12 Facts About Gertrude Stein

Hulton Archive/Getty Images
Hulton Archive/Getty Images

Born near Pittsburgh in 1874, American writer Gertrude Stein left a profound mark on 20th-century modernism through her literary work and her enthusiastic patronage of avant-garde art. From her salon at 27 rue de Fleurus on Paris’s Left Bank, Stein discovered and supported some of the greatest figures in modern art and literature, including Pablo Picasso, Henri Matisse, Ezra Pound, Max Jacob, and Guillaume Apollinaire. She also wrote the modernist literary landmark The Autobiography of Alice B. Toklas. Read on for more facts about her idiosyncratic life.

1. SHE STUDIED PSYCHOLOGY WITH WILLIAM JAMES.

From 1893 to 1898, Stein attended Radcliffe College, which was then an annex of Harvard University. She developed an interest in psychology and took courses taught by William James (brother of the novelist Henry James), now known as the father of American psychology. Under James’s supervision, Stein researched normal motor automatism [PDF], a behavior believed to occur when people divide their conscious attention between two simultaneous activities. Critics have suggested that her interest in consciousness and attention influenced her later experiments in repetition, a hallmark of her modernist writing.

According to the Harvard Crimson, Stein and James were often of the same mind. "Dear Professor James,” she wrote on an exam that she didn’t want to take, “I am sorry but really I don't feel a bit like an examination paper in philosophy today.” The next day she received a reply from James: “Dear Miss Stein, I understand perfectly how you feel. I often feel exactly that way myself.” He gave her the highest grade in the class.

2. SHE PLANNED TO BE A DOCTOR.

After Radcliffe, Stein enrolled in Johns Hopkins University School of Medicine in Baltimore after taking a summer course in embryology at Woods Hole Oceanographic Institution. In the beginning, she excelled in her studies. According to science journalist Deborah Rudacille, Stein earned top marks in “anatomy, pathology, bacteriology, pharmacology, and toxicology” [PDF]. She also formed close friendships with the few other female medical students and got along well with her professors. But in her third and fourth years at Johns Hopkins, institutional sexism and professional barriers led to disillusionment. Stein didn’t graduate, and instead followed her brother Leo to Paris, where he was already collecting art.

3. SHE MAY HAVE PRESIDED OVER THE FIRST MODERN ART MUSEUM.

Stein moved in with her brother at 27 rue de Fleurus in Paris’s sixth arrondissement in 1903. From then until 1914, the apartment was a mecca for artists of the modernist avant-garde. The two siblings collected paintings by the well-known artists Delacroix, Cézanne, Renoir, Manet, Gauguin, and Toulouse-Lautrec. But they also bought works by unknown painters that would later be viewed as masterpieces, including early Cubist paintings by Picasso, Georges Braque, and Juan Gris, and Expressionist pictures by Henri Matisse.

A 1968 article in The New York Times credited the Steins with forming the “first modern art museum” with their collection: Paintings hung on every wall in the apartment and Picasso sketches lined their dining room’s double doors. Braque, the tallest of the salon’s habitués, was usually given the task of hanging pictures.

4. PICASSO’S PORTRAIT OF STEIN LOOKS NOTHING LIKE HER.

Pablo Picasso started to work on a portrait of Stein shortly after their first meeting in 1905. The oil-on-canvas painting, completed in 1906, is considered one of the most important works of his Rose Period. Stein later complained that it took between 80 and 90 sittings for the Spanish master to achieve his vision of her, which is now part of the permanent collection of the Metropolitan Museum of Art.

Picasso was more interested in capturing Stein’s personality than her actual looks. Her figure is represented by minimal shapes and her mask-like face foreshadows his experiments in Cubism. Many who saw the final product said it didn’t look at all like Stein, but Picasso was confident in his work and unafraid of insulting his patron. He allegedly replied, “Never mind, in the end she will manage to look just like it.”

5. SHE DIDN’T LET HER TERRIBLE DRIVING STOP HER FROM CONTRIBUTING TO THE WAR EFFORT.

Neither Stein nor her partner, Alice B. Toklas, knew how to drive a car. But when they volunteered for the American Fund for the French Wounded, an organization that helped soldiers in France during World War I, they had to provide and drive their own supply vehicles. The couple ordered a Ford truck from the U.S. and Stein took driving lessons from her friend William Edwards Cook. She and Toklas would drive for miles to bring supplies to French hospitals (although Virginia Scharff, in her book Taking the Wheel: Women and the Coming of the Motor Age, wrote that Stein never really mastered the art of driving in reverse).

The open-topped two-seat vehicle was nicknamed “Auntie” after Stein’s aunt Pauline, “who always behaved admirably in emergencies and behaved fairly well most of the time if she was properly flattered,” Stein later wrote in her 1933 bestseller, The Autobiography of Alice B. Toklas. Thanks to their volunteer work, Stein and Toklas were awarded the Médaille de la Reconnaissance Française, a honor given to civilians as a token of the French government’s gratitude.

6. SHE PROBABLY HELPED HEMINGWAY WRITE A FAREWELL TO ARMS.

Stein met Hemingway in 1922 through the American novelist Sherwood Anderson. The pair initially hit it off. Stein took Hemingway under her wing and allegedly helped him rewrite his memoir of the First World War, which would later become A Farewell to Arms. The following year, Hemingway asked her to be the godmother of his son, Jack “Bumby” Hemingway.

But the relationship between the two writers grew bitter after Hemingway insulted Anderson in print. In A Moveable Feast, Hemingway looks back at his time in Paris and provides unflattering descriptions of Stein. At one point he overhears an argument between Stein and Toklas that enrages him. Afterward, he kept ties with her but was never again friends “in his heart.” In The Autobiography of Alice B. Toklas, Stein refers to Hemingway as “yellow ... just like the flat-boat men on the Mississippi River as described by Mark Twain.”

7. SHE PRACTICED IMMERSIVE WRITING.

Many critics compared Stein’s repetitive writing style to Cubism, and she often said she wanted to do with words what visual artists were doing with paint and canvas. Some of her writing techniques resembled those of painters en plein air. In her immersive writing sessions, Stein would venture outdoors and write exclusively about the surrounding landscape. In fact, her 1930 novel Lucy Church Amiably was completed to the sound of streams and waterfalls.

American poet and novelist Bravig Imbs once ran into a session in which Stein and Toklas were out in a field with Toklas leading a cow around with a stick. She would stop when instructed by Stein, who would then rush to write down her thoughts in her notebook.

8. WHITE STANDARD POODLES WERE HER FAVORITE DOGS.

Stein’s first commercial literary success came with the 1933 publication of The Autobiography of Alice B. Toklas [PDF], Stein’s fictionalized biography of her own life through the eyes of her partner. While the book details their friendships with Picasso, Matisse, Ernest Hemingway, T.S. Eliot, and other modernist luminaries in Paris, the couple’s white standard poodle Basket also makes a prominent cameo.

Stein was extremely devoted to Basket: She used to bathe the dog in sulphur water every morning to keep his coat white and shiny. Toklas also brushed Basket’s teeth with his very own toothbrush. He was so well known among the cognoscenti that he was photographed by Man Ray and Cecil Beaton.

“Basket although now he is a large unwieldy poodle, still will get up on Gertrude Stein's lap and stay there,” Stein wrote (as Toklas) in The Autobiography. “She says that listening to the rhythm of his water drinking made her recognize the difference between sentences and paragraphs, that paragraphs are emotional and that sentences are not.” When Basket died in 1937, the couple bought another standard white poodle and named him Basket II.

9. SHE FOLLOWED A STRICT DAILY SCHEDULE.

Basket’s daily bath was not the only morning routine at 27 rue du Fleurus. According to an account by American composer and critic Virgil Thomson, Stein would spend the early part of her day reading, writing letters, playing with the dog, and eventually getting dressed. After lunch she would drive her car around town and do errands. She would never make appointments or have visitors before 4 p.m.

Stein’s writing time was the only thing that was not scheduled. She would wait for the “readiness to write” to reach its peak before she started working.

10. SHE REALLY LOVED NICKNAMES.

A collection of love letters published long after Stein’s and Toklas’s deaths revealed a range of affectionate nicknames that the two women called each other. Stein dubbed Toklas “baby precious” or “wifey” while Toklas referred to Stein as her “husband” or “Mr. Cuddle-Wuddle.”

But Stein’s passion for nicknames was not limited to her immediate family. In 1913 she met American critic and photographer Carl Van Vechten, who would later become her American agent and promoter. The two invented a fictional family unit, the Woojums. Van Vechten was Papa Woojums, Toklas was Mama Woojums, and Stein, the genius at the center of the relationship, was Baby Woojums.

11. SHE DISCUSSED CINEMA WITH CHARLIE CHAPLIN.

In October 1934, after an absence of 30 years, Stein and Toklas returned to the United States to embark on a six-month lecture tour. Stein was, by then, known as a brilliant but inscrutable writer, and curious reporters greeted their ship expecting her to speak the way she wrote. An electric sign in Times Square screamed "Gertrude Stein Has Arrived."

Stein was invited to meet with high profile figures like Eleanor Roosevelt and Charlie Chaplin as the tour wound through 23 states. She met Chaplin at a dinner party in Los Angeles, and both would describe their chat in their respective autobiographies. “She would like to see me in a movie,” Chaplin wrote, “just walking up the street and turning a corner, then another corner, and another.”

The actor interpreted Stein’s suggestion as a cinematic representation of her famous phrase, “a rose is a rose is a rose.” He gave her a nod in his 1952 film Limelight, in a scene where the protagonist says, “the meaning of anything is merely other words for the same thing. After all, a rose is a rose is a rose. That’s not bad. It should be quoted.”

12. SHE WAS THE FIRST AMERICAN WOMAN TO HAVE A PUBLIC STATUE IN NEW YORK CITY.

When Stein died in France in 1946, she was buried in Paris’s Cimitière du Père Lachaise, which also hosts the remains of Oscar Wilde, Frédéric Chopin, Édith Piaf, Amedeo Modigliani, Jim Morrison, and other deceased notables. After Toklas’s death in 1967, the last of their collection—38 paintings by Picasso and nine by Gris—were sold by Stein’s heirs in 1968 for about $6.8 million.

In 1992, a life-size granite statue of her was erected in New York’s Bryant Park—the first of an actual American woman in the city.

George R.R. Martin Says Game of Thrones Could've Gone on Much Longer

Rich Polk, Getty Images for IMDb
Rich Polk, Getty Images for IMDb

by Natalie Zamora

Despite the excitement every Game of Thrones fan had last night when the HBO series won the biggest Emmy award of the night for Outstanding Drama Series, there are still two major things we just can't ignore. The first is that the final season is still ​months away, and the second is the fact that it's all about to end.

George R.R. Martin, the genius behind the A Song of Ice and Fire novels, is clearly feeling our pain. While on the Emmys' Red Carpet last night, the famed author revealed he doesn't actually know why the TV series is ending.

"I dunno. Ask David [Benioff] and Dan [Weiss] when they come through," Martin replied when Variety asked him why the show was ending. "We could have gone to 11, 12, 13 seasons, but I guess they wanted a life."

"If you've read my novels, you know there was enough material for more seasons," the author elaborated. "They made certain cuts, but that's fine." It's not really fine for the diehard fans who aren't going to know what to do with themselves when it's over!

Thankfully, Martin did give us hope as to ​what's to come after Thrones. "We have five other shows, five prequels, in development, that are based on other periods in the history of Westeros, some of them just 100 years before Game of Thrones, some of them 5000 years before Game of Thrones," he shared.

Westeros Forever. No? Fine.

What 10 Classic Books Were Almost Called

iStock
iStock

Remember when your high school summer reading list included Atticus, Fiesta, and The Last Man in Europe? You will once you see what these books were renamed before they hit bookshelves.

1. THE GREAT GATSBY

F. Scott Fitzgerald went through quite a few titles for his most well-known book before deciding on The Great Gatsby. If he hadn’t arrived at that title, high school kids would be pondering the themes of Trimalchio in West Egg; Among Ash-Heaps and Millionaires; On the Road to West Egg; Under the Red, White, and Blue; Gold-Hatted Gatsby; or The High-Bouncing Lover. Just weeks before publication, he cabled his publisher “CRAZY ABOUT TITLE UNDER THE RED WHITE AND BLUE STOP [WHAT] WOULD DELAY BE.” But he was talked out of it.

The author would later say of the Gatsby title, “It’s O.K. but my heart tells me I should have named it Trimalchio ... Gatsby is too much like Babbit and The Great Gatsby is weak because there’s no emphasis even ironically on his greatness or lack of it. However let it pass.”

2. 1984

George Orwell’s publisher didn’t feel the title to the author's novel, The Last Man in Europe, was terribly commercial. He recommended using the other title Orwell had been kicking around—1984.

3. ATLAS SHRUGGED

Ayn Rand referred to her magnum opus as The Strike for quite some time. In 1956, a year before the book was released, she decided the title gave away too much plot detail. Her husband suggested Atlas Shrugged—then a chapter title—and it stuck.

4. DRACULA

The title of Bram Stoker’s famous Gothic novel sounded more like a spoof before he landed on Dracula—one of the names Stoker considered was The Dead Un-Dead.

5. THE SUN ALSO RISES

Ernest Hemingway’s original title for his 1926 novel—Fiesta—was used for foreign editions, but the American English version was called The Sun Also Rises. Another supposed candidate was “For in much wisdom is much grief and he that increases knowlege [sic] increaseth sorrow.”

6. CATCH-22

Author Joseph Heller wanted to name his story Catch-18, but Leon Uris’s novel Mila 18—released the previous year—made editor Robert Gottlieb want to change the title. He and Heller looked into Catch-11, but because the original Ocean’s Eleven movie was newly in theaters, it was scrapped to avoid confusion. After toying with other numbers, his editor decided on 22, capturing the repetition of 11.

7.TO KILL A MOCKINGBIRD

To Kill a Mockingbird was simply Atticus before Harper Lee decided the title focused too narrowly on one character.

8. PRIDE AND PREJUDICE

An apt precursor to the title Jane Austen finally decided on for her most beloved novel was First Impressions (it’s been proposed that a name change was needed because Margaret Holford published a novel called First Impressions; or the Portrait).

9. THE SECRET GARDEN

Mistress Mary (nowadays better known as Mary, Mary), "quite contrary, how does your garden grow?" Secretly, apparently. Mistress Mary, taken from the classic nursery rhyme, was the working title for Frances Hodgson Burnett’s The Secret Garden.

10. DUBLINERS

Originally called Ulysses in Dublin, James Joyce’s book of short stories, Dubliners, featured many characters that would later appear in his epic Ulysses a few years later.

This piece originally ran in 2010.

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