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The Original Locations of 15 More Food Chains

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Last month, we took you on a tour of 15 original locations of famous fast food chains. We found 15 more spots for the burger and fry tourists out there.

1. Sonic (215 N Main St — Stillwater, Oklahoma)

After discovering that his burger joint’s name was already trademarked, Top Hat Drive-In owner Troy N. Smith Sr. renamed his Oklahoma chain "Sonic Drive-In" in 1959. Though it was not the original Top Hat location, the first Sonic sign arrived at the Stillwater restaurant and that’s where it remains today. The service might not actually be “with the speed of sound,” as the sign states, but you can drown that disappointment in half-price drinks and slushes from 2 to 4 PM each day.

2. Kentucky Fried Chicken (3890 S. State Street — Salt Lake City, Utah)

Wikimedia Commons

Colonel Harland Sanders began selling fried chicken made with his secret recipe from a roadside restaurant in Corbin, Kentucky during the Great Depression. It wasn’t until 1952, however, that Sanders opened the first Kentucky Fried Chicken in Utah. The Salt Lake City location is still a KFC and boasts a display showcasing one of the Colonel’s trademark white suits and a statue of him and Dave Thomas, an early franchise owner who came up with the “rotating bucket” sign (and founded his own fast food chain, Wendy’s).

3. Panda Express (3214 Glendale Galleria — Glendale, California)

Hawaiian location via Wikimedia Commons

In 1973, Chinese immigrants Andrew Cherng and his father Ming Tsai Cherng opened the Panda Inn restaurant in Pasadena, California. After ten years of providing the Los Angeles area with upscale sit-down meals, management for the Glendale Galleria asked the Cherngs to consider creating a fast-food version of their restaurant. They agreed, and now no trip to the mall is complete without a delicious free sample of unidentifiable goodness.

4. Subway (North End — Bridgeport, Connecticut)

Subway.com

Looking for a way to pay for college, 17-year-old Fred DeLuca borrowed $1000 from Dr. Peter Buck and opened Pete’s Super Submarines in Bridgeport, Connecticut. By 1968, just three years after the restaurant’s inception, the two added four shops and shortened the name to Subway. DeLuca never became the doctor he set out to be, but he did receive an honorary doctorate from the University of Bridgeport in 2002. The original Subway is no longer there, but those looking to “Eat Fresh” have over 40,000 other locations to choose from.

5. Little Caesars (32594 Cherry Hill Rd — Garden City, Michigan)

Yelp

In 1959, brothers Mike and Marshall Ilitch opened the first Little Caesars in a Garden City, Michigan strip mall. Mike wanted to call it "Pizza Cheap," but Marshall (and good sense) won out with Little Caesar’s Pizza Treat. While the name was shortened, the demand for their “Pizza! Pizza!” has stayed strong. In 2008, Little Caesars filled an order from the VF Corporation for 13,386 pizzas. You can still pick up a “Hot-n-Ready” ‘za from the original location, but as one Yelp-user remarked, “It should be ‘hot and ready in 8 minutes.’" Et tu, Dave K?

6. Jamba Juice (17 Chorro Street, Suite C — San Luis Obispo, California)

Yelp

Jamba Juice began as Juice Club in 1990 when Kirk Perron opened his first storefront in San Luis Obispo, California. In 1995, the name was changed to Jamba Juice and four years later the company went national with its acquisition of Zuka Juice, Inc. The first Jamba Juice is still up and running, in case you feel like a smoothie and some history next time you’re in San Luis Obispo.

7. In-N-Out (The intersection of Interstate 10 and Francisquito Avenue — Baldwin Park, California)

Wikimedia Commons

The first In-N-Out was built in 1948 when Harry and Esther Snyder set out to "Give customers the freshest, highest quality foods you can buy and provide them with friendly service in a sparkling clean environment." The original location was demolished so Interstate 10 could be built, so you'll have to get your "animal style" fix at another location.

8. Tim Hortons (65 Ottawa Street N. — Hamilton, Ontario, Canada)

Google Maps

The first Tim Hortons was founded under the name Tim Horton Donuts in 1964. The owner, a professional hockey player, was a member of the NHL’s Toronto Maple Leafs. Despite being an active athlete, Horton was able to juggle both careers thanks to his business partner Ron Joyce, a former Hamilton police constable. Tim Horton Donuts was eventually shortened to "Tim Horton's," which was eventually further truncated to "Tim Hortons" to maintain uniformity in the name of all their locations while also complying with the language laws of Quebec. The original location still operates as a Tim Hortons, but Ottawa Street N is now honorarily named "Tim Hortons Way."

9. Five Guys (3235 Columbia Pike — Arlington, Va)

Later Virginia location, via Wikimedia Commons

In 1986, Jerry and Janie Murrell, along with four other guys (their sons), founded Five Guys. The couple had advised the boys to “start a business or go to college.” The first restaurant was located in the Westmont Shopping Center—which was also home to Brenner’s Bakery, where the Murrells originally got their rolls. Five Guys no longer calls the Arlington, Virginia shopping center home, but they maintain a strong presence in Northern Virginia, where the first five Five Guys were opened.

10. Dairy Queen (501 N. Chicago Street — Joliet, Illinois)

Noble Stores

Two years after they invented the revolutionary formula for soft-serve ice cream in 1938, father and son duo John Fremont “Grandpa” and Bradley McCullough opened the very first Dairy Queen along with a former customer, Sheb Noble. The three knew they were onto something when the ice cream store sold over 1600 servings of the McCullough’s new treat in just two hours.

11. Jack In The Box (6270 El Cajon Boulevard — San Diego, California)

Jack in the Box

Robert O. Peterson opened the first Jack in the Box in 1951 when he converted his existing drive-in restaurant into a drive-thru. With its two-way intercom and pickup window, Jack in the Box made fast food even faster. Where the first Jack in the Box once stood is now Platt College San Diego. The private for-profit college does not have a mascot or an athletic program to go with it, but perhaps they can adopt the terrifying clown that once sat atop the location.

12. Benihana (47 W. 56th Street — New York, New York)

Wikimedia Commons 

In 1964, 25-year-old Hiroaki “Rocky” Aoki took the money he made driving an ice cream truck in Harlem and opened the first Benihana. New Yorkers were initially wary of dining at the hibachi restaurant, but after it received positive reviews, people were much more open to the idea of sitting near a hot surface with strangers while their chef threw their food around. The Beatles, Muhammad Ali, and other notables have dined at the original location, which is still in business today.

13. Carrabba’s Italian Grill (3115 Kirby Drive — Houston, Texas)

Google Maps

Johnny Carrabba and his uncle Damian Mandola opened the first Carrabba’s Italian Grill in 1986. As they claim on their website, they’re not real chefs, but rather “real eaters,” and their restaurant was such a success that another location opened in Houston soon after. By 1993, Carrabba and Mandola were in a joint venture with Outback Steakhouse, Inc. (now Bloomin’ Brands) and two years after that, Outback Steakhouse, Inc. purchased the rights to develop the chain nationwide. The first (and second) Carrabba’s are still owned and operated by the Carrabba family.

14. Chick-fil-A (2841 Greenbriar Parkway SW — Atlanta, Georgia)

Yelp

The first Chick-fil-A opened in Atlanta’s Greenbriar Mall in 1967, six years after S. Truett Cathy, the chain’s Chairman and CEO, invented the chicken sandwich while working at Dwarf House, his Hapeville, Georgia restaurant. At first, Cathy referred to his burger alternative as a “chicken steak” sandwich, but ended up replacing “steak” with “fillet,” a word he found more appealing. Both the original Chick-fil-A and Dwarf House restaurants are still open for business—unless, of course, it’s a Sunday.

15. Fuddruckers (8602 Botts Lane — San Antonio, Texas)

Google Maps

Philip J. Romano—the father of Romano’s Macaroni Grill—founded Fuddruckers in 1979 because he believed, “the world needed a better hamburger.” The restaurant began as Freddie Fuddruckers, and it opened in a former bank.

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20 Facts About Your Favorite Coen Brothers’ Movies
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Gramercy Pictures

Ethan Coen turns 60 years old today, if you can believe it. Since bursting onto the scene in 1984 with the cult classic Blood Simple, the younger half of (arguably) the most dynamic moviemaking sibling duo in Hollywood has helped create some of the most memorable and quirky films in cinematic history, from Raising Arizona to Fargo and The Big Lebowski to No Country For Old Men. To celebrate the monumental birthday of one of the great writer-directors of our time (though he’s mostly uncredited as a director), here are some facts about your favorite Coen brothers’s movies.

1. THE COENS THINK BLOOD SIMPLE IS “PRETTY DAMN BAD.”

Fifteen years after Blood Simple’s release, the Coens reflected upon their first feature in the 2000 book My First Movie. “It’s crude, there’s no getting around it,” Ethan said. “On the other hand, it’s all confused with the actual process of making the movie and finishing the movie which, by and large, was a positive experience,” Joel said. “You never get entirely divorced from it that way. So, I don’t know. It’s a movie that I have a certain affection for. But I think it’s pretty damn bad!”

2. KEVIN COSTNER AND RICHARD JENKINS AUDITIONED FOR RAISING ARIZONA.

Kevin Costner auditioned three times to play H.I., only to see Nicolas Cage snag the role. Richard Jenkins had his first of many auditions for the Coens for Raising Arizona. He also (unsuccessfully) auditioned for Miller's Crossing (1990) and Fargo (1996) before calling it quits with the Coens. In 2001, Joel and Ethan cast Jenkins in The Man Who Wasn't There, even though he had never auditioned for it.

3. THE BROTHERS TURNED DOWN BATMAN TO MAKE MILLER’S CROSSING.

After Raising Arizona’s success established them as more than one-hit indie film wonders, the Coens had some options with regard to what project they could tackle next. Reportedly, their success meant that they were among the filmmakers being considered to make Batman for Warner Bros. Of course, the Coens ultimately decided to go the less commercial route, and Tim Burton ended up telling the story of The Dark Knight on the big screen.

4. BARTON FINK AND W.P. MAYHEW WERE LOOSELY BASED ON CLIFFORD ODETS AND WILLIAM FAULKNER.

The Coens acknowledge that Fink and Odets had similar backgrounds, but they had different personalities: Odets was extroverted, for one thing. Turturro, not his directors, read Odets’ 1940 journal. The Coens acknowledged that John Mahoney (Mayhew) looks a lot like the The Sound and the Fury author.

5. THE COENS'S WEB OF DECEPTION IN FARGO GOES EVEN FURTHER THAN THE OPENING CREDITS. 

While the tag on the beginning of the movie reads “This is a true story. The events depicted in this film took place in Minnesota in 1987,” Fargo is, by no stretch of the imagination, a true story. During the film's press tour, the Coens admitted that while not pinpoint accurate, the story was indeed inspired by a similar crime that occurred in Minnesota, with Joel stating “In its general structure, the film is based on a real event, but the details of the story and the characters are fictional.”

However, any and all efforts to uncover anything resembling such a crime ever occurring in Minnesota come up empty, and in an introduction to the published script, Ethan pretty much admitted as much, writing that Fargo “aims to be both homey and exotic, and pretends to be true." 

6. THEY WANTED MARLON BRANDO TO PLAY JEFFREY LEBOWSKI.

According to Alex Belth, who wrote the e-book The Dudes Abide on his time spent working as an assistant to the Coens, casting the role of Jeffrey Lebowski was one of the last decisions made before filming. Names tossed around for the role included Robert Duvall (who passed because he wasn’t fond of the script), Anthony Hopkins (who passed since he had no interest in playing an American), and Gene Hackman (who was taking a break at the time). A second “wish list” included an oddball “who’s who," including Norman Mailer, George C. Scott, Jerry Falwell, Gore Vidal, Andy Griffith, William F. Buckley, and Ernest Borgnine.

The Coens’ ultimate Big Lebowski, however, was the enigmatic Marlon Brando, who by that time was reaching the end of his career (and life). Apparently, the Coens amused themselves by quoting some of their favorite Jeffrey Lebowski lines (“Strong men also cry”) in a Brando accent. The role would eventually go to the not-particularly-famous—albeit pitch-perfect—veteran character actor David Huddleston. In true Dude fashion, it all worked out in the end.

7. JOEL COEN WOOED FRANCES MCDORMAND ON THE SET OF BLOOD SIMPLE.

Coen and McDormand fell in love while making Blood Simple and got married a couple of years later, after production wrapped. McDormand told The Daily Beast about the moment when she roped him in. “I’d only brought one book to read to Austin, Texas, where we were filming, and I asked him if there was anything he’d recommend,” she said. “He brought me a box of James M. Cain and Raymond Chandler paperbacks, and I said, ‘Which one should I start with?’ And he said, ‘The Postman Always Rings Twice.’ I read it, and it was one of the sexiest f*ckin’ books I’ve ever read. A couple of nights later, I said, ‘Would you like to come over and discuss the book?’ That did it. He seduced me with literature. And then we discussed books and drank hot chocolate for several evenings. It was f*ckin’ hot. Keep it across the room for as long as you can—that’s a very important element.”

8. O BROTHER, WHERE ART THOU? WAS ORIGINALLY INSPIRED BY THE WIZARD OF OZ.

Joel Coen revealed as much at the 15th anniversary reunion. “It started as a 'three saps on the run' kind of movie, and then at a certain point we looked at each other and said, 'You know, they're trying to get home—let's just say this is The Odyssey. We were thinking of it more as The Wizard of Oz. We wanted the tag on the movie to be: 'There's No Place Like Home.’”

9. THE ACTORS IN FARGO WENT THROUGH EXTENSIVE TRAINING TO GET THEIR ACCENTS RIGHT.

Having grown up in Minnesota, the Coens were more than familiar with the idiosyncrasies of the “Minnesota nice” accent, but much of the cast—including Frances McDormand and William H. Macy—needed coaching to get the intricacies right. Actors were even given copies of the scripts with extensive pronunciation notes. According to dialect coach Larissa Kokernot, who also appeared as one of the prostitutes Gaear and Carl rendezvous with in Brainerd, the “musicality” of the Minnesota nice accent comes from a place of “wanting people to agree with each other and get along.” This homey sensibility, contrasted with the ugly crimes committed throughout the movie, is, of course, one of the major reasons why the dark comedy is such an enduring classic.

10. NICOLAS CAGE'S HAIR REACTED TO H.I.'S STRESS LEVEL IN RAISING ARIZONA.

Ethan claimed that Cage was "crazy about his Woody Woodpecker haircut. The more difficulties his character got in, the bigger the wave in his hair got. There was a strange connection between the character and his hair."

11. A PROP FROM THE HUDSUCKER PROXY INSPIRED THE MAN WHO WASN’T THERE.

A bit of set dressing from 1994’s The Hudsucker Proxy eventually led to 2001’s The Man Who Wasn’t There. In a barbershop scene, there’s a poster hanging in the background that featured a range of men’s hairstyles from the 1940s. The brothers liked the prop and kept it, and it’s what eventually served as the inspiration for The Man Who Wasn’t There.

12. GEORGE CLOONEY SIGNED ON TO O BROTHER, WHERE ART THOU? BEFORE EVEN READING THE SCRIPT.

The brothers visited George Clooney in Phoenix while he was making Three Kings (1999), wanting to work with him after seeing his performance in Out of Sight (1998). Moments after they put their script on Clooney’s hotel room table, the actor said “Great, I’m in.”

13. A SNAG IN THE MILLER’S CROSSING SCRIPT ULTIMATELY LED TO BARTON FINK.

Miller’s Crossing is a complicated beast, full of characters double-crossing each other and scheming for mob supremacy. In fact, it’s so complicated that at one point during the writing process the Coens had to take a break. It turned out to be a productive one: While Miller’s Crossing was on pause, the brothers wrote the screenplay for Barton Fink, the story of a writer who can’t finish a script.

14. INTOLERABLE CRUELTY IS THE FIRST COEN MOVIE THAT WASN’T THE BROTHERS’ ORIGINAL IDEA.

In 1995, the Coens rewrote a script originally penned by other screenwriters, Robert Ramsey, Matthew Stone, and John Romano. They didn’t decide to direct the movie, which became Intolerable Cruelty, until 2003.

15. THE LADYKILLERS WAS WRITTEN FOR BARRY SONNENFELD TO DIRECT.

The Coens effortlessly jump from crime thriller to comedy without missing a beat. So when they were commissioned to write a remake of the British black comedy The Ladykillers for director Barry Sonnenfeld, it seemed to fall in line with their cinematic sensibilities. When Sonnenfeld dropped out of the project, the Coens were hired to direct the film.

16. BURN AFTER READING MARKED THE FIRST TIME SINCE MILLER’S CROSSING THAT THE COENS DIDN’T WORK WITH THEIR USUAL CINEMATOGRAPHER, ROGER DEAKINS.

Instead, eventual Academy Award-winner Emmanuel Lubezki acted as the director of photography. The Coens would work with Deakins again on every one of their films until 2013’s Inside Llewyn Davis.

17. IT TOOK SOME CONVINCING TO GET JAVIER BARDEM TO SAY “YES” TO NO COUNTRY FOR OLD MEN

Though it’s hard to imagine No Country for Old Men without Javier Bardem’s menacing—and Oscar-winning—performance as antagonist Anton Chigurh, he almost passed on the role. “It’s not something I especially like, killing people—even in movies,” Bardem said of his disdain for violence. “When the Coens called, I said, ‘Listen, I’m the wrong actor. I don’t drive, I speak bad English, and I hate violence.’ They laughed and said, ‘Maybe that’s why we called you.”’

18. PATTON OSWALT AUDITIONED FOR A SERIOUS MAN.

Patton Oswalt auditioned for the role of the obnoxious Arthur Gopnik in A Serious Man, a part that ultimately went to Richard Kind. Oswalt talked about his audition while appearing on Marc Maron’s WTF podcast, in which it was also revealed that Maron was being considered for the lead role of Larry Gopnik (the role that earned Michael Stuhlbarg his first, and so far only, Golden Globe nomination). 

19. THE CAT IN INSIDE LLEWYN DAVIS WAS “A NIGHTMARE.”

Ulysses, the orange cat who practically stole Inside Llewyn Davis away from Oscar Isaac, was reportedly a bit of a diva. "The cat was a nightmare,” Ethan Coen said on the DVD commentary. “The trainer warned us and she was right. She said, uh, "Dogs like to please you. The cat only likes to please itself.’ A cat basically is impossible to train. We have a lot of footage of cats doing things we don't want them to do, if anyone's interested; I don't know if there's a market for that."

20. THE COEN BROTHERS PROBABLY DON’T LOVE THE BIG LEBOWSKI AS MUCH AS YOU DO. 

We’re assuming the Coen Brothers are plenty fond of The Dude: after all, he doesn’t end up facing imminent death or tragedy, which is more than most of their protagonists have going for them. But in a rare Coen Brothers interview in 2009, Joel Coen flatly stated, “That movie has more of an enduring fascination for other people than it does for us.”

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Art
‘American Gothic’ Became Famous Because Many People Saw It as a Joke
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Wikimedia Commons // Public Domain

In 1930, Iowan artist Grant Wood painted a simple portrait of a farmer and his wife (really his dentist and sister) standing solemnly in front of an all-American farmhouse. American Gothic has since inspired endless parodies and is regarded as one of the country’s most iconic works of art. But when it first came out, few people would have guessed it would become the classic it is today. Vox explains the painting’s unexpected path to fame in the latest installment of the new video series Overrated.

According to host Phil Edwards, American Gothic made a muted splash when it first hit the art scene. The work was awarded a third-place bronze medal in a contest at the Chicago Art Institute. When Wood sold the painting to the museum later on, he received just $300 for it. But the piece’s momentum didn’t stop there. It turned out that American Gothic’s debut at a time when urban and rural ideals were clashing helped it become the defining image of the era. The painting had something for everyone: Metropolitans like Gertrude Stein saw it as a satire of simple farm life in Middle America. Actual farmers and their families, on the other hand, welcomed it as celebration of their lifestyle and work ethic at a time when the Great Depression made it hard to take pride in anything.

Wood didn’t do much to clear up the work’s true meaning. He stated, "There is satire in it, but only as there is satire in any realistic statement. These are types of people I have known all my life. I tried to characterize them truthfully—to make them more like themselves than they were in actual life."

Rather than suffering from its ambiguity, American Gothic has been immortalized by it. The country has changed a lot in the past century, but the painting’s dual roles as a straight masterpiece and a format for skewering American culture still endure today.

Get the full story from Vox below.

[h/t Vox]

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