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11 Famous TV Characters We Never Actually Saw

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Our reputations often precede us—but, in the case of these television characters, reputation is all they have. Here are 11 TV personalities that are often talked about, but rarely (if ever) shown on screen.

1. Heather Sinclair // Degrassi: The Next Generation

What they're saying: "Did you see Heather Sinclair's eyebrows? Tragically overplucked!"

The lowdown: For a time, the Queen Bee of Degrassi never appeared on camera—but was often the subject of gossip nonetheless. "It felt very high school to me to see someone's reputation created through bits and pieces of gossip, without ever meeting the legend herself," says Matt Huether, a Degrassi co-executive producer and writer. "If we'd seen her, it's hard to believe she could have lived up to that reputation." In the seventh season, the series introduced a new character, Holly J. Sinclair—Heather's younger sister—but her big sis still never made it on screen. "We thought this might give us the opportunity to one day meet Heather Sinclair, through Holly J., and we discussed many times over the course of several seasons doing some stunt-casting and bringing in a high-profile guest star to play Heather for a scene," Huether says. "Anyone who was blond and famous from 2007 through 2011 was mentioned. Ultimately, we never committed to it, perhaps because we didn't really want to see the real her."

2. The President of the United States — Veep

What they're saying: "Did the president call?"

The lowdown: It's hard to believe the fictional president of the Veep universe won an election, considering the low profile he's kept. He's never seen on screen, his party affiliation hasn't been mentioned, and he doesn't even have a name—the other characters just refer to him as POTUS. Then again, that absence is symbolic of the veep's place in the D.C. pecking order. "You'll never see the president," star Julia Louis-Dreyfus tells NPR. "We're depicting a situation in which that relationship is highly dysfunctional, and the president is very much trying to keep this vice president, Selina Meyer, an arm's length away." Meyer often asks if the president has called for her—and the answer is always no.

3. Tino — My So-Called Life

What they're saying: "We have to go! With Sharon, to the hospital. I'll get Tino to drive us, he loves hospitals."

The lowdown: It's possible My So-Called Life heartthrob Jordan Catalano never got anywhere with his band, the Frozen Embryos, because Tino, its front man, wasn't very present. Then again, maybe he didn't have to be: possibly the most-referenced unseen character on this list, Tino is mentioned in a majority of the series' episodes, by almost every major teenage character. He can get a fake ID. He can get into an exclusive club, loft, or empty, for-sale house. He is, like, Mr. Halloween. When he quits the band, Jordan laments that "There's gonna be, like, this big empty hole where Tino used to be," but, for the audience, that's all he ever was.

4. Maris Crane — Frasier

What they're saying: "She distrusts anything that loves her unconditionally."

The lowdown: "Everybody has their own vision of what Maris looks like," Frasier executive producer Peter Casey says in an extra feature included on the second-season DVD. "Frankly, with some of the things that have been written about her in the scripts, I don't know if we could ever find anybody that could match all those things." It would be hard to find an actress who fits the bill, considering Maris is described as extremely slight (her ideal weight is 45 pounds, 12 ounces), addicted to plastic surgery, and easy to mistake for a coat rack.

5. Bob Sacamano — Seinfeld

What they're saying: "My friend Bob Sacamano had shock treatments, but his synapses were so large—had no effect."

The lowdown: Seinfeld's Kramer is always going on about his friend Bob Sacamano, from lamenting his case of rabies to crediting him with inventing the idea of attaching a ball to a paddle with a rubber band. (Before him, "people would just hit the ball and it would fly away.") Does the name "Bob Sacamano" sound too perfect to be made up? That's because it is. Starpulse reports that the rat-fur-hat salesman is the creation of Seinfeld writer Larry Charles, who borrowed the name from a real-life friend. While some would be flattered to achieve immortality through Seinfeld infamy, apparently the real Bob Sacamano was not. According to Gunaxin Media, after "The Heart Attack," the first time the character is mentioned (when we learn about how a botched hernia operation left him with a high-pitched voice), the real Sacamano had a falling out with Charles over the use of his name. No word on whether or not Lomez felt the same way.

6. Diane — Twin Peaks

What they're saying: "Diane, if you ever get up this way, that cherry pie is worth a stop."

The lowdown: Twin Peaks' Diane is not really an unseen character who's talked about as much as she is an unseen character who's talked to. FBI Special Agent Dale Cooper addresses her as he makes detailed recordings on microcassette—but it's never shown how his tapes are received. In fact, the shooting script of Fire Walk with Me had a scene that took place in FBI HQ, and even then the character of Diane was written so that she was never heard or seen. She must've been a good muse, though; Simon & Schuster released an audiobook dedicated to her, titled 'Diane . . .' The Twin Peaks Tapes of Agent Cooper, which featured Kyle MacLachlan's narration from the show along with new recordings. It was nominated for a spoken-word Grammy in 1991, alongside John F. Kennedy, Jr.'s reading of his father's Profiles in Courage. (Both lost to Gracie: A Love Story, read by George Burns.)

7. Vera Peterson — Cheers 

What they're saying:
Woody: "Hey, Mr. Peterson, what do you say to a cold one?"
Norm: "See you later, Vera, I’ll be at Cheers."

The lowdown: Maris wasn't the first character in the Cheers universe to eschew the spotlight. And, as with Niles and Maris, barfly Norm Peterson often talks about his wife in less-than-flattering terms, implying that he frequents the bar to stay away from her. Although the audience never gets to see Vera's face, they do hear her voice a handful of times (and see her full body once, with her face obscured by a smashed pie). Both the voice and the body were provided by Bernadette Birkett, the real-life wife of George Wendt.

8. Lars Lindstrom — The Mary Tyler Moore Show

What they're saying: "Sooner or later, Lars is going to get tired of her. And he'll come back to me. And then I'm going to punish him for this."

The lowdown: Lars Lindstrom, the dermatologist husband of Mary Richards' landlady, Phyllis, didn't need to show up in person to make a big impact on the series. In a fourth-season episode—titled "The Lars Affair"—Phyllis discovers he's cheating on her with Sue Ann Nivens, star of The Happy Homemaker on Richards' WJM-TV. Not only does this have big consequences for the plot, it shapes the series in general: the introduction of Nivens was Betty White's debut on the show. Outside of The Mary Tyler Moore Show, when Phyllis gets her own spin-off, Lars is still a no-show—the series takes place after he's died.

9. and 10. Juanita Beasley (and Sarah) — The Andy Griffith Show

What they're saying: "There's nothing half so sweet/As Juanita, Juanita, Juanit."

The lowdown: Mayberry may be populated with lots of colorful characters, but two of them—both creations of producer Aaron Ruben—are never shown on screen: Sarah, the telephone operator, and Juanita Beasley, the waitress at the Bluebird Diner and sometime object of Barney Fife's affection. In the book The Andy Griffith Show, author Richard Michael Kelly writes: "They reminded Andy Griffith of the old radio show Vic and Sade: 'They originally had only three characters—later four—but they talked about their town and other towns nearby, and you never met any of those people. But their talk made you believe they were there.'"

11. Angela Valentine — Leave It to Beaver

What they're saying:
Wally Cleaver: "Hey Beav, isn't that Angela Valentine the one that's always showing the kids her extra toe?"
Beaver: "Yeah, but everybody's used to seeing that, so now she eats library paste."

The lowdown: It seems that Beaver often comes home with tales of his phantom classmate, whether he's reeling from her getting sick in the back of the school bus to reveling in triumph that ensues after she enlists the entire class to help find her lost bike plate. Though she's mentioned at least a dozen times in the series, she's not entirely unseen. In the third-season episode "Baby Picture," Beaver's teacher addresses the class about an upcoming beauty pageant—giving credit for the idea to Angela Valentine, whom she acknowledges with a head nod. Of course, the class is only shown from the back.

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9 Mysterious Facts About Murder, She Wrote
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For 12 seasons and 264 episodes, the small coastal town of Cabot Cove, Maine, was the scene of a murder. And wherever there was a body, Jessica Fletcher wasn’t far behind. The fictional mystery author and amateur sleuth at the heart of the CBS drama Murder, She Wrote was given life by actress Angela Lansbury, who made a name for herself in the theater world and in movies like 1944’s Gaslight and 1962’s The Manchurian Candidate. Though the show was supposed to skew toward an older audience, the series is still very much alive and being discovered by new generations of audiences every year. Unravel the mystery with these facts about Murder, She Wrote.


After years of high-profile parts and critical acclaim in the theater, Angela Lansbury was in her late fifties and ready to tackle a steady television role. Unfortunately, instead of being flooded with interesting lead roles on big series, she said she was constantly looked at to play “the maid or the housekeeper in some ensemble piece,” leaving her to get—in the Dame’s own words—“really pissed off.”

After voicing her displeasure, she was soon approached with two potential solo series, one being Murder, She Wrote, which grabbed her attention because of its focus on a normal country woman becoming an amateur detective. After meeting with the producers and writers, it was only a matter of time before Lansbury agreed to the role and began the 12-season run.


In 1995, CBS made a bold move: After airing on Sundays since 1984, Murder, She Wrote moved to Thursdays at 8:00 p.m. for its twelfth and final season, going head-to-head against Mad About You and Friends over at NBC. On a night dominated by younger viewers, Lansbury was at a loss.

"I'm shattered," she told the Los Angeles Times. "What can I say? I really feel very emotional about it. I just felt so disappointed that after all the years we had Sunday night at 8, suddenly it didn't mean anything. It was like gone with the wind."

Maybe not so coincidentally, during that last season of the series there was an episode titled “Murder Among Friends,” where a TV producer is killed in her office after planning to get rid of a member of the cast of a fictional television show called Buds. Complete with its coffee shop setting and snarky repartee, Buds was a not-so-subtle stab at Friends, coming at a time when Murder, She Wrote was placed right against the hip ratings juggernaut.

Putting the murder mystery aside for a moment, Fletcher takes plenty of jabs at Buds throughout, literally rolling her eyes at the thought of six twentysomethings becoming a hit because they sat around talking about their sexuality in every episode. The writing was on the wall as Murder, She Wrote was being phased out by CBS by the end of 1996, but Lansbury made sure to go down swinging.


Here’s one for any self-respecting trivia junkie: Jessica Fletcher holds a Guinness World Record for Most Prolific Amateur Sleuth. Though Guinness recognizes that Agatha Christie’s Miss Marple has been on and off screen longer—since 1956—Fletcher has actually gotten to the bottom of more cases with 264 episodes and four TV movies under her belt.


Quiet, upper-class New England coastal towns aren’t usually known for their murder count, but Cabot Cove, Maine, is a grisly destination indeed. In fact, if you look at the amount of murders per the population, it would have the highest rate on the planet, according to BBC Radio 4.

With 3560 people living in the town, and 5.3 murders occurring every year, that comes out to 1490 murders per million, which is 60 percent higher than that of Honduras, which only recently lost its title as the murder capital of the world. It’s also estimated that in total, about two percent of the folks in Cabot Cove end up murdered. 


That statistic leads us right into our next thought: Isn’t it a little suspicious that Fletcher keeps stumbling upon all these murders? We know that Cabot Cove is a fairly sleepy town, but the murder rate rivals a Scorsese movie. And this one person—a suspicious novelist and amateur detective—always seems to get herself mixed up in the juiciest cases. Some people think there’s something sinister about the wealth of cases Fletcher writes about in her books: It’s because she’s the one doing the killing all along.

This theory has gained traction with fans over the years, and it helps explain the coincidental nature of the show. Murders aren’t just exclusive to Fletcher and Cabot Cove; they follow her around when she’s on book tours, on trips out of town, or while writing the script to a VR video game for a company whose owner just so happens to get killed while Fletcher is around.

Could Jessica Fletcher have such an obsession with murder mysteries that she began to create her own? Was life in Cabot Cove too boring for a violent sociopath? Did she decide to take matters into her own hands after failing to think of original book ideas? We’ll never know, but it puts the whole series into a very different light.


Despite its inimitable style, Murder, She Wrote isn’t immune to Hollywood’s insatiable reboot itch, and in 2013 plans were put in motion to modernize the show for a new generation. NBC’s idea was to cast Octavia Spencer as a hospital administrator who self-publishes her first mystery novel and starts investigating real cases. Lansbury was none too pleased by the news.

"I think it's a mistake to call it Murder, She Wrote," she told The Hollywood Reporter in November 2013, "because Murder, She Wrote will always be about Cabot Cove and this wonderful little group of people who told those lovely stories and enjoyed a piece of that place, and also enjoyed Jessica Fletcher, who is a rare and very individual kind of person ... So I'm sorry that they have to use the title Murder, She Wrote, even though they have access to it and it's their right."

When the plug was pulled on the series, Lansbury said she was "terribly pleased and relieved” by the news, adding that, "I knew it was a terrible mistake."


It’s impossible to separate Angela Lansbury from her role as Jessica Fletcher now, but she wasn’t the network’s first choice for the role. All in the Family’s Edith Bunker, actress Jean Stapleton, was originally approached about playing Fletcher, but she turned it down.

Stapleton cited a combination of wanting a break after All in the Family’s lengthy run and the fact that she wasn’t exactly thrilled with how the part was written, and the changes she wanted to make weren’t welcome. Despite not being enthralled by the original ideas for Fletcher, Stapleton agreed that Lansbury was “just right” for the part.


For anyone who didn’t get enough of Fletcher during Murder, She Wrote’s original run, there are more—plenty more—dead bodies to make your way through. Author Donald Bain has written 45 murder mystery novels starring Fletcher, all of which credit Fletcher as the "co-author." The books sport such titles as Killer in the Kitchen, Murder on Parade, and Margaritas & Murder. Not even cancellation can keep Cabot Cove safe, apparently.

On top of that, two point-and-click computer games were released based on the show in 2009 and 2012. Both games feature Fletcher solving multiple murders just like on the show, but don’t expect to hear the comforting voice of Angela Lansbury as you wade through the dead bodies. Only her likeness appears in the game; not her voice.


When recently asked about her iconic role by the Sunday Post, Lansbury admitted that she'd be into seeing Murder, She Wrote come back in some form. "I was in genuine tears doing my last scene," Lansbury said. "Jessica Fletcher has become so much a part of my life, it was difficult to come to terms with it being all over ... Having said that, there have been some two-hour specials since we stopped in 1996 and I wouldn’t be surprised if we got together just one more time."

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10 Things You Should Know About Ray Bradbury
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Evening Standard/Getty Images

For such a visionary futurist whose predictions for the future often came true, Ray Bradbury was rather old-fashioned in many ways. In honor of what would be Bradbury's 97th birthday, check out a few fascinating facts about the literary genius. 


Most teenagers get a first job bagging groceries or slinging burgers. At the age of 14, Ray Bradbury landed himself a gig writing for George Burns and Gracie Allen’s radio show.

“I went down on Figueroa Street in front of the Figueroa Playhouse,” Bradbury later recalled. “I saw George Burns outside the front of the theater. I went up to him and said, ‘Mr. Burns, you got your broadcast tonight don’t you?’ He said, ‘Yes.’ I said, ‘You don’t have an audience in there do you?’ He said, ‘No.’ I said, ‘Will you take me in and let me be your audience?’ So he took me in and put me in the front row, and the curtain went up, and I was in the audience for Burns and Allen. I went every Wednesday for the broadcast and then I wrote shows and gave them to George Burns. They only used one—but they did use it, it was for the end of the show.”


At the age of 22, Bradbury finally summoned up the courage to ask a girl out for the first time ever. She was a bookstore clerk named Maggie, who thought he was stealing from the bookstore because he had a long trench coat on. They went out for coffee, which turned into cocktails, which turned into dinner, which turned into marriage, which turned into 56 anniversaries and four children. She was the only girl Bradbury ever dated. Maggie held down a full-time job while Ray stayed at home and wrote, something that was virtually unheard of in the 1940s.


George Burns isn’t the only famous eye Bradbury caught. In 1947, an editor at Mademoiselle read Bradbury’s short story, “Homecoming,” about the only human boy in a family of supernatural beings. The editor decided to run the piece, and Bradbury won a place in the O. Henry Prize Stories for one of the best short stories of 1947. That young editor who helped Bradbury out by grabbing his story out of the unsolicited materials pile? Truman Capote.


Charley Gallay/Getty Images

Not only did Bradbury never get a driver’s license, he didn’t believe in cars for anyone. His own personal aversion came from seeing a fatal car accident when he was just 16. In 1996, he told Playboy, “I saw six people die horribly in an accident. I walked home holding on to walls and trees. It took me months to begin to function again. So I don't drive. But whether I drive or not is irrelevant. The automobile is the most dangerous weapon in our society—cars kill more than wars do.”


It took Bradbury just nine days to write Fahrenheit 451—and he did it in the basement of the UCLA library on a rented typewriter. (The title of his classic novel, by the way, comes from the temperature at which paper burns without being exposed to flame.)


Though he wrote Fahrenheit 451 at UCLA, he wasn't a student there. In fact, he didn’t believe in college. “I believe in libraries because most students don’t have any money,” Bradbury told The New York Times in 2009. “When I graduated from high school, it was during the Depression and we had no money. I couldn’t go to college, so I went to the library three days a week for 10 years.”


Despite his writings about all things futuristic, Bradbury loathed computers. “We are being flimflammed by Bill Gates and his partners,” he told Playboy in 1996. “Look at Windows '95. That's a lot of flimflam, you know.” He also stated that computers were nothing more than typewriters to him, and he certainly didn’t need another one of those. He also called the Internet “old-fashioned": “They type a question to you. You type an answer back. That’s 30 years ago. Why not do it on the telephone, which is immediate? Why not do it on TV, which is immediate? Why are they so excited with something that is so backward?”


Not only was Bradbury good friends with Walt Disney (and even urged him to run for mayor of Los Angeles), he helped contribute to the Spaceship Earth ride at Epcot, submitting a story treatment that they built the ride around.

He was a big fan of the Disney parks, saying, “Everyone in the world will come to these gates. Why? Because they want to look at the world of the future. They want to see how to make better human beings. That’s what the whole thing is about. The cynics are already here and they’re terrifying one another. What Disney is doing is showing the world that there are alternative ways to do things that can make us all happy. If we can borrow some of the concepts of Disneyland and Disney World and Epcot, then indeed the world can be a better place.”


He once said that when he died, he planned to have his ashes placed in a Campbell’s Tomato Soup can and planted on Mars. Then he decided that he wanted to have a place his fans could visit, and thought he’d design his own gravestone that included the names of his books. As a final touch, a sign at his gravesite would say Place dandelions here, “as a tribute to Dandelion Wine, because so many people love it.” In the end, he ended up going with something a whole lot simpler—a plain headstone bearing his name and “Author of Fahrenheit 451.” Go take him some dandelions the next time you’re in L.A.—he’s buried at Westwood Memorial Park.


Perhaps a more fitting memorial is the one NASA gave him when they landed a rover on Mars a few months after Bradbury’s death in 2012: They named the site where Mars Curiosity touched down "Bradbury Landing."


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