Quentin Blake, courtesy Christie's Images Ltd. 2018
Quentin Blake, courtesy Christie's Images Ltd. 2018

Matilda Illustrator Quentin Blake Is Auctioning Items From His Personal Collection of Drawings

Quentin Blake, courtesy Christie's Images Ltd. 2018
Quentin Blake, courtesy Christie's Images Ltd. 2018

When you think of Roald Dahl's classic books, chances are you're actually imagining Quentin Blake's work. Blake is the award-winning illustrator behind the signature imagery in beloved books like The BFG, Matilda, and The Twits. Now, Blake is auctioning off some of his drawings from his private collection through Christie's, giving the public a chance to own art intimately connected with these canonical children's books.

The illustrations on offer were completed by Blake over a period of some 40 years. They include preliminary studies, alternative versions of illustrations that made it into books like The Twits and The Enormous Crocodile (Blake's first collaboration with Dahl), and other related art. In addition to illustrations he drew for Dahl, there's artwork he created for his own books, for other authors, for hospitals (like the watercolor above, an alternative version of a drawing he made for the Rosie Birth Centre at Addenbrooke's Hospital, in Cambridge, UK), and for public exhibitions.

Below are just a few of the pieces available, currently ranging in starting bids from around $600 to more than $15,000.

A watercolor image of a witch dressed in black
"The Grand High Witch," 
an alternative illustration of the character from The Witches created for Blake's 2016 Roald Dahl Centenary Portraits project
Quentin Blake

A watercolor of a father with his arm around his son, holding a kite
"Danny and His Father," an alternative illustration of the characters from Danny the Champion of the World that Blake produced for his Roald Dahl Centenary Portraits
Quentin Blake

Four illustrations showing the BFG with his ears in different positions
“The BFG showing how he flaps his ears,” a preliminary drawing for the 1982 edition of The BFG
Quentin Blake

A watercolor of the BFG holding Sophie in the palm of his hand
“Sophie and the BFG,” an alternative illustration of the characters from The BFG created for the Roald Dahl Centenary Portraits
Quentin Blake

Take a look at the rest here before the auction ends on July 12. Proceeds from the auction will go to three nonprofits: The House of Illustration, Roald Dahl's Marvellous Children's Charity, and Survival International.

All images courtesy Christie's Images Ltd. 2018

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Tom Etherington, Penguin Press
The Covers of Jack Kerouac's Classic Titles Are Getting a Makeover
Tom Etherington, Penguin Press
Tom Etherington, Penguin Press

Readers have been enjoying classic Jack Kerouac books like The Dharma Bums and On the Road for decades, but starting this August the novels will have a new look. Several abstract covers have been unveiled as part of Penguin’s "Great Kerouac" series, according to design website It’s Nice That.

The vibrant covers, designed by Tom Etherington of Penguin Press, feature the works of abstract expressionist painter Franz Kline. The artwork is intended to capture “the experience of reading Kerouac” rather than illustrating a particular scene or character, Etherington told It’s Nice That. Indeed, abstract styles of artwork seem a fitting match for Kerouac’s “spontaneous prose”—a writing style that was influenced by improvisational jazz music.

This year marks the 60th anniversary of The Dharma Bums, which was published just one year after On the Road. The Great Kerouac series will be available for purchase on August 2.

[h/t It's Nice That]

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John MacDougall, Getty Images
Stolpersteine: One Artist's International Memorial to the Holocaust
John MacDougall, Getty Images
John MacDougall, Getty Images

The most startling memorial to victims of the Holocaust may also be the easiest to miss. Embedded in the sidewalks of more than 20 countries, more than 60,000 Stolpersteine—German for “stumbling stones”—mark the spots where victims last resided before they were forced to leave their homes. The modest, nearly 4-by-4-inch brass blocks, each the size of a single cobblestone, are planted outside the doorways of row houses, bakeries, and coffee houses. Each tells a simple yet chilling story: A person lived here. This is what happened to them.

Here lived Hugo Lippers
Born 1878
Arrested 11/9/1938 — Altstrelitzer prison
Deported 1942 Auschwitz
Murdered

The project is the brainchild of the German artist Gunter Demnig, who first had the idea in the early 1990s as he studied the Nazis' deportation of Sinti and Roma people. His first installations were guerrilla artwork: According to Reuters, Demnig laid his first 41 blocks in Berlin without official approval. The city, however, soon endorsed the idea and granted him permission to install more. Today, Berlin has more than 5000.

Demnig lays a Stolpersteine.
Artist Gunter Demnig lays a Stolpersteine outside a residence in Hamburg, Germany in 2012.
Patrick Lux, Getty Images

The Stolpersteine are unique in their individuality. Too often, the millions of Holocaust victims are spoken of as a nameless mass. And while the powerful memorials and museums in places such as Berlin and Washington, D.C. are an antidote to that, the Stolpersteine are special—they are decentralized, integrated into everyday life. You can walk down a sidewalk, look down, and suddenly find yourself standing where a person's life changed. History becomes unavoidably present.

That's because, unlike gravestones, the stumbling stones mark an important date between a person’s birth and death: the day that person was forced to abandon his or her home. As a result, not every stumbling stone is dedicated to a person who was murdered. Some plaques commemorate people who fled Europe and survived. Others honor people who were deported but managed to escape. The plaques aim to memorialize the moment a person’s life was irrevocably changed—no matter how it ended.

The ordinariness of the surrounding landscape—a buzzing cafe, a quaint bookstore, a tree-lined street—only heightens that effect. As David Crew writes for Not Even Past, “[Demnig] thought the stones would encourage ordinary citizens to realize that Nazi persecution and terror had begun on their very doorsteps."

A man in a shop holding a hammer making a Stolpersteine.
Artisan Michael Friedrichs-Friedlaender hammers inscriptions into the brass plaques at the Stolpersteine manufacturing studio in Berlin.
Sean Gallup, Getty Images

While Demnig installs every single Stolpersteine himself, he does not work alone. His project, which stretches from Germany to Brazil, relies on the research of hundreds of outside volunteers. Their efforts have not only helped Demnig create a striking memorial, but have also helped historians better document the lives of individuals who will never be forgotten.

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