New Museum Exhibition Shows Off Rare Handwritten Letters From History’s Most Famous Figures

An autographed letter from 7-year-old Victoria, future queen of England, to her uncle, 1826.
An autographed letter from 7-year-old Victoria, future queen of England, to her uncle, 1826.
Collection of Pedro Corrêa do Lago

There’s something special about seeing the handwriting of one of your heroes. Just ask anyone who has gotten a celebrity’s autograph. The unique power a signature holds is at the center of an upcoming exhibition at the Morgan Library and Museum in New York City, The Magic of Handwriting: The Pedro Corrêa do Lago Collection.

As part of the display, the museum features drawings, signed photos, and rare letters from figures throughout history—from line drawings Michelangelo used to order marble for the facade of a basilica he was contracted to build in Florence to a previously unpublished, signed photo of Rasputin.

A line drawing with a marble order from Michelangelo
Michelangelo Buonarroti (1475–1564). Pen and ink drawing with autograph instructions for a marble order for the facade of San Lorenzo, [Florence, 1518]. Collection of Pedro Corrêa do Lago.

The materials on display are just part of the collection of Pedro Corrêa do Lago, a Brazilian art historian and author who started writing to prominent celebrities when he was 12 years old, asking for their autographs. Over the next 50 years, he assembled a massive collection of autographs, manuscripts, and other handwritten materials that date back to 1140. The 140 items on display at the Morgan make up just a tiny fraction of the 100,000 autographs he owns.

The items are divided up into several different categories: art, history, literature, science, music, and entertainment. Many of them have never been shown before in a public exhibition.

Handwritten mathematical equations by Albert Einstein
Albert Einstein (1879–1955). Autograph mathematical manuscript, ca. 1940s. Collection of Pedro Corrêa do Lago.

The exhibition includes treasures like a 12th century papal bull signed by four different medieval popes (three were cardinals at the time of signing) and a Catholic saint, Guarinus of Palestrina. There are documents and letters signed by royalty, including Richard III and Elizabeth I of England and Mary, Queen of Scots; there is a rare letter from Leon Trotsky to Frida Kahlo, written as the two were ending their affair; and an autographed draft of a letter Jean-Paul Sartre wrote to the Swedish Academy in 1964, asking them not to give him the Nobel Prize (they awarded it to him anyway). There is a draft of a poem William Butler Yeats wrote on the back of a letter, and a signed mathematical manuscript from Albert Einstein.

Below is a handwritten bill for 20 therapy sessions with Sigmund Freud. Freud charged American neurologist Roy Grinker 100 Austrian schillings per hour, or the equivalent of $20 or $25 at that time, for psychoanalysis sessions.

A handwritten note on stationary from Dr. Freud
Sigmund Freud (1856–1939). Autograph invoice signed, to Roy Grinker, written on a personal correspondence card, Vienna, 30 June 1934. Collection of Pedro Corrêa do Lago.

Artist René Magritte sent this letter to photographer and filmmaker Francis Lee, suggesting Lee make use of the sequence of drawings included (of a man removing his gloves, hat, and head) in a film:

A two-page letter with drawings of men in top hats
René Magritte (1898–1967). Autograph letter signed, to Francis Lee, Brussels, 22 January 1946. Collection of Pedro Corrêa do Lago. © 2018 C. Herscovici / Artists Rights Society

This is one of two surviving letters from Oscar Wilde to Bram Stoker. Wilde wanted Stoker, who worked at London’s Lyceum Theatre, to set aside a ticket for him that night:

A handwritten letter from Oscar Wilde
Oscar Wilde (1854–1900). Autograph letter signed, to Bram Stoker, London, [1879 or 1880]. Collection of Pedro Corrêa do Lago.

This draft of the opening of Swann's Way differs slightly from what Proust eventually published. Notably, it doesn't include what would become the first sentence: “For a long time I used to go to bed early."

A ripped page from a Proust manuscript
Marcel Proust (1871–1922). Swann’s Way (Du côté de chez Swann), autograph manuscript draft of the opening passage, ca. March–April 1913. Collection of Pedro Corrêa do Lago. Image used with permission of the Proust Estate.

The Magic of Handwriting: The Pedro Corrêa do Lago Collection will run from June 1 to September 16, 2018 at the Morgan Library and Museum in New York City.

Stan Lee Column Calling Out the Dangers of Racism Resurfaces 50 Years Later

Frazer Harrison, Getty Images
Frazer Harrison, Getty Images

Fans looking to celebrate the work of Stan Lee following his death on Monday, November 12 have a lot to choose from. In addition to his enormous impact in the worlds of comic books, movies, and television, Lee was also a vocal supporter of civil rights. Now, 50 years after it was originally published, a column by Lee denouncing the dangers of racism has resurfaced on the web.

The column, part of his recurring back-of-the-comic segment "Stan's Soap Box," first appeared in 1968, according to Mashable. In it, Lee wrote that "Bigotry and racism are among the deadliest social ills plaguing the world today," and "The only way to destroy them is to expose them—to reveal them for the insidious evils they really are."

The full piece was recently shared in a tweet by filmmaker and writer Siddhant Adlakha. You can read it below.

The column was published at the tail-end of the Civil Rights Movement and the same year Dr. Martin Luther King Jr. was assassinated. Lee's words have continued to hold their relevance throughout the decades, with Lee himself sharing the article in a since-deleted tweet following the racially-charged violence that erupted in Charlottesville, Virginia in August 2017.

Numerous Stan Lee stories and creations have reached icon status over his 95-year life, but there are many interesting tidbits from his life that are less well-known. Here are some facts about the late comic book legend.

[h/t Mashable]

The Anti-Spitting Campaigns Designed to Stop the Spread of Tuberculosis

A Dr. Dettweiler sputum flask, circa 1910
A Dr. Dettweiler sputum flask, circa 1910

In the 19th century, cities were grimy places, where thousands of people lived in overcrowded tenement buildings and walked streets polluted with trash, sewage, and the carcasses of dead animals. Unsurprisingly, these cities were also hotbeds of infectious disease.

One of the leading causes of death was tuberculosis, which spreads from person to person in the tiny droplets that spray through the air when an infected person coughs or sneezes. "In the 19th century, tuberculosis [was] the greatest single cause of death among New Yorkers," explains Anne Garner, the curator of rare books and manuscripts at the New York Academy of Medicine Library and the co-curator of the Museum of the City of New York’s new exhibition, "Germ City: Microbes and the Metropolis."

In the 19th century, tuberculosis killed one in every seven people in Europe and the U.S., and it was particularly deadly for city dwellers. Between 1810 and 1815, the disease—then commonly known as consumption, or the white plague—was to blame for more than a quarter of the recorded deaths in New York City. While New York wasn't alone among urban centers in having startlingly high rates of tuberculosis, its quest to eradicate the disease was pioneering: It became the first U.S. city to ban spitting.

"BEWARE THE CARELESS SPITTER"

Anti-tuberculosis pamphlets
Tuberculosis warnings from the Committee on Prevention of Tuberculosis that appeared on New York City streetcar transfers in 1908, reprinted by the Michigan Board of Health in 1909

In 1882, Robert Koch became the first to discover the cause of tuberculosis: a bacterium later named Mycobacterium tuberculosis, which he isolated from samples taken from infected animals. (Koch won the Nobel Prize in 1905 for his work.) He determined that the disease was spread through bacteria-infected sputum, the mix of phlegm and spit coughed up during a respiratory infection. That meant that rampant public spitting—often referred to as expectorating—was spreading the disease.

In 1896, in response to the growing understanding of the threat to public health, New York City became the first American metropolis to ban spitting on sidewalks, the floors in public buildings, and on public transit, giving officials the ability to slap wayward spitters with a fine or a jail sentence. Over the next 15 years, almost 150 other U.S. cities followed suit and banned public spitting [PDF].

The New York City health department and private groups like the National Tuberculosis Association, the Women’s Health Protective Association, and the Brooklyn Anti-Tuberculosis Committee generated anti-spitting slogans such as "Spitting Is Dangerous, Indecent, and Against the Law," "Beware the Careless Spitter," and "No Spit, No Consumption." They made posters decrying spitting (among other unhealthy habits) and reminding people of the ban. Members of the public were encouraged to confront defiant spitters, or, at the very least, give them the stink eye. While there were many other factors to blame for the spread of tuberculosis—like dangerously overcrowded, poorly ventilated tenement housing and widespread malnutrition—public spitters became the literal poster children of infection.

New York City officials followed through on the threat of punitive action for errant spitters. More than 2500 people were arrested under the statute between 1896 and 1910, though most only received a small fine—on average, less than $1 (in 1896, that was the equivalent of about $30 today). Few other cities were as committed to enforcing their sputum-related laws as New York was. In 1910, the National Tuberculosis Association reported that less than half of cities with anti-spitting regulations on the books had actually made any arrests.

Despite the law, the problem remained intractable in New York. Spitting in streetcars posed a particularly widespread, and disgusting, issue: Men would spit straight onto the floor of the enclosed car, where pools of phlegm would gather. Women wearing long dresses were at risk of picking up sputum on their hemlines wherever they went. And the law didn’t seem to stop most spitters. As one disgusted streetcar rider wrote in a letter to the editor of The New York Times in 1903, “That the law is ignored is evident to every passenger upon these public conveyances: that it is maliciously violated would not in some cases be too strong an assertion.”

The situation wasn’t much better two decades later, either. “Expectorating on the sidewalks and in public places is probably the greatest menace to health with which we have to contend,” New York City Mayor John Francis Hylan said in a 1920 appeal for citizens to help clean up the city streets.

THE BLUE HENRY

A blue sputum flask
New York Academy of Medicine Library

Spitting laws weren't the only way that health authorities tried to rein in the spread of TB at the turn of the century. Anti-tuberculosis campaigns of the time also featured their own accessory: the sputum bottle.

Faced with the fact that sick people would cough up sputum no matter what a poster in a streetcar told them, in the late 19th century, doctors and health authorities all over the world began instructing people with tuberculosis to spit into pocket-sized containers, then carry it around with them. “A person with tuberculosis must never spit on the floor or sidewalk or in street cars, but always into a cuspidor or into a paper cup, which he should have with him at all time, and which can be burned,” advised the New York City Department of Health’s 1908 publication Do Not Spit: Tuberculosis (Consumption) Catechism and Primer for School Children. These containers were known as cuspidors, spittoons, or simply sputum cups or sputum bottles.

Among the most well-known of these sputum-carrying receptacles was the “Blue Henry,” a pocket flask made of cobalt-blue glass that was originally manufactured by the German sanatorium pioneer Peter Dettweiler, who himself had suffered from tuberculosis.

“The sputum bottle was like a portable flask that could be used to collect this sticky phlegm that was produced by the irritated lungs of a person suffering from tuberculosis,” Garner says. While they came in various shapes, sizes, and materials, the fancier versions would have a spring-loaded lid and could be opened from both sides, so that you could spit into a funnel-like opening on one side and then unscrew the bottle to clean out the sputum receptacle later.

Dettweiler's device and the similar devices that followed became popular all over the world as doctors and governments sought to contain the spread of tuberculosis. These receptacles became a fixture in hospitals and at sanatoriums where tuberculosis patients went to recuperate, and were a common hand-out from anti-tuberculosis charities that worked with TB-afflicted patients.

In the early 1900s, the New York Charity Organization Society was one of them. Its Committee for the Prevention of Tuberculosis raised money to buy its New York City-based clients better food, new beds, and of course, sputum cups. (Likely the paper kind, rather than the glass Dettweiler flasks.) The generosity wasn't unconditional, though. The society would potentially pull its aid if charity workers showed up for a surprise home inspection to find unsanitary conditions, like overflowing sputum cups that were not being properly disinfected [PDF].

Eventually, the city itself began handing out sputum cups. In an effort to reduce the contagion, by 1916 a large number of cities—such as Los Angeles, Seattle, and Boston—dedicated part of their municipal budgets to paying for tuberculosis supplies like paper sputum cups that would be handed out to the public for free.

A ad for anti-TB supplies from the Journal of Outdoor Life
An advertisement that ran in the Journal of Outdoor Life—which billed itself as “the anti-tuberculosis magazine"—in 1915

Though paper sputum cups could be burned, glass or metal flasks had to be cleaned regularly. Doctors recommended that the sputum bottles contain a strong disinfectant that could kill off the tuberculosis bacilli, and that the receptacles be cleaned and disinfected every morning and evening by rinsing them with a lye solution and boiling them in water. As for the sputum itself, burning was the preferred method of sanitizing anything contaminated with TB at the time, and sputum was no exception—although rural consumptives were encouraged to bury it in the garden if burning wasn’t practical.

In an era where infectious disease was often associated with poor, immigrant communities, sputum bottles made it possible to go out in public without drawing the same attention to your condition that hacking up phlegm into the street would. “You could discreetly carry them around and then take them out and people wouldn’t necessarily know that you were suffering from the disease,” Garner explains. Or at least, somewhat discretely, since they soon became widely associated with consumptives. A Dr. Greeley, for one, argued that ordinary sputum bottles were “so conspicuous as to be objectionable," and suggested people spit into toilet paper and put that in a pouch instead. That idea didn't quite take off.

And while hiding your infectious status is not good for public health, the sputum flasks did lower the risk that you were infecting the people around you as you coughed and sneezed. “As long as you were doing it into the bottle, you probably were not infecting other people,” Garner says.

Not many of these sputum bottles have survived, in part because it was standard practice to burn everything in a tuberculosis patient’s room after they died to prevent germs from spreading. Those that remain are now collector's items, held in the archives of institutes like Australia's Museums Victoria; the Museum of Health Care in Kingston, Canada; and the New York Academy of Medicine Library.

TUBERCULOSIS TODAY

Unfortunately, neither anti-spitting propaganda nor sputum flasks managed to stop the spread of tuberculosis. Real relief from the disease didn’t come until 1943, when biochemist Selman Waksman discovered that streptomycin, isolated from a microbe found in soil, could be an effective antibiotic for tuberculosis. (He won the Nobel Prize for it, 47 years after Koch won his.)

And while carrying a cute flask to spit your disease-ridden phlegm into sounds quaint now, tuberculosis isn’t a relic of the past. Even with medical advances, it has never been eradicated. It remains one of the most devastating infectious agents in the world, and kills more than a million people worldwide every year—the exact number is debated, but could be as high as 1.8 million. And, like many infectious diseases, it is evolving to become antibiotic resistant.

Sputum flasks could come back into fashion yet.

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