5 Weird 1960s Covers for Classic Novels

Chaloner Woods/Getty Images
Chaloner Woods/Getty Images

There are a lot of weird and bad book covers for the classics out there, and the Internet has delighted in chronicling them.

Some are designed to mimic the look of current blockbusters, like these Twilight-style covers for novels by Jane Austen and the Brontës. Others rely on bad stock photos and inept Photoshopping for classic works that have crossed into the public domain, from The Scarlet Pimpernel to The Adventures of Huckleberry Finn.

The subset of covers for 1960s paperbacks is rich with particularly hideous findings, mostly from Penguin and Signet Classics. Shockingly, they're not made by untalented people who are bad at Photoshop. These covers were drawn by established, objectively talented, and sometimes famous illustrators like graphic design legend Milton Glaser. They were purposely executed in unorthodox, interpretive styles. But although they may be done by respected artists, their aesthetic value remains questionable. Take a look at some of the strangest below.

1. THE GREAT GATSBY BY F. SCOTT FITZGERALD // 1962

The Great Gatsby cover by John Sewell
Courtesy of Setana Books

In the baffling jacket for this Jazz Age classic, a man’s face is stretched bizarrely sideways. He appears to be wearing thick eyeliner and has some serious wrinkles around his eyes. But, let's back up for a minute: Who is this supposed to be? Surely not the title character; Gatsby doesn’t have a bald patch or a unibrow. One Twitter user who collects Gatsby editions considers this specimen to be the "oddest" one he owns.

The artist, John Sewell, was a British graphic designer working in the '60s whose print covers usually involved colored paper cut-outs. He did a cover in a similar style for F. Scott Fitzgerald's Tender is the Night, but that one is a little less weird.

2. OUR MUTUAL FRIEND BY CHARLES DICKENS // 1964

cover of Our Mutual Friend by Seymour Chwast
Courtesy of swallace99, Flickr.

The artist here is Seymour Chwast, who, along with Milton Glaser, co-founded the postmodern collective Push Pin Studios in 1954. The Push Pin style "reject[s] tradition in favor of reinvigorated interpretations of historical styles," as their website states.

And yet, the people on this cover are hideous. The eyebrows on Our Mutual Friend's Gaffer Hexam (the man in the white shirt) are at a sharp 45-degree angle, a trait rarely found in nature. Lizzie Hexam, who’s supposed to be beautiful, also looks pretty wretched.

According to the artist's biography on the Seymour Chwast Archive, "Each of his imaginary characters (even portraits of real individuals) have similar facial features—round lips, slits for eyes, bulbous noses. They never scowl, yet they are not cute." That's for sure. A quick browse through his work shows that naturalism was never his goal.

3. ADAM BEDE BY GEORGE ELIOT // 1961

Adam Bede cover by James Hill
Courtesy of swallace99, Flickr

Why is Adam Bede's hand bigger than his face? And his arm bigger than his waist? What would George Eliot think?

This one is by James Hill, the first Canadian to become a member of the American Illustrators Association. His work ranged from lurid, pulpy book covers to treatments for classics like this one to a series of paintings inspired by Anne of Green Gables.

4. CRIME AND PUNISHMENT BY FYODOR DOSTOYEVSKY // 1968

Crime and Punishment cover

Courtesy of Felt Books

The 1960s produced many psychedelic book covers, and this style spilled over into reprints of the classics. On this Dostoyevsky opus, a guy's face is replaced by a groovy rainbow with a figure in a coffin inside. While the artist is unknown, the rainbow design echoes the style of several graphic designers of the 1960s.

5. HARD TIMES BY CHARLES DICKENS // 1961

Hard Times cover
Courtesy of ElwoodAnd Eloise, Etsy

This cover for Charles Dickens's grim tale of Victorian inequality was designed by Milton Glaser, Seymour Chwast's partner in Push Pin Studios. Glaser also designed the I Love New York logo and a Bob Dylan poster that depicts the singer with a rainbow 'fro. A versatile artist, his work includes logos, posters, interior design, magazine illustrations, and, of course, book covers. But here, the heavy cross-hatching on the figures' faces, hair, and clothes nudges them into werewolf territory. The psychedelic winged horse seems like a nod to the Summer of Love, but a tavern called the Pegasus's Arms actually figures prominently in the book.

Virginia Woolf Calls D.H. Lawrence and James Joyce 'Overrated' in Newly Unearthed 1923 Survey

James Joyce
James Joyce
Hulton Archive/Getty Images

Don’t feel too bad if you’ve ever struggled to get through James Joyce’s Ulysses or one of D.H. Lawrence’s long-winded books. Virginia Woolf and several other well-respected writers of the 20th century had a few choice words for Joyce and Lawrence, labeling them the "most overrated" English writers in a recently rediscovered 1923 survey.

As Smithsonian reports, these thoughts were recorded in a journal that was passed around British literary circles that included Woolf and nine other writers in the early 20th century. Within the “literary burn book,” as Vox dubbed it, writers recorded their answers to a 39-question survey about their thoughts on popular writers of the time, both living and dead. For example, they were asked to choose the greatest literary genius of all time, as well as the author most likely to be read in 25 years’ time. (In response to the latter question, author and poet Hilaire Belloc simply answered, “Me.”)

Titled Really and Truly: A Book of Literary Confessions, the book eventually ended up in novelist Margaret Kennedy’s possession. It was recently rediscovered by her grandson, William Mackesy, who, along with his cousin, is one of the literary executors of Kennedy's estate.

“Within were pages of printed questions with 10 sets of handwritten answers dated between 1923 and 1927,” Mackesy explained in The Independent. “Then the names came into focus and our eyes popped. Here were Rose Macaulay, Rebecca West, Hilaire Belloc, Stella Benson—and Virginia Woolf. And our granny.” It's unclear who originally wrote the survey.

In addition to taking jabs at Lawrence and Joyce, one unnamed respondent called T.S. Eliot the worst living English poet as well as the worst living literary critic. In response to a prompt to name the dead author whose character they most disliked, the participants name-dropped Samuel Johnson, Oscar Wilde, George Meredith, Marcel Proust, and Lord Byron. Woolf, for her part, answered, “I like all dead men of letters.” (If the respondents had known about the misdeeds of Charles Dickens, he may have ended up on the list, as well.)

“It is interesting how perceptions change, especially how little mention there is of now-most-celebrated writers from that era,” Mackesy notes. This little activity wasn’t entirely petty, though. Shakespeare, unsurprisingly, won the most votes for greatest literary genius. Homer, author of The Iliad and The Odyssey, received one vote.

[h/t Smithsonian]

Game of Thrones is Getting a New Tie-In Book Series for Season 8

Insight Editions
Insight Editions

For Game of Thrones fans who are fearing that they'll be left with nothing new to learn about the world of Westeros once the season 8 finale airs, we've got good news. As io9 reports, a new tie-in book series is coming to help you cope with your post-GOT blues.

The series will be a four-volume, behind-the-scenes look at the TV series, and will be released by Insight Editions. Each book will focus on a different aspect of making the show come to life.

First up is Game of Thrones: The Storyboards, by lead storyboard artist William Simpson, which will be released on May 28, 2019. It will be followed in the fall by The Art of Game of Thrones, The Photography of Game of Thrones, and Game of Thrones: The Costumes.

Game of Thrones: The Storyboards is available for preorder on Amazon now.

[h/t io9]

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