You Can Thank 1950s Suburban Architecture for ‘The Floor Is Lava’

David Franzen, Library of Congress
David Franzen, Library of Congress

No one knows who, exactly, was the first kid to play "The Floor Is Lava," the simple childhood game that has only one rule: You can’t touch the floor. But as Quartz reports, a new paper contends that the game wouldn't have come about if it weren’t for the rise of American suburbs.

Published in the Social Science Research Network, the analysis by Tim Hwang of the MIT Media Laboratory argues that architecture was a vital factor in the spread of the folk game.

In the new suburban housing developments of postwar America, builders began to market the relatively new idea of the family room, an informal room designed for the social needs of the whole family. This room was separate from the formal living room and dining room, both of which were more likely to contain the inhabitants’ good furniture and fancy china. In building plans popular in the 1950s and 1960s, they were also set apart from the kitchen. One 1965 poll found that seven of 10 new houses built that year contained a family room.

And these factors, Hwang argues, are integral to playing The Floor is Lava. Family rooms provide big couches, coffee tables, and other furniture that kids can move around, climb on, and use as props for the game. Bedrooms would be too small, and formal living and dining rooms too full of potentially fragile items that Mom and Dad would be livid to find disturbed. And kitchens were seen as a mother’s domain, meaning that she would likely be there to put a stop to any shenanigans.

"What is unique about the family room space is both the quantity of space and permission that it affords to the play of The Floor is Lava,” Hwang writes.

However, this is just a hypothesis, and no one can really identify who started playing the game first. Kids in urban apartments can also theoretically jump all over their parents’ living room furniture, if allowed. During my childhood, the game typically took place on a playground rather than inside, requiring players to avoid the ground rather than the family room floor. There are games that originated elsewhere in the world that also revolve around avoiding the floor—Hwang notes examples from Kenya and the UK. But given how the spread of suburbs in the U.S. during the postwar period affected home design, it makes sense that a game might arise from the new spaces children lived in. We may never truly know how The Floor Is Lava was invented, but architecture seems like a good clue.

[h/t Quartz]

San Francisco's Full House Home Is for Sale

The exterior of the San Francisco home that was used in the opening of Full House.
The exterior of the San Francisco home that was used in the opening of Full House.
The Agency

In the opening credits for the sitcom Full House, fans knew to expect a shot of the Tanners in a car, a view of San Francisco's Golden Gate Bridge, and a quick glimpse of the red door of the family's home.

Fans have been visiting the real location of the San Francisco home used to shoot that iconic opening's exterior for years to take photos (and annoy the neighbors), but now someone has the opportunity to do more than lurk outside: TopTenRealEstateDeals.com reports that the home is currently on the market for $5.99 million.

The interior of the 'Full House' house
The Agency

The 3728-square-foot Victorian home, designed by Charles Lewis Hinkel and constructed in 1883, is located in San Francisco's desirable Lower Pacific Heights neighborhood—about a mile away from the famous "Painted Ladies" houses that are also featured in the show's opening credits.

The interior of the 'Full House' house
The Agency

Listed by The Agency, the home's interior looks much different than it appears on either the original show or the recent Fuller House sequel series (both of which were filmed in a studio). And it has recently undergone a major renovation, courtesy of Full House creator Jeff Franklin, who purchased the home for approximately $4 million in 2016 and went to work on updating it.

The kitchen of the 'Full House' house
The Agency

Instead of the open living room with a checked pattern couch and staircase, starchitect Richard Landry redesigned the home to be "sleek with soaring ceilings, skylights, and a masterful floor plan that allows for exceptional light and movement throughout," according to The Agency's property listing. "Sophistication and luxury combine to give you an ethereal residence that offers comfort, class, and opulent finishes."

The interior of the 'Full House' house
The Agency

The exterior looks a lot different than it did on the show, too—and features a less flashy door.

The exterior of the San Francisco home that was used in the opening of 'Full House'
The Agency

If you still want the home despite the differences from the Tanners' abode, you can view the full listing here—and check out the full interior in the video below.

Updated for 2019.

Notre-Dame's Rooftop Bees Survived the Historic Fire

Dan Kitwood/Getty Images
Dan Kitwood/Getty Images

Following the fire that tore through Notre-Dame in Paris on April 15, fire officials shared that the church's bell towers, stone facade, and many of its precious artifacts had escaped destruction. But the building's centuries-old features weren't the only things threatened by the blaze: The three beehives on the roof of the cathedral were also at risk. Now, CNN reports that the bees of Notre-Dame and their homes have survived the historic fire.

Notre-Dame's beehives are a relatively recent addition to the site: They were placed on the first-floor rooftop over the sacristy and beneath one of the rose windows in 2013. Nicolas Geant, the church's beekeeper, has been in charge of caring for the roughly 180,000 Buckfast bees that make honey used to feed the hungry.

Most people weren't thinking of bees as they watched Notre-Dame burn, but when the fire was put out, Geant immediately searched drone photographs for the hives. While the cathedral's wooden roof and spire were gone, the beehives remained, though there was no way of knowing if the bees had survived without having someone check in person. Geant has since talked to Notre-Dame's spokesperson and learned that bees are flying in and out of the hives, which means that at least some of them are alive.

Because the beehives were kept in a section 100 feet below the main roof where the fire was blazing, they didn't meet the same fate as the church's other wooden structures. The hives were likely polluted with smoke, but this wouldn't have hurt the insects: Bees don't have lungs, so smoke calms them rather than suffocates them.

Notre-Dame's bees may have survived to buzz another day, but some parts of the building weren't so lucky. France has vowed to rebuild it, with over $1 billion donated toward the cause so far.

[h/t CNN]

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