9 Original Star Wars Reviews

Star Wars © & TM 2015 Lucasfilm Ltd. All Rights Reserved.
Star Wars © & TM 2015 Lucasfilm Ltd. All Rights Reserved.

A long time ago (42 years, to be exact) in a galaxy just like this one, George Lucas was about to make cinematic history—whether he knew it or not. 

On May 25, 1977, moviegoers got their first glimpse of Star Wars, Lucas’s long-simmering space opera that would help define the concept of the Hollywood “blockbuster.” While we're still talking about the film today, and its many sequels and spinoffs, not every film critic would have guessed just how ingrained into the pop culture fabric Star Wars would become. While it charmed plenty of critics, some of the movie’s original reviews were less than glowing. Here are a few of our favorites (the good, the bad, and the Wookiee).

  1. "Star Wars is a fairy tale, a fantasy, a legend, finding its roots in some of our most popular fictions. The golden robot, lion-faced space pilot, and insecure little computer on wheels must have been suggested by the Tin Man, the Cowardly Lion, and the Scarecrow in The Wizard of Oz. The journey from one end of the galaxy to another is out of countless thousands of space operas. The hardware is from Flash Gordon out of 2001: A Space Odyssey, the chivalry is from Robin Hood, the heroes are from Westerns and the villains are a cross between Nazis and sorcerers. Star Wars taps the pulp fantasies buried in our memories, and because it's done so brilliantly, it reactivates old thrills, fears, and exhilarations we thought we'd abandoned when we read our last copy of Amazing Stories."
    —Roger Ebert, Chicago Sun-Times
  2. Star Wars is not a great movie in that it describes the human condition. It simply is a fun picture that will appeal to those who enjoy Buck Rogers-style adventures. What places it a sizable cut about the routine is its spectacular visual effects, the best since Stanley Kubrick’s 2001Star Wars is a battle between good and evil. The bad guys (led by Peter Cushing and an assistant who looks like a black vinyl-coated frog) control the universe with their dreaded Death Star."
    —Gene Siskel, Chicago Tribune
  3. "Star Wars is like getting a box of Cracker Jack which is all prizes. This is the writer-director George Lucas’s own film, subject to no business interference, yet it’s a film that’s totally uninterested in anything that doesn’t connect with the mass audience. There’s no breather in the picture, no lyricism; the only attempt at beauty is in the double sunset. It’s enjoyable on its own terms, but it’s exhausting, too: like taking a pack of kids to the circus. An hour into it, children say that they’re ready to see it again; that’s because it’s an assemblage of spare parts—it has no emotional grip. “Star Wars” may be the only movie in which the first time around the surprises are reassuring…. It’s an epic without a dream. But it’s probably the absence of wonder that accounts for the film’s special, huge success. The excitement of those who call it the film of the year goes way past nostalgia to the feeling that now is the time to return to childhood."
    —Pauline Kael, The New Yorker
  4. "The only way that Star Wars could have been interesting was through its visual imagination and special effects. Both are unexceptional ... I kept looking for an 'edge,' to peer around the corny, solemn comic-book strophes; he was facing them frontally and full. This picture was made for those (particularly males) who carry a portable shrine within them of their adolescence, a chalice of a Self that was Better Then, before the world's affairs or—in any complex way—sex intruded."
    —Stanley Kauffmann, The New Republic
  5. "There’s something depressing about seeing all these impressive cinematic gifts and all this extraordinary technological skills lavished on such puerile materials. Perhaps more important is what this seems to accomplish: the canonization of comic book culture which in turn becomes the triumph of the standardized, the simplistic, mass-produced commercial artifacts of our time. It’s the triumph of camp—that sentiment which takes delight in the awful simply because it’s awful. We enjoyed such stuff as children, but one would think there would come a time when we might put away childish things.”
    —Joy Gould Boyum, The Wall Street Journal
  6. "Star Wars … is the most elaborate, most expensive, most beautiful movie serial ever made. It’s both an apotheosis of Flash Gordon serials and a witty critique that makes associations with a variety of literature that is nothing if not eclectic: Quo Vadis?, Buck Rogers, Ivanhoe, Superman, The Wizard of Oz, The Gospel According to St. Matthew, the legend of King Arthur and the knights of the Round Table … The way definitely not to approach Star Wars, though, is to expect a film of cosmic implications or to footnote it with so many references that one anticipates it as if it were a literary duty. It’s fun and funny.”
    —Vincent Canby, The New York Times
  7. "Viewed dispassionately—and of course that’s desperately difficult at this point in time—Star Wars is not an improvement on Mr Lucas’ previous work, except in box-office terms. It isn’t the best film of the year, it isn’t the best science fiction ever to be translated to the screen, it isn’t a number of other things either that sweating critics have tried to turn it into when faced with finding some plausible explanation for its huge and slightly sinister success considering a contracting market. But it is, on the other hand, enormous and exhilarating fun for those who are prepared to settle down in their seats and let it all wash over them.”
    —Derek Malcolm, The Guardian
  8. "Strip Star Wars of its often striking images and its high-falutin scientific jargon, and you get a story, characters, and dialogue of overwhelming banality, without even a ‘future’ cast to them. Human beings, anthropoids, or robots, you could probably find them all, more or less like that, in downtown Los Angeles today. Certainly the mentality and values of the movie can be duplicated in third-rate non-science fiction of any place or period. O dull new world!”
    —John Simon, New York Magazine
  9. "Star Wars is somewhat grounded by a malfunctioning script and hopelessly infantile dialogue, but from a technical standpoint, it is an absolutely breathtaking achievement. The special effects experts who put Lucas' far-out fantasies on film—everything from a gigantic galactic war machine to a stunningly spectacular World War II imitation dogfight—are Oscar-worthy wizards of the first order. And, for his own part, Lucas displays an incredibly fertile imagination—an almost Fellini-like fascination with bizarre creatures.”
    —Kathleen Carroll, New York Daily News

7 of the Best Double Features You Can Stream on Netflix Right Now

Sylvester Stallone and Talia Shire in Rocky (1976) and Liev Schreiber in Chuck (2016).
Sylvester Stallone and Talia Shire in Rocky (1976) and Liev Schreiber in Chuck (2016).
20th Century Fox Home Entertainment and IFC Films

For many of us, movie night can turn into a movie marathon. If you’re logged into Netflix and pondering what to watch, check out these double feature suggestions that each offer a perfect pairing of tone, topic, or an ideal double dose of Nicolas Cage.

1. Bonnie and Clyde (1967) // The Highwaymen (2019)

In Bonnie and Clyde, Warren Beatty and Faye Dunaway star as the famous outlaw couple who livened up Depression-era America with their string of bank robberies. More than 50 years later, The Highwaymen shifts the focus to the retired Texas Rangers (Kevin Costner and Woody Harrelson) charged with bringing them down.

2. Rocky (1976) // Chuck (2016)

Sylvester Stallone's rousing story of underdog palooka Rocky Balboa pairs well with the biopic of the man who partially inspired Stallone's screenplay. Chuck details the boxing career of Chuck Wepner, a determined pugilist who was given virtually no chance against Muhammad Ali but wound up winning the respect of the crowd. Liev Schreiber stars.

3. Deliverance (1972) // The River Wild (1994)

Water-based getaways become cautionary tales: In Deliverance, Burt Reynolds delivers the performance that turned him into a movie star, a rough and rugged outdoorsman confronted by a group of sinister locals in the backwoods of Georgia. Things don’t get appreciably better in The River Wild, with Meryl Streep as a matriarch forced to navigate the rapids under the gun of criminal Kevin Bacon. Together, the two may have you rethinking your vacation plans.

4. All the President’s Men (1976) // Kill the Messenger (2014)

Newspaper reporting comes under fire in both of these films based on true stories. All the President's Men features Robert Redford and Dustin Hoffman as Bob Woodward and Carl Bernstein, The Washington Post reporters tasked with uncovering the Watergate conspiracy. Kill the Messenger stars Jeremy Renner as Gary Webb, the journalist who found a suspicious connection between drug smuggling and the CIA.

5. Carrie (1976) // Gerald’s Game (2017)

After a bad stretch of mediocre adaptations, Stephen King’s work has been seeing an onscreen renaissance. Check out two of the best: Carrie, which stars Sissy Spacek as a telekinetic teen with an overbearing mother and an awkward social life; and Gerald’s Game, which casts Carla Gugino as a woman trapped in handcuffs amid supernatural activity.

6. National Treasure (2004) // The Trust (2016)

Fitting in the very narrow genre of “Nicolas Cage heist movies,” both National Treasure and The Trust are terrific on their own: A double feature contrasts Cage at his blockbuster best with his indie film shades of grey. As Benjamin Franklin Gates in National Treasure, he tries to run off with the Declaration of Independence. In The Trust, he and Elijah Wood are cops targeting a drug money stash. Fans of a more subdued—but still excellent—Cage should find a lot to like here.

7. Inglourious Basterds (2009) // The Imitation Game (2014)

Two very different tales of World War II oscillate from the cerebral to the Nazi-smashing. In Inglourious Basterds, Quentin Tarantino offers a revisionist take on the men and women who resisted the Reich. In The Imitation Game, Benedict Cumberbatch is real-life scientist Alan Turing, whose work with computers cracked a German code that helped end the war.

How Mister Rogers Used King Friday to Make Friday the 13th Less Scary for Kids

Getty Images
Getty Images

King Friday XIII, son of King Charming Thursday XII and Queen Cinderella Monday, is an avid arts lover, a talented whistler, and a former pole vaulter. He reigns over Calendarland with lots of pomp and poise, and he’s usually correct.

Fans of Mister Rogers’ Neighborhood may also remember that the monarch was born on Friday the 13th, because his birthday was celebrated on the program every Friday the 13th. Though the math isn’t perfect—according to Timeanddate.com, Friday the 13th sometimes happens two or three times a year—the heartwarming reason behind the unconventionally-timed birthday celebrations absolutely is.

Fred Rogers explained that he wanted to give children a reason to look forward to Friday the 13th, instead of buying into the negative superstitions that surround the dreaded date. “We thought, ‘Let’s start children out thinking that Friday the 13th was a fun day,’” he said in a 1999 interview. “So we would celebrate his birthday every time a Friday the 13th came.”

Rogers added that the tradition worked out so well partially because the show was broadcast live, and viewers knew to anticipate an especially festive episode whenever they spotted a Friday the 13th on the calendar.

Speaking of calendars: There’s an equally charming story behind the name Calendarland. In the same interview, Rogers disclosed that King Friday once asked children to write in with suggestions for his then-nameless country. One boy posited that since King Friday was named after a calendar date, his realm should be named after the calendar. Then, the lucky youngster was invited to the set, where King Friday christened him a prince of Calendarland.

King Friday might be king of Calendarland, but Mister Rogers is definitely the king of understanding how to make kids feel safe, smart, and special.

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