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Wikimedia Commons
Wikimedia Commons

The Reason Why No Photography is Allowed in the Sistine Chapel

Wikimedia Commons
Wikimedia Commons

As the home of what are widely regarded as some of the greatest works of art produced by man, the Sistine Chapel in Vatican City is a popular tourist destination (to put it mildly). However, if you've been one of the 4 million visitors to the famous landmark each year, you've probably learned of one aspect of the room filled with Michelangelo's beautiful, biblical frescos that tends to come as a surprise to first-time guests.

There's no photography or video allowed in the Sistine Chapel.

Yes, despite the rules that encourage quiet contemplation of the fantastic, eye-popping art that adorns nearly every inch of the walls and ceiling of the Sistine Chapel, visitors to the chapel will find their experience peppered with terse shouts of “No photo! No video!” from security guards. The prohibition against photography has been in place for several decades now, and while many assume that the no-photography rule is in place to prevent the flashing of cameras from affecting the art, the real reason dates back to the restoration of the chapel's art that began in 1980 and took nearly 20 years to complete.

When Vatican officials decided to undertake a comprehensive restoration of Michelangelo's art in the chapel, the price tag for such an endeavor prompted them to seek outside assistance to fund the project. In the end, the highest bidder was Nippon Television Network Corporation of Japan, whose $3 million offering (which eventually ballooned to $4.2 million) was unmatched by any entity in Italy or the U.S.

In return for funding the renovation, Nippon TV received the exclusive rights to photography and video of the restored art, as well as photos and recordings of the restoration process by photographer Takashi Okamura, who was commissioned by Nippon TV. While many initially scoffed at the deal, the high-resolution photos provided by Nippon offered a hyper-detailed peek behind all of the scaffolding that hid each stage of restoration, and eventually won over some critics of the arrangement.

As a result of the deal, Nippon produced multiple documentaries, art books, and other projects featuring their exclusive photos and footage of the Sistine Chapel restoration, including several celebrated collections of the photographic surveys that informed the project.

It's worth noting, however, that the ban on photography within the chapel remains instituted despite the waning of the terms of Nippon's deal. In 1990, The New York Times reported that Nippon's commercial exclusivity on photos expired three years after each stage of the restoration was completed. For example, photos of Michelangelo's epic depiction of “The Last Judgment” were no longer subject to Nippon's copyright as of 1997, as that stage of the restoration was completed in 1994.

For the record, Nippon has stated that their photo ban did not apply to "ordinary tourists," but for simplicity's sake—lest some professional photog disguised himself in Bermuda shorts and socks and sandals—authorities made it an across-the-board policy.

The “No Photos! No Video!” rule remains in effect for the Sistine Chapel (though as some recent visitors can attest, its enforcement isn't exactly strict). Given the damage that can be caused by thousands of cameras' flashes going off in the chapel each day, it's no surprise that Vatican officials decided not to end the ban when Nippon's contract expired.

After all, the chapel houses some of the greatest art in the world—and a gift shop stocked with souvenir photos, of course.

Photos courtesy of Wikimedia Commons.

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Art
5 Things You Might Not Know About Ansel Adams

You probably know Ansel Adams—who was born on February 20, 1902—as the man who helped promote the National Park Service through his magnificent photographs. But there was a lot more to the shutterbug than his iconic, black-and-white vistas. Here are five lesser-known facts about the celebrated photographer.

1. AN EARTHQUAKE LED TO HIS DISTINCTIVE NOSE.

Adams was a four-year-old tot when the 1906 San Francisco earthquake struck his hometown. Although the boy managed to escape injury during the quake itself, an aftershock threw him face-first into a garden wall, breaking his nose. According to a 1979 interview with TIME, Adams said that doctors told his parents that it would be best to fix the nose when the boy matured. He joked, "But of course I never did mature, so I still have the nose." The nose became Adams' most striking physical feature. His buddy Cedric Wright liked to refer to Adams' honker as his "earthquake nose.

2. HE ALMOST BECAME A PIANIST.

Adams was an energetic, inattentive student, and that trait coupled with a possible case of dyslexia earned him the heave-ho from private schools. It was clear, however, that he was a sharp boy—when motivated.

When Adams was just 12 years old, he taught himself to play the piano and read music, and he quickly showed a great aptitude for it. For nearly a dozen years, Adams focused intensely on his piano training. He was still playful—he would end performances by jumping up and sitting on his piano—but he took his musical education seriously. Adams ultimately devoted over a decade to his study, but he eventually came to the realization that his hands simply weren't big enough for him to become a professional concert pianist. He decided to leave the keys for the camera after meeting photographer Paul Strand, much to his family's dismay.

3. HE HELPED CREATE A NATIONAL PARK.

If you've ever enjoyed Kings Canyon National Park in California, tip your cap to Adams. In the 1930s Adams took a series of photographs that eventually became the book Sierra Nevada: The John Muir Trail. When Adams sent a copy to Secretary of the Interior Harold Ickes, the cabinet member showed it to Franklin Roosevelt. The photographs so delighted FDR that he wouldn't give the book back to Ickes. Adams sent Ickes a replacement copy, and FDR kept his with him in the White House.

After a few years, Ickes, Adams, and the Sierra Club successfully convinced Roosevelt to make Kings Canyon a national park in 1940. Roosevelt's designation specifically provided that the park be left totally undeveloped and roadless, so the only way FDR himself would ever experience it was through Adams' lenses.

4. HE WELCOMED COMMERCIAL ASSIGNMENTS.

While many of his contemporary fine art photographers shunned commercial assignments as crass or materialistic, Adams went out of his way to find paying gigs. If a company needed a camera for hire, Adams would generally show up, and as a result, he had some unlikely clients. According to The Ansel Adams Gallery, he snapped shots for everyone from IBM to AT&T to women's colleges to a dried fruit company. All of this commercial print work dismayed Adams's mentor Alfred Stieglitz and even worried Adams when he couldn't find time to work on his own projects. It did, however, keep the lights on.

5. HE AND GEORGIA O'KEEFFE WERE FRIENDS.

Adams and legendary painter O'Keeffe were pals and occasional traveling buddies who found common ground despite their very different artistic approaches. They met through their mutual friend/mentor Stieglitz—who eventually became O'Keeffe's husband—and became friends who traveled throughout the Southwest together during the 1930s. O'Keeffe would paint while Adams took photographs.

These journeys together led to some of the artists' best-known work, like Adams' portrait of O'Keeffe and a wrangler named Orville Cox, and while both artists revered nature and the American Southwest, Adams considered O'Keeffe the master when it came to capturing the area. 

“The Southwest is O’Keeffe’s land,” he wrote. “No one else has extracted from it such a style and color, or has revealed the essential forms so beautifully as she has in her paintings.”

The two remained close throughout their lives. Adams would visit O'Keeffe's ranch, and the two wrote to each other until Adams' death in 1984.

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Dan Bell
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Design
A Cartographer Is Mapping All of the UK’s National Parks, J.R.R. Tolkien-Style
Peak District National Park
Peak District National Park
Dan Bell

Cartographer Dan Bell makes national parks into fantasy lands. Bell, who lives near Lake District National Park in England, is currently on a mission to draw every national park in the UK in the style of the maps in J.R.R. Tolkien’s The Lord of the Rings, Kottke.org reports.

The project began in September 2017, when Bell posted his own hand-drawn version of a Middle Earth map online. He received such a positive response that he decided to apply the fantasy style to real world locations. He has completed 11 out of the UK’s 15 parks so far. Once he finishes, he hopes to tackle the U.S. National Park system, too. (He already has Yellowstone National Park down.)

Bell has done various other maps in the same style, including ones for London and Game of Thrones’s Westeros, and he commissions, in case you have your own special locale that could use the Tolkien treatment. Check out a few of his park maps below.

A close-up of a map for Peak District National Park
Peak District National Park in central England
Dan Bell

A black-and-white illustration of Cairngorms National Park in the style of a 'Lord of the Rings' map.
Cairngorms National Park in Scotland
Dan Bell

A black-and-white illustration of Lake District National Park in the style of a 'Lord of the Rings' map.
Lake District National Park in England
Dan Bell

You can buy prints of the maps here.

[h/t Kottke.org]

All images by Dan Bell

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