A Rare Copy of Audubon's Birds of America Could Break Records at Auction

Christie's
Christie's

American artist and naturalist John James Audubon published The Birds of America in the first half of the 19th century, and his massive “double-elephant” folio of life-size bird illustrations remains one of the most ambitious nature books ever produced. On June 14, a rare edition of the four-book set is hitting the auction block, and it's expected to fetch up to $12 million—more than any Audubon book ever sold.

This edition of The Birds of America was owned by the dukes of Portland from around 1839 to 2012. Because it was stored on the shelves of the family's Nottinghamshire, England estate for nearly a century, the set's prints of watercolor drawings have remained remarkably well-preserved.

In 2012, the copy was auctioned off to philanthropist and businessman Carl W. Knobloch, Jr. for nearly $8 million. Knobloch donated the books to the Knobloch Family Foundation (KFF) before his death in 2016. Now, the KFF is sending the books to auction once again. This time, all proceeds of the sale will go to nature conservation.

Set of red leather-bound books.

New York City auction house Christie's describes the set in a listing as "among the finest copies in private hands of this icon of American art, and the finest color-plate book ever produced." Each of the 435 double-elephant folio pages measures 39.5 inches by 26.5 inches, the largest sheets Audubon could get his hands on at the time, and they feature 1037 birds from 500 species. The books are bound in red Moroccan leather with gold detailing on the borders and spines. The four-volume set also comes with the Ornithological Biography, a collection of five books describing the specimens in The Birds of America and their habits.

Christie's estimates the set will sell for $8 million to $12 million when the final bid is placed later this month. To date, the most expensive copy of The Birds of America was a first edition acquired from Sotheby's in London for $11.5 million. That sale also broke the record for the most expensive printed book ever sold at auction, a record held until 2013.

Illustration of American birds.

Illustration of American bird.

Illustration of American birds.

Illustration of American birds.

Illustration of American birds.

All images courtesy of Christie's

Lost Sketches From The Little Prince Have Been Discovered in Switzerland

Oleksandr Samolyk, Flickr // CC BY 2.0
Oleksandr Samolyk, Flickr // CC BY 2.0

French aviator and author Antoine de Saint-Exupéry's The Little Prince, published in 1943, has long been regarded as one of the most compelling books of the 20th century. Drawing upon Saint-Exupéry's own experiences in aviation, the book tells the tale of a pilot who crashes in the Sahara and befriends a little boy who claims to have come from outer space. The book is accompanied by a number of illustrations by Saint-Exupéry. Now, Smithsonian reports that some of the original preparatory sketches have surfaced.

According to France24.com, the sketches—of the titular Little Prince chatting with a fox, a boa constrictor devouring an elephant, and a character called the Tippler—were purchased at auction in 1986 by an art collector named Bruno Stefanini, who tucked them away in a folder. When Stefanini passed away in December 2018, the artwork—drawn on airmail paper—was uncovered by workers at his non-profit Foundation for Art, Culture, and History in Winterthur, Switzerland.

Aviator and 'The Little Prince' author Antoine de Saint-Exupéry is photographed inside of an airplane cockpit in 1935
Aviator and The Little Prince author Antoine de Saint-Exupéry in 1935.
Hulton Archive/Getty Images

The organization intends to share its findings with the Morgan Library and Museum in New York, which currently houses the original book manuscript (including drafts of the book's most famous phrase, "What is essential is invisible to the eye") and 35 other sketches.

The Stefanini collection also includes a particularly personal piece of material. One of the sketches includes a love letter made out to Saint-Exupéry's wife while the pilot was in New York in 1942 following Germany’s invasion of France. It was there he wrote The Little Prince, which was published the following year. In 1944, Saint-Exupéry was shot down by a German pilot over the Mediterranean.

[h/t Smithsonian]

The Definition of Museum Could Be Changing

The Louvre Museum in Paris, France.
The Louvre Museum in Paris, France.
roman_slavik/iStock via Getty Images

If you’ve always casually defined museum as “a place to see art or historical objects,” you’re not necessarily wrong. But the International Council of Museums (ICOM) has a more specific, official guideline that defines a museum as “a non-profit, permanent institution in the service of society and its development, open to the public, which acquires, conserves, researches, communicates, and exhibits the tangible and intangible heritage of humanity and its environment for the purposes of education, study, and enjoyment.”

ICOM’s 40,000 members have been adhering to this definition for almost 50 years to represent more than 20,000 museums around the world. Now, The Art Newspaper reports, some members want to change it.

On July 22, the organization’s executive board convened in Paris and composed a new definition that Danish curator Jette Sandahl believes better suits the demands of “cultural democracy.” By this updated description, a museum must “acknowledg[e] and addres[s] the conflicts and challenges of the present,” “work in active partnership with and for diverse communities to collect, preserve, research, interpret, exhibit, and enhance understandings of the world,” and “contribute to human dignity and social justice, global equality, and planetary wellbeing.”

The proposal immediately elicited harsh reactions from a number of other members of the museum community, who felt the text was too ideological and vague. François Mairesse, a professor at the Université Sorbonne Nouvelle and the chair of the International Committee of Museology, even resigned from the revisory commission—led by Sandahl—earlier this summer when he realized the new definition wasn’t, by his standards, really a definition. “This is not a definition but a statement of fashionable values, much too complicated and partly aberrant,” he told The Art Newspaper. “It would be disastrous to impose only one type of museum.”

The current plan is for ICOM members to vote on the definition at the general assembly on September 7 in Kyoto, Japan, but 24 national branches and five museums’ international committees have petitioned to postpone the vote—they’d like some time to create their own definition for museum and present it as a counter-proposal.

[h/t The Art Newspaper]

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