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The Warriors Wiki

21 Street Gangs Featured in The Warriors

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Nearly 40 years ago, writer-director Walter Hill introduced American audiences to a new vision of New York City street gangs with the release of The Warriors. The movie—about a Coney Island gang trying to make it home from the Bronx after being framed for the murder of the city’s most powerful warlord—is a cult classic today. But its initial release in 1979 was surrounded by controversy.

Reports of violence, vandalism, and even three homicides were linked to screenings of the film, prompting Paramount Pictures to offer to pay the costs for additional security at theaters nationwide. It was a reaction that surprised Hill, who had always intended for The Warriors, which he adapted from Sol Yurick’s novel, to be seen as a fantasy film. “I felt very strongly that it certainly was not a very realistic book, and I wanted to make it even less so,” Hill recently recalled to Esquire. “I wanted to take it into a fantasy element, but at the same time add some contemporary flash.”

The genre intentions may have been lost on some audience members at the time, but the film has endured. It’s still regularly screened at repertory theaters and a favorite midnight movie. It has also been turned into a comic book series and a popular video game. Now, we’re paying tribute to The Warriors’ real stars—the fictional street gangs who assembled for that midnight summit back in 1979.

1. THE WARRIORS

Okay, so this one’s a gimme. The titular gang from Coney Island set the pace and plot of the film, as they attempt to make their way from the Bronx to Brooklyn after being framed for the murder of Cyrus, The Gramercy Riffs’ leader. Unfortunately for The Warriors, they’re being pursued by the rest of the gangs on this list.

2. THE GRAMERCY RIFFS

In the hierarchy of street gangs, The Gramercy Riffs are at the very top. And it’s their leader—Cyrus—who organizes the midnight summit in Van Cortlandt Park that sets off the plot. Cyrus requests that each of the city’s gangs send a handful of (unarmed) members to discuss how they might begin collaborating with each other instead of competing. It’s a groundbreaking idea, but it’s short-lived; Cyrus is gunned down in the midst of sharing his vision. The Rogues are the ones who did it, but they successfully manage to blame the murder on The Warriors. And the chase begins…

3. THE ROGUES

“The Rogues” is an appropriate name for this Hell’s Kitchen crew, as they operate by their own set of rules. It’s their leader, Luther, who is the real shooter, and also the first to point the finger at The Warriors. Luther also has a knack for offering up some of the film’s most memorable catchphrases. Though actor David Patrick Kelly has long been credited with improvising the now-famous “Waaaaarriors, come out to plaaaay” line, he insists it was Hill. “I’ll take credit for the bottles and how I said it,” Kelly told Entertainment Weekly in 2012. “But I remember him kicking in the lines.”

4. TURNBULL AC’S

The Turnbull AC’s are easy to recognize for two reasons: They’re all bald, and they ride around the city in an old bus. It’s that same bus that the gang uses to try and run down The Warriors shortly after the summit breaks up (the Turnbull AC’s are the first group The Warriors must face off against).

5. THE ORPHANS

The Orphans, who reside in the Tremont neighborhood of the Bronx, aren’t the most sophisticated of the film’s street gangs. So much so that they weren’t even invited to the summit. As Warrior member Fox says of their reputation: “They’re so far down, they’re not even on the map.” Ouch! Of all the gangs they encounter, The Orphans are the most pleasant, at least at first, and even agree to let The Warriors pass through their neighborhood problem-free. But they change their minds about playing nice when a local girl, Mercy, calls their leader “chicken” for not defending his territory. The encounter comes to an abrupt end when a Molotov cocktail makes an appearance.

6. THE BASEBALL FURIES

The Baseball Furies take their identity seriously, with each member decked out in a Yankees-style baseball uniform. Which may not seem all that frightening ... until they whip out their baseball bats.

7. THE LIZZIES

The all-girl Lizzies use their feminine wiles to coax three of The Warriors back to their pad near Union Square, and come closer than any other gang to capturing—and killing—the titular crew. Fortunately for The Warriors, the gals don’t have great aim. They’re able to escape relatively unscathed (even if they did need to punch and break a chair over the head of a couple of their female counterparts).

8. THE PUNKS

We’re not sure what’s so “punk” about pairing denim overalls with a rugby shirt. Or a pair of roller skates. But The Punks do reside in the Bowery, so the name is at least somewhat appropriate. As is the fact that their defeat begins with a can of spray paint.  

9. THE BOPPERS

The Harlem-based Boppers look more like a boy band than a street gang to be reckoned with, but they are very much the latter.

10. THE HURRICANES

The Boppers’ main rivals are the Spanish Harlem-based Hurricanes, who make only a brief appearance in the film, at Cyrus’ summit.

11. THE HI-HATS

The SoHo-based Hi-Hats might be the best proof Hill has got that he intended for The Warriors to be a fantasy film. Because clowns are scary, and mimes are not.

12. THE ELECTRIC ELIMINATORS

Also based in SoHo are The Electric Eliminators, rivals to the Hi-Hats, who are seen twice in the film: first as they make their way to the summit, in their satin yellow bomber jackets, and later in the confusion following Cyrus’ murder.

13. THE SARACENS

The Electric Eliminators pal around with The Saracens, who are based in Bensonhurst, Brooklyn. And do a fine job of making black tank tops look intimidating.

14. THE JONES STREET BOYS

The Jones Street Boys also hail from Bensonhurst, so they aren’t fans of The Saracens. Their only appearance in the film is at the summit (they’re the bumblebee-looking dudes in yellow and black stripes).

15. THE SAVAGE HUNS

The Savage Huns of Chinatown are seen twice in the movie: once as they wait for the train uptown, and again as part of the crowd at the summit. Though the filmmakers did a great job of making the summit seem jam-packed, Hill says “I doubt if we had more than 200 to 300 people at a time, though we tried to make it look like more.”

16. THE SATANS MOTHERS

The Savage Huns’ rivals, the Sheepshead Bay, Brooklyn-based Satans Mothers, are the movie’s only motorcycle gang. And apparently not big on possessive punctuation.

17. THE BOYLE AVENUE RUNNERS

When it comes to Queens-based street gangs, The Boyle Avenue Runners are it as far as The Warriors goes.

18. THE MOONRUNNERS

The Moonrunners make their way to Van Cortlandt park from their own turf in the Bronx, in Pelham. They may look ready to jazzercise, but their standard issue necklaces—complete with moon pendants—pay tribute their toughness.

19. THE VAN CORTLANDT RANGERS

The Moonrunners’ greatest enemies are The Van Cortlandt Rangers, a.k.a. the VC Rangers, whose fedoras match their striped shirts.

20. THE PANZERS

The Washington Heights-based Panzers are one of the few gangs who look properly attired for warfare.

21. THE GLADIATORS

Not much is seen or known about the Canarsie, Brooklyn-based Gladiators. Except that they do seem like polite enough men, even paying for their subway tokens and entering through the turnstile in an orderly fashion. (See for yourself at the 2:25 mark.)

Several other gangs were included in a list in the official movie script, but are either unidentified on screen or not seen at all. In alphabetical order, they are:

THE ALLEY CATS

THE AMSTERDAM ALL-STARS

THE BLACK HANDS

THE BLACKJACKS

THE BIG TRAINS

THE CHARLEMAGNES

THE COLT 45’S

THE DEALERS

THE DELANEY ROVERS

THE DINGOS: The Dingos, a homosexual gang and rivals of The Warriors, did play a part in the original script when they captured one of The Warriors, but the scene was ultimately cut.

THE E STREET SHUFFLERS

THE EASY ACES

THE EIGHTH AVENUE APACHES

THE FASTBALLS

THE FIFTH STREET BOMBERS

THE FILMORES

THE FIRETASTERS

THE FIVE POINTS

THE GERRARDS

THE GO HARDS

THE GUN HILL DANCERS

THE HOMEBOYS

THE HOPLITES

THE HOWITZERS

THE HIGH ROLLERS

THE HUKS

THE IMPS

THE JESTERS

THE JUDAS BUNCH

THE JUPITERS

THE KNOCKDOWNS

THE KNUCKLES

THE LOCOS

THE MAGICIANS

THE MEATPACKERS

THE NAPOLEONS

THE NICKEL STEAKS

THE NIGHTRIDERS

THE NINTH AVENUE RAZORS

THE PHILLIES

THE PLAINSMEN

THE QUEEN’S BRIDGE MUTILATORS

THE REAL BOYS

THE RED HOOK SHOOTERS

THE ROADMASTERS

THE ROMANS

THE RUNAWAYS

THE SARATOGAS

THE SHANGHAI SULTANS

THE SOUTHERN CROSS

THE SPEEDWAGONS

THE STEVEDORES

THE STILETTOS

THE STONEBREAKERS

THE TERRIERS

THE TURKS

THE WHISPERS

THE WIZARDS

THE XENOPHONES

THE YOUNGBLOODS

THE YO-YO’S

THE ZODIACS

THE ZULUS

All photos courtesy of The Warriors Wiki.

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Pop Culture
5 Bizarre Comic-Con News Stories from Years Past
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At its best, Comic-Con is a friendly place where like-minded people can celebrate their pop culture obsessions, and each other. And no one can make fun of you, no matter how lazy your cosplaying might be. You might think that at its worst, it’s just a series of long lines of costumed fans and small stores crammed into a convention center. But sometimes, throwing together 100,000-plus people from around the world in what feels like a carnival-type atmosphere where anything goes can have less than stellar results. Here are some highlights from past Comic-Con-tastrophes.

1. MAN IN HARRY POTTER T-SHIRT STABS ANOTHER MAN IN THE FACE—WITH A PEN

In 2010, two men waiting for a Comic-Con screening of the Seth Rogen alien comedy Paul got into a very adult argument about whether one of them was sitting too close to the other. Unable to come to a satisfactory conclusion with words, one man stabbed the other in the face with a pen. According to CNN, the attacker was led away wearing handcuffs and a Harry Potter T-shirt. In the aftermath, some Comic-Con attendees dealt with the attack in an oddly fitting way: They cosplayed as the victim, with pens protruding from bloody eye sockets.

2. MEMORABILIA THIEVES INVADE NEW YORK

Since its founding in 2006, New York Comic Con has attracted a few sticky-fingered attendees. In 2010, a man stole several rare comics from vendor Matt Nelson, co-founder of Texas’ Worldwide Comics. Just one of those, Whiz Comics No. 1, was worth $11,000, according to the New York Post. A few years later, in 2014, someone stole a $2000 “Dunny” action figure, which artist Jon-Paul Kaiser had painted during the event for Clutter magazine. And those are just the incidents that involved police; lower-scale cases of toys and comics disappearing from booths are an increasingly frustrating epidemic, according to some. “Comic Con theft is an issue we all sort of ignore,” collector Tracy Isenhour wrote on the blog of his company, Needless Essentials, in 2015. “I am here to tell you no more. It’s time for this garbage to stop."

3. CATWOMAN SAVES THE DAY

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Adrianne Curry, winner of the first cycle of America’s Next Top Model, has made a career of chasing viral fame. Ironically, it was at Comic-Con in 2014 that Curry did something truly worthy of attention—though there wasn’t a camera in sight. Dressed as Catwoman, she was posing with fans alongside her friend Alicia Marie, who was dressed as Tigra. According to a Facebook post Marie wrote at the time, a fan tried to shove his hands into her bikini bottoms. She screamed, the man ran off, and Curry jumped to action. She “literally took off after dude WITH her Catwoman whip and chased him down, beat his a**,” Marie wrote. “Punched him across the face with the butt of her whip—he had zombie blood on his face—got on her costume.”

4. MAN POSES AS FUGITIVE-SEEKING INVESTIGATOR TO GET INTO VIP ROOM

The lines at Comic-Con are legendary, so one Utah man came up with a novel way to try and skip them altogether. In 2015, Jonathon M. Wall tried to get into Salt Lake Comic Con’s exclusive VIP enclave (normally a $10,000 ticket) by claiming he was an agent with the Air Force Office of Special Investigations, and needed to get into the VIP room “to catch a fugitive,” according to The San Diego Union Tribune. Not only does that story not even come close to making sense, it also adds up to impersonating a federal agent, a crime to which Wall pleaded guilty in April of this year and which carried a sentence of up to three years in prison and a $250,000 fine. In June, prosecutors announced that they were planning to reduce his crime from a felony to a misdemeanor.

5. MAN WALKS 645 MILES TO COMIC-CON, DRESSED AS A STORMTROOPER, TO HONOR HIS LATE WIFE

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In 2015, Kevin Doyle walked 645 miles along the California coast to honor his late wife, Eileen. Doyle had met Eileen relatively late in life, when he was in his 50s, and they bonded over their shared love of Star Wars (he even proposed to her while dressed as Darth Vader). However, she died of cancer barely a year after they were married. Adrift and lonely, Doyle decided to honor her memory and their love of Star Wars by walking to Comic-Con—from San Francisco. “I feel like I’m so much better in the healing process than if I’d stayed home,” he told The San Diego Union Tribune.

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Big Questions
What's the Difference Between an Opera and a Musical?
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They both have narrative arcs set to song, so how are musicals different from operas?

For non-theater types, the word “musical” conjures up images of stylized Broadway performances—replete with high-kicks and punchy songs interspersed with dialogue—while operas are viewed as a musical's more melodramatic, highbrow cousin. That said, The New York Times chief classical music critic Anthony Tommasini argues that these loose categorizations don't get to the heart of the matter. For example, for every Kinky Boots, there’s a work like Les Misérables—a somber, sung-through show that elicits more audience tears than laughs. Meanwhile, operas can contain dancing and/or conversation, too, and they range in quality from lowbrow to highbrow to straight-up middlebrow.

According to Tommasini, the real distinguishing detail between a musical and an opera is that “in opera, music is the driving force; in musical theater, words come first.” While listening to an opera, it typically doesn’t matter what language it’s sung in, so long as you know the basic plot—but in musical theater, the nuance comes from the lyrics.

When it comes down to it, Tommasini’s explanation clarifies why opera stars often sing in a different style than Broadway performers do, why operas and musicals tend to have their trademark subject matters, and why musical composition and orchestration differ between the two disciplines.

That said, we live in a hybrid-crazy world in which we can order Chinese-Indian food, purchase combination jeans/leggings, and, yes, watch a Broadway musical—like 2010's Spider-Man: Turn Off the Dark—that’s billed as “rock opera.” At the end of the day, the lack of hard, fast lines between opera and musical theater can lead composers from both camps to borrow from the other, thus blurring the line even further.

Have you got a Big Question you'd like us to answer? If so, let us know by emailing us at bigquestions@mentalfloss.com.

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