CLOSE
Original image
getty images

10 Famous People Who Rejected Saturday Night Live

Original image
getty images

In the past, we shared a list of 32 Famous People Rejected by Saturday Night Live. But rejection is a two-way street at Studio 8H, as these 10 equally funny famous people proved when they gave SNL the cold shoulder.

1. MINDY KALING

Saying “no” to SNL wasn’t really Kaling’s idea. But timing wasn’t on her side. In a 2007 interview with The A.V. Club, she revealed that she had auditioned for SNL just a few months earlier (a year after The Office’s American debut). “They didn't offer me a part, but the audition went pretty well, and that night, they were like, ‘Do you want to come write for the show?’ [The Office creator] Greg [Daniels] used to write for SNL, and he had known that being on SNL was my great dream. He said, ‘Listen. If you get cast on the show, I'll let you break your contract and go do it, but if they ask you to write, I can't, because you have a job writing here, plus you're on the show. So I'm not going to let you leave the show so you can go be in New York.’ At that time, I missed New York so badly. I hated L.A. for a long time, and I wanted to leave it. I had these fantasies of going to SNL and falling in love with some writer on SNL, of getting married and living in New York. That was really heartbreaking to have to turn down, but then I got to guest-write in the spring.’”

2. JOHN CANDY

SNL got a serious shakeup in the early 1980s. Following Lorne Michaels’ departure, the show was turned over to producer Jean Doumanian, who was replaced by Dick Ebersol after one season following bad reviews. Just as Doumanian had tried to retool the show, Ebersol did the same, and set his sights on some of Second City’s most talented players. There was only one problem: The legendary comedy group had its own sketch comedy show, which featured John Candy, Catherine O’Hara, Eugene Levy, and Harold Ramis. That small detail didn’t stop Ebersol from trying to recruit Candy to SNL. According to Doug Hill and Jeff Weingrad’s book, Saturday Night, Candy “was mortified at being caught in the middle of the tug of war between Saturday Night and SCTV.” He stuck with the latter, but did host SNL in 1983 (and made a couple of cameos).

3. CATHERINE O’HARA

Dick Ebersol’s SCTV poaching efforts were slightly more successful with Catherine O’Hara. She signed up to be a part of the 1981 season, but didn’t last long. “Maybe two [weeks],” she told the Toronto Sun of her SNL tenure. While many reports state that she was scared off by an incident in which writer Michael O’Donoghue yelled at the show’s other writers, O’Hara simply says that she made a mistake in leaving SCTV in the first place. “I hung out with some nice people, tried to come up with some ideas ... but I never really felt involved,” she said of her decision to depart before the season even began. “I had to leave. I said I’d made a huge mistake. I'm not proud of that. I felt stupid doing it. But I had to come home. I couldn't not be with them.”

4. JOHNNY KNOXVILLE

“The ball was rolling on Jackass, but it was going slow,” Jackass co-creator Jeff Tremaine said in a 2006 interview with The A.V. Club. “We made a little tape basically showing what Jackass was. It was going around, and it was really popular. SNL got a hold of it.” The show’s producers liked what they saw and offered Knoxville a spot on SNL, which would make use of his stunting abilities. “It was at the point where I either say yes to my friends, where we had all the control, or yes to Saturday Night Live, where none of my friends were really going to be there and I had no control,” Knoxville told the Washington Times in 2005 of his choice to just say, "no."

5. BONNIE HUNT

Bonnie Hunt’s decision to turn down a role on SNL all came down to one question she posed to Lorne Michaels. “I asked, ‘If there's an end of a scene that doesn't feel like it's working, can you improvise?’” Hunt recalled to the Los Angeles Times. “And he said, ‘Absolutely not.’” And that was it.

6. ANDY DICK

“Early on in my career they just asked me if I wanted to do Saturday Night Live. Literally, they were just offering it to me,” Andy Dick told Laughspin in 2011. “I said no because I had just come off The Ben Stiller Show, but the truth of the matter is I was afraid I would not be able to do a few characters every week. I didn’t have the confidence that I do now... I can do it now,” Dick continued, “but I’m 45 years old. What’s the point? I’m too old for that club, anyway. They wouldn’t have me—unless they start a Saturday Night Live: Seniors; Saturday Night Dead.” When pressed as to whether he would say “yes” if offered a part on the show today, Dick replied that he “would jump at that opportunity. But you’re talking to a guy who, if Dancing With The Stars called, I’d say, ‘I’m putting my tap shoes on now, bitch.’” He wasn’t kidding: Dick hoofed his way to a seven-week stint as a contestant on the reality dancing show in 2013.

7. AMY SEDARIS

Following Janeane Garofalo’s departure in 1995, SNL was in need of another funny lady and Amy Sedaris auditioned for the spot, but at the same time she was starring in a play she had written with her brother, David. “I met with Lorne Michaels, but at that time we were doing our play One Woman Shoe, and it was everything I wanted,” Sedaris told Interview Magazine in 2001 of her decision to pass. “Maybe even three years earlier it would have been great, but at that point it was like, oh, it’s too late. A few years later Strangers with Candy fell into my lap. But television’s not something that I ever thought about or planned.”

8. JENNIFER ANISTON

Though the story of whether or not Jennifer Aniston was ever really, truly offered a spot on SNL has been heavily questioned, it’s Aniston herself who started the rumor. While promoting Just Go With It on Oprah in 2011, Aniston’s co-star—and SNL alum—Adam Sandler recalled, “being on the ninth floor where Lorne Michaels’ office was, and seeing Jen come in,” back in the early 1990s. “I was like, ‘Oh, my God. There’s Aniston. Is she about to be on our show?’” But Aniston, who was getting ready to star on Friends, says she declined because, “It was a boys’ club. They thought I was making a huge mistake.”

9. THE BEATLES

In 1976, six years after they had disbanded, The Beatles were offered $230 million by promoter Sid Bernstein to reunite—an offer they promptly declined. Shortly thereafter, Lorne Michaels made a live plea to the Fab Four to reunite as musical guests on SNL, stating that NBC had authorized him to offer them “a certified check for $3000.” In David Sheff’s book All We Are Saying, Lennon shared that they actually considered it: “Paul and I were together watching that show,” Lennon said. “He was visiting us at our place in the Dakota. We were watching it and almost went down to the studio, just as a gag. We nearly got into a cab, but we were actually too tired.”

10. CHARLIE BARNETT

YouTube

Legendary street performer and comedian Charlie Barnett, who was a mentor to Dave Chappelle, spent many years smarting from his missed opportunity with SNL. Barnett advanced quickly in the audition process but ended up ditching a final reading when he became concerned about his lack of education (Barnett had dropped out of school in the eighth grade). “I was too scared,” he admitted to People Magazine in 1983. “I read good, but I read slow.” Though he ended up finding success on his own terms (he had a recurring role as “Noogie” on Miami Vice during its heyday), Barnett admitted that for a long time he was extremely jealous of Eddie Murphy, the man who ended up taking what could have been his spot on the show.

Images courtesy of Getty Images

Original image
General Photographic Agency/Getty Images
arrow
entertainment
10 Witty Facts About The Marx Brothers
Original image
General Photographic Agency/Getty Images

Talented as individuals and magnificent as a team, the Marx Brothers conquered every medium from the vaudeville stage to the silver screen. Today, we’re tipping our hats (and tooting our horns) to Groucho, Harpo, Chico, Zeppo, and Gummo—on the 50th anniversary of Groucho's passing.

1. A RUNAWAY MULE INSPIRED THEM TO TAKE A STAB AT COMEDY.

Julius, Milton, and Arthur Marx originally aspired to be professional singers. In 1907, the boys joined a group called “The Three Nightingales.” Managed by their mother, Minnie, the ensemble performed covers of popular songs in theaters all over the country. As Nightingales, the brothers enjoyed some moderate success, but they might never have found their true calling if it weren’t for an unruly equid. During a 1907 gig at the Nacogdoches Opera House in East Texas, someone interrupted the performance by barging in and shouting “Mule’s loose!” Immediately, the crowd raced out to watch the newly-liberated animal. Back inside, Julius seethed. Furious at having lost the spotlight, he skewered his audience upon their return. “The jackass is the finest flower of Tex-ass!” he shouted, among many other ad-libbed jabs. Rather than boo, the patrons roared with laughter. Word of his wit soon spread and demand for these Marx brothers grew.

2. THEY RECEIVED THEIR STAGE NAMES DURING A POKER GAME.

In May of 1914, the five Marxes were playing cards with standup comedian Art Fisher. Inspired by a popular comic strip character known as “Sherlocko the Monk,” he decided that the boys could use some new nicknames. Leonard’s was a no-brainer. Given his girl-crazy, “chick-chasing” lifestyle, Fisher dubbed him “Chicko” (later, this was shortened to “Chico”). Arthur loved playing the harp and thus became “Harpo.” An affinity for soft gumshoes earned Milton the alias “Gummo.” Finally, Julius was both cynical and often seen wearing a “grouch bag”—wherein he’d store small objects like marbles and candy—around his neck. Thus, “Groucho” was born. For the record, nobody knows how Herbert Marx came to be known as “Zeppo.”

3. GROUCHO WORE HIS TRADEMARK GREASEPAINT MUSTACHE BECAUSE HE HATED MORE REALISTIC MODELS.

Michael Ochs Archives/Hulton Archive/Getty Images

Phony, glue-on facial hair can be a pain to remove and reapply, so Groucho would simply paint a ‘stache and some exaggerated eyebrows onto his face. However, the mustache he later rocked as the host of his famous quiz show You Bet Your Life was 100 percent real.

4. HARPO WAS A SELF-TAUGHT HARPIST.

Without any formal training (or the ability to read sheet music), the second-oldest Marx brother developed a unique style that he never stopped improving upon. “Dad really loved playing the harp, and he did it constantly,” his son, Bill Marx, wrote. “Maybe the first multi-tasker ever, he even had a harp in the bathroom so he could play when he sat on the toilet!”

5. THE VERY FIRST MARX BROTHERS MOVIE WAS NEVER RELEASED.

Financed by Groucho, Chico, Harpo, Zeppo, and a handful of other investors, Humor Risk was filmed in 1921. Accounts differ, but most scholars agree that the silent picture—which would have served as the family’s cinematic debut—never saw completion. Despite this, an early screening of the work-in-progress was reportedly held in the Bronx. When Humor Risk failed to impress there, production halted. By Marx Brothers standards, it would’ve been an unusual flick, with Harpo playing a heroic detective opposite a villainous Groucho character.

6. GUMMO AND ZEPPO BECAME TALENT AGENTS.

World War I forced Gummo to quit the stage. Following his return, the veteran decided that performing was no longer for him and instead started a raincoat business. Zeppo—the youngest brother—then assumed Gummo’s role as the troupe’s straight-talking foil. A brilliant businessman, Zeppo eventually break away to found the talent agency Zeppo Marx Inc., which grew into Hollywood’s third-largest, representing superstars like Clark Gable, Lucille Ball, and—of course—the other three Marx Brothers. Gummo, who joined the company in 1935, was charged with handling Groucho, Harpo, and Chico’s needs.

7. CHICO ONCE LAUNCHED A BIG BAND GROUP.

Chico took advantage of an extended break between Marx brothers movies to realize a lifelong dream. A few months before The Big Store hit cinemas in 1941, he co-founded the Chico Marx Orchestra: a swinging jazz band that lasted until July of 1943. Short-lived as the group was, however, it still managed to recruit some amazing talent—including singer/composer Mel Tormé, who would go on to help write the “The Christmas Song (Chestnuts Roasting on an Open Fire)” in 1945.

8. THEY TESTED OUT NEW MATERIAL FOR A NIGHT AT THE OPERA IN FRONT OF LIVE AUDIENCES.

With the script still being drafted, MGM made the inspired choice to let the brothers perform key scenes in such places as Seattle, Salt Lake City, and San Francisco. Once a given joke was made, the Marxes meticulously timed the ensuing laughter, which let them know exactly how much silence to leave after repeating the gag on film. According to Harpo, this had the added benefit of shortening A Night at the Opera’s production period. “We didn’t have to rehearse,” he explained. “[We just] got onto the set and let the cameras roll.”

9. GROUCHO TEMPORARILY HOSTED THE TONIGHT SHOW.

Jack Paar bid the job farewell on March 29, 1962. Months before their star’s departure, NBC offered Paar’s Tonight Show seat to Groucho, who had established himself as a razor-sharp, well-liked host during You Bet Your Life’s 14-year run. Though Marx turned the network down, he later served as a guest host for two weeks while Johnny Carson prepared to take over the gig. When Carson finally made his Tonight Show debut on October 1, it was Groucho who introduced him.

10. SPY MAGAZINE USED A MARX BROTHERS MOVIE TO PRANK U.S. CONGRESSMEN.

Duck Soup takes place in Freedonia, a fictional country over which the eccentric Rufus T. Firefly (Groucho) presides. In 1993, 60 years after the movie’s release, this imaginary nation made headlines by embarrassing some real-life politicians. Staffers from Spy got in touch with around 20 freshmen in the House of Representatives, asking some variation on the question “Do you approve of what we’re doing to stop ethnic cleansing in Freedonia?” A few lawmakers took the bait. Representative Corrine Brown (D-Florida) professed to approve of America’s presence in Freedonia, saying “I think all of those situations are very, very sad, and I just think we need to take action to assist the people.” Across the aisle, Steve Buyer (R-Indiana) concurred. “Yeah,” he said, “it’s a different situation than the Middle East.”

Original image
Keystone/Getty Images
arrow
entertainment
‘Total Eclipse of the Heart’ Could Have Been a Meat Loaf Song
Original image
Keystone/Getty Images

Imagine a world in which Bonnie Tyler was not the star performer on the Royal Caribbean Total Eclipse Cruise. Imagine if, instead, as the moon crossed in front of the sun in the path of totality on August 21, 2017, the performer belting out the 1983 hit for cruise ship stargazers was Meat Loaf?

It could have been. Because yes, as Atlas Obscura informs us, the song was originally written for the bestselling rocker (and actor) of Bat Out of Hell fame, not the husky-voiced Welsh singer. Meat Loaf had worked on his 1977 record Bat Out of Hell with Jim Steinman, the composer and producer who would go on to work with the likes of Celine Dion and Barbra Streisand (oddly enough, he also composed Hulk Hogan’s theme song on an album released by the WWE). “Total Eclipse of the Heart” was meant for Meat Loaf’s follow-up album to Bat Out of Hell.

But Meat Loaf’s fruitful collaboration with Steinman was about to end. In the wake of his bestselling record, the artist was going through a rough patch, mentally, financially, and in terms of his singing ability. And the composer wasn’t about to stick around. As Steinman would tell CD Review magazine in 1989 (an article he has since posted on his personal website), "Basically I only stopped working with him because he lost his voice as far as I was concerned. It was his voice I was friends with really.” Harsh, Jim, harsh.

Steinman began working with Bonnie Tyler in 1982, and in 1983, she released her fifth album, Faster Than the Speed of Night, including “Total Eclipse of the Heart.” It sold 6 million copies.

Tyler and Steinman both dispute that the song was written specifically for Meat Loaf. “Meat Loaf was apparently very annoyed that Jim gave that to me,” she told The Irish Times in 2014. “But Jim said he didn’t write it for Meat Loaf, that he only finished it after meeting me.”

There isn’t a whole lot of bad blood between the two singers, though. In 1989, they released a joint compilation album: Heaven and Hell.

[h/t Atlas Obscura]

SECTIONS

arrow
LIVE SMARTER
More from mental floss studios