19 Things to Look for the Next Time You Watch Die Hard

20th Century Fox Home Entertainment
20th Century Fox Home Entertainment

John McClane was just a New York City cop trying to visit his wife and kids for Christmas, and then it all went wrong. Since being released in theaters 30 years ago, director John McTiernan’s Die Hard, starring Bruce Willis, has earned its spot among the best action movies of all time. But how well do you know McClane’s gun-toting adventures through Nakatomi Plaza?

Say, “yippee ki-yay” cowboys, because here are some things you might not have noticed in the action classic.

1. JOHN MCCLANE’S TEDDY BEAR HAS BEEN AROUND.

A screen grab from 'Die Hard' (1988)
20th Century Fox Home Entertainment

When off-duty NYPD officer John McClane (Bruce Willis) steps off the plane in Los Angeles to visit his kids and estranged wife, he’s carrying a giant stuffed teddy bear as a Christmas gift. But the huge bear is more than just a present—the stuffed animal is a trademark of director John McTiernan, who later used the bear as a prop in his 1990 film The Hunt for Red October.

2. WHAT’S HOLLY MAIDEN NAME AGAIN?

A screen grab from 'Die Hard' (1988)
20th Century Fox Home Entertainment

When McClane makes it to Nakatomi Plaza and signs in on the computer system with his wife Holly (Bonnie Bedelia), he’s forced to check in using her maiden name. The touch-screen computer lists her surname as “Gennaro.” But when he touches the name it switches to “Gennero.” So much for wanting to be a McClane.

A screen grab from 'Die Hard' (1988)
20th Century Fox Home Entertainment

3. THERE ARE SUBTLE DIGS AT A COUPLE OF BIG-NAME ACTION STARS.

Die Hard remains a classic due to the fact that its fallible lead character was unleashed on the world during a 1980s action movie landscape that featured indestructible on-screen heroes like Sylvester Stallone and Arnold Schwarzenegger. Both Stallone and Schwarzenegger turned down the role of John McClane, and the movie makes some inside baseball jokes at their expense for the snub.

Terrorist Hans Gruber (Alan Rickman) makes fun of McClane as a kind of one-man army out of a Stallone movie, and McClane also makes a sly dig by saying the explosives on the Nakatomi roof are “enough to orbit Arnold Schwarzenegger.”

4. THE TERRORISTS GET AROUND WITH THE SAME COURIER SERVICE.

A screen grab from 'Die Hard' (1988)
20th Century Fox Home Entertainment

Gruber’s terrorist group arrives at Nakatomi Plaza in a green box truck that says "Pacific Courier" on the side. A similar truck that says "Atlantic Courier" on the side was used in the New York City-set Die Hard: With A Vengeance, which featured Hans Gruber's brother Simon as the villain. "Pacific Courier" also appears in Speed. All three movies featured the same production designer, Jackson De Govia.

5. NAKATOMI PLAZA WAS 20TH CENTURY FOX.

A screen grab from 'Die Hard' (1988)
20th Century Fox Home Entertainment

The exteriors of the film’s marquee location were shot at Fox Plaza, the real-life headquarters of 20th Century Fox, the film studio that made the film. The computer system Ellis hacks into sports the exact address of the actual building, and the (now defunct) emergency contact phone numbers were allegedly the actual numbers for the management of Fox Plaza. The building was under construction during filming, and the scenes that show it half-finished were filmed exactly as the building was at the time.

6. THE NAKATOMI ARCHITECTS MUST LOVE FRANK LLOYD WRIGHT.

The 34th floor of the Nakatomi building, where Holly's company Christmas party is being held, is supposed to be a recreation of the interior of Frank Lloyd Wright’s Fallingwater.

7. JOSEPH TAKAGI HAS A LINK TO PEARL HARBOR.

A screen grab from 'Die Hard' (1988)
20th Century Fox Home Entertainment

Joseph Takagi (James Shigeta) defends his homeland of Japan with a clap back at McClane’s snark by telling him, “Pearl Harbor didn't work out, so we got you with tape decks.” That’s not the only Takagi family connection to December 7, 1941.

“Akagi” is the password that opens the Nakatomi Plaza's bank vault, and was also the name of one of the aircraft carriers that took part in the fateful attack.

8. THE POLICE CHIEF WAS RIGHT ABOUT BRUCE WILLIS'S OTHER JOBS.

Lovable police officer Al Powell (Reginald VelJohnson) tries to convince Deputy Police Chief Dwayne Robinson (Paul Gleason) that McClane is a cop by referencing his ability to spot a phony ID on the terrorists in the building. But Johnson doesn’t believe him, saying, “He could be a f***ing bartender for all we know!” It’s a funny quip, but also true: Willis used to be a bartender in New York before getting into the acting business.

9. WILLIS SUFFERED PERMANENT HEARING LOSS BECAUSE OF THE FILM.

A scene from 'Die Hard' (1988)
20th Century Fox Home Entertainment

McTiernan wanted to give the gunshots in the movie an overly realistic feel, so he had the production rig the blanks to be extra loud. Much to Willis’s detriment, the move cost him parts of his hearing. In the scene where Willis shoots a terrorist through a table, the actor is holding the gun extremely close to his face. The resulting shots caused the actor permanent hearing loss.

In a 2007 interview with The Guardian, Willis recalled the scene, saying, “Due to an accident on the first Die Hard, I suffer two-thirds partial hearing loss in my left ear and have a tendency to say, ‘Whaaa?’"

10. THERE ARE SOME REAL FALLS.

In the scene where McClane makes an epic jump into an elevator shaft, the stunt man was supposed to grab onto the first vent—but missed completely. The resulting footage shows the actor slipping further down the shaft. McTiernan and co-editor Frank Urioste kept it in the final cut because it made the scene more harrowing.

Similar trickery happened during the filming of Gruber’s death scene stunt: McTiernan allegedly told Rickman—who did his own stunt for the scene—that he would be dropped 70-feet on a count of three. But to get a look of real terror on Rickman’s face, McTiernan had him dropped on the count of two, hence Gruber’s memorably terrified look before he plunges to his death.

11. THERE ARE LOTS OF VISIBLE STUNT PEOPLE.

A screen grab from 'Die Hard' (1988)
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Willis attempted to do as many of his own stunts as he could, saying, “I think doing my own stunts whenever possible adds a lot to the production value of the film,” and “John [McTiernan] can get the camera close, because he doesn’t need to disguise the stuntman.” But the production hired as many as 37 stuntmen to pull off McClane’s death defying stunts—and a lot of them are visible. Be on the lookout for Non-Bruce Willises in most fight and explosion scenes.

A scene from 'Die Hard' (1988)
20th Century Fox Home Entertainment

12. HANS GRUBER AND HIS GOONS DON’T ACTUALLY SPEAK GERMAN.

Americans might think the German language that Gruber and his goons speak to one another sounds legit, but it’s actually gibberish. The grammar, diction, and pronunciation don’t actually match up. In the German release of the movie, Gruber’s group were described as being from "Europe" instead of Germany.

Weirdly enough Willis was actually born in West Germany to an American father and a German mother.

13. GRUBER’S GOONS ARE CLUMSY.

In the shot where some of Gruber’s men enter Nakatomi Plaza, the terrorist on the left as they walk through a doorway almost runs into the door frame. The camera cuts away before he actually does, but the gaffe doesn’t bode well for Gruber or his men for the rest of the movie.

14. THE TERRORISTS ARE ALSO REDUNDANT.

The rocket launcher Gruber's men use to stop the LAPD’s armored vehicle breaks the same window in two different scenes.

A scene from 'Die Hard' (1988)
20th Century Fox Home Entertainment

A scene from 'Die Hard' (1988)
20th Century Fox Home Entertainment

15. MCCLANE ISN’T ALWAYS BAREFOOT.

A screen grab from 'Die Hard' (1988)
20th Century Fox Home Entertainment

McClane spends much of the movie running through broken glass with bare feet, which must have been terrible for Willis—except it wasn’t. The actor was given a pair of specially made rubber feet as a safety precaution. The fake appendages can be seen in the scene when McClane jumps off the ledge as the FBI shoots at him from the helicopter.

16. NAKATOMI PLAZA STANDS ALONE.

A screen grab from 'Die Hard' (1988)
20th Century Fox Home Entertainment

The scene where McClane glances out of the window of Nakatomi Plaza to see a woman couldn’t actually happen. Shots of the Nakatomi building in the movie show that there are no buildings close by or buildings of comparable height that close for McClane to see.

A screen grab from 'Die Hard' (1988)
20th Century Fox Home Entertainment

17. THE HO-HO-HO TERRORIST MIGHT STILL BE ALIVE.

A scene from 'Die Hard' (1988)
20th Century Fox Home Entertainment

When McClane fights and kills the grey-sweatshirt-wearing terrorist and leaves his famous “Now I Have a Machine Gun—Ho, Ho Ho” line written on him for Hans to find, the terrorist might not be as dead as we realized. When Hans goes to move the terrorist’s head, the actor playing him blinks.

18. THE INCREDIBLE DISAPPEARING AND APPEARING AMBULANCE.

A screen grab from 'Die Hard' (1988)
20th Century Fox Home Entertainment

When Gruber’s terrorists enter the Nakatomi building, they leave out of the Pacific Courier box truck with nothing else inside. Later in the movie, Ellis attempts to carry out their getaway plan by driving an ambulance out of the back of the same truck, even though the extra vehicle—which would be hard to miss—wasn’t there earlier in the movie.

In a behind-the-scenes twist, Gruber’s planned getaway vehicle was actually a last-minute decision on the set, which explains the incongruity.

A scene from 'Die Hard' (1988)
20th Century Fox Home Entertainment

19. HOW DID MCCLANE KNOW GRUBER WAS A BAD GUY?

In the scene where McClane unwittingly stumbles on Gruber—who identifies himself as Bill Clay and puts on a convincing American accent—it’s never made 100 percent clear how McClane realizes that Clay isn’t who he says he is. We see McClane glance up at a directory of the building's occupants, but don't get a large enough view to see whether a "Clay" is or is not listed (one would think Gruber would be smart enough to see that himself and choose a fake name accordingly). Though one might assume that that's the moment our hero knows he's not dealing with a straight-shooter, it's actually Gruber's timepiece that tips him off—a tiny plot hole that can all be explained by a deleted scene.

McClane takes notice of Gruber's watch before he hands the terrorist an empty gun, but nothing about the watch is introduced in the actual movie. There was supposed to be a scene where Hans Gruber and his team synchronize the exact same watch they all wear, and, according to screenwriter Steven E. De Souza, “When Bruce offers the cigarette to Alan Rickman, Bruce sees the watch. You see his eyes look at the watch. That's how he knows that he is one of the terrorists.”

17 Things to Look for the Next Time You Watch Office Space

20th Century Fox Home Entertainment
20th Century Fox Home Entertainment

Twenty years ago (yes, you’re really that old) Office Space forever changed how we look at cubicle life. Like a much funnier Dilbert meets Beavis and Butt-head meets the then-largely misunderstood world of Silicon Valley, the comedy movie from Beavis creator Mike Judge ably skewered everything from didactic middle-management bosses to chain restaurant uniforms. And it gave us a charming Jennifer Aniston love story plus a rap mini-music video dedicated to the destruction of malfunctioning printers.

For all that and more, the 1999 film that originally performed poorly at the box office has become a widely quoted cult sensation. Here are the interesting facts and references to look for the next time you watch Office Space.

1. It was shot very, very far from Silicon Valley.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

Office Space keeps its setting purposefully vague, but the opening driving shots clue a perceptive viewer into the location: Notice the sign for Preston Road on Highway 289 in the background, which indicates that we’ve been dropped around Plano, Texas. The movie was shot in and around Austin, where Mike Judge lives, making him something of a Hollywood outsider. But Office Space is clearly attuned to the rituals and lingo of Silicon Valley’s tech scene. In fact, Judge worked as an engineer in the California area in the 1980s, which would go on to inform much of his satire, especially his popular HBO show Silicon Valley.

2. It was Mike Judge's first foray into movies ... and it didn't work out as planned.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

Starting out as a self-taught animator in Texas, Judge made his name in entertainment with cartoons that aired on Saturday Night Live and, eventually, turned into his own MTV show. Beavis and Butt-head premiered in 1993, when the cable network’s scripted offerings were still in their infancy, and quickly became both a commercial hit and a cause of nationwide controversy. He went on to co-create Fox’s slightly more family-friendly King of the Hill, but Office Space marked his live-action directorial debut in film (he previously helmed the movie adaptation Beavis and Butt-head Do America). Made on an estimated $10 million budget, it earned only slightly more than that at U.S. theaters. Sadly, that failure has become something of a pattern for Judge’s movie work: Future efforts Idiocracy and Extract failed to catch on with initial audiences, though the former has also grown into a cult hit.

3. It didn't exactly make Ron Livingston a household name.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

Office Space had all the makings of a breakout for its handsome, top-billed star, who was coming off a smaller part in the comedy phenomenon Swingers. But given its early commercial disappointment, he continued to seek out smaller parts and interesting, left-field projects like Adaptation. and The Cooler. He finally got his mainstream cred as the boyfriend of Carrie Bradshaw on Sex and the City (he's the one who broke up with her via Post-it note) with the massively popular horror flick The Conjuring. He's currently starring in two series: A Million Little Things and Loudermilk.

4. Initech has a very symbolic statue.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

The statue outside the Initech office shows a square peg in a round hole. No coincidence, it’s a reference to the common idiom referring to an individualist who doesn’t fit into a particular social mold. That could describe Livingston’s Peter, his co-worker friends, Jennifer Aniston’s Joanna—or, more self-referentially, Judge himself, who has always made movies and series about outsiders.

5. You can tell a lot about Bill Lumbergh from his vanity plate.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

Everything you need to know about Division V.P. Bill Lumbergh (Gary Cole) is established in an early shot of him pulling into his reserved parking space at Initech in a blue Porsche with a customized license plate that reads, “MY PRSHE.” Low-key. (Also notice the lack of any regional designation on the license plates in the film.)

6. "TPS" has a real meaning.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

Lumbergh’s single-minded obsession with the details of “TPS reports” drives much of the cubicle-set humor, but what exactly is a TPS report? Potential meanings abound, especially given that companies love an abbreviation, but Judge revealed that TPS refers to Test Program Set reports, which dated back to his engineering days.

7. The food at Chotchkie's sounds less than appetizing.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

A sign at the restaurant promotes its “shrimp poppers,” a food name that leaves a lot to the imagination. Later, chipper server Brian highlights “pizza shooters” and “extreme fajitas.” Whatever a pizza shooter is, it can’t be good.

8. Diedrich Bader had a very specific look in mind for Lawrence.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

Diedrich Bader, who plays everyone’s favorite beer-guzzling neighbor Lawrence, came to his Office Space role with clear inspiration. “What I really wanted to look like was somebody who loved the Allman Brothers,” he told The A.V. Club in 2012. Sounds about right.

9. There's a real Milton out there.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

Judge based the vengeful staffer, also the focus of several of his animated shorts, on one of his real-life co-workers when he was an engineer. Judge asked the man how he was doing, and he responded that he was going to quit his job because his desk had been moved around too many times.

10. Jennifer Aniston helped the movie get made.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

The cast of Office Space has one instantly recognizable name: Jennifer Aniston, who was by then of course already a superstar for playing Rachel on NBC’s Friends. In a reunion for the film, Judge thanked Aniston just for signing on (though he added that she was great in the part), saying, “It helped us put the studio at ease a little bit—at least they had one famous person."

11. Michael Bolton has embraced the punchlines about him.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

Peter’s co-worker Michael Bolton (played by David Herman) hates the fact that he shares a name with a musician who is, in his words, a “no-talent ass-clown." While the real-life Bolton initially seemed peeved about the mockery, he now signs Office Space DVDs for fans.

12. Chotchkie's is a thinly veiled TGI Fridays.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

The chain restaurant by the office is notable not just for its fried food but for its emphasis on “flair” worn by the servers (15 pieces of flair is the minimum). Office Space is clearly mocking TGI Fridays, whose staff used to dress with seemingly endless buttons and ornamentation. TGI Fridays actually phased out flair by 2005, supposedly as a result of the movie.

13. Y2K makes a cameo.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

Peter tells Joanna while having lunch that in his job he updates software for the “2000 switch.” In 1999, the impending change of the millennium was in fact a massive headache for tech companies and their programming of dates, a phenomenon that became known as Y2K.

14. The movie reintroduced red Swingline staplers.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

Milton’s beloved red stapler was actually painted that color by the prop department, so that it would pop on the screen. As it was one of the more hilarious throughlines in Office Space, viewers started to seek it out in real life. The brand Swingline, which had phased out red staplers, decided to bring the product back. Design-minded executive assistants everywhere can thank Judge.

15. Mike Judge is hiding in plain sight.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

In an uncredited role, the writer and director plays Joanna’s boss at Chotchkie's, reprimanding her about her lack of flair. (Though it’s hard to recognize him under the mustache and wig.)

16. Judge is a not-so-secret hip-hop head.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

Hip-hop is repeatedly played and referenced throughout Office Space, particularly gangsta rap, which was ascendant in the '90s. The famous printer-smashing sequence is set to the Geto Boys’ “Damn It Feels Good to Be a Gangsta.” Also notice Michael Bolton rapping along to Scarface while driving in the movie’s opening. Judge has cleverly curated hip-hop in much of his work, from rap videos in Beavis and Butt-head to a collaboration with Danny Brown for Silicon Valley.

17. Milton foreshadows the climax a lot.

A still from 'Office Space' (1999)
20th Century Fox Home Entertainment

Milton mentions the possibility of burning down the Initech office several times before actually doing it, making it perhaps the least surprising act of arson depicted in film.

15 Facts About Bill & Ted’s Excellent Adventure on Its 30th Anniversary

MGM
MGM

In 1989, a couple of slackers from San Dimas, California hopped inside a time-traveling phone booth and gathered a gaggle of key figures from the past so they wouldn’t fail their high school history class. In 1991, they were at it again. Now, 30 years after Keanu Reeves and Alex Winter first cemented their place in sci-fi history as the lovable duo, the long-awaited threequel—Bill & Ted Face the Music—has been officially confirmed. Here are 15 things you might not know about the most excellent original film.

1. Bill and Ted were born in an improv class.

The idea for the characters of Bill and Ted came about in 1983, when UCLA classmates Ed Solomon and Chris Matheson formed a student improv workshop with a few of their peers. “One day, we decided to do a couple of guys who knew nothing about history, talking about history,” Solomon recalled to Cinemafantastique in a 1991 interview. “The initial improv was them studying history, while Ted’s father kept coming up to ask them to turn their music down.” (Solomon played Ted, Matheson was Bill.)

2. Originally, it was Bill & Ted & Bob.

When the skit originated, there was a third character, Bob. But “Bob” wasn’t as into it as Solomon and Matheson, so the trio became a duo.

3. Bill wanted to be Ted and Ted wanted to be Bill.

It’s hard to imagine anyone but Keanu Reeves playing Ted Logan, or another actor besides Alex Winter in the role of Bill S. Preston, Esq., but each actor actually auditioned for the opposite role. But when Solomon and Matheson saw their audition tapes, they thought the opposite would work better. In an online chat with Moviefone, Reeves claimed that he didn’t even know their roles had been switched until after he had been cast. “I got a call saying that I got the part,” Reeves recalled. “So I went to the wardrobe fitting… assuming I was playing Bill, and I get there and Alex Winter, who eventually played Bill, went to the wardrobe fitting thinking he was playing Ted. Then we were informed that that wasn't the case.”

4. Pauly Shore also wanted to be Ted.


Getty Images

Pauly Shore was among the hundreds of actors who auditioned for the role of Ted. In 1991, Shore hosted an MTV special, Bill & Ted’s Bogus Premiere Party, in which Shore corners Reeves in a back room to talk about his failed audition. Lucky for America, Shore did go on to find fame apart from Bill & Ted, and bring the phrase, “Hey, Bu-ddy!” into the popular lexicon.

5. No, Bio-Dome is not Bill & Ted's threequel.

Speaking of Pauly Shore ... For years, rumors circulated that the script for 1996’s Bio-Dome—starring Shore and Stephen Baldwin—was actually written as the third film in the Bill & Ted franchise. In 2011, Winter laid this rumor to rest when he told /Film that the story is “total urban legend as far as I know. No one involved in that movie had anything to do with Bill & Ted. So unless they were just going to try and reboot the franchise with that concept and different actors, I can’t see a connection.”

6. Keanu Reeves and Alex Winter weren't quite nerdy enough.

The casting of Reeves and Winter posed a problem for the script. “Bill and Ted were conceived in our minds as these 14-year-old skinny guys, with low-rider bellbottoms and heavy metal T-shirts,” Solomon told Cinefantastique. “We actually had a scene that was even shot, with Bill and Ted walking past a group of popular kids who hate them. But once you cast Alex and Keanu, who look like pretty cool guys, that was hard to believe.”

7. George Carlin was a happy accident.


Getty Images

In a 2013 Reddit AMA, Alex Winter called the casting of George Carlin (as Rufus, Bill and Ted’s mentor) “a very happy accident. They were going after serious people first. Like Sean Connery. And someone had the idea, way after we started shooting, of George. That whole movie was a happy accident. No one thought it would ever see the light of day.”

8. The time machine was originally a van.

In Solomon and Matheson’s original script, it was a 1969 Chevy van that served as Bill and Ted’s time machine. But in the course of rewriting the script for Warner Bros., who showed early interest in producing the project, there was concern that a motor vehicle as time machine would ring too closely as a rip-off of Back to the Future, which arrived in theaters in 1985. It was director Stephen Herek who suggested a phone booth, as he thought it could lend itself to something akin to a roller coaster in the visuals. (The phone booth’s similarity to Doctor Who’s TARDIS was apparently not a big concern to the studio.)

9. Some Nintendo lover has that phone booth.

As part of a promotion for 1991’s Bill & Ted's Excellent Video Game Adventure, Nintendo Power magazine gave away Bill & Ted’s phone booth as a contest prize. The lucky winner was one Kenneth Grayson, who Reddit tracked down for an AMA in 2011. Grayson spent much of the chat answering questions about whether or not any X-rated activities had ever taken place in the phone booth.

10. The script was written in four days. By hand.

In 1984, Solomon and Matheson wrote the script over the course of just four days. They wrote it by hand, on note paper, during a series of meetings at a couple of local coffee shops. The 2005 box set, Bill & Ted’s Most Excellent Collection, features some of their handwritten notes.

11. Sci-fi wasn't part of the plan.

Keanu Reeves, Dan Shor, and Alex Winter in Bill & Ted's Excellent Adventure (1989)
MGM

Though Matheson is the son of legendary sci-fi writer Richard Matheson, author of I Am Legend, he didn’t intend for Bill & Ted to be a science-fiction movie. “I try to consciously fight it, out of a desire to break away, but maybe I have a predilection toward that because of my dad,” Matheson told Starlog Magazine of the inevitable fantasy elements that emerged. “He’s a great writer and craftsman, and always has suggestions.” In fact, it was the elder Matheson’s idea that the time travel story be its own movie. “We were going to write a sketch film, with this as one of the skits, but my dad said, ‘That sounds like a whole movie,’” Matheson recalled, “And he was right!”

12. Bill and Ted almost traveled straight to television.

Shortly after principal photography on the film was completed in 1987, the film’s financiers, De Laurentiis Entertainment Group, went bankrupt. A straight-to-cable release was the most likely path for the time-traveling comedy until Orion Pictures and Nelson Entertainment bought the rights in 1988 for a 1989 release. Because of the delay to theaters, references to the year—which had been filmed as “1987”—had to be dubbed for 1988, resulting in a few scenes where the actors’ lips don’t quite match the sound.

13. Their journeys continued in a variety of media.

In addition to the 1991 sequel, Bill & Ted’s Bogus Journey, the Bill & Ted franchise includes 1990’s Bill & Ted’s Excellent Adventures, an animated series for which Reeves, Winter, and Carlin provided the voices. It lasted for one season. The title was revived as a live-action series in 1992, which included none of the original cast and ran for just seven episodes. In 1991, Marvel Comics launched Bill and Ted’s Excellent Comic Book, written by Evan Dorkin.

14. Back in the late 1980s, you could eat Bill and Ted.

As a tie-in to the animated series, you could—for a short while—actually start your morning with a bowl of Bill & Ted’s Excellent Cereal, which was touted as “A Most Awesome Breakfast Adventure.”

15. Bill and Ted will ride again.

Over the past several years there has been a lot of buzz about a third Bill & Ted movie coming to theaters. In 2011, Winter tweeted that the script had been completed and that he was getting ready to read it. When asked about the possibility of a threequel in 2013, Reeves told the Today Show, “I'm open to the idea of that. I think it’s pretty surreal, playing Bill and Ted at 50. But we have a good story in that. You can see the life and joy in those characters, and I think the world can always use some life and joy.” Several references to the possible project have been made since then, and it's now been confirmed that the third film, Bill and Ted Face the Music, is currently in pre-production.

According to The Hollywood Reporter, via a report from the Cannes Film Festival, Matheson and Solomon co-wrote the script and Dean Parisot (Galaxy Quest) is attached to direct. Reeves and Winter will, of course, be reprising their roles, which "will see the duo long past their days as time-traveling teenagers and now weighed down by middle age and the responsibilities of family. They’ve written thousands of tunes, but they have yet to write a good one, much less the greatest song ever written." Excellent!

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