11 Facts About the Battle of Gettysburg

Hulton Archive/Getty Images
Hulton Archive/Getty Images

By mid-1863, Robert E. Lee and his Army of Northern Virginia had humiliated the Union in the battles of Fredericksburg and Chancellorsville. They seemed unbeatable—yet when they met the Union's blue-shirted troops in Gettysburg, Pennsylvania, in July 1863, General Lee was outdone at last. The three-day Battle of Gettysburg was a badly-needed win for the north. But like all victories, it came with a price: This fight went down in history as the Civil War’s bloodiest confrontation. Here’s a short introduction to one of the great turning points in the story of America.

1. BY INVADING PENNSYLVANIA, LEE THOUGHT HE COULD DEMORALIZE THE NORTH.

Robert E. Lee
Hulton Archive/Getty Images

In the late spring of 1863, the Union Army had Vicksburg, Mississippi in its sights. With its capture, Union generals hoped to split the Confederacy in half while also asserting control over the lower Mississippi River, a vital transportation route. To keep that from happening, some in the Confederate government wanted to send over reinforcements from the Army of Northern Virginia, but Lee had other ideas.

The general, emboldened by recent victories, mounted an offensive campaign into Pennsylvania. He believed that a strong Confederate presence north of the Mason-Dixon line would pressure the Union into withdrawing some of its soldiers from the Mississippi Delta—and that a huge Confederate invasion would set off a panic in cities like Philadelphia and New York, weakening northern support for the war effort. Lincoln might then lose his 1864 reelection bid, and with Honest Abe out of the White House, the tired north might initiate peace talks. If all had gone well for General Lee, his assault on the Keystone State may have ended the war in the south’s favor. But of course, all did not go well for Lee.

2. THE FIGHT WAS PRECEDED BY AN EXODUS OF BLACK FAMILIES.

On June 12, 1863, Pennsylvania Governor Andrew Curtin put his constituents on high alert. In a statement re-printed by newspapers all over the state, he announced that “information has been obtained by the War Department that a large rebel force, composed of cavalry, artillery, and mounted infantry, has been prepared for the purpose of making a raid into Pennsylvania.”

This news was especially alarming to black families: When Confederate soldiers entered Union territory, they’d often seize African Americans—women, children, and freeborn citizens included—as "contraband." By the end of June, hundreds of black refugees from Gettysburg and other southern Pennsylvania towns had come pouring into Harrisburg, the state’s capital. When Confederates tried to take the city on June 28, black volunteers helped thwart their efforts.

3. ONE MAJOR GENERAL BLAMED THE SHOWDOWN ON A NEED FOR SHOES.

According to Henry Heth, a major general in the Confederate army, he was the one who started the Battle of Gettysburg. Heth said that on July 1, 1863, he sent two brigades into Gettysburg, where they encountered Union resistance, and what began as a minor skirmish mushroomed into a three-day conflict—and a critical victory for the North.

All this begs the question of why Heth dispatched those troops into Gettysburg in the first place, considering he was under strict orders not to go on the offensive. Heth explained his rationale like this: He needed to go shoe shopping. “Hearing that a supply of shoes was to be obtained in Gettysburg,” Heth wrote in 1877, “and greatly needing shoes for my men, [on June 30] I directed General Pettigrew [a brigade commander of his] to go to Gettysburg and get these supplies.” Pettigrew returned with stories that there was cavalry present in Gettysburg, but the commanders believed that this was just an observation detachment and the bulk of the Union army was far away, meaning an assault on Gettysburg would likely succeed. Heth later recalled saying “I will take my division tomorrow and go to Gettysburg and get those shoes!”

Historians think Heth wasn’t being entirely truthful about the matter. Another Confederate division had already gone on a "supply run" through Gettysburg and didn’t obtain many shoes.

While it is generally agreed that Heth did send troops ahead for reconnaissance of the area, and those troops’ interaction with Union soldiers started the battle, historians continue to debate the rest of the specifics. Some propose that Heth was searching for non-shoe supplies, while others propose that Heth was eager to impress Lee and might have used the supplies as an excuse to pick a fight. Still others argue that the roads funneled both armies through Gettysburg, making a showdown inevitable.

4. ALMOST 16,000 MEN DIED ON THE FIRST DAY ALONE …

Battle of Gettysburg
Hulton Archive/Getty Images

At first, the rebels’ odds of scoring a victory in Gettysburg seemed pretty good—the first major clash on July 1 involved 7600 Confederate infantry fighting against just 2748 Union cavalrymen. Later on that day, around 27,000 Confederate soldiers approached from the north and drove 22,000 Union soldiers out of the town, leaving them to reconvene on Cemetery Hill to the south. By nightfall, Lee had lost over 6000 men and around 9000 northerners had been killed in total. Had the fighting ended after that first day, Gettysburg still would have had one of the 20 highest body counts of any battle in the war.

5. … AND YET THERE WAS ONLY ONE CIVILIAN CASUALTY OVERALL.

The Union forces bounced back on July 2 with the arrival of Major General George Meade and most of his army, which brought the total number of northern troops up to 90,000. They were fighting against 75,000 Confederate troops. The battle stretched into July 3, with the Army of Northern Virginia leaving the area the next day. It’s estimated that there were between 46,000 and 51,000 casualties at Gettysburg overall.

Still, just about every innocent bystander who witnessed the carnage lived to tell the tale. Twenty-year-old Mary Virginia Wade (also known as "Jennie" or "Gennie") had the distinction of being the only civilian to die within Gettysburg’s borders during the battle. A resident of the town, she was reportedly hit by a stray bullet that tore through her home as she was baking a loaf of bread. Wade is now commemorated by a statue on Baltimore Street.

6. FEMALE SOLDIERS FOUGHT ON BOTH SIDES.

While the Civil War is generally viewed as a male conflict with the demure women staying behind, that’s not actually true: Hundreds of women—drawn by a sense of adventure, a commitment to the cause, or just the opportunity for a steady income—are thought to have enlisted. Nine verified female soldiers died on a Civil War battlefield, and one of them was killed at Gettysburg. Lying among the corpses of all the southerners who had fallen in Pickett’s charge was the uniformed body of a woman. Another female Confederate soldier took a bullet to one leg, which had to be amputated. It’s known that a third woman fought for the south at Gettysburg as well—and at least two female soldiers saw action there as part of the Union army.

7. GEORGE PICKETT DIDN’T COMMAND ALL OF THE TROOPS IN PICKETT’S CHARGE.

By the third day, the fighting had shifted to the south of Gettysburg proper. The Union troops stood in a fishhook-shaped arrangement that began down at the twin hills of Big and Little Round Top, stretched the length of Cemetery Ridge (a raised geologic feature), and curved around Cemetery Hill. Confederates were moving in from the north and the west.

Lee wanted to strike at the heart of the Union line along Cemetery Ridge. But to get there, his men would have to cross an open field, leaving them exposed to Union artillery fire. Against the advice of his righthand man General James Longstreet, Lee went ahead with the charge. Of the 12,000 Confederate men who were ordered to participate, more than half were killed, captured, or wounded while the Union line remained unbroken (though it suffered heavy losses as well). Remembered today as the “High Watermark of the Confederacy,” this disastrous event was romanticized by southern writers and incorporated into Dixie’s “Lost Cause” narrative. The effort is more formally called “Pickett’s Charge” because one division in the Confederate attack was led by George Pickett, a Major General from Richmond. He would spend the rest of his life nursing a grudge against Robert E. Lee; in Pickett’s own words, “That old man … had my division massacred.”

Posterity may have attached Pickett’s name to the charge, but his division only supplied between 4000 and 6200 of the soldiers who were in it. Accompanying his men were thousands of other troops under the command of James Pettigrew and Isaac Trimble.

8. GEORGE A. CUSTER WAS THERE.

Pickett’s charge is thought to have been one half of a pincer-like assault: While Pettigrew, Trimble, and Pickett himself led their brigades towards Cemetery Ridge, 6000 mounted cavalrymen tried to sneak around it. By doing this, the horsemen could have opened fire on the Union line from the east just as Pickett and company were rushing over from the west. Enter George A. Custer—a graduate of West Point and a Brigadier General in the Union army—who stopped them in their tracks with their own cavaliers. The Confederate riders were eventually driven away, leaving the Union troops on Cemetery Ridge free to mow down Pickett’s charge.

Gettysburg wasn't the only infamous battle Custer would be a part of: In 1876, he and 267 of his cavalrymen were killed by Sioux, Cheyenne, and Arapaho warriors in a Montana valley in the Battle of Little Bighorn.

9. THE WAGON TRAIN OF WOUNDED CONFEDERATES WAS 17 MILES LONG.

Beaten and battered, the Army of Northern Virginia pulled out of Gettysburg on the fourth of July (the same day Ulysses S. Grant finally took Vicksburg). There were enough wounded Confederates to fill a 17-mile wagon train that Lee took back to the South. On its way back to Virginia, the convoy ran into trouble at the Potomac River. The weather had been calm and cloudy throughout the clash at Gettysburg. But on July 4, a heavy rainfall arrived that lasted for several days. So when Lee’s men finally reached the Potomac, high water levels trapped them on the northern side of it.

Lincoln wanted General Meade to grab this opportunity and wipe out the now-cornered Army of Northern Virginia. Meade chose to proceed with caution—in part because his troops were still weary from the action at Gettysburg. Some of his outfits had skirmishes with Lee’s men until the Confederates were finally able to cross the Potomac at Williamsport, Maryland on July 13/14. “Our army held the war in the hollow of their hand and they would not close it,” said a disappointed Lincoln.

10. THE BODY OF ONE FALLEN SOLDIER DIDN’T TURN UP UNTIL 1996.

Once the fighting at Gettysburg subsided, the town’s 2400 residents had to dispose of nearly 7000 human corpses the armies left behind. Shallow, rock-covered graves were hastily dug for the deceased.

After the battle, Governor Curtin lobbied for a Soldier’s National Cemetery to be built at Gettysburg. His request was granted, and the bodies of Union soldiers were reinterred at the chosen burial site, which was formally consecrated on November 19, 1863. President Lincoln attended the ceremony and gave the speech that would come to be known as the Gettysburg Address. The scent of death hung in the air while Abe spoke. That’s because thousands of Confederates were still lying in shoddy graves on the town’s outskirts—attracting flies and vultures. Most remained in situ until southern organizations started digging up fallen Confederates in 1871 so the bodies could receive proper burials.

A few cadavers apparently escaped their notice: In 1996, the body of a Civil War soldier was found near Railroad Cut. Archaeologists couldn’t identify the man, or even determine which side he’d fought for. (It’s been suggested that he was a Mississippi Confederate.)

11. THERE WAS A BIG REUNION IN 1913.

With some help from the U.S. War Department, multiple state legislatures, and a Major League baseball player who had become Pennsylvania’s governor, Gettysburg threw a massive party to commemorate the 50th anniversary of its great battle. The event began on June 29, 1913 and lasted until the sixth of July. Over 50,000 Civil War vets—most of whom were in their seventies—turned up to commemorate the battle. New memorials were dedicated, former enemies took photos together, and President Woodrow Wilson dropped by to give a speech. A highlight was the peaceful reenactment of Pickett’s Charge: 200 men retraced the steps they’d taken half a century prior and then met up on Cemetery Ridge to trade handshakes.

6 Facts About International Women's Day

iStock.com/robeo
iStock.com/robeo

For more than 100 years, March 8th has marked what has come to be known as International Women's Day in countries around the world. While its purpose differs from place to place—in some countries it’s a day of protest, in others it’s a way to celebrate the accomplishments of women and promote gender equality—the holiday is more than just a simple hashtag. Ahead of this year’s celebration, let’s take a moment to explore the day’s origins and traditions.

1. International Women's Day originated more than 100 years ago.

On February 28, 1909, the now-dissolved Socialist Party of America organized the first National Woman’s Day, which took place on the last Sunday in February. In 1910, Clara Zetkin—the leader of Germany’s 'Women's Office' for the Social Democratic Party—proposed the idea of a global International Women’s Day, so that people around the world could celebrate at the same time. On March 19, 1911, the first International Women’s Day was held; more than 1 million people in Germany, Switzerland, Austria, and Denmark took part.

2. The celebration got women the vote in Russia.

In 1917, women in Russia honored the day by beginning a strike for “bread and peace” as a way to protest World War I and advocate for gender parity. Czar Nicholas II, the country’s leader at the time, was not impressed and instructed General Khabalov of the Petrograd Military District to put an end to the protests—and to shoot any woman who refused to stand down. But the women wouldn't be intimidated and continued their protests, which led the Czar to abdicate just days later. The provisional government then granted women in Russia the right to vote.

3. The United Nations officially adopted International Women's Day in 1975.

In 1975, the United Nations—which had dubbed the year International Women’s Year—celebrated International Women’s Day on March 8th for the first time. Since then, the UN has become the primary sponsor of the annual event and has encouraged even more countries around the world to embrace the holiday and its goal of celebrating “acts of courage and determination by ordinary women who have played an extraordinary role in the history of their countries and communities.”

4. International Women's Day is an official holiday in dozens of countries.

International Women’s Day is a day of celebration around the world, and an official holiday in dozens of countries. Afghanistan, Cuba, Vietnam, Uganda, Mongolia, Georgia, Laos, Cambodia, Armenia, Belarus, Montenegro, Russia, and Ukraine are just some of the places where March 8th is recognized as an official holiday.

5. It’s a combined celebration with Mother’s Day in several places.

In the same way that Mother’s Day doubles as a sort of women’s appreciation day, the two holidays are combined in some countries, including Serbia, Albania, Macedonia, and Uzbekistan. On this day, children present their mothers and grandmothers with small gifts and tokens of love and appreciation.

6. Each year's festivities have an official theme.

In 1996, the UN created a theme for that year’s International Women’s Day: Celebrating the Past, Planning for the Future. In 1997, it was “Women at the Peace Table,” then “Women and Human Rights” in 1998. They’ve continued this themed tradition in the years since; for 2019, it's “Better the balance, better the world” or #BalanceforBetter.

Ira Aldridge: The Black Shakespearean Actor Who Broke Theater's Color Barrier

Ira Aldridge as Othello circa 1830
Ira Aldridge as Othello circa 1830
Henry Perronet Briggs, Wikimedia // Public Domain

It's easy to forget that before the dawn of film, stage actors were power players; many of them carried just as much clout as modern Hollywood stars. In 1880, Sarah Bernhardt earned $46,000 for a month of performances on her first New York tour alone (which would be well over $1 million today). In 1895, English actor Henry Irving made enough of a name for himself to become the first actor in history to receive a British knighthood. And way back in 1849, two rival Shakespearean actors, William Macready and Edwin Forrest, caused such a stir with their competing productions of Macbeth that their fans ended up rioting in the streets of Manhattan.

But before all of them, there was Ira Aldridge. Born in New York in 1807, Aldridge made such a name for himself in the theaters of the mid-19th century that he went on to be awarded high cultural honors, and is today one of just 33 people honored with a bronze plaque on a chair at the Shakespeare Memorial Theatre in Stratford-upon-Avon. But what makes Aldridge’s achievements all the more extraordinary is that, at a time of widespread intolerance and racial discrimination in the U.S., he was black.

Young, Gifted, and Black

The son of a minister and his wife, Aldridge attended New York’s African Free School, which had been established by the New York Manumission Society to educate the city's black community. His first taste of the theater was probably at Manhattan’s now-defunct Park Theatre, and before long he was hooked. While still a student, Aldridge made his stage debut—at the African Grove Theatre, which had been established by free black New Yorkers around 1821—in a performance of Richard Brinsley Sheridan’s adaptation of Pizarro. According to some accounts, his Shakespearean debut followed not long after, when he took on the title role in the African Grove Theatre's production of Romeo & Juliet.

These early performances were successes, as was the African Grove Theatre, which quickly proved the most renowned of the few theaters in New York staffed mainly by black actors and attended mostly by black audiences. But despite these early triumphs, both Aldridge and the Grove had their fair share of hardships.

Shortly after its opening, the Grove was forced to close by city officials, supposedly over noise complaints. The project was relocated to Bleecker Street, but this move took the theater away from its core black audience in central Manhattan and planted it closer to several larger, more upmarket theaters, with which it now had to compete. Smaller audiences, coupled with resentment and competition from its predominantly white-attended neighbors, soon led to financial difficulties. And all of these problems were compounded by near-constant harassment from the police, city officials, and intolerant local residents.

Eventually, the situation proved unsustainable: The Grove closed just two years later (and was reportedly burned to the ground in mysterious circumstances in 1826). As for Aldridge, having both witnessed and endured racist abuse and discrimination in America, he decided he'd had enough. In 1824, he left the U.S. for England.

The African Tragedian

Ira Aldridge in the role of Othello, 1854
Ira Aldridge as Othello in 1854
Houghton Library, Wikimedia Commons // Public Domain

By this time, the British Empire had already abolished its slave trade, and an emancipation movement was growing. Aldridge realized that Britain was a much more welcoming prospect for a young, determined black actor like himself—but what he didn’t know was that his transatlantic crossing would prove just as important as his decision to emigrate.

To cover the costs of his travel, Aldridge worked as a steward aboard the ship that took him to Britain, but during the journey he made the acquaintance of British actor and producer James Wallack. The pair had met months earlier in New York, and when they happened to meet again en route to Europe, Wallack offered Aldridge the opportunity to become his personal attendant. On their arrival in Liverpool, Aldridge quit his stewardship, entered into Wallack’s employ, and through him began to cultivate numerous useful contacts in the world of theater. In May 1825 Aldridge made his London debut, becoming the first black actor in Britain ever to play Othello

The critics—although somewhat unsure how to take a "gentleman of colour lately arrived from America"—were won over by Aldridge’s debut performance in a production of Othello at the Royalty Theatre. They praised his "fine natural feeling" and remarked that "his death was certainly one of the finest physical representations of bodily anguish we ever witnessed." Astonishingly, Aldridge was still just 17 years old.

From his London debut at the Royalty, Aldridge slowly worked his way up the city’s playbill, playing ever-more-upmarket theaters across London. His Othello transferred to the Royal Coburg Theatre later in 1825. A lead role in a stage adaptation of Aphra Behn’s Oroonoko followed, as did an acclaimed supporting turn in Titus Andronicus. To prove his versatility, he took on a well-received comedic role as a bumbling butler in an 18th-century comedy, The Padlock. Aldridge’s reputation grew steadily, and before long he was receiving top billing as the “African Roscius” (a reference to the famed Ancient Roman actor Quintus Roscius Gallus) or the renowned “African Tragedian”—the first African-American actor to establish himself outside of America.

Even in the more-accepting society of abolitionist Britain, however, Aldridge still had mountains to climb. When his portrayal of Othello later moved to Covent Garden in 1833, some reviewers thought a black actor treading the boards on one of London’s most hallowed stages was simply a step too far. The critics soured, their reviews became more scathing—and the racism behind them became ever more apparent.

Campaigns were launched to have Aldridge removed from the London stage, with the local Figaro newspaper among his vilest opponents. Shortly after his Covent Garden debut, the paper openly campaigned to cause “such a chastisement as must drive [Aldridge] from the stage … and force him to find [work] in the capacity of footman or street-sweeper, that level for which his colour appears to have rendered him peculiarly qualified.” Fortunately, they weren’t successful—but the affair temporarily ruined the London stage for Aldridge.

"The Greatest of All Actors"

Portrait of Ira Aldridge by Taras Shevchenko in 1858
Portrait of Ira Aldridge in 1858
Taras Shevchenko, Wikimedia Commons // Public Domain

Instead of accepting defeat, Aldridge took both Othello and The Padlock on a tour of Britain’s provincial theaters. The move proved to be an immense success.

During his national tour, Aldridge amassed a great many new fans, and even became manager of the Coventry Theatre in 1828, making him the first black manager of a British theater. He also earned a name for himself by passing the time between performances lecturing on the evils of slavery, and lending his increasingly weighty support to the abolitionist movement.

Next, he took his tour to Ireland, and on his arrival in Dublin became a near-instant star. With the island still locked in a tense relationship with Britain at the time, he was welcomed with open arms when Irish theatergoers heard how badly he had been treated in London. (In one flattering address in Dublin, Aldridge told the audience: “Here the sable African was free / From every bond, save those which kindness threw / Around his heart, and bound it fast to you.”)

By the 1830s, Aldridge was touring Britain and Ireland with a one-man show of his own design, mixing impeccable dramatic monologues and Shakespearean recitals with songs, tales from his life, and lectures on abolitionism. As an antidote to the blackface minstrel shows that were popular at the time, he also began donning “whiteface” to portray roles as diverse as Shylock, Macbeth, Richard III, and King Lear. When the notorious Thomas Rice arrived in England with his racist “Jump Jim Crow” minstrel routine, Aldridge skillfully and bravely weaved one of Rice’s own skits into his show: By parodying the parody, he robbed Rice’s performance of its crass impact—while simultaneously showing himself to be an expert performer in the process.

Such was his popularity that Aldridge could easily have seen out his days in England, playing to packed theaters every night for the rest of career. But by the 1850s, word of his skill as an actor had spread far. Never one to shy away from a challenge, in 1852 he assembled a troupe of actors and headed out on a tour of the continent.

Within a matter of months, Aldridge had become perhaps the most lauded actor in all Europe. Critics raved about his performances, with one German writer even suggesting that he may well be “the greatest of all actors.” A Polish reviewer noted, "Though the majority of spectators did not speak English, they did, however, understand the feelings portrayed on the artist's face, eyes, lips, in the tones of his voice, in the entire body." Celebrity fans were quick to assemble, including the Danish author Hans Christian Andersen, and the renowned French poet Théophile Gautier, who was impressed by Aldridge's portrayal of King Lear in Paris. Royalty soon followed, with Friedrich-Wilhelm IV, the King of Prussia, awarding Aldridge the Prussian Gold Medal for Art and Science. In Saxe-Meiningen (now a part of Germany), he was given the title of Chevalier Baron of Saxony in 1858.

Aldridge continued his European tours for another decade, using the money he earned to buy two properties in London (including one, suitably enough, on Hamlet Road). But by then, the Civil War was over and America beckoned. Now in his late fifties—but no less eager for a challenge—Aldridge planned one last venture: a 100-date tour of the post-emancipation United States. Contracts and venues were hammered out, and the buzz for Aldridge’s eagerly-awaited homecoming tour began to circulate.

Alas, it was not meant to be. Just weeks before his planned departure, Aldridge fell ill with a lung condition while on tour in Poland. He died in Łódź in 1867, at the age of 60, and was buried in the city’s Evangelical Cemetery.

After his death, several theaters and troupes of black actors—including Philadelphia's famed Ira Aldridge Troupe—were established in Aldridge’s name, and countless black playwrights, performers, and directors since have long considered him an influence on their work and writing.

In August 2017, on the 150th anniversary of Aldridge's death, Coventry, England unveiled a blue heritage plaque in the heart of the city, commemorating Aldridge's theater there. Even this long after his death, the extraordinary life of Ira Aldridge has yet to be forgotten.

SECTIONS

arrow
LIVE SMARTER