

Well, something to that effect. Some believe February once boasted 29 days and that Augustus Caesar stole a day so he could add it to August, which was named for him. (If there’s a month named after you, why not milk it?) But that’s a myth. Rather, February has 28 days because, to the Romans, the month was an afterthought. In the 8th century BCE, they used the Calendar of Romulus, a 10-month calendar that kicked the year off in March (with the spring equinox) and ended in December. January and February didn’t even exist:

Martius: 31 days
Aprilius: 30 days
Maius: 31 days
Junius: 30 days
Quintilis: 31 days
Sextilis: 30 days
September: 30 days
October: 31 days
November: 30 days
December: 30 days

Tally up those numbers, and you’ll see a problem—the year is only 304 days long. Back then, winter was a nameless, monthless period that no one cared for much. (Planters and harvesters used the calendar as a timetable. To them, winter was useless and wasn’t worth counting.) So for 61 days out of the year, Romans could ask “What month is it?” and you could correctly answer, “None!”

King Numa Pompilius thought that was stupid. Why have a calendar if you’re going to neglect one-sixth of the year? So in 713 BCE, he lined the calendar up with the year’s 12 lunar cycles—a span of about 355 days—and introduced January and February. The months were added to the end of the calendar, making February the last month of the year.

But no Roman calendar would be complete without some good old-fashioned superstition mixed in! The Romans believed even numbers were unlucky, so Numa tried to make each month odd. But to reach the quota of 355, one month had to be even. February ended up pulling the short stick, probably because it was simply the last month on the list. (Or as Cecil Adams puts it, “If there had to be an unlucky month, better make it a short one.”) Numa’s calendar ended up looking like this:

Martius: 31 days
Aprilius: 29 days
Maius: 31 days
Iunius: 29 days
Quintilis: 31 days
Sextilis: 29 days
September: 29 days
October: 31 days
November: 29 days
December: 29 days
Ianuarius: 29 days
Februarius: 28 days

Of course, a 355-day calendar had its bugs. After a few years went by, the seasons and months would fall out of sync. So to keep things straight, the Romans would occasionally insert a 27-day leap month called Mercedonius. The Romans would erase the last couple days of February and start the leap month on February 24—further evidence no one ever cared much for the month.  

This caused headaches everywhere. The leap month was inconsistent, mainly because Rome’s high priests determined when it would arrive. Not only did they insert Mercedonius haphazardly, but the priests (being politicians) abused the power, using it to extend the terms of friends and trim the terms of enemies. By Julius Caesar’s time, the Roman people had no clue what day it was.

So Caesar nixed the leap month and reformed the calendar again. (To get Rome back on track, the year 46 BCE had to be 445 days long!) Caesar aligned the calendar with the sun and added a few days so that everything added up to 365. February, which by now was at the top of the calendar, kept its 28 days. We can only imagine it’s because Caesar, like everyone before and after him, just wanted it to be March already. 

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‘American Gothic’ Became Famous Because Many People Saw It as a Joke
Original image
Wikimedia Commons // Public Domain

In 1930, Iowan artist Grant Wood painted a simple portrait of a farmer and his wife (really his dentist and sister) standing solemnly in front of an all-American farmhouse. American Gothic has since inspired endless parodies and is regarded as one of the country’s most iconic works of art. But when it first came out, few people would have guessed it would become the classic it is today. Vox explains the painting’s unexpected path to fame in the latest installment of the new video series Overrated.

According to host Phil Edwards, American Gothic made a muted splash when it first hit the art scene. The work was awarded a third-place bronze medal in a contest at the Chicago Art Institute. When Wood sold the painting to the museum later on, he received just $300 for it. But the piece’s momentum didn’t stop there. It turned out that American Gothic’s debut at a time when urban and rural ideals were clashing helped it become the defining image of the era. The painting had something for everyone: Metropolitans like Gertrude Stein saw it as a satire of simple farm life in Middle America. Actual farmers and their families, on the other hand, welcomed it as celebration of their lifestyle and work ethic at a time when the Great Depression made it hard to take pride in anything.

Wood didn’t do much to clear up the work’s true meaning. He stated, "There is satire in it, but only as there is satire in any realistic statement. These are types of people I have known all my life. I tried to characterize them truthfully—to make them more like themselves than they were in actual life."

Rather than suffering from its ambiguity, American Gothic has been immortalized by it. The country has changed a lot in the past century, but the painting’s dual roles as a straight masterpiece and a format for skewering American culture still endure today.

Get the full story from Vox below.

[h/t Vox]

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“Dissension” by Tobias Rothe. Original image courtesy Fondazione Federico Zeri/Università di Bologna // CC-BY 3.0
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Get Your GIFs Ready for This International Public Domain GIF-Making Competition
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“Dissension” by Tobias Rothe. Original image courtesy Fondazione Federico Zeri/Università di Bologna // CC-BY 3.0

Excellent GIF-making skills can serve you beyond material for your clever tweets. Each year, a group of four digital libraries from across the world hosts GIF IT UP, a competition to find the best animated image sourced from public domain images from their archives.

The competition is sponsored by Europeana, the Digital Public Library of America (DPLA), New Zealand’s DigitalNZ, and the National Library of Australia’s Trove, all of which host millions of public domain works. The requirements are that the source material must be in the public domain, have a 'no known copyright restrictions' statement, or have a Creative Commons license that allows its reuse. The material must also come from one of the sponsored sources. Oh, and judging by the past winners, it helps if it’s a little whimsical.

The image above won the grand prize in 2015. And this was a runner-up in 2016:

via GIPHY

This year’s prizes haven’t been announced yet (although Europeana says there will be a new one for first-time GIF makers), but last year’s grand prize winner got their own Giphoscope, and runners-up got $20 gift cards. (Turns out, there’s not a lot of money in public domain art.)

Not an expert GIFer yet? You can always revisit the audio version of DPLA’s advanced GIF-making tutorial from last year.

The fourth-annual GIF IT UP contest opens to submissions October 1.

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