14 Facts About Mathew Brady

Henry Guttmann, Getty Images
Henry Guttmann, Getty Images

When you think of the Civil War, the images you think of are most likely the work of Mathew Brady and his associates. One of the most successful early photographers in American history, Brady was responsible for bringing images of the Civil War to a nation split in two—a project that would ultimately be his undoing. Here are some camera-ready facts about Mathew Brady.

1. HIS EARLY LIFE MIGHT BE AN INTENTIONAL MYSTERY.

Most details of Brady’s early life are unknown. He was born in either 1822 or 1823 to Andrew and Julia Brady, who were Irish. On pre-war census records and 1863 draft forms Brady stated that he was born in Ireland, but some historians speculate he changed his birthplace to Johnsburg, New York, after he became famous due to anti-Irish sentiment.

Brady had no children, and though he is believed to have married a woman named Julia Handy in 1851, there is no official record of the marriage.

2. HE TOOK PHOTOGRAPHY CLASSES FROM THE INVENTOR OF MORSE CODE.

When he was 16 or 17, Brady followed artist William Page to New York City after Page had given him some drawing lessons. But that potential career was derailed when he got work as a clerk in the A.T. Stewart department store [PDF] and began manufacturing leather (and sometimes paper) cases for local photographers, including Samuel F.B. Morse, the inventor of Morse Code.

Morse, who had learned the early photographic method of creating Daguerreotypes from Parisian inventor Louis Daguerre in 1839, brought the method back to the United States and opened a studio in 1840. Brady was one of his early students.

3. HE SET UP SHOP IN NEW YORK AND BECAME THE GO-TO PHOTOGRAPHER.

Brady eventually took what he learned from Morse and opened a daguerreotype portrait studio at the corner of Broadway and Fulton Street in New York in 1844, earning the nickname “Brady of Broadway.” His renown grew due to a mix of his knack for enticing celebrities to sit for his camera—James Knox Polk and a young Henry James (with his father, Henry James Sr.) both sat for him—as well as a flair for the dramatic: In 1856, he placed an ad in the New York Daily Tribune urging readers to sit for a portrait that warned, “You cannot tell how soon it may be too late.”

His rapidly-expanding operation forced him to open a branch of his studio at 625 Pennsylvania Avenue in Washington, D.C., in 1849, and then move his New York studio uptown to 785 Broadway in 1860.

4. HE ACHIEVED WORLDWIDE FAME.

In 1850, Brady published The Gallery of Illustrious Americans, a collection of lithographs based on his daguerreotypes of a dozen famous Americans (he had intended to do 24, but due to costs, that never happened). The volume, and a feature profile [PDF] in the inaugural 1851 issue of the Photographic Art-Journal that described Brady as the “fountain-head” of a new artistic movement, made him a celebrity even outside of America. “We are not aware that any man has devoted himself to [the Daguerreotype art] with so much earnestness, or expended upon its development so much time and expense," the profile opined. "He has merited the eminence he has acquired; for, from the time he first began to devote himself to it, he has adhered to his early purpose with the firmest resolution, and the most unyielding tenacity.” Later that year, at the Crystal Palace Exhibition in London, Brady was awarded one of three gold medals for his daguerreotypes.

5. HE PHOTOGRAPHED EVERY PRESIDENT FROM JOHN QUINCY ADAMS TO WILLIAM MCKINLEY ... WITH ONE EXCEPTION.

The one that got away was William Henry Harrison—he died only a month after his inauguration in 1841.

6. ONE OF HIS PORTRAITS INTRODUCED HONEST ABE TO THE COUNTRY.

When Abraham Lincoln campaigned for president in 1860, he was dismissed as an odd-looking country bumpkin. But Brady’s stately portrait of the candidate, snapped after he addressed a Republican audience at Cooper Union in New York, effectively solidified Lincoln as a legitimate candidate in the minds of the American populace. (After he was elected, Lincoln supposedly told a friend, “Brady and the Cooper Union speech made me president.”) It was one of the first times such widespread campaign photography was used to support a presidential candidate.

7. HIS STUDIO’S WORK ENDED UP ON TWO VERSIONS OF THE $5 BILL.

A researcher holding one of America's most priceless negatives, the glass plate made by famous civil war photographer Mathew Brady of Abraham Lincoln in 1865 just before he was assassinated.
Three Lions, Getty Images

On February 9, 1864, Lincoln sat for a portrait session with Anthony Berger, the manager of Brady’s Washington studio. The session yielded both images of Lincoln that would go on the modern iterations of the $5 bill.

The first, from a three-quarter length portrait featuring Lincoln seated and facing right, was used on the bill design from 1914 to 2000. When U.S. currency was redesigned that year, government officials chose another image Berger took at Brady’s studio of Lincoln. This time, the president is seen facing left with his head turned more to the left.

According to Lincoln historian Lloyd Ostendorf, when the president was sitting for portraits, “Whenever Lincoln posed, a dark melancholy settled over his features. He put on what Mrs. Lincoln called his ‘photographer’s face.’ There is no camera study which shows him laughing, for such an attitude, unfortunately, was impossible when long exposures were required.”

8. OTHER PEOPLE ARE RESPONSIBLE FOR SOME OF HIS BEST-KNOWN WORK.

At the outbreak of the Civil War in 1861, Brady decided to use his many employees and his own money to attempt to make a complete photographic record of the conflict, dispatching 20 photographers to capture images in different war zones. Alexander Gardner and Timothy H. O’Sullivan were both in the field for Brady. Both of them eventually quit because Brady didn’t give individual credit.

Brady likely did take photos himself on battlefields like Bull Run and Gettysburg (although not necessarily during the actual battle). The photographer later boasted, “I had men in all parts of the army, like a rich newspaper.”

9. HE HAD BAD EYESIGHT.

Brady's eyes had plagued him since childhood—in his youth, he was reportedly nearly blind, and he wore thick, blue-tinted glasses as an adult. Brady's real reason for relying less and less on his own expertise might have been because of his failing eyesight, which had started to deteriorate in the 1850s.

10. HE HELPED REVOLUTIONIZE COMBAT PHOTOGRAPHY.

War photographer Mathew Brady's buggy was converted into a mobile darkroom and travelling studio, or, Whatizzit Wagon, during the American Civil War.
Mathew B Brady, Getty Images

The group of Brady photographers that scoured the American north and south to capture images of the Civil War traveled in what became known as “Whatizzit Wagons,” which were horse-drawn wagons filled with chemicals and mobile darkrooms so they could get close to battles and develop photographs as quickly as possible.

Brady’s 1862 New York gallery exhibit, "The Dead of Antietam,” featured then-unseen photographs of some of the 23,000 victims of the war’s bloodiest day, which shocked American society. “Brady has done something to bring home to us the terrible reality and earnestness of war," a New York Times reviewer wrote. "If he has not brought bodies and laid them in our door-yards and along the streets, he has done something very like it.”

11. HE USED A FREEBIE TO CONVINCE GENERALS TO LET HIM PHOTOGRAPH THE WAR.

Brady and his associates couldn't just wander out onto the battlefield with cameras—the photographer needed to obtain permission. So he set up a portrait session with Winfield Scott, the Union general in charge of the Army. The story goes that as he photographed the general—who was posed shirtless as a Roman warrior—Brady laid out his plan to send his fleet of photographers to tell the visual story of the war unlike any previous attempts in history. Then the photographer gifted the general some ducks. Scott was finally convinced, and he approved Brady’s plan in a letter to General Irvin McDowell. (Scott's Roman warrior portrait is, unfortunately, now lost.)

12. HE WAS BLAMED FOR UNION BATTLE LOSSES.

Brady’s first foray into documenting the Civil War was the First Battle of Bull Run. Though he had approved of Brady's plan, General McDowell did not appreciate the photographers' presence during the battle.

Brady himself was supposedly near the front lines when the fighting began, and quickly became separated from his companions. During the battle, he was forced to take shelter in nearby woods, and slept there overnight on a bag of oats. He eventually met back up with the Army and made his way to Washington, where rumors swelled that his equipment caused a panic that was responsible for the Union’s defeat at the battle. “Some pretend, indeed, that it was the mysterious and formidable-looking instrument that produced the panic!” one observer noted. “The runaways, it is said, mistook it for the great steam gun discharging 500 balls a minute, and took to their heels when they got within its focus!”

13. HE DIDN’T JUST PHOTOGRAPH THE UNION SIDE.

Before, after, and occasionally during the Civil War, Brady and Co. also photographed members of the Confederate side, such as Jefferson Davis, P. G. T. Beauregard, Stonewall Jackson, Albert Pike, James Longstreet, James Henry Hammond, and Robert E. Lee after he returned to Richmond following his surrender at Appomattox Court House. “It was supposed that after his defeat it would be preposterous to ask him to sit,” Brady said later. “I thought that to be the time for the historical picture.”

14. HIS CIVIL WAR PHOTOS ALSO MADE HIM POOR.

Union troops with a field gun during the American Civil War.
Mathew Brady, Hulton Archive/Getty Images

“My wife and my most conservative friends had looked unfavorably upon this departure from commercial business to pictorial war correspondence,” Brady told an interviewer in 1891. Their instincts were right.

Brady invested nearly $100,000 of his own money in the Civil War project in hopes that the government would buy his photo record of the war after it was all said and done. But once the Union prevailed, a public reeling from years of grueling conflict showed no interest in Brady's grim photos.

After the financial panic of 1873 he declared bankruptcy, and he lost his New York studio. The War Department eventually bought over 6000 negatives from Brady’s collection—which are now housed in the National Archives—for only $2840 total.

Despite being responsible for some of the most iconic images of the era, Brady never regained his financial footing, and he died alone in New York Presbyterian Hospital in 1896 after being hit by a streetcar.

The Lavender Scare: When the U.S. Government Persecuted Employees for Being Gay

President Dwight Eisenhower circa 1959
President Dwight Eisenhower circa 1959
Central Press/Hulton Archive/Getty Images

Many people have heard of the Red Scare, an episode of persecution of suspected communists in the 1940s and 1950s, but they’re less familiar with a scare of a different hue. Over the same period, and into the 1990s, officials investigated and fired government employees for being gay or lesbian—a phenomenon that has become known as the “Lavender Scare.”

Thousands of people were pushed out of government jobs, whether they worked at the State Department or other agencies, as federal contractors, or in the military, because of their perceived sexuality—and, in some cases, because of guilt by association. Most remain anonymous, part of a chapter in LGBTQ history that is frequently ignored.

"The Pervert File"

The Lavender Scare was the product of a perfect storm of circumstances. During the Great Depression and World War II, many gays and lesbians left their rural communities in search of opportunities elsewhere, including in Washington, D.C. Government jobs provided excellent pay and benefits, and in a city, people could build community. But trouble lay ahead.

The first rumblings began in 1947, when the U.S. Park Police instituted a “Sex Perversion Elimination Program” explicitly targeting gay men in Washington, D.C. public parks for harassment. Patrols focused on Lafayette and Franklin Parks, where any men deemed suspicious could be picked up regardless of their intentions. Men were arrested and intimidated, pushed to pay fines to resolve their arrests and go home—but not before their information, including fingerprints and photographs, was collected for inclusion in a “pervert file.” By February 1950, 700 men had been apprehended, 200 of whom were arrested. According to historian David K. Johnson in his book The Lavender Scare, the typical detainee was a 25-year-old government clerk.

The parks program appeared against the backdrop of “sexual psychopath” laws. Passed across the country starting in the 1930s, these laws criminalized LGBTQ people and promoted forcible treatment [PDF] for their sexual expression, which was viewed as a mental disorder. Nebraska Republican Arthur Miller, who authored D.C.’s now-repealed “sexual psychopath” law in 1948, became one of the most vitriolic individuals in attacking gay federal employees: “There are places in Washington where they gather for the purpose of sex orgies, where they worship at the cesspool and flesh pots of iniquity,” Miller said in a blisteringly homophobic floor speech in early 1950.

Miller wasn't the only one speaking out about the perceived menace. In his now-infamous speeches on the Senate floor in February 1950, Senator Joseph McCarthy explicitly linked communism and homosexuality, arguing that LGBTQ people were particularly susceptible to communist recruitment because of their "peculiar mental twists."

McCarthy's speeches—and a revelation by deputy undersecretary of state John Peurifoy that the State Department had recently fired 91 employees for being gay—led to a public outcry. Within a month of McCarthy taking to the Senate floor, a Congressional investigation led by senators Kenneth Wherry and J. Lister Hill laid the groundwork for hearings on the issue. Those ultimately resulted in a bipartisan December 1950 report: “Employment of homosexuals and other sex perverts in government,” led by Democratic senator Clyde R. Hoey.

The report, which drew upon extensive interviews with federal agencies and the military, concluded that gay people should not be employed by the government because they were "generally unsuitable" and because they constituted a security risk. The unsuitability was said to stem from the fact that "overt acts of sex perversion" were a crime under federal and local laws, as well as the assertion that "persons who engage in such activity are looked upon as outcasts by society generally." Furthermore, the report said, gay people "lack the emotional stability of normal persons" and "indulgence in acts of sex perversion weakens the moral fiber of an individual to a degree that he is not suitable for a position of responsibility." This lack of moral fiber was said to make gay people, who might be blackmailed for their activities, particularly "susceptible to the blandishments of the foreign espionage agent."

In a callback to the park stings of the 1940s, the report successfully recommended changes to D.C. criminal procedure that forced men suspected of “perversion” into court when they were caught by law enforcement, effectively outing them. The report also pushed government entities to develop clear policies and procedures for terminating gay and lesbian employees—a recommendation that would have tremendous consequences.

"As Dangerous as the Communists"

Kenneth Wherry
Kenneth Wherry
Harris & Ewing, Wikimedia Commons // Public Domain

The government seized on the idea that being gay was a security risk. As Senator Wherry put it, "Only the most naive could believe that the Communists' fifth column in the United States would neglect to propagate and use homosexuals to gain their treacherous ends." In a 1950 newsletter, Republican National Chair Guy George Gabrielson cited “sexual perverts” as a government peril that was "perhaps as dangerous as the actual communists" [PDF].

Inspired in part by the Hoey Report, President Dwight Eisenhower signed executive order 10450 in 1953, listing “sexual perversion” as grounds for identifying someone as a security risk. The document made it possible to aggressively pursue people like Airman Second Class Helen Grace James. James has described being followed and watched during her days in the Air Force, even during activities as innocent as eating a sandwich with a friend or going to the bathroom. The feeling of constant scrutiny affected her mental health and her sleep. "We were scared all the time," she told the Criminal podcast.

Once James was arrested in 1955, the Army threatened to go to her parents and friends with news of her sexuality, saying James was "a threat to the nation and a bad person," she explained to Criminal. "I finally said, just write down whatever you want to write down and I'll sign it."

After being discharged, James fled the East Coast. "[I] had no money, no support at all. I couldn't tell my family, I couldn't tell my friends," she said. "I had hoped to make a career of the Air Force, I loved it." Being kicked out of the Air Force, she felt, was a stain on her military family. She fought for years to change her undesirable discharge to an honorable one; she was finally successful in 2018.

James suffered in silence for years, but Frank Kameny took his case all the way to the Supreme Court. In 1957, he was fired from his job as an astronomer with the Army Map Service for being gay. In his Supreme Court petition three years later, he called the government's policies on homosexuality “nothing more than a reflection of ancient primitive, archaic, obsolete taboos … an anachronistic relic of the Stone Age carried over into the Space Age—and a harmful relic!” His case may have been the first explicitly involving LGBTQ rights to make its way before the court, which denied his appeal. Kameny went on to become a prominent member of the gay rights movement, and was a founder of the Mattachine Society, an activist organization that collects and preserves important archival material related to LGBTQ history.

All in all, an estimated 10,000 people lost their jobs in the Lavender Scare. President Clinton effectively overturned parts of Executive Order 10450 in 1995, but the government didn't apologize for the discrimination until the administration of Barack Obama.

Fellow Travelers

Frank Kameny attending Pride on June 12, 2010
LGBTQ activist and Lavender Scare target Frank Kameny attending a Pride event in 2010

Although not a well-known period in history, The Lavender Scare has had a cultural afterlife. It was the subject of a 2017 documentary, and a key element of a 2007 novel, Fellow Travelers, which followed a youthful civil servant, a forbidden affair, and the terror of living a double life in 1950s Washington. The book was adapted into an opera first staged in 2016, complete with a set inspired by the overbearing style of 1950s brutalist architecture.

“The piece wants to memorialize those people whose lives were lost, or jobs were lost,” Peter Rothstein, who directed the Minnesota Opera production, tells Mental Floss. Many members of the LGBTQ community aren’t aware of the Lavender Scare, or don’t know about its full extent, something Rothstein discovered when he started to research in preparation for the production. “I thought I was kind of up on my queer history. I was like 'whoa!' The scope of it.”

While stereotypes about gay men and musical theater abound, Rothstein notes that musicals play an important role in America’s cultural history and climate. Many recent works, including Lin-Manuel Miranda’s Hamiltonhave explored historical and cultural identity—and with Fellow Travelers, Rothstein says, the medium was particularly apt. “There’s a huge subtext of men not able to articulate for themselves, because they haven’t really been given language to describe their emotional, sexual specificity," he explained.

This neglected piece of queer history reflects a time when shame kept many people silent. Thankfully, historians such as Johnson are collecting stories before survivors of this generation fade away. As they uncover more tales of careers—and lives—ruined, perhaps the Lavender Scare will begin to take on more of a role in mainstream history books.

Periodic Table Discovered at Scotland's St Andrews University Could Be World's Oldest

Alan Aitken
Alan Aitken

The oldest surviving periodic table of elements in the world may have been found at the University of St Andrews in Scotland, according to the Scottish newspaper The Courier.

University researchers and international experts recently determined that the chart, which was rediscovered in a chemistry department storage area in 2014, dates back to 1885—just 16 years after Russian chemist Dmitri Mendeleev invented the method of sorting the elements into related groups and arranging them by increasing atomic weight.

Mendeleev’s original periodic table had 60 elements, while the modern version we use today contains 118 elements. The chart found at St Andrews is similar to Mendeleev’s second version of the table, created in 1871. It’s thought to be the only surviving table of its kind in Europe.

The periodic table soaks in a washing treatment
Richard Hawkes

The St Andrews table is written in German, and was presumably produced for German universities to use as a teaching aid, according to St Andrews chemistry professor David O’Hagan. The item itself was dated 1885, but St Andrews researcher M. Pilar Gil found a receipt showing that the university purchased the table from a German catalog in 1888. A St Andrews chemistry professor at the time likely ordered it because he wanted to have the latest teaching materials in the scientific field, even if they weren't written in English.

When university staffers first found the table in 2014, it was in “bad condition,” O’Hagan tells The Courier in the video below. The material was fragile and bits of it flaked off when it was handled. Conservators in the university's special collections department have since worked to preserve the document for posterity.

The 19th century table looks quite a bit different from its modern counterparts. Although Mendeleev laid the groundwork for the periodic table we know today, English physicist Henry Moseley improved it in 1913 by rearranging the elements by the number of protons they had rather than their atomic weight. Then, in the 1920s, Horace Deming created the boxy layout we now associate with periodic tables.

Learn more about the St Andrews discovery in the video below.

[h/t The Courier]

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