The Best Children's Books of the Year, According to Bank Street College of Education

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The Children's Book Committee at Bank Street College of Education in New York City recently released its 2018 list of the best children's books on the market. Separated into five age-appropriate categories, the list includes more than 600 titles published in the U.S. and Canada in 2017.

In making their selection, judges considered books' literary merit, presentation, and potential emotional impact on young readers, as well as originality of the story, credibility of the characters, and absence of stereotypes. They also looked for positive representations of religious and ethnic differences.

Nonfiction books were checked for accuracy, balance, and documentation, while poetry books were assessed for their language, sound, rhythm, substance, and emotional intensity. Each book on the list was read and reviewed by at least two members of the committee, and then considered by the committee as a whole.

Of the books on the list, three are selected for special awards each year. For 2018, the Josette Frank Award—given to an outstanding novel in which a child character handles difficulty in a positive and realistic way—was awarded to Piecing Me Together by Renée Watson. The Claudia Lewis Award for poetry went to One Last Word: Wisdom from the Harlem Renaissance by Nikki Grimes, and the Flora Stieglitz Straus Award for inspiring nonfiction went to Hawk Mother: The Story of a Red-Tailed Hawk Who Hatched Chickens by Kara Hagedorn.

Below is a selection of some of the books on the list. All of the titles below were awarded "outstanding merit" by the committee. For the full selection, click on the PDF link next to each individual category.

Under five category [PDF]
Anywhere Farm by Phyllis Root and G. Brian Karas
Big Cat, Little Cat by Elisha Cooper
Creepy Pair of Underwear! by Aaron Reynolds and Peter Brown
Mine! by Jeff Mack
Noisy Night by Mac Barnett and Brian Biggs
Sam & Eva by Debbie Ridpath Ohi
Snow Scene by Richard Jackson and Laura Vaccaro Seeger
Winter Dance by Marion Dane Bauer and Richard Jones

Five to nine category [PDF]
After the Fall: How Humpty Dumpty Got Back Up Again by Dan Santat
Alfie: The Turtle That Disappeared by Thyra Heder
Emmet Otter's Jug-Band Christmas by Russell Hoban and Lillian Hoban
Good Night, Planet by Liniers
Pandora by Victoria Turnbull
Robinson by Peter Sís
Sleep Tight, Charlie by Michael Escoffier and Kris Di Giacomo
Spiders!: Strange and Wonderful by Laurence Pringle and Meryl Henderson

Nine to twelve category [PDF]
All's Faire in Middle School by Victoria Jamieson
A Properly Unhaunted Place by William Alexander and Kelly Murphy
If Sharks Disappeared by Lily Williams
Little Bits of Sky by S. E. Durrant and Katie Harnett
Me and Marvin Gardens by Amy Sarig King
Sputnik's Guide to Life on Earth by Frank Cottrell Boyce
The Purloining of Prince Oleomargarine by Mark Twain, Philip C. Stead, and Erin E. Stead
The War I Finally Won by Kimberly Brubaker Bradley

Twelve to fourteen category [PDF]
Girl Rising: Changing the World One Girl at a Time by Tanya Lee Stone
Insignificant Events in the Life of a Cactus by Dusti Bowling
Saints and Misfits by S. K. Ali
Satellite by Nick Lake
The Book of Chocolate: The Amazing Story of the World's Favorite Candy by H. P. Newquist
The Exact Location of Home by Kate Messner
Thick as Thieves by Megan Whalen Turner and Maxime Plasse
Yvain: The Knight of the Lion by M. T. Anderson and Andrea Offermann

Fourteen and up category [PDF]
Between Two Skies by Joanne O'Sullivan
Eliza and Her Monsters by Francesca Zappia
Far From the Tree by Robin Benway
I Am Not Your Perfect Mexican Daughter by Erika L. Sánchez
Midnight at the Electric by Jodi Lynn Anderson
Saint Death by Marcus Sedgwick
The Epic Crush of Genie Lo by F. C. Yee
The Hate U Give by Angie Thomas

A print copy of The Best Children's Books of the Year, 2018 Edition ($10, plus $3 shipping) can be purchased by emailing bookcom@bankstreet.edu.

11 Chilling Facts About Shirley Jackson's The Haunting of Hill House

Can a house be born bad? That’s the question Shirley Jackson asks in her classic novel, The Haunting of Hill House. Released in 1959, the gothic novel follows four strangers who converge on a purportedly haunted house to “scientifically” seek out evidence of the paranormal. Things rapidly devolve and the characters—in particular, the novel’s lonely protagonist, Eleanor—realize, too late, that they’re in over their heads.

Upon its release, the novel sold briskly, earning Jackson a National Book Award nomination and high praise from critics. In its review, The New York Times called the story “caviar for connoisseurs of the cryptic” and described Jackson as “the finest master currently practicing in the genre of the cryptic, haunted tale.” It also caught the attention of Hollywood, and within four years MGM released a film adaptation, directed by Robert Wise. Since then, the novel has been made into a play and into a widely panned 1999 movie. On October 12, the first ever television series based on the novel will be released by Netflix.

Whether you’re getting ready to dig into the horrors of Hill House on Netflix or a fan of the original novel, here are 11 facts about The Haunting of Hill House you should know.

1. IT WAS INSPIRED BY REAL-LIFE PARANORMAL INVESTIGATORS

A photo of a ghost in the 1890s
The National Archives UK // Public Domain

Jackson was inspired to write the novel after reading about a group of 19th century “psychic researchers” who rented a house they believed to be haunted in order to study paranormal phenomena. The researchers studiously recorded their experiences in the house, and presented them in the form of a treatise to the Society for Psychic Research. In her essay “Experience and Fiction,” Jackson explained that she was most intrigued by the way the researchers revealed their own personalities and backgrounds throughout the study. “They thought they were being terribly scientific and proving all kinds of things,” she explained. “And yet the story that kept coming through their dry reports was not at all the story of a haunted house, it was the story of several earnest, I believe misguided, certainly determined people, with their differing motivations and backgrounds.”

2. JACKSON HAD A TERRIFYING SLEEPWALKING EXPERIENCE WHILE WRITING THE NOVEL ...

Early on in the writing process, Jackson awoke one morning to find something terrifying atop her writing desk: A note, with the words “DEAD DEAD” scrawled upon it, written in her own handwriting. Jackson, who loved ghost stories but did not believe in ghosts, brushed the strange discovery off as sleepwalking. In “Experience and Fiction,” she wrote that she used the strange note to motivate her, explaining, “I decided that I had better write the book awake, which I got to work and did.”

3. ... AND MADE AN UNSETTLING DISCOVERY WHILE RESEARCHING HAUNTED HOUSES.

A haunted house on a hill
iStock.com/DNY59

Before she began writing The Haunting of Hill House, Jackson scoured magazines and newspapers for photos of houses that seemed haunted. During her research, she stumbled upon a photo of a house in California that had a particular air of “disease and decay.” She was so struck by it, she asked her mother, who lived in California, if she could find any additional information about the house. Her mother’s response shocked Jackson: Not only was she familiar with the house, but Jackson's own great-grandfather had built it. After standing empty for many years, the house had been set on fire—possibly by a group of townspeople.

4. THERE WAS ORIGINALLY MORE THAN ONE VERSION OF ELEANOR.

In A Rather Haunted Life, Shirley Jackson biographer Ruth Franklin writes that Jackson initially struggled to decide what kind of character her protagonist, Eleanor, would be. Jackson wrote three different iterations of Eleanor before settling on her final version. One, according to Franklin, was “a spinster with a swagger”—a far cry from the introverted Eleanor of the finished novel.

5. IT'S A GHOST STORY WITHOUT GHOSTS.

Jackson often referred to the novel as a “good ghost story” despite the fact that it doesn't have any overt ghosts. Instead, it’s the house itself that seems to do the haunting. In her notes for the novel, Jackson explained, “The House is the haunting.” While much of the novel is left ambiguous, Jackson was clear about the connections between Hill House and her protagonist, Eleanor. “Jackson clearly intended the external signs of haunting to be interpreted as manifestations of Eleanor’s troubled psyche,” Franklin explains in A Rather Haunted Life. At the same time, Franklin notes, “The novel makes it clear that something in the house brings out the disturbance in Eleanor.”

6. JACKSON'S HUSBAND WAS TOO AFRAID TO READ IT.

Jackson’s husband Stanley Edgar Hyman was a well-known literary critic and professor who enthusiastically read all of his wife’s books—but not The Haunting of Hill House. According to Franklin, “For the first time he refused to read her manuscript: He found the concept of ghosts too frightening.”

7. THE NOVEL HAS EARNED COMPARISONS TO THE TURN OF THE SCREW.

Since its release, critics and fans have drawn comparisons between The Haunting of Hill House and the writings of everyone from Edgar Allan Poe to Hilary Mantel. But the comparison that comes up the most is to Henry James’s classic novel The Turn of the Screw. In her introduction to The Haunting of Hill House, Laura Miller explains that the two novels share common themes, including “a lonely, imaginative young woman” and “a big isolated house.” In his 1981 book Danse Macabre, Stephen King writes, “It seems to me that [The Haunting of Hill House] and James’s The Turn of the Screw are the only two great novels of the supernatural in the last hundred years.”

8. IT WAS JACKSON'S FIRST PROFITABLE NOVEL.

The Haunting of Hill House wasn’t just Jackson’s most popular novel: It was her first profitable novel. “Hill House was a financial and critical triumph," Franklin writes. “For the first time, a novel of [Jackson’s] had finally earned back its advance and was even making a profit.”

9. SHE SOLD THE FILM RIGHTS FOR $67,500—AND USED THE MONEY TO BUY A WASHING MACHINE.

When Jackson sold the movie rights to Hill House for $67,500 (“an astronomical fee for the time,” notes Miller), it propelled her family into true financial stability for the first time. They used the money from the film to pay off their mortgage and all other debts, and to buy living room drapes, a player piano, and a washing machine and dryer.

10. ROALD DAHL SENT JACKSON A LETTER AFTER READING IT.

Roald Dahl
Carl Van Vechten, Library of Congress // Public Domain

Legendary children’s author Roald Dahl was so struck by The Haunting of Hill House, he wrote to Jackson suggesting she write for television. According to Jackson biographer Lenemaja Friedman, Dahl asked her to “consider writing a script for a television show that Ellyn Williams was doing in Britain.” It’s unclear whether Dahl himself was working on the show (his TV series Way Out premiered in 1961, two years after the publication of Hill House), but Jackson ultimately refused his request.

11. THE NOVEL HAS A LOT OF FAMOUS FANS.

Stephen King, Neil Gaiman, Guillermo del Toro, and Carmen Maria Machado are all huge fans. Del Toro included Hill House in a series of six classic horror novels he curated for Penguin, Maria Machado called it “the scariest novel I’ve ever read,” and Neil Gaiman has written that, while plenty of novels have scared him, Hill House “beats them all.” Stephen King, meanwhile, has written that Hill House has one of the best openings he’s ever read, calling it “the sort of quiet epiphany every writer hopes for.”

JK Rowling's Newest Obsession? A Teenager's 350-Year-Old Math Notebook

Angela Weiss, AFP/Getty Images
Angela Weiss, AFP/Getty Images

Inspiration can be found in surprising places—including the math notebook of an 18th-century farm boy. As the BBC reports, a collection of 350-year-old doodles posted on Twitter recently went viral, and now they've caught the attention of author JK Rowling.

The Museum of English Rural Life shared pages pulled from its archives in a Twitter thread on Saturday, October 6. The book, dating from 1784, belonged to a 13-year-old boy named Richard Beale from Biddenden in the English county of Kent. It was primarily a math notebook, but the owner also apparently used it to explore his artistic side.

Beale scribbled some elaborate drawings around his equations. In one doodle, a pair of triangles spans the width of a city street. In another, an angle overlaps with a mountain with a burning fortress at its peak.

One figure, a black-and-white dog, appears throughout the book, leading the museum to believe it may have been the teen's family pet. Beale also sketched a picture of a chicken wearing trousers.

J.K. Rowling retweeted the thread on Sunday, to which the museum responded with a request for her to make the pants-clad chicken the protagonist of her next book series.

She responded: "Way ahead of you. He's best friends with a duck in a balaclava."

The notebook is part of a collection of farm diaries that was donated to the Museum of Rural English Life a few years ago. Researchers looking to appreciate Beale's detailed doodles in person can access them through the museum's reading room.

[h/t BBC]

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