Star Wars Premiered 41 Years Ago … and the Reviews Weren’t Always Kind

Star Wars © & TM 2015 Lucasfilm Ltd. All Rights Reserved.
Star Wars © & TM 2015 Lucasfilm Ltd. All Rights Reserved.

A long time ago (41 years, to be exact) in a galaxy just like this one, George Lucas was about to make cinematic history—whether he knew it or not. On May 25, 1977, moviegoers got their first glimpse of Star Wars, Lucas’s long-simmering space opera that would help define the concept of the Hollywood “blockbuster.” While we're still talking about the film today, and its many sequels and spinoffs (hello, Solo), not every film critic would have guessed just how ingrained into the pop culture fabric Star Wars would become. While it charmed plenty of critics, some of the movie’s original reviews were less than glowing. Here are a few of our favorites (the good, the bad, and the Wookiee):

"Star Wars is a fairy tale, a fantasy, a legend, finding its roots in some of our most popular fictions. The golden robot, lion-faced space pilot, and insecure little computer on wheels must have been suggested by the Tin Man, the Cowardly Lion, and the Scarecrow in The Wizard of Oz. The journey from one end of the galaxy to another is out of countless thousands of space operas. The hardware is from Flash Gordon out of 2001: A Space Odyssey, the chivalry is from Robin Hood, the heroes are from Westerns and the villains are a cross between Nazis and sorcerers. Star Wars taps the pulp fantasies buried in our memories, and because it's done so brilliantly, it reactivates old thrills, fears, and exhilarations we thought we'd abandoned when we read our last copy of Amazing Stories."

—Roger Ebert, Chicago Sun-Times

Star Wars is not a great movie in that it describes the human condition. It simply is a fun picture that will appeal to those who enjoy Buck Rogers-style adventures. What places it a sizable cut about the routine is its spectacular visual effects, the best since Stanley Kubrick’s 2001Star Wars is a battle between good and evil. The bad guys (led by Peter Cushing and an assistant who looks like a black vinyl-coated frog) control the universe with their dreaded Death Star."

—Gene Siskel, Chicago Tribune

Star Wars is like getting a box of Cracker Jack which is all prizes. This is the writer-director George Lucas’s own film, subject to no business interference, yet it’s a film that’s totally uninterested in anything that doesn’t connect with the mass audience. There’s no breather in the picture, no lyricism; the only attempt at beauty is in the double sunset. It’s enjoyable on its own terms, but it’s exhausting, too: like taking a pack of kids to the circus. An hour into it, children say that they’re ready to see it again; that’s because it’s an assemblage of spare parts—it has no emotional grip. “Star Wars” may be the only movie in which the first time around the surprises are reassuring…. It’s an epic without a dream. But it’s probably the absence of wonder that accounts for the film’s special, huge success. The excitement of those who call it the film of the year goes way past nostalgia to the feeling that now is the time to return to childhood."

—Pauline Kael, The New Yorker

"The only way that Star Wars could have been interesting was through its visual imagination and special effects. Both are unexceptional ... I kept looking for an 'edge,' to peer around the corny, solemn comic-book strophes; he was facing them frontally and full. This picture was made for those (particularly males) who carry a portable shrine within them of their adolescence, a chalice of a Self that was Better Then, before the world's affairs or—in any complex way—sex intruded."

—Stanley Kauffmann, The New Republic

“There’s something depressing about seeing all these impressive cinematic gifts and all this extraordinary technological skills lavished on such puerile materials. Perhaps more important is what this seems to accomplish: the canonization of comic book culture which in turn becomes the triumph of the standardized, the simplistic, mass-produced commercial artifacts of our time. It’s the triumph of camp—that sentiment which takes delight in the awful simply because it’s awful. We enjoyed such stuff as children, but one would think there would come a time when we might put away childish things.”

—Joy Gould Boyum, The Wall Street Journal

Star Wars … is the most elaborate, most expensive, most beautiful movie serial ever made. It’s both an apotheosis of Flash Gordon serials and a witty critique that makes associations with a variety of literature that is nothing if not eclectic: Quo Vadis?, Buck Rogers, Ivanhoe, Superman, The Wizard of Oz, The Gospel According to St. Matthew, the legend of King Arthur and the knights of the Round Table … The way definitely not to approach Star Wars, though, is to expect a film of cosmic implications or to footnote it with so many references that one anticipates it as if it were a literary duty. It’s fun and funny.”

—Vincent Canby, The New York Times

"Viewed dispassionately—and of course that’s desperately difficult at this point in time—Star Wars is not an improvement on Mr Lucas’ previous work, except in box-office terms. It isn’t the best film of the year, it isn’t the best science fiction ever to be translated to the screen, it isn’t a number of other things either that sweating critics have tried to turn it into when faced with finding some plausible explanation for its huge and slightly sinister success considering a contracting market. But it is, on the other hand, enormous and exhilarating fun for those who are prepared to settle down in their seats and let it all wash over them.”

—Derek Malcolm, The Guardian

“Strip Star Wars of its often striking images and its high-falutin scientific jargon, and you get a story, characters, and dialogue of overwhelming banality, without even a ‘future’ cast to them. Human beings, anthropoids, or robots, you could probably find them all, more or less like that, in downtown Los Angeles today. Certainly the mentality and values of the movie can be duplicated in third-rate non-science fiction of any place or period. O dull new world!”

—John Simon, New York Magazine

"Star Wars is somewhat grounded by a malfunctioning script and hopelessly infantile dialogue, but from a technical standpoint, it is an absolutely breathtaking achievement. The special effects experts who put Lucas' far-out fantasies on film—everything from a gigantic galactic war machine to a stunningly spectacular World War II imitation dogfight—are Oscar-worthy wizards of the first order. And, for his own part, Lucas displays an incredibly fertile imagination—an almost Fellini-like fascination with bizarre creatures.”

—Kathleen Carroll, New York Daily News

Peter Dinklage Faked His Own Death on Game of Thrones to Mess With People

HBO
HBO

by Kwadar Ray

Tyrion Lannister has been one of the few Game of Thrones characters to survive the gory, fantasy/action series. ​Ned Stark, Robb Stark, and Khal Drogo are just some of the many prominent characters Lannister has outlasted. Despite Tyrion's wherewithal and smarts to keep himself alive, the actor behind the character, ​Peter Dinklage, enjoys doing the exact opposite just for kicks.

While promoting his upcoming film I Think We’re Alone Now, the actor revealed on Jimmy Kimmel Live! that he enjoys staging his death and waiting for unsuspecting crew members to find his body.

"I like to pretend I’m dead. It’s always fun," Dinklage said nonchalantly. "Just my legs sprawled out in the trailer. You’ve got to get really smushed into the floor in a very awkward position ... I’ll wait hours. We have a lot of time on set."

Dinklage explained that he does not have a usual victim. "For whoever, the wardrobe person or the producers," the equal opportunity prankster told Kimmel.

It's hilarious the Emmy-winning actor plays some pretty dark pranks on set, but we just sincerely hope him revealing this is not his way of foreshadowing for the eighth and final season of the show. Even if we know it's ​going to be a heartbreaking season, we need Tyrion to keep on pushing along!

Everything You Need to Know About the New DC Universe Streaming Service

Brenton Thwaites stars in DC Universe's Titans
Brenton Thwaites stars in DC Universe's Titans
Warner Bros. Television

by Natalie Zamora

Although the fates of two major DC superheroes, Superman and Batman, are kind of up in the air right now as far as for their Extended Universes, things are looking up for the franchise, as their exclusive streaming service has just launched. Here's everything you need to know about DC Universe.

THE SIGNIFICANCE

With all the different types of streaming services we have today, why is DC Universe so special, and why would someone pay for it if they can find the content elsewhere? Well, this streaming service allows all your favorite DC content to live in one space. Instead of having to search for what you want throughout the internet, you can find it all here. For the die-hard fan, this is perfect.

DC Universe offers an impressive collection of live-action and animated movies, TV shows, documentaries, and comic books. The service also offers exclusive toys you can only get by being a subscriber.

THE CONTENT

Heath Ledger stars as The Joker in 'The Dark Knight' (2008)
© TM & DC Comics/Warner Bros. Entertainment Inc.

So, what exact DC content lives on DC Universe? Well, there's a range of content from recent to old-school, such as Batman: The Animated Series, The Dark Knight, Teen Titans, and Constantine. Apart from what's on there now, the service will be debuting the live-action Titans series later this year, along with Swamp Thing and Doom Patrol in 2019. DC is also developing new series for Harley Quinn and Young Justice: Outsiders, exclusively for the service.

THE PRICE

​To get all of this exclusive DC content, it must be expensive, right? No, not really. Compared to Netflix, which is $10.99 a month, DC Universe is inexpensive, at a rate of $7.99 monthly or $74.99 annually. It is a bit pricier than Hulu, however, which is $5.99 monthly for the first year, then $7.99 monthly after. Like most streaming services, you can also try a free seven-day trial with DC Universe.

HOW TO SIGN UP

​Are you sold? If so, the sign up process is fairly simple. Head to ​DC Universe, create an account, and choose your plan, either monthly or annually. Either way, you'll get your free seven-day trial to browse around and see for yourself if it's really worth it.

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