18 Things to Look For the Next Time You Watch Jaws

MCA/Universal Home Video
MCA/Universal Home Video

Steven Spielberg invented the modern summer blockbuster with Jaws, and his 1975 great white shark thriller is like nothing before or after it. The director was essentially an unknown at the time, his only theatrical film having been the modestly successful The Sugarland Express. With an estimated production budget of just $7 million, the then-28-year-old turned a horror movie disguised as beachy fun into a box-office sensation that grossed about half a billion dollars worldwide.

What’s most impressive about Jaws today is how gripping it still is, thanks to clever camerawork and editing, as well as Spielberg’s innate understanding that what we don’t see is always more unsettling than what we do. You’ve almost definitely seen Jaws, but if it’s been a while, grab the popcorn and blankets and watch it in a whole new way with these interesting facts and Easter eggs in mind.

1. It's as much John Williams's movie as it is Steven Spielberg's.

A scene from 'Jaws' (1975)

Jaws is known at least as much for the singular theme music written by composer John Williams as it is for any shot or line. The surprisingly simple arrangement of notes is played during the opening credits and repeated throughout the film, particularly to heighten scenes in which the shark attacks, and it’s impossible to get it out of your head. But when Williams first played the score for Spielberg, the director laughed and said, “That’s funny, John, really. But what did you really have in mind for the theme of Jaws?”

Thankfully, Spielberg was ultimately convinced that the score would work, since Jaws wouldn’t be close to as potent without Williams’s work, which went on to win the Oscar for Best Score. Spielberg and Williams have been tight collaborators ever since.

2. The first victim is left helpless when her paramour falls asleep.

A scene from 'Jaws' (1975)

This movie is not exactly an endorsement of men. Among other things, the shark's first victim—a young woman—falls prey to the giant fish after she meets a guy at a hippie-ish party on the beach. He chases her toward the ocean, where she skinny-dips. He has to ask for her name again even though they’re about to hook up (it’s Chrissie), and as he’s taking off his clothes, he falls asleep! That leaves her alone in the water, where the great white pulls her to her death.

3. That woman is actually a stuntwoman.

A scene from 'Jaws' (1975)

The first victim isn’t just a bikini babe in distress. Because of the requirements of the acting gig, Spielberg cast a stuntwoman, Susan Backlinie, who specialized in swimming scenes. If you look closely, it’s pretty obvious she’s being pulled by a rig rather than a sea creature, given the quick, rigid movements. Backlinie was actually fitted with a harness attached to a 300-pound weight, which crew members moved using ropes to drag her through the water.

4. We watch through the shark's eyes.

A screen grab from 'Jaws' (1975)
MCA/Universal Home Video

One of Spielberg’s great formal tricks in Jaws is the use of POV (or point-of-view) shots, in which the audience sees things from the shark’s perspective. An underwater camera stalks the shallow floor of the ocean near the island, approaching soon-to-be victims frolicking in the water. POV shots showing a killer’s vision became a recurring trope in horror movies, especially slashers like John Carpenter’s classic Halloween, which was released three years after Jaws.

5. There is no Amity Island.

A screen grab from 'Jaws' (1975)
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The setting for all the human-chomping action is Amity, an idyllic island. In Peter Benchley's original novel, on which the film is based, Amity is located in Long Island, New York. Because of particular production demands, shooting took place on Martha’s Vineyard, Massachusetts. It’s probably better for the tourism industry of Martha’s Vineyard that the fictional island remains known as Amity (though the island is clearly proud of its place in film history).

6. That's a real woman's arm.

A screen grab from 'Jaws' (1975)
MCA/Universal Home Video

We get our first look at the shark’s damage when police chief Martin Brody (Roy Scheider) comes upon the corpse of the woman killed in the opening. You’d be forgiven for thinking what he sees is just a prop arm dangling out of the sand. In fact, Spielberg decided the prop looked too fake, so he opted to have a female crew member buried in the sand, leaving her arm above the surface.

7. The mayor is intolerable from the start.

A screen grab from 'Jaws' (1975)
MCA/Universal Home Video

Amity Mayor Larry Vaughn intentionally undermines Brody’s investigation into shark attacks so that the town can rake in more money from the summer beach season, leading to more casualties. But it’s his introduction, wearing an obnoxious anchor-print blazer, that signals the character as someone not to be trusted.

8. Brody fears the water, just like Spielberg.

A screen grab from 'Jaws' (1975)
MCA/Universal Home Video

Brody’s discomfort with the ocean is alluded to throughout the plot, and he refuses to get into the water for most of the film. It’s hard to blame him after watching Jaws. But Spielberg commented on a similar anxiety of his own. “I’m not so much afraid of sharks,” he said of his blockbuster. “I’m afraid of the water and I’m afraid of everything that exists under the water that I can’t see.” That might be why he so often depicts the ocean at night, when it’s at its most murky and unknowable.

9. A kid and a dog die, but somehow Jaws is rated PG.

A screen grab from 'Jaws' (1975)
MCA/Universal Home Video

It’s worth stopping to recognize that two of the first three shark victims are the young Kintner boy and a dog, who’s not seen after fetching a stick. Dog deaths are normally traumatic events reserved for the climaxes of movies, but Spielberg pulled out the big guns early.

10. That was one hard slap.

A screen grab from 'Jaws' (1975)
MCA/Universal Home Video

One of the more quietly powerful moments involves Brody being confronted and slapped by Mrs. Kintner (Lee Fierro), the mother of the boy killed by the shark. Fierro had trouble credibly faking a slap, so she used force. Seventeen takes later, Scheider was genuinely hurting.

11. That ghoulish shot of a dead man was a last-minute addition.

A screen grab from 'Jaws' (1975)
MCA/Universal Home Video

After Spielberg felt preview audiences didn’t scream loudly enough at the image of a decomposed head found by Richard Dreyfuss's Matt Hooper, the director decided to reshoot it using his own money. He summoned a crew to editor Verna Field’s swimming pool, and they dumped in a gallon of milk to give the illusion of seawater.

12. We don't see the shark until more than halfway through the movie.

A screen grab from 'Jaws' (1975)
MCA/Universal Home Video

The audience gets its first—brief—look at the shark during the Fourth of July weekend, when it kills a boater and pursues Brody’s son in an estuary. Though it looks impressively lifelike, the prop shark was a headache to operate, often failing, which helps explain why Spielberg used it so sparingly.

13. The shark was known as "Bruce," which almost makes him sound cute.

A screen grab from 'Jaws' (1975)
MCA/Universal Home Video

Three mechanical sharks subbed in for the man-eater, and were collectively known as Bruce on the set (after Spielberg’s lawyer, Bruce Ramer). That was apparently cuddly enough for a reference in Finding Nemo, which features a great white named Bruce.

14. The shark's cause of death is teased much earlier.

A screen grab from 'Jaws' (1975)
MCA/Universal Home Video

Few climaxes are as visually glorious and satisfying as watching the shark blown to smithereens at the end of Jaws, thanks to Hooper’s compressed air tank. But the tanks are mentioned well before, when the sea-averse Brody accidentally knocks them over on the ship. Hooper chastises him, warning him that they could explode. What’s not clear is why they don’t use the would-be bombs on the shark much earlier.

15. The most famous line wasn't in the script.

A screen grab from 'Jaws' (1975)
MCA/Universal Home Video

Brody is throwing chum into the water and smoking a cigarette when the hungry shark unexpectedly leaps in front of the camera. The startled chief withdraws and tells Robert Shaw’s Quint, “You’re gonna need a bigger boat,” thereby putting himself in the film history books. Screenwriter Carl Gottlieb admitted that the line wasn’t scripted; Scheider improvised it. Everyone else seemed to enjoy it, however, since Scheider repeats some version of it two more times.

16. That's a real shooting star.

A screen grab from 'Jaws' (1975)
MCA/Universal Home Video

You can’t always plan for the perfect cinematic moment. The shooting star that appears behind Brody as he loads his gun during a night scene on the boat looks magical for a reason: That was nature intervening on the set.

17. Hooper was supposed to die.

A screen grab from 'Jaws' (1975)
MCA/Universal Home Video

In the novel, the shark delivers a fatal blow to Hooper when he’s in his cage underwater. (He also sleeps with Brody’s wife, but that’s another matter.) A Jaws crew in Australia captured footage of a real-life great white thrashing an empty cage, however, and Spielberg wanted to use it. So the ending was rewritten.

18. Brody and Hooper inappropriately share a laugh at the end.

A screen grab from 'Jaws' (1975)
MCA/Universal Home Video

Hooper doesn’t emerge from the depths of the water until after Brody has demolished the shark, which is smart thinking on his part. He swims up to Brody and the two immediately share a laugh over their good fortune, while nearly in the same breath Hooper discovers that Quint has just died. It generally goes against decorum to express joy in the early stages of mourning.

20 Facts About Eyes Wide Shut On Its 20th Anniversary

Warner Bros./Liaison via Getty Images Plus
Warner Bros./Liaison via Getty Images Plus

In the late 1990s, stories about what was happening on the set of Stanley Kubrick’s already-secretive film Eyes Wide Shut constantly made headlines. Everyone wanted to know what was going on behind the scenes with real-life celebrity couple Tom Cruise and Nicole Kidman, and the 15-month shoot only intrigued people more. Finally, the film was released on July 16, 1999—more than four months after Kubrick had passed away. While there is still a lot we don’t know about the movie, here are 20 things we do.

1. Eyes Wide Shut is based on a 1926 novella.

Eyes Wide Shut is loosely is based on Arthur Schnitzler’s novella Traumnovelle (Dream Story), which was published in 1926. Considering that the movie takes place in 1990s New York, it is obviously not a direct adaptation, but it overlaps in its plot and themes. “[The book] explores the sexual ambivalence of a happy marriage and tries to equate the importance of sexual dreams and might-have-beens with reality,” Kubrick said. “The book opposes the real adventures of a husband and the fantasy adventures of his wife, and asks the question: is there a serious difference between dreaming a sexual adventure, and actually having one?”

2. Production on Eyes Wide Shut began in 1996.

By then, Kubrick had been holding onto the rights to Traumnovelle—which screenwriter Jay Cocks purchased on his behalf, in order to keep the project under wraps—for nearly 30 years. Kubrick had planned to begin working on the film after making 2001: A Space Odyssey, but then got the opportunity to adapt A Clockwork Orange.

3. The studio pushed Stanley Kubrick to cast A-list names.

Terry Semel, then-head of Warner Bros., told Kubrick, “What I would really love you to consider is a movie star in the lead role; you haven't done that since Jack Nicholson [in The Shining].”

4. Stanley Kubrick wanted to cast Alec Baldwin and Kim Basinger.

Kubrick liked the idea of casting a real-life married couple in the film, and originally considered Alec Baldwin and Kim Basinger. (He also liked the idea of Steve Martin.) Eventually, he went with Tom Cruise and Nicole Kidman, who were married from 1990 to 2001.

5. London stood in for New York City.

Though the film is set in New York, it was filmed in London. In order to construct the most accurate sets possible, Vanity Fair reported that Kubrick “sent a designer to New York to measure the exact width of the streets and the distance between newspaper vending machines.”

6. Some of the shots in Eyes Wide Shut required no set at all.

In order to give the movie a dream-like quality, the filmmakers used an old-school method of shooting—and a treadmill. “In some of the scenes, the backgrounds were rear-projection plates,” cinematographer Larry Smith explained. “Generally, when Tom’s facing the camera, the backgrounds are rear-projected; anything that shows him from a side view was done on the streets of London. We had the plates shot in New York by a second unit [that included cinematographers Patrick Turley, Malik Sayeed and Arthur Jafa]. Once the plates were sent to us, we had them force-developed and balanced to the necessary levels. We’d then go onto our street sets and shoot Tom walking on a treadmill. After setting the treadmill to a certain speed, we’d put some lighting effects on him to simulate the glow from the various storefronts that were passing by in the plates. We spent a few weeks on those shots.”

7. Eyes Wide Shut holds a Guinness World Record.

The film has a place in the Guinness Book of World Records for the longest constant movie shoot, with a total of 400 days, which was a surprise to the cast and crew. Cruise and Kidman had only committed to six months of filming. The extended shoot was a lot to ask of Cruise in particular, who was at the height of his career. He even had to delay work on Mission: Impossible II to finish Eyes Wide Shut. He didn’t seem to mind though. “We knew from the beginning the level of commitment needed,” Cruise told TIME. “We were going to do what it took to do this picture.”

8. The script for Eyes Wide Shut kept changing.

Todd Field as Nick Nightingale in Stanley Kubrick's "Eyes Wide Shut
Warner Bros. via Getty Images Plus

According to Todd Field, who portrayed piano player Nick Nightingale (and is an Oscar-nominated filmmaker in his own right), “We’d rehearse and rehearse a scene, and it would change from hour to hour. We’d keep giving the script supervisor notes all the time, so by the end of the day the scene might be completely different. It wasn’t really improvisation, it was more like writing.”

9. Tom Cruise developed ulcers while shooting Eyes Wide Shut.

“I didn't want to tell Stanley," Cruise told TIME. “He panicked. I wanted this to work, but you're playing with dynamite when you act. Emotions kick up. You try not to kick things up, but you go through things you can't help.”

10. Tom Cruise and Nicole Kidman slept in their characters' bedroom.

In order to reflect their real-life relationship, Cruise and Kidman were asked to choose the color for the curtains in their on-screen bedroom, where they also slept.

11. The apartment featured in the movie was a re-creation of Stanley Kubrick's.

According to Cruise, “The apartment in the movie was the New York apartment [Stanley] and his wife Christianne lived in. He recreated it. The furniture in the house was furniture from their own home. Of course the paintings were Christianne's paintings. It was as personal a story as he's ever done.”

12. Stanley Kubrick temporarily banned Tom Cruise from the set.

Nicole Kidman and Tom Cruise star in Stanley Kubrick's 'Eyes Wide Shut' (1999).
Warner Bros. via Getty Images Plus

Given his penchant for accuracy, it’s quite possible that Kubrick wanted to stir up some real-life jealousy between his stars in order to help them embody their characters. In a fantasy sequence, Kidman’s character has sex with another man, which motivates the rest of the film’s plot. Kubrick banned Cruise from the set on the days that Kidman shot the scene with a male model. They spent six days filming the one-minute scene. Kubrick also forbid Kidman from telling Cruise any details about it.

13. It took 95 takes for Tom Cruise to walk through a doorway.

Six days for a one-minute scene is nothing compared to the time Kubrick had Cruise do 95 takes of one simple action: walking through a doorway. After watching the playback, he apparently told Cruise, “Hey, Tom, stick with me, I’ll make you a star.”

14. Security on the set was tight.

Aside from Kubrick, Kidman, Cruise, and their tiny crew, no one was allowed on the set, which was heavily guarded. In May 1997, one photographer managed to capture a picture of Cruise standing next to a man that the photographer thought was just an “old guy, scruffy with an anorak and a beard.” That man was Kubrick, who hadn’t been photographed in 17 years. After the incident, security on the set was tripled.

15. Paul Thomas Anderson spent some time on the set.

One person Cruise did manage to sneak onto the set was his future Magnolia director, Paul Thomas Anderson. While there, Anderson asked Kubrick, “Do you always work with so few people?” Kubrick responded, “Why? How many people do you need?” Anderson then recalled feeling “like such a Hollywood a**hole.”

16. Stanley Kubrick makes a cameo in the movie.


Warner Bros.

He’s not credited, but the film’s director can be seen sitting in a booth at the Sonata Café.

17. Stanley Kubrick died less than a week after showing the studio his final cut of Eyes Wide Shut.

Kubrick died less than a week after showing what would be his final cut of the film to Warner Bros. No one can say how much he would have kept editing the film. One thing that was changed after his death: bodies in the orgy scene were digitally altered so that the movie could be released with an R (rather than an NC-17) rating. Although many claim that Kubrick intended to do this, too. "I think Stanley would have been tinkering with it for the next 20 years," Kidman said. "He was still tinkering with movies he made decades ago. He was never finished. It was never perfect enough.”

18. By the time Eyes Wide Shut was released, a dozen years had passed since Stanley Kubrick's last directorial effort.

Eyes Wide Shut came out a full 12 years after Kubrick’s previous film, 1987's Full Metal Jacket.

19. Eyes Wide Shut topped the box office during its opening week.

The film earned $30,196,742 during its first week in release, which was enough to take the box office’s number one spot—making it Kubrick’s only film to do so.

20. Tom Cruise didn't like Dr. Harford.

One year after the film’s release, Cruise admitted that he “didn’t like playing Dr. Bill. I didn’t like him. It was unpleasant. But I would have absolutely kicked myself if I hadn’t done this.”

An earlier version of this article ran in 2015.

Top 50 Best-Selling Artists of All Time

Paul McCartney of The Beatles and Mick Jagger of The Rolling Stones sit opposite each other on a train at London's Euston Station.
Paul McCartney of The Beatles and Mick Jagger of The Rolling Stones sit opposite each other on a train at London's Euston Station.
Victor Blackman, Express/Getty Images

Who are America’s all-time favorite musicians and bands? When it comes to the best-selling artists of all time, The Beatles still rule—yes, even a half-century after their breakup. According to the Recording Industry Association of America (RIAA), these are the 50 best-selling artists of all time.

  1. The Beatles

Albums sold: 183 million

  1. Garth Brooks

Albums sold: 148 million

  1. Elvis Presley

    Elvis Presley is seen playing the guitar in his 1966 film, 'Spinout'
    Hulton Archive/Getty Images

Albums sold: 146.5 million

  1. Eagles

Albums sold: 120 million

  1. Led Zeppelin

Albums sold: 111.5 million

  1. Billy Joel

Albums sold: 84.5 million

  1. Michael Jackson

Albums sold: 84 million

  1. Elton John

    Elton John plays a concert in 2008.
    LENNART PREISS/AFP/Getty Images

Albums sold: 78.5 million

  1. Pink Floyd

Albums sold: 75 million

  1. AC/DC

Albums sold: 72 million

  1. George Strait

Albums sold: 69 million

  1. Barbra Streisand

    Barbra Streisand
    Terry Fincher, Express/Getty Images

Albums sold: 68.5 million

  1. The Rolling Stones

Albums sold: 66.5 million

  1. Aerosmith

Albums sold: 66.5 million

  1. Bruce Springsteen

Albums sold: 66.5 million

  1. Madonna

Albums sold: 64.5 million

  1. Mariah Carey

    Mariah Carey performs during the 2019 Billboard Music Awards at MGM Grand Garden Arena on May 1, 2019 in Las Vegas, Nevada
    Ethan Miller, Getty Images

Albums sold: 64 million

  1. Metallica

Albums sold: 63 million

  1. Whitney Houston

Albums sold: 58.5 million

  1. Van Halen

Albums sold: 56.5 million

  1. Fleetwood Mac

Albums sold: 54.5 million

  1. U2

    The Edge and Bono of the rock band U2 perform at Bridgestone Arena on May 26, 2018 in Nashville, Tennessee
    Jason Kempin, Getty Images

Albums sold: 52 million

  1. Celine Dion

Albums sold: 50 million

  1. Neil Diamond

Albums sold: 49.5 million

  1. Journey

Albums sold: 48 million

  1. Kenny G

    Kenny G performs onstage during the "Clive Davis: The Soundtrack of Our Lives" Premiere Concert during the 2017 Tribeca Film Festival at Radio City Music Hall
    Noam Galai, Getty Images for Tribeca Film Festival

Albums sold: 48 million

  1. Shania Twain

Albums sold: 48 million

  1. Kenny Rogers

Albums sold: 47.5 million

  1. Alabama

Albums sold: 46.5 million

  1. Eminem

    Eminem performs onstage during the 2018 iHeartRadio Music Awards which broadcasted live on TBS, TNT, and truTV at The Forum on March 11, 2018 in Inglewood, California
    Kevin Winter, Getty Images for iHeartMedia

Albums sold: 46 million

  1. Bob Seger & The Silver Bullet Band

Albums sold: 44.5 million

  1. Guns N’ Roses

Albums sold: 44.5 million

  1. Alan Jackson

Albums sold: 43.5 million

  1. Santana

Albums sold: 43.5 million

  1. Taylor Swift

    Taylor Swift performs onstage at 2019 iHeartRadio Wango Tango presented by The JUVÉDERM® Collection of Dermal Fillers at Dignity Health Sports Park on June 01, 2019
    Rich Fury, Getty Images for iHeartMedia

Albums sold: 43 million

  1. Reba McEntire

Albums sold: 41 million

  1. Eric Clapton

Albums sold: 40 million

  1. Chicago

Albums sold: 38.5 million

  1. Simon & Garfunkel

    Pop duo Simon and Garfunkel, comprising (L-R) singer, Art Garfunkel and singer-songwriter, Paul Simon, performing on ITV's 'Ready, Steady, Go!', July 8, 1966
    Hulton Archive/Getty Images

Albums sold: 38.5 million

  1. Foreigner

Albums sold: 38 million

  1. Rod Stewart

Albums sold: 38 million

  1. Tim McGraw

Albums sold: 37.5 million

  1. Backstreet Boys

Albums sold: 37 million

  1. 2 Pac

Albums sold: 36.5 million

  1. Bob Dylan

    Bob Dylan
    Evening Standard/Getty Images

Albums sold: 36 million

  1. Def Leppard

Albums sold: 35.5 million

  1. Queen

Albums sold: 35 million

  1. Dave Matthews Band

Albums sold: 34.5 million

  1. Britney Spears

    Britney Spears performs at the 102.7 KIIS FM's Jingle Ball 2016
    Christopher Polk, Getty Images for iHeartMedia

Albums sold: 34.5 million

  1. Bon Jovi

Albums sold: 34.5 million

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