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Wikimedia Commons

The Reason Why No Photography is Allowed in the Sistine Chapel

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Wikimedia Commons

As the home of what are widely regarded as some of the greatest works of art produced by man, the Sistine Chapel in Vatican City is a popular tourist destination (to put it mildly). However, if you've been one of the 4 million visitors to the famous landmark each year, you've probably learned of one aspect of the room filled with Michelangelo's beautiful, biblical frescos that tends to come as a surprise to first-time guests.

There's no photography or video allowed in the Sistine Chapel.

Yes, despite the rules that encourage quiet contemplation of the fantastic, eye-popping art that adorns nearly every inch of the walls and ceiling of the Sistine Chapel, visitors to the chapel will find their experience peppered with terse shouts of “No photo! No video!” from security guards. The prohibition against photography has been in place for several decades now, and while many assume that the no-photography rule is in place to prevent the flashing of cameras from affecting the art, the real reason dates back to the restoration of the chapel's art that began in 1980 and took nearly 20 years to complete.

When Vatican officials decided to undertake a comprehensive restoration of Michelangelo's art in the chapel, the price tag for such an endeavor prompted them to seek outside assistance to fund the project. In the end, the highest bidder was Nippon Television Network Corporation of Japan, whose $3 million offering (which eventually ballooned to $4.2 million) was unmatched by any entity in Italy or the U.S.

In return for funding the renovation, Nippon TV received the exclusive rights to photography and video of the restored art, as well as photos and recordings of the restoration process by photographer Takashi Okamura, who was commissioned by Nippon TV. While many initially scoffed at the deal, the high-resolution photos provided by Nippon offered a hyper-detailed peek behind all of the scaffolding that hid each stage of restoration, and eventually won over some critics of the arrangement.

As a result of the deal, Nippon produced multiple documentaries, art books, and other projects featuring their exclusive photos and footage of the Sistine Chapel restoration, including several celebrated collections of the photographic surveys that informed the project.

It's worth noting, however, that the ban on photography within the chapel remains instituted despite the waning of the terms of Nippon's deal. In 1990, The New York Times reported that Nippon's commercial exclusivity on photos expired three years after each stage of the restoration was completed. For example, photos of Michelangelo's epic depiction of “The Last Judgment” were no longer subject to Nippon's copyright as of 1997, as that stage of the restoration was completed in 1994.

For the record, Nippon has stated that their photo ban did not apply to "ordinary tourists," but for simplicity's sake—lest some professional photog disguised himself in Bermuda shorts and socks and sandals—authorities made it an across-the-board policy.

The “No Photos! No Video!” rule remains in effect for the Sistine Chapel (though as some recent visitors can attest, its enforcement isn't exactly strict). Given the damage that can be caused by thousands of cameras' flashes going off in the chapel each day, it's no surprise that Vatican officials decided not to end the ban when Nippon's contract expired.

After all, the chapel houses some of the greatest art in the world—and a gift shop stocked with souvenir photos, of course.

Photos courtesy of Wikimedia Commons.

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Ape Meets Girl
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Pop Culture
Epic Gremlins Poster Contains More Than 80 References to Classic Movies
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Ape Meets Girl

It’s easy to see why Gremlins (1984) appeals to movie nerds. Executive produced by Steven Spielberg and written by Chris Columbus, the film has horror, humor, and awesome 1980s special effects that strike a balance between campy and creepy. Perhaps it’s the movie’s status as a pop culture treasure that inspired artist Kevin Wilson to make it the center of his epic hidden-image puzzle of movie references.

According to io9, Wilson, who works under the pseudonym Ape Meets Girl, has hidden 84 nods to different movies in this Gremlins poster. The scene is taken from the movie’s opening, when Randall enters a shop in Chinatown looking for a gift for his son and leaves with a mysterious creature. Like in the film, Mr. Wing’s shop in the poster is filled with mysterious artifacts, but look closely and you’ll find some objects that look familiar. Tucked onto the bottom shelf is a Chucky doll from Child’s Play (1988); above Randall’s head is a plank of wood from the Orca ship made famous by Jaws (1975); behind Mr. Wing’s counter, which is draped with a rug from The Shining’s (1980) Overlook Hotel, is the painting of Vigo the Carpathian from Ghostbusters II (1989). The poster was released by the Hero Complex Gallery at New York Comic Con earlier this month.

“Early on, myself and HCG had talked about having a few '80s Easter Eggs, but as we started making a list it got longer and longer,” Wilson told Mental Floss. “It soon expanded from '80s to any prop or McGuffin that would fit the curio shop setting. I had to stop somewhere so I stopped at 84, the year Gremlins was released. Since then I’ve thought of dozens more I wish I’d included.”

The ambitious artwork has already sold out, but fortunately cinema buffs can take as much time as they like scouring the poster from their computers. Once you think you’ve found all the references you can possibly find, you can check out Wilson’s key below to see what you missed (and yes, he already knows No. 1 should be Clash of the Titans [1981], not Jason and the Argonauts [1963]). For more pop culture-inspired art, follow Ape Meets Girl on Facebook and Instagram.

Key for hidden image puzzle.
Ape Meets Girl

[h/t io9]

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Kehinde Wiley Studio, Inc., Wikimedia Commons // CC BY-SA 3.0
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presidents
Barack Obama Taps Kehinde Wiley to Paint His Official Presidential Portrait
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Kehinde Wiley
Kehinde Wiley Studio, Inc., Wikimedia Commons // CC BY-SA 3.0

Kehinde Wiley, an American artist known for his grand portraits of African-American subjects, has painted Michael Jackson, Ice-T, and The Notorious B.I.G. in his work. Now the artist will have the honor of adding Barack Obama to that list. According to the Smithsonian, the former president has selected Wiley to paint his official presidential portrait, which will hang in the National Portrait Gallery.

Wiley’s portraits typically depict black people in powerful poses. Sometimes he models his work after classic paintings, as was the case with "Napoleon Leading the Army Over the Alps.” The subjects are often dressed in hip-hop-style clothing and placed against decorative backdrops.

Portrait by Kehinde Wiley
"Le Roi a la Chasse"
Kehinde Wiley, Wikimedia Commons // CC BY 3.0

Smithsonian also announced that Baltimore-based artist Amy Sherald has been chosen by former first lady Michelle Obama to paint her portrait for the gallery. Like Wiley, Sherald uses her work to challenge stereotypes of African-Americans in art.

“The Portrait Gallery is absolutely delighted that Kehinde Wiley and Amy Sherald have agreed to create the official portraits of our former president and first lady,” Kim Sajet, director of the National Portrait Gallery, said in a press release. “Both have achieved enormous success as artists, but even more, they make art that reflects the power and potential of portraiture in the 21st century.”

The tradition of the president and first lady posing for portraits for the National Portrait Gallery dates back to George H.W. Bush. Both Wiley’s and Sherald’s pieces will be revealed in early 2018 as permanent additions to the gallery in Washington, D.C.

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