10 Surprising Facts About Fallout

Mike Windle/Getty Images for Bethesda
Mike Windle/Getty Images for Bethesda

On the surface, the pervasive violence, nightmarish difficulty, and dark humor of the Fallout series should have relegated it to niche status. But it’s that exact combination (along with the ability to have your very own handheld nuke launcher) that’s helped it become one of the most acclaimed series in the gaming industry over the last 20 years.

Set in a post-apocalyptic world where mutants, cannibals, and raiders descend upon you in waves, the Fallout franchise has come to define the modern role-playing game, from its first iteration at Interplay Entertainment to its modern installments at Bethesda Softworks. As gamers anticipate the next entry in the series, Fallout 76, take a look at 10 facts about this iconic series.

1. IT’S A SPIRITUAL SUCCESSOR TO WASTELAND.

Before Interplay’s original Fallout came out, the studio already visited a war-torn nightmare of a world in 1988’s Wasteland. In this RPG on the PC, players took on the role of the Desert Rangers, a team tasked with roaming what’s left of the Southwest United States while battling any warring factions they came across.

When Interplay couldn’t pry the rights to Wasteland away from distributor Electronic Arts for a sequel, director Timothy Cain and his team crafted a brand-new IP that focused on mainly the same nuclear-scorched principles. Though a number of titles were batted around—including Vault 13—the team eventually settled on Fallout, which was a name suggested by Interplay head Brian Fargo.

2. THE POST-APOCALYPSE WASN’T THE FIRST SETTING DISCUSSED.

Fallout is defined by its setting—the war-torn streets, smoldering husks of civilization, and retro-futuristic vibe all helped make this franchise stand out from its competition. But this world wasn’t Cain’s first idea. According to a feature article on Polygon, Cain originally toyed with the type of traditional fantasy RPG that had defined the genre during the 1990s. The next idea was to let you play as time-traveling dinosaurs, which is obviously never a wrong choice. Eventually, though, the team settled on the post-apocalyptic theme that has stayed with the franchise ever since.

3. THEN THE WHOLE THING WAS ALMOST DERAILED BY D&D.

Though the team finally nailed down the world, it didn’t mean Fallout was a sure thing. At one point during production, Interplay got the rights to release games based on the Dungeons & Dragons franchise, and the company wanted to scrap Fallout and move the team onto the more traditional RPG title.

In an interview with Polygon, Cain said he actually had to beg the higher-ups to allow him to continue with his game. The same thing would happen again when Interplay wanted Cain to reconfigure the game into a multi-player RPG to piggyback off the success of Diablo. Again, Cain’s vision prevailed.

4. THERE WAS ALMOST A COMPLETELY DIFFERENT FALLOUT 3.

After the success of Fallout 2 in 1998, Black Isle Studios—working under Interplay—began prepping a third installment, codenamed Van Buren. Like the first two installments, this one would be an isometric RPG in the Wasteland where the player takes control of an escaped prisoner who winds up attempting to stop (or help) a rogue scientist’s plan to “purify” society via an attack from an orbital nuclear missile system.

The project was canceled, and soon Black Isle Studios would be axed and the Fallout property would land at Bethesda. However, a tech demo of the original Fallout 3 did land online a few years back.

5. THE GAMES ARE STACKED WITH SCI-FI EASTER EGGS.

The Wasteland is littered with more than just burned-out buildings and scattered remnants of humanity; it’s also home to Easter eggs and homages to nearly every major sci-fi property in existence.

In the original game, for instance, players can stumble upon a familiar blue callbox that disappears into thin air—a callback to the TARDIS from Doctor Who. There’s also the sight of a post-apocalyptic wanderer traveling the wasteland with his dog from Fallout 3 that is an unmistakable homage to the Mad Max series. And if you stumble upon a refrigerator in the desert in Fallout: New Vegas, look inside—you might find the skeletal remains of Indiana Jones as a nod to the infamous nuke scene in Kingdom of the Crystal Skull.

And that’s just the beginning. If you take your time to really explore the world of these games, you’ll find shout-outs to Planet of the Apes, The Hitchhiker’s Guide to the Galaxy, Jaws, Star Wars, and countless others.

6. FALLOUT 3 HAD ISSUES IN AUSTRALIA AND INDIA.

When Bethesda took control of the series for 2008’s Fallout 3, the studio retained its high level of violence, profanity, and all-around sacrilege. So it was only inevitable when governments started to take notice.

In Australia, the game was faced with a ban due to the fact that the player could use, and get addicted to, morphine. Instead of losing this sizable market, Bethesda changed the name of the drug to the fictional “Med-X” after the Aussie government took issue with a player getting addicted to (and possibly even glorifying) a real drug. This change wasn’t just reflected in Australia but in every region, turning Med-X into part of Wasteland lore.

The controversy continued in India, where the game simply wasn’t released at all because of issues stemming from “cultural sensitivities.”

7. FALLOUT 4’S SCRIPT TOTALED 13,000 LINES OF DIALOGUE FOR THE MAIN ACTORS.

In previous games in the series, the main characters never spoke; they were voiceless protagonists in a world of fully-voiced supporting characters and villains. But in Fallout 4, Bethesda took away that ambiguity in favor of fully voiced heroes. They hired both a male and female voice actor for the job, depending on which character the player chose to create, and for its first foray into the voiced realm, the studio made their leads pretty talkative.

According to the game’s director, Todd Howard, each actor had about 13,000 lines of dialogue, which were recorded over the span of two years. That number goes up exponentially when you look at the game as a whole: One estimate put the total lines of dialogue for every character in the game combined at somewhere near 170,000.

8. THE SERIES BOASTS AN IMPRESSIVE CELEBRITY VOICE CAST.

Though the main characters are usually mute, the world of Fallout is populated by a roster of celebrities who have lent their voices to everything from super mutants to wannabe crime bosses. Most recognizable among them is Ron Perlman, who narrated the intros to Fallout, Fallout 2, Fallout 3, Fallout Tactics, and Fallout: New Vegas. He’s become a fan favorite part of the story over the years with the opening lines, “War. War never changes.”

There’s also Liam Neeson as the main character’s father in 3, which also featured Malcolm McDowell as the president. And then there’s New Vegas, with Matthew Perry (an ardent franchise fan) as Benny and Wayne Newton as a radio DJ. Throughout all the games, you’ll also hear from the likes of Danny Trejo, Brad Garrett, Dave Foley, and Lynda Carter, who also wrote and provides the vocals for original songs in Fallout 4.

9. FALLOUT 4 EARNED $750 MILLION ON LAUNCH DAY.

The franchise was more of a critical success than a commercial one during the Interplay years, but once it made its way to Bethesda, it managed to hit sales marks that were previously unseen for the series. Fallout 3’s launch week saw 4.7 million units shipped, for a total of $300 million worldwide. Fallout: New Vegas saw similar success, bringing in over $300 million in its first month.

Well, Fallout 4 basically doubled those numbers within its first 24 hours on the market. The $750 million that the game made on its November 10, 2015 debut was a record at the time for the biggest entertainment launch of the year and one of the biggest single-day video game feats of all time.

10. FANS ARE CREATING NEW FALLOUT GAMES.

Bethesda has always been a haven for modders, those tech-savvy super fans that dive into a game’s source code to create something wholly original within the original title. A lot of these mods fix graphical issues and other bugs, while others add new characters or a dose of absurdity to the game, like the mods that turned all deathclaw enemies into Thomas the Tank Engine or Macho Man Randy Savage.

Some of these mods go well above and beyond, turning into full games in their own right, set in the Fallout universe and created by fans. There’s Fallout: Cascadia, which is a mod project that puts the series in Seattle; Fallout 4: New Vegas, which recreated New Vegas with 4’s upgraded engine; and Fallout: New California, an ambitious New Vegas mod that features all-new characters and stories.

13 Great Rockumentaries Every Music (and Movie) Fan Should See

The Criterion Collection
The Criterion Collection

More people are watching documentaries these days, which likely means that more people are rocking their faces off with nonfiction. Far from Ken Burns’s soothing tones, these music-filled films demand amplification and an unseemly amount of perspiration.

Rock documentaries are tricky beasts. Though they often have the built-in advantage of following around famous people, they aren’t immune to boredom and eye-rolling faux depth. Keeping it simple by showcasing the music can be good, but it’s no way to be great. The best of the best manage to deliver a stellar soundscape, offer a backstage pass to the real humans who make it, and hold our ears even if we aren’t already devoted fans. If a little history gets made in the process, even better.

Grab a seat next to Penny Lane on the bus. Here are 13 of the best documentaries that every music—and film—fan should add to their Must Watch list.

1. WHAT’S HAPPENING! THE BEATLES IN THE U.S.A. (1964)

A singular piece of filmmaking where nonfiction talent met transcendent musical genius on the threshold of gargantuan stardom, this is the best Beatles documentary ever produced. Directed by legendary documentarians Albert and David Maysles, the film captures the band’s first frivolous jaunt through America, where they raised the screaming decibel level in The Ed Sullivan Show theater and goofed off in hotel rooms. It’s an explosion of youth before they changed music forever.

2. DON’T LOOK BACK (1967)

Another marriage of style, skill, and subject, Don't Look Back helped shape how the rockumentary genre could provide insights into the people who shape our popular culture. That so many iconic moments emerged from D.A. Pennebaker’s watershed work, which strolled with Bob Dylan through England in 1965, is a testament to the legendary musician's infinite magnetism. The cue cards, singing with Joan Baez in a hotel room on the edge of breaking up, the Mississippi voter registration rally, and on and on. Since it portrayed fame’s effect on the artist, the art, and the audience, most every other rock doc has been chasing its brilliance.

3. GIMME SHELTER (1970)

The rockumentary has evolved to be as diverse as the sonic landscape itself, which is why Popstar: Never Stop Never Stopping can send up the current scene just like This Is Spinal Tap! did in the 1980s. Still, 1970 feels like the year that defined the rockumentary. Another Maysles joint, this profound doc captured The Rolling Stones touring at a time when they were one of the biggest bands in the world and only getting bigger. The music is powerful and immediate, and the film closes with their appearance at the Altamont Free Concert, which turned deadly when—after a day of skirmishes between concertgoers and the Hell’s Angels acting as security—a fan with a gun was stabbed to death when he tried to get on stage during “Under My Thumb.”

4. WOODSTOCK (1970)

The other 1970 film that helped define the genre allowed thousands to claim they’d been to the biggest concert event of the generation without actually going. If rock ‘n’ roll emerged from unruly teenage years into conflicted young adulthood in the 1960s, nothing stamped that image in henna ink better than Woodstock and the documentary that accompanied it. The bands that appear are legendary: Crosby, Stills & Nash; The Who; Joe Cocker singing The Beatles; Janis Joplin; Jimi Hendrix; and many more. It’s a fly-by of the three days of peace and music that you could play on repeat with summery ease.

5. ZIGGY STARDUST AND THE SPIDERS FROM MARS (1973)

Rock doc royalty D.A. Pennebaker captured David Bowie’s final performance in his red-domed sci-fi persona at London's Hammersmith Odeon with a flair that captures the frenetic energy of the room. The crowd is as much a part of the moment as the band is, as the camera places you in the middle of a transitional moment in music history. To see Bowie that close up now is a wonder. And, naturally, the music is out of this world.

6. THE DECLINE OF WESTERN CIVILIZATION (1981)

Instead of following the famous, Penelope Spheeris’s debut dug its nails deep into the Los Angeles punk scene at the turn of the decade. Black Flag, The Circle Jerks, and other bands your parents have never heard of perform mosh pit-sparking anthems and show off their living conditions like a grungy proto-version of MTV Cribs. There’s a purity here missing from most music docs—a chronicle of people whose passion far, far outweighs their paychecks, and a screening that led the LAPD to request that the movie never be shown in LA again.

7. SIGN "☮" THE TIMES (1987)

Having Prince at the center of your concert doc is a shortcut to ensuring it’s one of the best of all time. There’s the music, of course. Hits like “Little Red Corvette” and “U Got the Look,” and Sheila E. beating the hell out of her drum kit. There’s also The Purple One's inexhaustible energy and stage presence. As a bonus, the film jumps between concert footage and (instead of candid hotel conversations) a sci-fi narrative where we get to go to Prince Planet. It’s a rocky, disorienting experience that could have only been held so tightly together by a master showman.

8. MADONNA: TRUTH OR DARE (1991)

It might be hard to explain to a younger audience just how dominant Madonna was as an artist coming out of the 1980s or the kind of landmark event this film represented because of her status. The travelogue of her Blonde Ambition Tour was like peeking into the insane world of the ultra-famous—not least because Madonna was dating Warren Beatty at the time and part of the film involves her hanging out with Al Pacino, Lionel Richie, and more. There are threats that the Canadian police will arrest her for simulating masturbation in her show, the Pope trying to get the tour canceled in Italy, and a slightly awkward return home to see family. All par for the course for someone whose personal life was carved up for public consumption.

9. RHYME & REASON (1997)

An unparalleled look into the lyricism and lifestyle of rap musicians from the genre’s rise through its global domination of the 1990s, the concert and party footage is fantastic, and the number of interviews is staggering. Peter Spirer spoke with more than 80 rap and hip-hop artists to craft a snapshot of what life was like for a group of musicians who discovered their voices could echo across the world as well as those who followed after to even greater success. Instead of going deep on one person behind the music, it’s a historical document of the culture itself as seen through the eyes of those at its very center.

10. THE DEVIL AND DANIEL JOHNSTON (2005)

For those who don’t know Daniel Johnston’s music, this doc is a crash course not only in its stripped-down, anti-folk vibes but the head it all comes spilling out of. Instead of romanticizing or ignoring his bipolar disorder, Jeff Feuerzeig’s movie engages with it directly, drawing beautiful gems from a troubled mind. An absolute masterpiece, it’s less a vision of a musician giving glimpses into his real life than it is a vision of a human being who makes music.

11. AWESOME; I F*CKIN’ SHOT THAT! (2006)

Rockumentaries follow two major formats: the raw concert doc that’s like a ticket to a show you couldn’t attend, and the profile where artists drop quotables in between performances. They’re safe and familiar, which is probably why the Beastie Boys gave both styles the middle finger in favor of a grand experiment. A year before YouTube launched, the rap trio gave 50 fans in their Madison Square Garden audience camcorders to capture the concert. The result is a genuine, fans’-eye-view of the experience, and a chaotic mashup of perspectives.

12. THE PUNK SINGER (2013)

It’s astonishing how much time and ground Sini Anderson’s portrait of Bikini Kill leader Kathleen Hanna covers. It’s so much that labeling her Bikini Kill’s leader is woefully reductive. Artist, pioneer, feminist, activist, and a dozen other titles swirl around Hanna’s sweat-covered brow as we get to know her both as an artist and as a person. It’s also a punk fever dream of riot grrrl greatness, featuring incendiary archival footage and excellent talks with members of Le Tigre, Bikini Kill, and Julie Ruin, as well as Carrie Brownstein and the Beastie Boys’s Adam Horovitz (who is also Hanna’s husband).

13. JANIS: LITTLE GIRL BLUE (2015)

A fairly recent addition to the pantheon, Amy J. Berg’s doc is a stirring tour of archival footage of the gravel-throated songstress. Narrated by musician Cat Power, instead of losing perspective to the fog of history, a blend of modern conversations and ghosts from the past offer fresh eyes and ears to create a heartsick celebration of one of music history's most beloved artists, whose career was cut woefully short.

20 Memorable Elvis Presley Quotes

Hulton Archive/Getty Images
Hulton Archive/Getty Images

More than 40 years after his death, Elvis Presley remains a rock ‘n' roll icon and has yet to be ousted from his position as “The King.” Yet the Tupelo, Mississippi-born, Memphis, Tennessee-raised superstar never took his fame for granted, nor did he forget his roots. Here are 20 memorable quotes about Elvis’s life and legacy.

ON AMBITION

“Ambition is a dream with a V8 engine.”

ON MAINTAINING YOUR VALUES

“It's not how much you have that makes people look up to you, it's who you are.”

“Values are like fingerprints. Nobody's are the same, but you leave 'em all over everything you do.”

ON THE MUSIC INDUSTRY

“I happened to come along in the music business when there was no trend.”

“I've never written a song in my life. It's all a big hoax.”

“I don't know anything about music. In my line you don't have to.”

ON THE ARMY

“After a hard day of basic training, you could eat a rattlesnake.”

“The army teaches boys to think like men.”

ON TRUTH

“Truth is like the sun. You can shut it out for a time, but it ain't goin' away.”

ON THOSE LEGENDARY DANCE MOVES

“Rock and roll music, if you like it, if you feel it, you can't help but move to it. That's what happens to me. I can't help it.”

“Some people tap their feet, some people snap their fingers, and some people sway back and forth. I just sorta do 'em all together, I guess.”

ON KEEPING POSITIVE

“When things go wrong, don't go with them.”

ON STARDOM

“If you let your head get too big, it'll break your neck.”

“I have no use for bodyguards, but I have very specific use for two highly trained certified public accountants.”

“The image is one thing and the human being is another. It's very hard to live up to an image, put it that way.”

“The Lord can give, and the Lord can take away. I might be herding sheep next year.”

ON LOVE

“Sad thing is, you can still love someone and be wrong for them.”

ON THE PITFALLS OF HOLLYWOOD

“I sure lost my musical direction in Hollywood. My songs were the same conveyer belt mass production, just like most of my movies were.”

ON GETTING OLDER

“Every time I think that I'm getting old, and gradually going to the grave, something else happens.”

ON LEAVING A LEGACY

“Do something worth remembering.”

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