10 Killer Facts About Barry

John P. Johnson, HBO
John P. Johnson, HBO

When Bill Hader told TV dynamo Alec Berg (Seinfeld, Silicon Valley) that he wanted to make a show about a hitman, Berg thought the genre was glib and played out, but they got to work. When Hader told HBO he wanted to play the hitman, they responded with, "You?"

Yes, him. Hader has delivered another indelible comic character into our lives through Barry. This time it’s someone who kills for a living but seeks an escape from all the low-drama, high-violence world in the high-drama, low-violence world of acting class. The show is an incredible feat of tonal balance that’s equally comfortable going for humor and heartache; it's something truly fresh and original, even by prestige TV standards.

Here are 10 facts about the humane hitman show, which just earned six Emmy nominations, including nods for Outstanding Comedy Series and Outstanding Lead Actor in a Comedy Series for Hader.

1. BILL HADER PITCHED IT AS TAXI DRIVER MEETS WAITING FOR GUFFMAN.

Barry Berkman isn’t exactly as terrifyingly manic as Taxi Driver's Travis Bickle, but the classic Robert De Niro character was one of their launch points for the show as they sold it to HBO. Hader asked them to consider Barry as the story of Bickle or William Munny from Unforgiven meeting the awkwardly uproarious local acting troupe in Waiting for Guffman. After bringing it to life, the comparison is spot-on. Barry’s job is intense and filled with blood, and his hobby is filled with the pathetic dreamers of his acting class.

2. THEY ALSO DREW INSPIRATION FROM FARGO and BOOGIE NIGHTS.

Barry’s tone is a tough magic trick to pull off. Few TV shows and movies have so flawlessly bounced between morbid gut punches and silly comedic escapades. While the Coen brothers are legendary for diving between tones, particularly with the bleakly comic Fargo, and Paul Thomas Anderson’s '70s porn narrative Boogie Nights is a bit more abstract and dreamlike in its shifts between the two drama masks, Hader and Berg looked to those two movies to understand how to make us drop our jaws right before (or after) making us laugh.

3. THEY COMPLETELY RESHOT EVERY SCENE WITH FUCHES IN THE PILOT.

Stephen Root and Bill Hader star in 'Barry'
Jordin Althaus, HBO

Barry’s exploitative father figure Fuches (Stephen Root) was originally an antagonistic bruiser who yelled at Barry a lot. HBO suggested they should instead be friends, which clicked with Hader, and they reshot all of Fuches’s scenes to play off the new dynamic. They also rewrote and reshot Barry’s monologue to Gene Cousineau (Henry Winkler) about his life as a killer, so Hader’s speech was shot almost a year after Winkler’s reaction shots to it.

4. BARRY’S ANXIETY ABOUT KILLING PEOPLE MIRRORS HADER’S FEARS ABOUT SATURDAY NIGHT LIVE.

The key to Barry is that he’s very good at something that’s bad for him. The same went for Hader, who experienced intense anguish and stage fright. “I had very bad anxiety about being onstage. I also didn’t like the live aspect of the show,” Hader told Vulture. Not exactly the best situation for a guy on a show with “Live” right there in the title. He was one of the best on SNL, but it was hurting him.

5. BUT SNL PREPARED HADER TO MAKE HIS OWN SHOW WITHOUT HIM KNOWING IT.

After shooting Barry, it dawned on Hader that his time at the sketch comedy mainstay had quietly prepared him for every aspect of production. He’d already learned how to collaborate with costume designers, set designers, directors of photography, and other crew members by doing it every week for eight seasons on Saturday Night Live. “You don’t realize how much you’ve learned until you’re done,” Hader said.

6. HADER’S TIME ON INSIDE OUT AFFECTED HOW HE APPROACHED THE STORY.

Tyler Jacob Moore, Bill Hader, and Rightor Doyle in 'Barry'
John P. Johnson, HBO

The flipside to Barry’s unhealthy skillset is his escapist desire to dive deep into a world he doesn’t have much talent for. That’s an existential collision that brings about massive change, so naturally Hader turned to a movie about the personified emotions in a little girl’s head for inspiration. Hader voiced Fear for Pixar's Inside Out, and Pete Docter’s original pitch—how his daughter transformed from a joyful child to a sullen teenager—really stuck with Hader, who approached writing Barry not by starting from the joke, but by considering each character’s emotion.

7. THEY DON’T WANT TO GLAMORIZE VIOLENCE.

“[Berg and I] like action movies, but people getting murdered is terrible,” Hader told GQ. That’s a core ethos for the way they shoot and edit the necessary violence for a story about a guy who kills for a living. Those scenes don’t feature slow motion or swelling scores or intense looks. They’re usually hauntingly matter-of-fact, leaving audiences with an uneasy, gruesome feeling, and even the villains of the show are depicted as human beings with children’s toys scattered across their living rooms while the only character who loves violence (Dale Pavinski’s cocaine-fueled Taylor) is portrayed as a profoundly idiotic buffoon.

8. BARRY’S NOT THE ONLY CHARACTER LIVING A DOUBLE LIFE.

One of the show’s slyest tricks is making us focus on whether one of Barry’s lives will ruin the other while quietly filling the cast with characters who all have double lives. Sarah Goldberg, who plays wannabe actor Sally, wisely pointed this out: “Everybody in the show is pretty desperate for something, desperate for change, desperate to get out of their situation, and everyone’s living these double lives.” Gene is king while teaching his acting class, but a schmo crossing his fingers at a hopeless commercial audition. Sally and the other students live partially in a dream world of stardom but then return to their real jobs. Detective Moss (Paula Newsome) is a principled cop willing to sacrifice it for happiness with Gene.

9. ONE SCENE ACTUALLY DISTURBED THE GUY WHO CRAFTED GAME OF THRONES'S RED WEDDING.

Game of Thrones co-creator David Benioff is friends with Berg, so they screened the episode “Make the Unsafe Choice” for him. The episode includes Barry slowly strangling a man who gasps and flops and says, “You don’t have to do this,” in Spanish. Barry says, “Yeah, I guess not,” then kills him anyway. The scene’s intensity caused Benioff to respond with a single curse word because he found it so dark. When you’ve shocked the guy who wrote the Red Wedding episode of Game of Thrones, you know you’ve got something.

10. SARAH GOLDBERG INITIALLY THOUGHT THE SEXUAL HARASSMENT SCENE WAS A BIT TOO OVER-THE-TOP.

Sarah Goldberg and Henry Winkler in 'Barry'
John P. Johnson, HBO

Sally’s dream of stardom is spoiled in a late episode when the manager who has taken her on provisionally tells her that he wants to have sex with her. It’s a slimy moment, and Sally is taken so off-guard that she ends up apologizing to him for making the situation awkward. “When I first read it, I thought, ‘Is it a little much that he says he wants to f**k her?’” Goldberg recalled. “And now it’s like, 'Jesus, we could’ve gone further. That’s the PG-13 version compared to the horrible stories we’ve all read.'"

George R.R. Martin Doesn't Think Game of Thrones Was 'Very Good' For His Writing Process

Kevin Winter, Getty Images
Kevin Winter, Getty Images

No one seems to have escaped the fan fury over the finals season of Game of Thrones. While likely no one got it quite as bad as showrunners David Benioff and D.B. Weiss, even author George R.R. Martin—who wrote A Song of Ice and Fire, the book series upon which the show is based, faced backlash surrounding the HBO hit. The volatile reaction from fans has apparently taken a toll on both Martin's writing and personal life.

In an interview with The Guardian, the acclaimed author said he's sticking with his original plan for the last two books, explaining that the show will not impact them. “You can’t please everybody, so you’ve got to please yourself,” he stated.

He went on to explain how even his personal life has taken a negative turn because of the show. “I can’t go into a bookstore any more, and that used to be my favorite thing to do in the world,” Martin said. “To go in and wander from stack to stack, take down some books, read a little, leave with a big stack of things I’d never heard of when I came in. Now when I go to a bookstore, I get recognized within 10 minutes and there’s a crowd around me. So you gain a lot but you also lose things.”

While fans of the book series are fully aware of the author's struggle to finish the final two installments, The Winds of Winter and A Dream of Spring, Martin admitted that part of the delay has been a result of the HBO series, and fans' reaction to it.

“I don’t think [the series] was very good for me,” Martin said. “The very thing that should have speeded me up actually slowed me down. Every day I sat down to write and even if I had a good day … I’d feel terrible because I’d be thinking: ‘My God, I have to finish the book. I’ve only written four pages when I should have written 40.'"

Still, Martin has sworn that the books will get finished ... he just won't promise when.

[h/t The Guardian]

Attention Movie Geeks: Cinephile Is the Card Game You Need Right Now

Cinephile/Amazon
Cinephile/Amazon

If you’ve got decades worth of movie trivia up in your head but nowhere to show it off, Cinephile: A Card Game just may be your perfect outlet. Created by writer, art director, and movie expert Cory Everett, with illustrations by Steve Isaacs, this game aims to test the mettle of any film aficionado with five different play types that are designed for different skill and difficulty levels.

For players looking for a more casual experience, Cinephile offers a game variety called Filmography, where you simply have to name more movies that a given actor has appeared in than your opponent. For those who really want to test their knowledge of the silver screen, there’s the most challenging game type, Six Degrees, which plays like Six Degrees of Kevin Bacon, with the player who finds the fewest number of degrees between two actors getting the win.

When you choose actors for Six Degrees, you’ll do so using the beautifully illustrated cards that come with the game, featuring Hollywood A-listers past and present in some of their most memorable roles. You’ve got no-brainers like Uma Thurman in Kill Bill (2003) and Arnold Schwarzenegger in Total Recall (1990) alongside cult favorites like Bill Murray from 2004's The Life Aquatic with Steve Zissou and Jeff Goldblum in The Adventures of Buckaroo Banzai Across the 8th Dimension (1984). Of course, being a game designed for the true film buff, you’ll also get some deeper cuts like Helen Mirren from 1990’s The Cook, the Thief, His Wife & Her Lover and Sean Connery in 1974's Zardoz. There are 150 cards in all, with expansion packs on the way.

Cinephile is a labor of love for Everett and Isaacs, who originally got this project off the ground via Kickstarter, where they raised more than $20,000. Now it’s being published on a wider scale by Clarkson Potter, a Penguin Random House group. You can pre-order your copy from Amazon now for $20 before its August 27 release date.

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