14 Freaky Facts About R.L. Stine's Fear Street Books

Lucy Quintanilla
Lucy Quintanilla

In the late 1980s and early ‘90s, R.L. Stine’s horror series Fear Street—which featured ghosts, vampires, and killer cheerleaders, not to mention illustrated covers decked out with creepy fonts—terrified teens. The series was revived in 2014, and now, Stine’s latest, Return to Fear Street: You May Now Kill the Bride (which has a fun “retro” cover) will hit stores in July. Here are a few things you might not have known about the series.

1. THE SERIES HAS ITS ROOTS IN AN EDITOR’S FIGHT WITH ANOTHER TEEN HORROR AUTHOR.

Stine had been working for Scholastic, writing joke books (under the name “Jovial Bob Stine”) and editing a humor magazine, when he had lunch with an editor friend who asked him to go in a … different direction. “She had had a big fight with somebody writing teenage horror. Who will remain nameless. Christopher Pike,” Stine told NPR. “And she said, ‘I'm not working with him again. I'll bet you could write good horror. Go home and write a novel for teenagers. Call it Blind Date.’ She even gave me the title. It's embarrassing! It wasn't my idea.”

Despite his reluctance, Stine wrote Blind Date anyway. After it was published in 1987, it became a bestseller. “I thought, ‘Wait a minute—I’ve struck a chord here. I’ve found something kids like!’” he told Mental Floss in 2014. “A year later, [my editor] wanted another one, and so I wrote Twisted. And it was a number-one bestseller, too. But she only wanted one [book] a year, and I thought, ‘You know, forget this funny stuff. I’ve got to write these scary books. That’s what these kids want.’ Kids like to be scared, and I just sort of stumbled into this. I said to her, ‘It would be nice to do more than one a year—maybe we can do more if we can think of some way to do a series.’”

2. STINE WAS TOLD A TEEN HORROR SERIES COULDN’T BE DONE.

“Publishers didn’t want a series because you couldn’t have these horrible things happen to the same kids over and over,” Stine said. “That would be ludicrous, right?” His publishers were likely thankful he was wrong: The Fear Street series grew to include 51 main series books and several spin-off series; by 2014, the books had sold 80 million copies.

3. THE SERIES’S TITLE JUST POPPED INTO HIS HEAD.

“It was the first one I thought of: Fear Street,” Stine told Mental Floss. “And I thought, ‘That would be a place where bad things happen. It’ll be a very normal, suburban town, but there’ll be this one street that’s cursed. People who go to Fear Street or people who move to Fear Street, terrible things would happen to them. And that would be a way to do a series.’ And that’s how it started, by basing it on the location and not the characters.”

The New Girl, the first book in the series, was published in 1989; Stine released one Fear Street book almost every month after that. “Back in the height of Goosebumps in the '90s, I did 12 Goosebumps books a year and 12 Fear Street books,” Stine told PopSugar. “I don't know how I did it. Honestly, I don't know how!”

4. STINE AMASSED AN IMPRESSIVE BODY COUNT.

“When we first started doing the teen horror novels, I wasn’t allowed to kill anyone,” Stine told CNN. “[Then] we started getting bolder, one per book, maybe two or three. It’s a bloodfest.” In 2014, Stine jokingly told Mental Floss, “I kill off a lot of teenagers. It’s kind of my hobby. I was wondering why, recently; why did I love killing teenagers so much back in the Fear Street days? And then I realized: I had one back at home. Teenagers are tough!”

5. THE CHARACTERS AREN’T FLESHED OUT ON PURPOSE.

Though he’s been criticized for it, Stine told CNN that his characters’ lack of depth is deliberate. “I don’t want to create a whole character, I want the reader to feel like the character,” he said. “So I’m great at full-blown cardboard characters.” The books’ settings were also purposefully nondescript to make them easily relatable to anyone.

6. THERE ARE SOME STORYLINES STINE SAID HE’D NEVER INCLUDE.

Drugs and child abuse are off the table for the author, and even divorce is only used sparingly. “That’s the kind of reality that ruins a story,” Stine said. “It’s better if the fears are less real.”

In 2015, he told The Verge that he avoided those topics because “I don't really want to terrify kids ... I think if you make sure it's a fantasy world, and the kids know what they're reading is a fantasy and couldn't happen, then you can go pretty far and you won’t upset them that much.”

7. THERE WERE A NUMBER OF SPIN-OFFS.

One series, Ghosts of Fear Street, was aimed at younger readers (at least some of these were ghost-written by someone other than Stine). Another, The Fear Street Sagas, stretched for 16 books; it explored the twisted and cursed history of the Fier family, from which Fear Street took its name. There were several trilogies, including 99 Fear Street: The House of Evil, Fear Street: Fear Park, Fear Street Cheerleaders, and Fear Street: The Cataluna Chronicles. Other series-within-the-series included Fear Street Super Chiller, Fear Street Seniors, and Fear Street Nights. 

Though he did a lot of series, Stine was not a fan of linking the storylines: “It’s too hard for me,” he told Barnes and Noble in 2014. “I like starting all over with every book.”

8. STINE’S SON STARS IN ONE.

Stine’s son, Matt, didn’t read his dad’s books “because he knew it would make me crazy,” Stine said in a CNN chat in 1999. “And it worked. It’s horrible!” So Stine tried something unusual: He put his son in a Fear Street book. “I even made him the star of a Fear Street book called Goodnight Kiss,” Stine said. (From Amazon: “Matt must save his girlfriend April from a vampire hypnotizing her with intoxicating kisses ...”) But Matt didn’t budge: “He didn't read that one either ... he'll probably never read my books.”

What Matt did do was make some money off of them: “He would sell parts in Goosebumps to his friends," Stine told The Daily Beast. "They would pay him ten bucks and he’d come home and say, 'Dad, you have to put James in the next one.' I think he cashed in on them.” As of 2014, Matt was managing Stine’s website.

9. STINE GOT A LOT OF HEAT FOR A FEAR STREET NOVEL THAT DIDN’T HAVE A HAPPY ENDING ...

"I did one book called The Best Friend, and it had an unhappy ending, where the good girl was taken off as a murderer and the bad girl triumphed, and kids hated this book," Stine told Matt Raymond of the Library of Congress [PDF]. "They turned on me. I got all this mail: 'Dear R. L. Stine, you moron! How could you write that?' 'Dear R. L. Stine, you're an idiot! Are you going to write a sequel to finish the story?' They absolutely couldn't accept an unhappy ending.”

“I would do school visits, and that book haunted me," he told TIME. "The hand would go up: ‘Why would you write that book? Why did you do that?’”

10. ... AND RAN A CONTEST TO COME UP WITH THE PLOT FOR A SEQUEL.

The reaction to The Best Friend was so negative that Stine and Pocket Books ran a contest for kids to come up with an idea for what to do in the sequel. The cover of The Best Friend 2 read, “The book you demanded! The contest-winning story that answers the question ‘What should happen to Honey?’” Stine never tried an unhappy ending again.

11. TYPICALLY, IT TOOK TWO TO THREE WEEKS TO WRITE ONE FEAR STREET NOVEL.

But it didn’t always take that long: Stine told The Big Thrill that he wrote one of the novels in just eight days. “I’m sort of a machine,” he said. “I treat writing just like a job and write 2000 words, five to six times a week. I’m just cut out for this, I guess—it’s all I’ve really ever been good at.” The key to his speed, he said, is plotting everything out: “You can’t get writer’s block if you do that much planning. Once I’ve finished the outline"—which can run up to 20 pages long—"I can just enjoy writing the story.”

And he always starts with a title: “Most authors have an idea for a book, they write, they’re writing, later on they think of a title," he told the Huffington Post. "I have to start with a title. It leads me to the story."

12. STINE HAS TWO FAVORITE EARLY FEAR STREET NOVELS.

“One is called Switched. Every once in a while someone brings it up,” Stine told Vulture in 2013. “It's about two girls who go out to this magic rock in the forest and switch bodies just for the fun of it, but one of the girls has tricked the other—she's murdered her parents, and now she's in the other girl’s body. The first girl goes back, finds the parents have been murdered, and can't get her own body back. There's also Silent Night, that’s a Christmas one. Reva Dalby is the daughter of a guy who owns the big department store in Shadyside. She's rich and mean and terrible to her poor cousins, and everyone hates her. She was really fun to write.”

His favorite of the more recent Fear Street books—at least as of 2015—was The Lost Girl. “It has the most gruesome scene I’ve ever written. It’s disgusting,” Stine told Mental Floss. “It involves horses eating a man. I should be ashamed, but I’m so proud of that scene.”

13. STINE KILLED THE SERIES IN THE LATE '90S—AND BROUGHT IT BACK IN 2014.

After ending the Fear Street series in the late '90s with Trapped, Stine returned to Shadyside with Party Games in 2014. “The whole thing happened because of Twitter,” Stine told CNN. "It's a great way to keep in touch with my original readers, and Fear Street was mentioned more than anything else. That's what they read when they were kids. And I suppose we're all nostalgic for what we read back then.” After tweeting that no publishers were interested in bringing the series back, one publisher reached out to tell him she’d love to do it—and the rest is history.

The new Fear Street books were about 100 pages longer than their predecessors and in hardcover for the first time. The Return to Fear Street books—the first of which comes out this summer—are paperbacks with retro covers. (You can still get a number of the original books, with their excellently creepy covers, on Amazon.)

14. TECHNOLOGY MADE STINE'S JOB HARDER.

Stine told TIME that writing the books today was tougher than it was in the '90s, “because the technology has ruined a lot of things that make for good mysteries—largely because of cell phones … You have to get rid of the phone when you’re writing the book.” In one of 2014's Fear Street books, Stine's characters surrendered their cells early in the book for a phone-free weekend, allowing the murder and mayhem to proceed unchecked.

In order to write the new Fear Street books, Stine says he has to be familiar with technology that teens currently love. “You don’t want to sound out of date at all, but I’m very careful because the technology changes every two weeks. You have to be not terribly specific about what they’re using,” he said. So don’t look for any Facebook stalkers or Snapchat murderers in Fear Street: “In a month, that would be [over], and then you look like you don’t know what you’re doing. The lucky thing about horror is that the things that people are afraid of, it never changes. Afraid of the dark, afraid someone’s in the house, afraid someone’s under your bed—that’s the same.”

12 Amazing Facts About Catherine the Great

Catherine the Great moved to a foreign land as a teenager and became one of the most important leaders in its history. During her 34-year reign, she transformed Russia’s culture while expanding its borders. Here's what you need to know about the unlikely ruler, who is the subject of not one, but two series: HBO's Catherine the Great, which debuts on October 21, 2019, and Hulu's The Great, slated for 2020.

  1. Catherine the Great's name wasn't Catherine.

The woman who would become Catherine the Great was born Sophie Friederike Auguste von Anhalt-Zerbst on April 21, 1729 (Julian Calendar) in Stettin, Prussia (now Szczecin, Poland). She was the daughter of Christian August, a minor German prince and general in the Prussian army, and Princess Johanna Elisabeth, who had connections to the Russian royal family.

Despite being a princess herself, young Sophie wasn’t exactly a top-tier member of the European nobility. But thanks to her mother’s campaigning, she was chosen to marry Karl Peter Ulrich (later known as Tsar Peter III), heir to the Russian throne. The couple wed on August 21, 1745. Sophie converted to Russian Orthodoxy—despite her Lutheran father’s objections—and took on a new Russian name: Ekaterina, or “Catherine.” Her official title would be Empress Catherine II (Peter the Great's second wife had been Empress Catherine I).

  1. Catherine the Great's marriage to Peter the III was rocky.

Catherine and Peter were an ill-matched pair: Catherine was bright and ambitious whereas Peter, according to Britannica, was "mentally feeble." Catherine didn’t like him: “Peter III had no greater enemy than himself; all his actions bordered on insanity,” she wrote in 1789. Her memoirs portray the Tsar as a drunk, a simpleton, and somebody who “took pleasure in beating men and animals.” Whether these statements are accurate or not, Catherine and her spouse were clearly unhappy, and they both had extramarital affairs. Catherine had at least three affairs, and hinted that none of her children were her husband's.

  1. Catherine the Great overthrew Peter the III so that she could rule.

Peter III assumed the throne on January 5, 1762, and was immediately unpopular. He enraged the military by pulling out of the Seven Years’ War and making big concessions to Russia’s adversaries in the process.

Eventually, Catherine believed that Peter was going to divorce her—so she worked with her lover, Grigory Grigoryevich Orlov, and her other allies to overthrow him and take the throne for herself. In July 1762, just six months after he took the throne, Peter III was deposed in a coup d'état. Eight days later, he was killed while in the custody of one of Catherine's co-conspirators.

With Peter out of the picture, Catherine became the new empress of Russia. She was formally crowned on September 22, 1762. She never married again, and took numerous lovers during her long reign.

  1. Voltaire was basically Catherine the Great's pen pal.

Catherine, a bibliophile, built up a collection of 44,000 books. Early in her reign, she began a correspondence with one of her favorite authors: The great Enlightenment philosopher Voltaire. Russia fascinated Voltaire, who had written a biography of Peter the Great. Catherine would never get the chance to meet him in person, but through these letters, she and Voltaire discussed everything from disease prevention to Catherine's love of English gardens.

  1. Catherine the Great annexed Crimea.

Russian interest in the Crimean Peninsula long predates Vladimir Putin. After the Russo-Turkish War of 1768 to 1774, Catherine seized the landmass, thus strengthening Russia’s presence on the Black Sea. And her conquests didn’t end there. Over 200,000 square miles of new territory was added to the Russian empire during Catherine’s rule. Much of it was acquired when the once-independent nation of Poland was divided between Austria, Prussia, and Russia. Tsarina Catherine’s slice contained portions of modern-day Lithuania, Latvia, and Ukraine.

An illustration of Catherine the Great.
iStock.com/traveler1116
  1. Great Britain asked for Catherine the Great's help when the Revolutionary War broke out.

In 1775, the Earl of Dartmouth approached Catherine with a request for 20,000 Russian troops to help Britain put down the colonial rebellion in America. She refused. As the war continued, British diplomats kept trying to establish an alliance with Russia, hoping that the Empress would either send military aid or, failing that, pressure France into abandoning the American cause. Catherine did neither. However, out of concern for Russian shipping interests in the Atlantic (and elsewhere), she did attempt to mediate an end to the violence between Britain and its rebellious colonies in 1780.

  1. Alaska was colonized on Catherine the Great's watch.

Russian explorers had been visiting Alaska since 1741, but the empire didn’t set up its first permanent colony there until 1784, when merchant Grigory Shelikhov sailed to Kodiak Island and established the Three Saints Bay Colony. Later, in 1788, he visited Catherine in St. Petersburg and asked if she’d give his company a monopoly over the area’s lucrative fur trade. She denied his request, but thanked the explorer for “[discovering] new lands and peoples for the benefit of the state.” Russia’s colonial presence in North America would continue long after Catherine’s death—and it wasn’t limited to Alaska.

  1. Catherine the Great embraced inoculation.

Thomas Dimsdale, an English physician, built upon an existing technique for immunizing people to smallpox. The technique involved finding a carrier of the ailment, then taking a blade dipped in a very, very small amount of "the unripe, crude or watery matter" from that person's pustules and injecting it into the patient’s body. In 18th century Russia, smallpox claimed millions of lives, so Catherine was eager to see if Dimsdale’s strategy worked. At her invitation, he came to Russia and quietly inoculated the empress. The procedure was a success, and with the Tsarina’s encouragement, Dimsdale inoculated about 150 members of the nobility. Before the end of the century, approximately 2 million Russians had received smallpox inoculations.

  1. A rebel claimed to be Catherine the Great's dead husband.

Catherine’s Enlightenment-fueled beliefs didn't lead to the demise of serfdom. According to Marc Raeff in his book Catherine the Great: A Profile, "During her reign it was possible to buy and sell serfs with or without land, buy whole families or individuals, transact sales on the estate or marketplace; contemporaries termed all this ‘veritable slavery.'”

The unjust arrangement triggered 160 documented peasant uprisings in the first 10 years of Catherine’s reign. The best known of them was Pugachev’s Rebellion (1773-1775) [PDF], which was organized by Yemelyan Pugachev, a veteran of the Russo-Turkish wars. To win support, he introduced himself as Catherine’s deposed and deceased spouse, Peter III (even though Pugachev looked nothing like Peter). Pugachev and his followers enjoyed some big military victories early on, but after a crushing defeat in August 1774, their revolution fell apart. Pugachev was captured and executed in Moscow on January 10, 1775.

  1. Catherine the Great's art collection was the basis of St. Petersburg's State Hermitage Museum.

In 1764, Catherine purchased a set of 225 paintings—including works by Rembrandt and Frans Hals—from a Berlin dealer, and founded the Hermitage with those works. Catherine went on to buy or commission thousands of additional pieces for her budding museum. Today, the State Hermitage Museum has more than 3 million items in its collections.

  1. Catherine the Great was Russia's longest-serving female leader.

Thirty-four years after assuming the throne, Catherine passed away on November 6, 1796. The monarch was succeeded by her son, Tsar Paul I.

  1. Wild rumors flew after Catherine the Great's death—including that one about the horse.

A lot of rumors sprung up in the wake of Catherin's death. One said that she had died while on the toilet, while another—the most persistent tale, and a completely unfounded one—claimed that Catherine the Great was crushed to death while attempting to have sex with a stallion. Where exactly the story came from is unknown; an autopsy determined that the empress had actually died of a cerebral stroke.

10 Facts About the Beastie Boys's 'Sabotage' Video

Beastie Boys via YouTube
Beastie Boys via YouTube

With their raucous mix of rock and hip-hop, the Beastie Boys were a band everyone could love. They also made killer music videos, and their 1994 video for “Sabotage” is arguably one of the greatest in the history of the medium. Directed by Spike Jonze and inspired by ‘70s cop shows, “Sabotage” finds the Beasties in cheesy suits, wigs, and mustaches, cavorting around L.A. like a bunch of bootleg Starskys and Hutches. If you were alive in the ‘90s, you’ve seen “Sabotage” a million times, but there’s a lot you might not know about this iconic video.

1. It all began with a photo shoot.

Spike Jonze met the Beastie Boys when he photographed them for Dirt magazine in the early 1990s. The band showed up with its own concept. “For years, Beastie Boy Adam Horovitz had been talking about doing a photo session as undercover cops—wearing ties and fake mustaches and sitting in a car like we were on a stakeout,” Adam “MCA” Yauch told New York Magazine. Jonze loved the idea so much he tagged along when the Beasties went wig shopping. “Then, while he was taking the pictures, he was wearing this blond wig and mustache the whole time,” Yauch said. “For no apparent reason.” So was born a friendship that begat “Sabotage.”

2. Spike Jonze filmed “Sabotage” without permits.

The Beasties weren’t big fans of high-budget music videos with tons of people on the set. So they asked Jonze to hire a couple of assistants and run the whole production out of a van. “Then we just ran around L.A. without any permits and made everything up as we went along,” MCA told New York. They’re lucky the real cops never showed up.

3. The Beastie Boys did all their own stunt driving.

After binge-watching VHS tapes of The Streets of San Francisco and other ‘70s cop shows, the Beasties knew they needed some sweet chase scenes. “We bought a car that was about to die,” Mike D told Vanity Fair. “We just drove the car ourselves. We almost killed the car a couple of times, but we definitely didn’t come close to killing ourselves.”

4. “Sabotage” inspired the opening sequence of Trainspotting.

Danny Boyle's 1996 film Trainspotting famously opens with Ewan McGregor and his buddies running through the streets of Edinburgh to the tune of Iggy Pop’s “Lust for Life.” In the DVD commentary, Boyle revealed that the scene was inspired by “Sabotage.”

5. Two cameras were harmed in the making of “Sabotage.”

“Sabotage” was supposed to be a low-budget affair—and it would’ve been, had Jonze been a little more careful with his rented cameras. He destroyed a Canon Scoopic when the Ziploc bag he used to protect the camera during an underwater shot proved less than airtight. He apparently told the rental agency the camera stopped working on its own, but he wasn’t as lucky when an Arriflex SR3 fell out of a van window. That cost $84,000, effectively tripling the cost of the video.

6. MCA crashed the stage of the MTV Video Music Awards to protest “Sabotage” being shut out.

At the 1994 MTV VMAs, “Sabotage” was nominated for five awards, including Video of the Year. In one of the great injustices of all time, it lost in all five categories. When R.E.M.’s “Everybody Hurts” won Best Direction, MCA invaded the stage dressed as Nathanial Hörnblowér, his Swiss uncle/filmmaker alter-ego. “Since I was a small boy, I had dreamed that Spike would win this,” MCA said as a confused Michael Stipe looked on. “Now this has happened, and I want to tell everyone this is a farce, and I had the ideas for Star Wars and everything.”

7. There’s a “Sabotage” comic book you can download for free.

After MCA’s death in 2012, artist Derek Langille created a seven-page “Sabotage” comic book in tribute to the fallen musician and filmmaker. You can download it for free here.

8. There’s also a “Sabotage” novel.

To celebrate the 25th anniversary of “Sabotage,” Oakland-based author and Beasties super-fan Jeff Gomez wrote a five-act novel inspired by the video. He spent months researching cop movies and real-life police lingo, and he watched “Sabotage” about 100 times, keeping a detailed spreadsheet of all the action unfolding onscreen. “They created a really great universe, and I just wanted to play around in it for a little bit,” Gomez told PBS.

9. There’s a “Sabotage”/Sesame Street mashup on YouTube.

In 2017, YouTuber Is This How You Go Viral, a.k.a. Adam Schleichkorn, created the video “Sesametage,” a reimagining of “Sabotage” made with edited bits of Sesame Street. It stars Big Bird as himself, The Count as Cochese, and Oscar the Grouch as Bobby, “The Rookie.” Super Grover, Telly, Cookie Monster, and Bert and Ernie also turn up in this hilarious spoof of a spoof.

10. “Sabotage” nearly became a movie—kind of.

Jonze and the Beasties had such a blast making “Sabotage” that they wrote a script for a feature film called We Can Do This. The movie, which they later abandoned, was set to feature MCA in two roles: Sir Stuart Wallace, one of his “Sabotage” characters, and Nathaniel Hörnblowér (whom he portrayed during that 1994 VMAs protest). Jonze told IndieWire the film would’ve been “ridiculous and fun,” which sounds like the understatement of the century. “There were no 1970s cops in it, but it was definitely in the same spirit,” he said.

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