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Great Beast Comics

The Most Interesting Comics of the Week

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Great Beast Comics

Every Wednesday, I preview the most interesting new comics hitting comic shops, Comixology, Kickstarter and the web. Feel free to comment below if there's a comic you've read recently that you want to talk about.

1. Tall Tales And Outrageous Adventures: The Snow Queen and Other Stories

By Isabel Greenberg
Great Beast Comics

The first issue of Isabel Greenberg’s new series Tall Tales And Outrageous Adventures was released by Great Beast Comics late last year but just came out on Comixology’s digital comics app this past week. The showcase story in this first issue is a retelling of Hans Christian Andersen's The Snow Queen. Disney's own version of the story – Frozen – has been been immensely popular, so now's a good time for Greenberg's comic to reach a wider audience.

Whereas Frozen is quite different from The Snow Queen, Greenberg's adaptation is pretty faithful to the original. What makes this comic so appealing, however, is the way she adds her own modern touch to it, particularly in the cute and nonchalant contemporary dialogue. There's a little bit of Kate Beaton in the way Greenberg mixes a faithful approach to the original material with a fresh sense of humor.

Isabel Greenberg's debut graphic novel The Encyclopedia Of Early Earth was nominated for a Cartoonist Studio Prize for Best Graphic Novel of the Year. At 25, she's quickly become a cartoonist to watch out for. 

Greenberg sells the comic in print and digital formats through the Great Beast website. If you prefer Comixology, you can buy it for only 99¢ there. In addition to The Snow Queen, this issue also contains her version of The Emperor's New Clothes.

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2. On Loving Women

By Diane Obomsawin
Drawn & Quarterly

The newest graphic novel from Montreal-based cartoonist Diane Obomsawin, On Loving Women, is comprised of a series of vignettes culled together from interviews with friends and acquaintances about their coming-of-age discovery of their attraction to other women.

The stories are universal, even though they are all specifically about gay women. Most of us at an early age, regardless of sexual orientation, have dealt with first crushes and trying to understand unfamiliar sexual urges. To make the women in this story even more relatable, Obomsawin draws them in an elongated, anthropomorphic style. There are many explicit bedroom scenes but her clean lines and animal figures make the depicted sex more elegant and representational; simple and innocent rather than titillating.

These women came of age in a slightly less enlightened time than we are entering right now, so their stories deal with a certain amount of secrecy, shame, and prejudice. That said, these are generally positive accounts told by confident and comfortable women, and they make for an encouraging and delightful reading experience for everyone.

You can read a preview of On Loving Women in PDF form on Drawn & Quarterly's website.

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3. At Work Inside Our Detention Centres: A Guard's Story

Based on interviews conducted by Nick Olle; art by Sam Wallman
The Global Mail

The Global Mail is an Australian-based non-profit that publishes long form journalism. Recently, they hired cartoonist Sam Wallman to illustrate an interview with a former employee of an immigration detention center about his experiences there and the effect it has had on his life. The interviewee was employed by a large multinational corporation called Serco that runs all the immigration detention centers in the Australian mainland. While working in the center he felt so much empathy for the plight of the prisoners and the unknown agonies they had previously faced escaping their homelands that he began to have an emotional breakdown.

The interview itself is gripping, but the way Wallman interprets the man's words into visuals makes this interesting from both an artistic and journalistic perspective. Wallman's conceptual illustration skills are on full display. The format of the comic is without any panel borders, seemingly countering the concept of illustrating a story about being imprisoned. The expanse of white space surrounding each of Wallman's individual drawings feels heavier and more confining than simple panel borders ever could convey.

You can read the entire piece here on the Global Mail website.

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4. White Suits #1

Written by Frank J. Barbiere; art by Toby Cypress
Dark Horse Comics

An amnesiac, an FBI agent, the Russian mob, and a mysterious group of assassins dressed in white suits.

Those are the pieces of a puzzle that begins in the first issue of the new crime noir series, White Suits by Frank J. Barbiere and Toby Cypress. Barbieri is known for his recent surprise hit series Five Ghosts for Image Comics.

Toby Cypress works in a splotchy, energetic style that will probably remind you of artists like Bill Sienkiewicz or Ralph Steadman. In this particular book he uses only red and black washes splattered across the white page, evoking a Sin City flavor of noir storytelling.

Barbiere and Cypress produced a couple of short prequels for White Suits that were published in the Dark Horse Presents anthology. You can read one of them in its entirety here.

Read a short preview here.

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IFC Films
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entertainment
10 Surprising Facts About The Babadook
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IFC Films

In 2014, The Babadook came out of nowhere and scared audiences across the globe. Written and directed by Aussie Jennifer Kent, and based on her short film Monster, The Babadook is about a widow named Amelia (played by Kent’s drama schoolmate Essie Davis) who has trouble controlling her young son Samuel (Noah Wiseman), who thinks there’s a monster living in their house. Amelia reads Samuel a pop-up book, Mister Babadook, and Samuel manifests the creature into a real-life monster. The Babadook may be the villain, but the film explores the pitfalls of parenting and grief in an emotional way. 

“I never approached this as a straight horror film,” Kent told Complex. “I always was drawn to the idea of grief, and the suppression of that grief, and the question of, how would that affect a person? ... But at the core of it, it’s about the mother and child, and their relationship.”

Shot on a $2 million budget, the film grossed more than $10.3 million worldwide and gained an even wider audience via streaming networks. Instead of creating Babadook out of CGI, a team generated the images in-camera, inspired by the silent films of Georges Méliès and Lon Chaney. Here are 10 things you might not have known about The Babadook (dook, dook).

1. THE NAME “BABADOOK” WAS EASY FOR A CHILD TO INVENT.

Jennifer Kent told Complex that some people thought the creature’s name sounded “silly,” which she agreed with. “I wanted it to be like something a child could make up, like ‘jabberwocky’ or some other nonsensical name,” she explained. “I wanted to create a new myth that was just solely of this film and didn’t exist anywhere else.”

2. JENNIFER KENT WAS WORRIED PEOPLE WOULD JUDGE THE MOTHER.

Amelia isn’t the best mother in the world—but that’s the point. “I’m not a parent,” Kent told Rolling Stone, “but I’m surrounded by friends and family who are, and I see it from the outside … how parenting seems hard and never-ending.” She thought Amelia would receive “a lot of flak” for her flawed parenting, but the opposite happened. “I think it’s given a lot of women a sense of reassurance to see a real human being up there,” Kent said. “We don’t get to see characters like her that often.”

3. KENT AND ESSIE DAVIS TONED DOWN THE CONTENT FOR THE KID.

Noah Wiseman was six years old when he played Samuel. Kent and Davis made sure he wasn’t present for the more horrific scenes, like when Amelia tells Samuel she wishes he was the one who died, not her husband. “During the reverse shots, where Amelia was abusing Sam verbally, we had Essie yell at an adult stand-in on his knees,” Kent told Film Journal. “I didn’t want to destroy a childhood to make this film—that wouldn’t be fair.”

Kent explained a “kiddie version” of the plot to Wiseman. “I said, ‘Basically, Sam is trying to save his mother and it’s a film about the power of love.’”

4. THE FILM IS ALSO ABOUT “FACING OUR SHADOW SIDE.”

IFC Films

Kent told Film Journal that “The Babadook is a film about a woman waking up from a long, metaphorical sleep and finding that she has the power to protect herself and her son.” She noted that everybody has darkness to face. “Beyond genre and beyond being scary, that’s the most important thing in the film—facing our shadow side.”

5. THE FILM SCARED THE HELL OUT OF THE DIRECTOR OF THE EXORCIST.

In an interview with Uproxx, William Friedkin—director of The Exorcist—said The Babadook was one of the best and scariest horror films he’d ever seen. He especially liked the emotional aspect of the film. “It’s not only the simplicity of the filmmaking and the excellence of the acting not only by the two leads, but it’s the way the film works slowly but inevitably on your emotions,” he said.

6. AN ART DEPARTMENT ASSISTANT SCORED THE ROLE AS THE BABADOOK.

Tim Purcell worked in the film’s art department but then got talked into playing the titular character after he acted as the creature for some camera tests. “They realized they could save some money, and have me just be the Babadook, and hence I became the Babadook,” Purcell told New York Magazine. “In terms of direction, it was ‘be still a lot,’” he said.

7. THE MOVIE BOMBED IN ITS NATIVE AUSTRALIA.

Even though Kent shot the film in Adelaide, Australians didn’t flock to the theaters; it grossed just $258,000 in its native country. “Australians have this [built-in] aversion to seeing Australian films,” Kent told The Cut. “They hardly ever get excited about their own stuff. We only tend to love things once everyone else confirms they’re good … Australian creatives have always had to go overseas to get recognition. I hope one day we can make a film or work of art and Australians can think it’s good regardless of what the rest of the world thinks.”

8. YOU CAN OWN A MISTER BABADOOK BOOK (BUT IT WILL COST YOU). 

IFC Films

In 2015, Insight Editions published 6200 pop-up books of Mister Babadook. Kent worked with the film’s illustrator, Alexander Juhasz, who created the book for the movie. He and paper engineer Simon Arizpe brought the pages to life for the published version. All copies sold out but you can find some Kent-signed ones on eBay, going for as much as $500.

9. THE BABADOOK IS A GAY ICON.

It started at the end of 2016, when a Tumblr user started a jokey thread about how he thought the Babadook was gay. “It started picking up steam within a few weeks,” Ian, the Tumblr user, told New York Magazine, “because individuals who I presume are heterosexual kind of freaked out over the assertion that a horror movie villain would identify as queer—which I think was the actual humor of the post, as opposed to just the outright statement that the Babadook is gay.” In June, the Babadook became a symbol for Gay Pride month. Images of the character appeared everywhere at this year's Gay Pride Parade in Los Angeles.

10. DON'T HOLD YOUR BREATH FOR A SEQUEL.

Kent, who owns the rights to The Babadook, told IGN that, despite the original film's popularity, she's not planning on making any sequels. “The reason for that is I will never allow any sequel to be made, because it’s not that kind of film,” she said. “I don’t care how much I’m offered, it’s just not going to happen.”

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Space
NASA Is Posting Hundreds of Retro Flight Research Videos on YouTube
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Bruce Weaver / Stringer / Getty Images

If you’re interested in taking a tour through NASA history, head over to the YouTube page of the Armstrong Flight Research Center, located at Edwards Air Force Base, in southern California. According to Motherboard, the agency is in the middle of posting hundreds of rare aircraft videos dating back to the 1940s.

In an effort to open more of its archives to the public, NASA plans to upload 500 historic films to YouTube over the next few months. More than 300 videos have been published so far, and they range from footage of a D-558 Skystreak jet being assembled in 1947 to a clip of the first test flight of an inflatable-winged plane in 2001. Other highlights include the Space Shuttle Endeavour's final flight over Los Angeles and a controlled crash of a Boeing 720 jet.

The research footage was available to the public prior to the mass upload, but viewers had to go through the Dryden Aircraft Movie Collection on the research center’s website to see them. The current catalogue on YouTube is much easier to browse through, with clear playlist categories like supersonic aircraft and unmanned aerial vehicles. You can get a taste of what to expect from the page in the sample videos below.

[h/t Motherboard]

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