31 Famous People Rejected by Saturday Night Live

NBC
NBC

The history of Saturday Night Live is littered with thousands of sketches, hundreds of guest hosts, and even more Not Ready for Prime Time Player wannabes—some more memorable than others. In fact, the list of now-famous folks who auditioned and were denied access to a permanent spot in 30 Rock’s Studio 8H is long enough to fill multiple casts on their own.

1. JIM CARREY


Hollywood’s original $20 Million Man was rejected more than once by SNL. The first time was in 1980, when—citing burnout—Lorne Michaels asked to take a year off. He thought that the show would go on hiatus with him, but the network bumped associate producer Jean Doumanian into Michaels’ position to keep the show going. Her first order of business? Shake up the cast a bit. Carrey auditioned, but Doumanian hired Charlie Rocket instead. So he tried again, but again got a “no.” Michaels isn’t taking the blame for this oversight. In the book Live from New York, he says that “Jim Carrey never auditioned for me personally.” Carrey did eventually make his way onto the studio’s set; he guest hosted in 1996 and again in 2011 and 2014.

2. STEVE CARELL

In 1995, the same year that Steve Carell married fellow comedian Nancy Walls (whom he met at the Second City Training Center), the couple auditioned for SNL. Walls made it but Carell didn’t, which must have made for one awkward celebratory dinner. But it all turned out well in the end; Carell went on to become a household name and has hosted the show on two occasions. He also clearly has no ill will toward the guy who beat him out of the SNL gig, Will Ferrell.

3. DONALD GLOVER


Community star Donald Glover was gainfully employed as a writer (and occasional actor) on 30 Rock when he auditioned not for SNL itself but to play Barack Obama in any presidential sketches during the key 2007-2008 season. Fred Armisen ended up with the role.

4. PAUL REUBENS


Paul Reubens, a.k.a. Pee-Wee Herman, has a theory as to why Gilbert Gottfried got the SNL spot the two of them auditioned for in 1980 —he believes that Gottfried was favored for being friends with one of the producers. “I was so bitter and angry,” he told the San Francisco Chronicle. “I thought, ‘You better think about doing something to take this to the next level.” Which is how Pee-Wee’s Playhouse came to be. “So I borrowed some money and produced this show. I went from this Saturday Night Live reject to having 60 people working for me.”

5. STEPHEN COLBERT

Though it was cancelled shortly after it started, The Dana Carvey Show boasted some serious talent both behind and in front of the camera, including writers Louis C.K. and Charlie Kaufman and stars Steve Carell and Stephen Colbert. In 2011, GQ ran “An Oral History of the Rise and Fall” of the show, in which Colbert recalled his failed 1992 SNL audition. “Robert Smigel had seen me perform at Second City when he was one of the people scouting for Saturday Night Live. When was Carvey? 1996? So that was in 1992 and I didn't get hired for SNL that time.”

6. AUBREY PLAZA

A year before she nailed the part of April Ludgate on Parks and Recreation, Aubrey Plaza was passed over for a spot on SNL’s roster. “I wanted to be on that show for as long as I could remember,” she told The Guardian in 2012. She started taking improv classes in high school and continued after she moved to New York. She even landed an internship with the show in 2005. She was passed over when she finally auditioned three years later, but was quickly offered a part in Judd Apatow’s Funny People, which brought her to L.A., where she has remained ever since.

7. ZACH GALIFIANAKIS

Zach Galifianakis may not have landed a recurring role after his SNL audition in 1999, but he was funny enough to get himself hired as a part-time writer for a few episodes of the same season. He has guest hosted three times, in 2010, 2011, and 2013.

8. KEVIN HART

Kevin Hart didn’t waste any time dishing on his failed SNL audition when he hosted the show in 2013. In his monologue, he talked about his failure to land a spot, but assured the audience that he was over it. That it had happened a long time ago—“six or seven months, 22 days, like 6 hours ago.”

9. DAVID CROSS

In a conversation with Arrested Development co-star Michael Cera at New York’s 92nd Street Y, David Cross recalled how Cross Comedy, the comedy collective he created in Boston in the 1990s, were brought to New York City to showcase for SNL—and bombed.

10. JOHN GOODMAN

There aren’t too many people who can say they got beat out of a part by Joe Piscopo, but that’s exactly what happened to John Goodman during SNL auditions in 1980. In the end, however, Goodman might have ended up with more SNL screen time, having hosted the show 13 times and made more than a half-dozen cameos.

11. LISA KUDROW

There was only one spot available for the 1990-1991 season of SNL, and it came down to Lisa Kudrow and Julia Sweeney. Lorne Michaels flew out to L.A. to watch a showcase starring the two Groundlings, with Sweeney emerging victorious and remaining on the show until 1994 (the same year Kudrow was cast in Friends). “I knew that SNL was there,” Kudrow later recalled to Los Angeles Magazine. “Julia and I were talking on the phone about it even before they came. The show that night got to me, I was unnerved and clearly not ready. I was disappointed that I did not get it. There's another sign, I thought, that I'm not cut out for it. That feeling lasted for a little bit.”

See Also: 10 Famous People Who Rejected Saturday Night Live

12. KATHY GRIFFIN

Kathy Griffin was in that same showcase with Kudrow and Sweeney and agrees that Michaels made the right decision by choosing Sweeney. “Backstage it was ridiculous,” she recalled of the evening to Los Angeles Magazine. “One girl was in the other room audibly sobbing. [Fellow Groundling] Mary Scheer was throwing makeup in her bag and saying, ‘Let's be honest—I deserve this as much as you guys.’ I was like, ‘Jesus, just focus.’ Lisa and I were really crushed. Julia just kicked our asses. She was perfect.”

13. ADAM MCKAY


Anchorman writer-director Adam McKay’s SNL rejection—for the 1995 season—was probably for the best. He was offered a writing gig instead, and eventually worked his way up to head writer for the latter half of his six years with the show. His success has continued since leaving the show, when he partnered up with fellow alum Will Ferrell.

14. DAVE ATTELL

Comedian Dave Attell was yet another performer who was offered a writing gig in place of an on-camera spot after auditioning for the 1993-1994 season. He left after one season to write for The Jon Stewart Show.

15. MARC MARON


WTF Podcast host Marc Maron loves to share the story of his 1996 meeting with Lorne Michaels when he was called in as a possible “Weekend Update” replacement for Norm MacDonald. Maron blames his rejection on a bowl of candy and wrote a story about the incident, titled “Lorne Michaels and Gorillas,” for Air America. Maron’s contention is that his fate rested on whether or not he took a piece of candy from the bowl on Michaels’ desk, which he obsessed about, then finally gave in. “As soon as I took the candy I swear to God Lorne shot a look at the head writer that clearly connoted to me that I had failed the test,” he wrote. “I walked out of there thinking I ruined my career because of a Jolly Rancher. I don't even like Jolly Ranchers.”

16. JENNIFER COOLIDGE

Christopher Guest ensemble member Jennifer Coolidge had some serious competition when she auditioned for SNL alongside Will Ferrell, Cheri Oteri, and Chris Kattan in 1995. “They chose Will and Cheri and not Chris and I,” she recalled to Los Angeles Magazine. “And six months later they called up Chris. I was the one who got rejected. I was spared a bullet. I think of all the demons, and playing politics. The good thing was I might have become anorexic. But I probably would have self-destructed on SNL.”

17. JEFF ROSS

Tina Fey and Jimmy Fallon weren’t the only folks vying for Colin Quinn’s spot at the Weekend Update desk in 2000. Comedian Jeff Ross was in contention, too. But Fey had clout: three years' experience as a writer for the show and one season as head writer.

18. PAUL SCHEER


The League star auditioned for SNL in both 2001 and 2002. He recalled the auditions in an interview with Splitsider in 2012, noting that the dumbest thing he did was a series of impressions, including Jeff Goldblum returning a shirt and a panda bear sitting in first class. “My final meeting was the first time I ever really met Lorne Michaels... At the end of the meeting, he said, ‘Do you have any questions for me?’ And I said, ‘No.’ And then he said, ‘Really? Thirty years in TV and you don’t have a question for me?’ It was a totally terrible response. I should have had a question. I think that answer cost me the job at SNL, but I basically just said, ‘If I had my druthers, I would keep you here all night.’ And he said, ‘Of course, of course. All right, well, thank you very much.’”

19. JACK MCBRAYER

In that same interview, Scheer recalled that his second audition—which was more of a group improv—included 30 Rock star Jack McBrayer. “I didn’t know anybody else besides Jack McBrayer,” Scheer recalled. “That was interesting because it was a bunch of people all competing for the same job, trying to prove that they’re funny, but also it was really cool because everyone respected the space. You would think it would have been a little more competitive. But that also was the year that Fred Armisen said ‘no,’ he wasn’t gonna do that if he didn’t have an improv background. He just did Fericito, and he was the one who ultimately got hired.”

20. KEL MITCHELL

After four years of co-starring in Kenan & Kel for Nickelodeon, stars Kenan Thompson and Kel Mitchell went their separate ways, but not before both auditioned for SNL. The ending to this story is obvious: Kenan got the job (he’s in his eleventh year on the show), Kel did not.

21. AND 22. JORMA TACCONE AND AKIVA SCHAFFER

Jorma Taccone and Akiva Schaffer, Andy Samberg’s Lonely Island cohorts, understand what it’s like to compete against a comedic partner in crime. The entire trio auditioned for SNL’s 2005 season, but only Samberg was lucky enough to be cast. But Samberg didn’t leave his partners behind; both have served as writers for the show.

23., 24., 25., AND 26. DAVE FOLEY, SCOTT THOMPSON, BRUCE MCCULLOCH, AND KEVIN MCDONALD

The Kids in the Hall guys—Dave Foley, Kevin McDonald, Mark McKinney, Bruce McCulloch, and Scott Thompson—were in a similar situation when they auditioned for the show in 1985. McCulloch and McKinney were brought on as writers for a season. In 1995, McKinney did actually join the cast.

27. GEENA DAVIS

Five years before she earned an Oscar for The Accidental Tourist, Geena Davis lost out on a spot in SNL’s 1984-1985 season to Pamela Stephenson.

28. RICHARD BELZER

Though today’s audience knows him as Law & Order’s series-jumping Sergeant Munch, Richard Belzer got his start as a stand-up. Belzer was SNL's warm-up comic in its first season, which led to a couple of appearances on the show, including a stint at the Weekend Update desk after Chevy Chase suffered a groin injury. Belzer has long contended that Lorne Michaels promised him a place in the cast but later reneged. “Lorne betrayed me and lied to me—which he denies—but I give you my word he said, ‘I'll work you into the show,’” Belzer told People in 1993.

29. ROBERT TOWNSEND

Eddie Murphy ended up being cast for the slot that comedian Robert Townsend auditioned for in 1980, the year Jean Doumanian took over for Lorne Michaels. No doubt the experience worked its way into Hollywood Shuffle, Townsend’s groundbreaking—and semi-autobiographical—1987 film about the struggle of black actors in Hollywood.

30. ROB HUEBEL


Children’s Hospital star Rob Huebel auditioned for SNL a couple of times in the mid-2000s. “The way they do that is they put together a list of people that they want to audition, and they have them all do a show at some comedy club,” he explained to Splitsider. “You go and do a few characters of your own and a few impressions, if you wanna do impressions, or you can do stand-up if you wanted to do that. But you do it at this comedy club somewhere in New York, and they all come and they sit in the back and they show up late and they watch it and they don’t laugh and you feel horrible. But if you do okay, you get called back and you go into 30 Rock and you do it on their stage at the real show. ... I auditioned twice, one year I got to go in and do that at 30 Rock but they really ice you out. They try to make it as scary as possible because it’s a live show, and in real life, I’m sure it is terrifying and things do go wrong, so they want you to be prepared … It’s the most intimidating thing. I know Rob Riggle auditioned the same year, and he got it and I was happy for him, but it didn’t work out for me.”

31. KERRI KENNEY

“It was terrifying,” The State and Reno 911! star Kerri Kenney told Marc Maron on WTF of her failed 1996 SNL audition. “I believe they must do it that way on purpose because since then I've never had an audition so terrifying… Sit and wait, cold room. I feel like I was in a basement that was like seven buildings away and someone comes and gets you in a page jacket and they lead you through hallways and you're trying to keep up with your bag of props and hit the mark. You have four minutes. Do your best this, this, and this… I got no laughs, and at the time, I thought, ‘Wow, if I want to be in this business, this is what it’s going to be every time.’ Thank god it's never like that.”

All photos courtesy of Getty Images.

See Also:

9 Saturday Night Live Movies That Were Never Made

10 Famous People Who Rejected Saturday Night Live

15 Facts About Bill & Ted’s Excellent Adventure on Its 30th Anniversary

MGM
MGM

In 1989, a couple of slackers from San Dimas, California hopped inside a time-traveling phone booth and gathered a gaggle of key figures from the past so they wouldn’t fail their high school history class. In 1991, they were at it again. Now, 30 years after Keanu Reeves and Alex Winter first cemented their place in sci-fi history as the lovable duo, the long-awaited threequel—Bill & Ted Face the Music—has been officially confirmed. Here are 15 things you might not know about the most excellent original film.

1. Bill and Ted were born in an improv class.

The idea for the characters of Bill and Ted came about in 1983, when UCLA classmates Ed Solomon and Chris Matheson formed a student improv workshop with a few of their peers. “One day, we decided to do a couple of guys who knew nothing about history, talking about history,” Solomon recalled to Cinemafantastique in a 1991 interview. “The initial improv was them studying history, while Ted’s father kept coming up to ask them to turn their music down.” (Solomon played Ted, Matheson was Bill.)

2. Originally, it was Bill & Ted & Bob.

When the skit originated, there was a third character, Bob. But “Bob” wasn’t as into it as Solomon and Matheson, so the trio became a duo.

3. Bill wanted to be Ted and Ted wanted to be Bill.

It’s hard to imagine anyone but Keanu Reeves playing Ted Logan, or another actor besides Alex Winter in the role of Bill S. Preston, Esq., but each actor actually auditioned for the opposite role. But when Solomon and Matheson saw their audition tapes, they thought the opposite would work better. In an online chat with Moviefone, Reeves claimed that he didn’t even know their roles had been switched until after he had been cast. “I got a call saying that I got the part,” Reeves recalled. “So I went to the wardrobe fitting… assuming I was playing Bill, and I get there and Alex Winter, who eventually played Bill, went to the wardrobe fitting thinking he was playing Ted. Then we were informed that that wasn't the case.”

4. Pauly Shore also wanted to be Ted.


Getty Images

Pauly Shore was among the hundreds of actors who auditioned for the role of Ted. In 1991, Shore hosted an MTV special, Bill & Ted’s Bogus Premiere Party, in which Shore corners Reeves in a back room to talk about his failed audition. Lucky for America, Shore did go on to find fame apart from Bill & Ted, and bring the phrase, “Hey, Bu-ddy!” into the popular lexicon.

5. No, Bio-Dome is not Bill & Ted's threequel.

Speaking of Pauly Shore ... For years, rumors circulated that the script for 1996’s Bio-Dome—starring Shore and Stephen Baldwin—was actually written as the third film in the Bill & Ted franchise. In 2011, Winter laid this rumor to rest when he told /Film that the story is “total urban legend as far as I know. No one involved in that movie had anything to do with Bill & Ted. So unless they were just going to try and reboot the franchise with that concept and different actors, I can’t see a connection.”

6. Keanu Reeves and Alex Winter weren't quite nerdy enough.

The casting of Reeves and Winter posed a problem for the script. “Bill and Ted were conceived in our minds as these 14-year-old skinny guys, with low-rider bellbottoms and heavy metal T-shirts,” Solomon told Cinefantastique. “We actually had a scene that was even shot, with Bill and Ted walking past a group of popular kids who hate them. But once you cast Alex and Keanu, who look like pretty cool guys, that was hard to believe.”

7. George Carlin was a happy accident.


Getty Images

In a 2013 Reddit AMA, Alex Winter called the casting of George Carlin (as Rufus, Bill and Ted’s mentor) “a very happy accident. They were going after serious people first. Like Sean Connery. And someone had the idea, way after we started shooting, of George. That whole movie was a happy accident. No one thought it would ever see the light of day.”

8. The time machine was originally a van.

In Solomon and Matheson’s original script, it was a 1969 Chevy van that served as Bill and Ted’s time machine. But in the course of rewriting the script for Warner Bros., who showed early interest in producing the project, there was concern that a motor vehicle as time machine would ring too closely as a rip-off of Back to the Future, which arrived in theaters in 1985. It was director Stephen Herek who suggested a phone booth, as he thought it could lend itself to something akin to a roller coaster in the visuals. (The phone booth’s similarity to Doctor Who’s TARDIS was apparently not a big concern to the studio.)

9. Some Nintendo lover has that phone booth.

As part of a promotion for 1991’s Bill & Ted's Excellent Video Game Adventure, Nintendo Power magazine gave away Bill & Ted’s phone booth as a contest prize. The lucky winner was one Kenneth Grayson, who Reddit tracked down for an AMA in 2011. Grayson spent much of the chat answering questions about whether or not any X-rated activities had ever taken place in the phone booth.

10. The script was written in four days. By hand.

In 1984, Solomon and Matheson wrote the script over the course of just four days. They wrote it by hand, on note paper, during a series of meetings at a couple of local coffee shops. The 2005 box set, Bill & Ted’s Most Excellent Collection, features some of their handwritten notes.

11. Sci-fi wasn't part of the plan.

Keanu Reeves, Dan Shor, and Alex Winter in Bill & Ted's Excellent Adventure (1989)
MGM

Though Matheson is the son of legendary sci-fi writer Richard Matheson, author of I Am Legend, he didn’t intend for Bill & Ted to be a science-fiction movie. “I try to consciously fight it, out of a desire to break away, but maybe I have a predilection toward that because of my dad,” Matheson told Starlog Magazine of the inevitable fantasy elements that emerged. “He’s a great writer and craftsman, and always has suggestions.” In fact, it was the elder Matheson’s idea that the time travel story be its own movie. “We were going to write a sketch film, with this as one of the skits, but my dad said, ‘That sounds like a whole movie,’” Matheson recalled, “And he was right!”

12. Bill and Ted almost traveled straight to television.

Shortly after principal photography on the film was completed in 1987, the film’s financiers, De Laurentiis Entertainment Group, went bankrupt. A straight-to-cable release was the most likely path for the time-traveling comedy until Orion Pictures and Nelson Entertainment bought the rights in 1988 for a 1989 release. Because of the delay to theaters, references to the year—which had been filmed as “1987”—had to be dubbed for 1988, resulting in a few scenes where the actors’ lips don’t quite match the sound.

13. Their journeys continued in a variety of media.

In addition to the 1991 sequel, Bill & Ted’s Bogus Journey, the Bill & Ted franchise includes 1990’s Bill & Ted’s Excellent Adventures, an animated series for which Reeves, Winter, and Carlin provided the voices. It lasted for one season. The title was revived as a live-action series in 1992, which included none of the original cast and ran for just seven episodes. In 1991, Marvel Comics launched Bill and Ted’s Excellent Comic Book, written by Evan Dorkin.

14. Back in the late 1980s, you could eat Bill and Ted.

As a tie-in to the animated series, you could—for a short while—actually start your morning with a bowl of Bill & Ted’s Excellent Cereal, which was touted as “A Most Awesome Breakfast Adventure.”

15. Bill and Ted will ride again.

Over the past several years there has been a lot of buzz about a third Bill & Ted movie coming to theaters. In 2011, Winter tweeted that the script had been completed and that he was getting ready to read it. When asked about the possibility of a threequel in 2013, Reeves told the Today Show, “I'm open to the idea of that. I think it’s pretty surreal, playing Bill and Ted at 50. But we have a good story in that. You can see the life and joy in those characters, and I think the world can always use some life and joy.” Several references to the possible project have been made since then, and it's now been confirmed that the third film, Bill and Ted Face the Music, is currently in pre-production.

According to The Hollywood Reporter, via a report from the Cannes Film Festival, Matheson and Solomon co-wrote the script and Dean Parisot (Galaxy Quest) is attached to direct. Reeves and Winter will, of course, be reprising their roles, which "will see the duo long past their days as time-traveling teenagers and now weighed down by middle age and the responsibilities of family. They’ve written thousands of tunes, but they have yet to write a good one, much less the greatest song ever written." Excellent!

6 Times There Were Ties at the Oscars

getty images (March and Beery)/ istock (oscar)
getty images (March and Beery)/ istock (oscar)

Only six ties have ever occurred during the Academy Awards's more than 90-year history. The Academy of Motion Picture Arts and Sciences (AMPAS) members vote for nominees in their corresponding categories; here are the six times they have come to a split decision.

1. Best Actor // 1932

Back in 1932, at the fifth annual Oscars ceremony, the voting rules were different than they are today. If a nominee received an achievement that came within three votes of the winner, then that achievement (or person) would also receive an award. Actor Fredric March had one more vote than competitor Wallace Beery, but because the votes were so close, the Academy honored both of them. (They beat the category’s only other nominee, Alfred Lunt.) March won for his performance in horror film Dr. Jekyll and Mr. Hyde, and Beery won for The Champ (writer Frances Marion won Best Screenplay for the film), which was remade in 1979 with Ricky Schroder and Jon Voight. Both Beery and March were previous nominees: Beery was nominated for The Big House and March for The Royal Family of Broadway. March won another Oscar in 1947 for The Best Years of Our Lives, also a Best Picture winner. Fun fact: March was the first actor to win an Oscar for a horror film.

2. Best Documentary Short Subject // 1950

By 1950, the above rule had been changed, but there was still a tie at that year's Oscars. A Chance to Live, an 18-minute movie directed by James L. Shute, tied with animated film So Much for So Little. Shute’s film was a part of Time Inc.’s "The March of Time" newsreel series and chronicles Monsignor John Patrick Carroll-Abbing putting together a Boys’ Home in Italy. Directed by Bugs Bunny’s Chuck Jones, So Much for So Little was a 10-minute animated film about America’s troubling healthcare situation. The films were up against two other movies: a French film named 1848—about the French Revolution of 1848—and a Canadian film entitled The Rising Tide.

3. Best Actress // 1969

Probably the best-known Oscars tie, this was the second and last time an acting award was split. When presenter Ingrid Bergman opened up the envelope, she discovered a tie between newcomer Barbra Streisand and two-time Oscar winner Katharine Hepburn—both received 3030 votes. Streisand, who was 26 years old, tied with the 61-year-old The Lion in Winter star, who had already been nominated 10 times in her lengthy career, and won the Best Actress Oscar the previous year for Guess Who’s Coming to Dinner. Hepburn was not in attendance, so all eyes fell on Funny Girl winner Streisand, who wore a revealing, sequined bell-bottomed-pantsuit and gave an inspired speech. “Hello, gorgeous,” she famously said to the statuette, echoing her first line in Funny Girl.

A few years earlier, Babs had received a Tony nomination for her portrayal of Fanny Brice in the Broadway musical Funny Girl, but didn’t win. At this point in her career, she was a Grammy-winning singer, but Funny Girl was her movie debut (and what a debut it was). In 1974, Streisand was nominated again for The Way We Were, and won again in 1977 for her and Paul Williams’s song “Evergreen,” from A Star is Born. Four-time Oscar winner Hepburn won her final Oscar in 1982 for On Golden Pond.

4. Best Documentary Feature // 1987

The March 30, 1987 telecast made history with yet another documentary tie, this time for Documentary Feature. Oprah presented the awards to Brigitte Berman’s film about clarinetist Artie Shaw, Artie Shaw: Time is All You’ve Got, and to Down and Out in America, a film about widespread American poverty in the ‘80s. Former Oscar winner Lee Grant (who won the Best Supporting Actress Oscar in 1976 for Shampoo) directed Down and Out and won the award for producers Joseph Feury and Milton Justice. “This is for the people who are still down and out in America,” Grant said in her acceptance speech.

5. Best Short Film (Live Action) // 1995

More than 20 years ago—the same year Tom Hanks won for Forrest Gump—the Short Film (Live Action) category saw a tie between two disparate films: the 23-minute British comedy Franz Kafka’s It’s a Wonderful Life, and the LGBTQ youth film Trevor. Doctor Who star Peter Capaldi wrote and directed the former, which stars current Oscar nominee Richard E. Grant as Kafka. The BBC Scotland film envisions Kafka stumbling through writing The Metamorphosis.

Trevor is a dramatic film about a gay 13-year-old boy who attempts suicide. Written by James Lecesne and directed by Peggy Rajski, the film inspired the creation of The Trevor Project to help gay youths in crisis. “We made our film for anyone who’s ever felt like an outsider,” Rajski said in her acceptance speech, which came after Capaldi's. “It celebrates all those who make it through difficult times and mourns those who didn’t.” It was yet another short film ahead of its time.

6. Best Sound Editing // 2013

The latest Oscar tie happened in 2013, when Zero Dark Thirty and Skyfall beat Argo, Django Unchained, and Life of Pi in sound editing. Mark Wahlberg and his animated co-star Ted presented the award to Zero Dark Thirty’s Paul N.J. Ottosson and Skyfall’s Per Hallberg and Karen Baker Landers. “No B.S., we have a tie,” Wahlberg told the crowd, assuring them he wasn’t kidding. Ottosson was announced first and gave his speech before Hallberg and Baker Landers found out that they were the other victors.

It wasn’t any of the winners' first trip to the rodeo: Ottosson won two in 2010 for his previous collaboration with Kathryn Bigelow, The Hurt Locker (Best Achievement in Sound Editing and Sound Mixing); Hallberg previously won an Oscar for Best Sound Effects Editing for Braveheart in 1996, and in 2008 both Hallberg and Baker Landers won Best Achievement in Sound Editing for The Bourne Ultimatum.

Ottosson told The Hollywood Reporter he possibly predicted his win: “Just before our category came up another fellow nominee sat next to me and I said, ‘What if there’s a tie, what would they do?’ and then we got a tie,” Ottosson said. Hallberg also commented to the Reporter on his win. “Any time that you get involved in some kind of history making, that would be good.”

SECTIONS

arrow
LIVE SMARTER