10 Facts About Seinfeld’s 'The Finale'

NBC
NBC

On May 14, 1998, NBC aired the two-part series finale of Seinfeld, simply named “The Finale,” written by Seinfeld co-creator Larry David. The show had been on the airwaves for nine seasons and had taped 180 episodes (including the final two episodes). About 76.3 million viewers tuned in to watch Jerry (Jerry Seinfeld), Elaine (Julia Louis-Dreyfus), Kramer (Michael Richards), and George (Jason Alexander) end up in jail, in fictional Latham, Massachusetts. The series remains the fourth most-watched series finale ever, behind M*A*S*H. (1983), Cheers (1993), and The Fugitive (1967).

The polarizing finale sees NBC finally giving George and Jerry the greenlight to their pilot, Jerry. To celebrate his and George’s pending move to L.A., Jerry invites the gang to take the NBC private jet anywhere they want to go for “one big fling.” They choose Paris. But on the way, Kramer knocks into the cockpit and causes the plane to make an emergency landing in Latham for repairs.

While walking around the town, the gang watches an overweight citizen get mugged and carjacked. Kramer films it, and they all make fun of the victim instead of helping him. Turns out, their indifference violated the Good Samaritan law and they're arrested and sent to trial.

The finale was an excuse to bring back Seinfeld’s greatest hits characters, everyone from the Soup Nazi to Puddy to Marla the Virgin. The series ends with the four convicted and having to serve a year in a jail so that they can be “removed from society.” The final scene reveals Jerry bombing during a stand-up set in prison.

Though critics and fans panned the finale, it has actually aged pretty well. The finale was prescient in debating cellphone etiquette and how in America “we don’t have to help anybody.” Because the characters never learned from their lessons nor changed, them ending up in jail for crimes against humanity seems apropos. On the 20th anniversary of its sign-off, here are 10 facts about "The Finale."

1. THE SERIES BEGINS AND ENDS WITH A DISCUSSION ABOUT SHIRT BUTTONS.

On July 5, 1989, NBC aired the pilot, back when the show was called The Seinfeld Chronicles. The first dialogue occurs between George and Jerry at a restaurant, where Jerry declares that the second button on a shirt “literally makes or breaks a shirt. It’s too high." During the series finale’s final moments, while the gang sits in jail, Jerry again brings up the button conversation, but this time George asks, “Haven’t we had this conversation before?”

2. LARRY DAVID THINKS THE FINALE IS “CLEVER.”

In 2014, David talked to Grantland’s Bill Simmons about how disappointed people were with the finale, and how much “grief” David received for it. “I was not interested in an emotional ride, and neither was Jerry,” David said. “No wonder why they would dislike it, yeah. But let me toot my own horn for a second. I thought it was clever to bring back all those characters in a courtroom and testify against them for what they did, and then show those clips, and also for why they even got arrested in the first place. And then to wind up—forget the self-aggrandizement here—I thought it was clever."

3. JERRY SEINFELD MADE SURE JULIA LOUIS-DREYFUS’S JOKE ON THE DAVID LETTERMAN FINALE WORKED.

On May 20, 2015, Letterman aired the final episode of his talk show, Late Show with David Letterman. During a Top Ten List segment, Louis-Dreyfus—who had flown all the way to New York to deliver a joke alongside Seinfeld, Chris Rock, Jim Carrey, and Steve Martin—delivered the burn, “Thanks for letting me take part in another hugely disappointing series finale.” Seinfeld told Vulture’s "Good One" podcast that he “fought hard for that particular joke.” The writers wanted to use a different joke, but Louis-Dreyfus didn’t think it worked. “I read the joke and I go, ‘No, that’s a bad joke,’” Seinfeld said. “It was a really cool experience to be on Dave’s last show and I didn’t want her to go out there and tank.” He mulled it over with the writers and they agreed on the joke, “which was sensational,” Seinfeld said.

4. SEINFELD CHANGED HIS MIND ABOUT "THE FINALE."

In a 2014 Reddit AMA, Seinfeld said: “I was happy with the Seinfeld finale, because we didn’t want to do another episode as much as we wanted to have everybody come back to the show we had so much fun with. It was a way to thank all of the people who worked on the show over the years that we thought made the show work. I don’t believe in trying to change the past, but I’m very happy with it.”

However, in October 2017, during an interview at the New Yorker Festival, Seinfeld seemed to have changed his opinion on the finale. “I sometimes think we really shouldn’t have even done it,” he said. “There was a lot of pressure on us at that time to do one big last show, but big is always bad in comedy.”

5. JASON ALEXANDER THINKS THE FINALE WAS A “GOOD, NOT GREAT EPISODE.”

In an interview with Emmy TV Legends, Alexander discussed the finale. “For me, I thought it was a good episode, not a great episode, as written,” he said. “I thought it was a good idea.” He liked how David brought back so many popular characters. “They all added to our baby and then they went away,” Alexander said. “We never really say thank you. We never really got to be with them and Larry found a way to bring them back. Everybody who had been a meaningful part of our success was back to be with us at the end. So the atmosphere all week long was joyous and sentimental in a way that had never been."

6. DAVID CHASE THINKS THE SOPRANOS AND SEINFELD SHOULD’VE SWAPPED FINALES.

In a 2012 interview with The New York Times, The Sopranos creator David Chase discussed how to end a series the right way. “It’s just very difficult to end a series,” he said. “For example, Seinfeld, they ended it with them all going to jail. Now that’s the ending we should have had. And they should have had ours, where it blacked out in a diner.”

7. THE FINAL TAPING WAS AN OVERWHELMINGLY EMOTIONAL EXPERIENCE FOR THE CAST.

Right before the four main cast members taped the final episodes in front of a studio audience, they did one last Circle of Power huddle, something they did before every show in which the cast held hands and grunted. During the final Circle of Power, Seinfeld gave a speech. “Jerry goes, ‘I want to say something,’” Alexander said. “He said: ‘For the rest our lives, when anyone thinks of one of us, they will think of all four of us. And I can’t think of three people I’d rather have that be true of.’ I’m gone, Julia’s gone. And now the cast—we came running out, and we must look like we got hit by a truck. That was a huge thing. It was true. We had been through a rough year and that was a big gesture on his part.”

Louis-Dreyfus—who liked the finale—also felt a similar way about Seinfeld’s words. “I was so caught by surprise by the emotion,” she told Emmy TV Legends. “I knew I’d be emotional, but I didn’t understand the profundity of it. It was a very sweet and dear moment.”

8. DAVID BLAMES FANS FOR WRITING THE FINALE IN THEIR HEADS.

“I think the thing about finales is everybody writes their own finale in their head, whereas if they just tune in during the week to a normal show, they’re surprised by what’s going on,” David told Grantland. “They haven’t written it beforehand, they don’t know what the show is. But for a finale, they go, ‘Oh, well this should happen to George, and Jerry and Elaine should get together,’ and all that. They’ve already written it, and often they’re disappointed, because it’s not what they wrote.”

9. RUDY GIULIANI WOULDN’T LET SEINFELD THROW A PARTY IN TIMES SQUARE.

NBC liked the idea of throwing a series-end party in Times Square. They wanted to air the finale and clips from the show on the Square’s giant Astrovision video screen, and they also wanted to close off part of the street. They applied for a permit, but the city rejected it, saying “it would be too disruptive to traffic.”

10. CURB YOUR ENTHUSIASM REVISITED “THE FINALE.”

Julia Louis-Dreyfus, Jerry Seinfeld, Jason Alexander, and Michael Richards in Seinfeld's "The Finale"
NBC

During the seventh season of Curb Your Enthusiasm, David reunited the cast of Seinfeld for a fictional reunion special. Seinfeld, Alexander, Louis-Dreyfus, and Richards play versions of themselves. On November 22, 2009, Curb aired its season finale, featuring the Seinfeld special. George has married (then divorced) a woman named Amanda, and he got rich (then lost his money) from inventing an app called the iToilet. Jerry and Elaine have a daughter, but the daughter doesn’t know Jerry is her father. Seinfeld, playing himself, jokes to David, “We already screwed up one finale.”

10 Facts About DodgeBall: A True Underdog Story For Its 15th Anniversary

Vince Vaughn stars in Dodgeball: A True Underdog Story (2004).
Vince Vaughn stars in Dodgeball: A True Underdog Story (2004).
Twentieth Century Fox

June 18, 2004 saw the release of two wildly different films in American cinemas: Steven Spielberg’s The Terminal and a goofy, cameo-filled, wrench-chucking sports comedy called DodgeBall: A True Underdog Story. Guess which one came out on top at the box office? The sleeper hit both saluted and skewered the sports movie genre. It also gave Chuck Norris the chance to enjoy a free helicopter ride.

1. Dodgeball's creator was inspired by the book Fast Food Nation.

DodgeBall writer/director Rawson Marshall Thurber considered DodgeBall an homage to some of his favorite flicks, including Revenge of the Nerds (1984), Rocky (1976), and Bull Durham (1988). Another source of inspiration was Eric Schlosser’s Fast Food Nation, the nonfiction bestseller about the modern obsession with greasy, ready-made cuisine. Published in 2001, Fast Food Nation sold more than 1.4 million copies within five years. It also left plenty of fingerprints on Thurber’s script.

"I really took a cue from that—there's an absolute love/fear relationship thing in our culture," Thurber told Film Freak Central in 2014. "We're so weight conscious, so image conscious, so youth-oriented—and wrapped up with all that psychosis are these ad images of it being so cool and all-American and sexy to eat McDonald's and drink pop and all that. It pulls people in all sorts of different directions, so I wanted [Ben Stiller’s character] White Goodman to be sitting there with a doughnut and the car battery attached to his nipples … That situation with food, with sports, with so much of our culture. [It’s] already almost too surreal to satirize."

2. The movie's actors went through some rigorous training.

To ready themselves for the movie, Ben Stiller, Vince Vaughn, and the rest of the actors ran indoor dodgeball drills at what many of them have since described as a “boot camp.” According to Stiller, this basically consisted of “us at a gym a few times a week playing dodgeball.” While that may not sound too intense, the physicality of these sessions took its toll on the performers. “It’s a game for the young,” Stiller said. “It’s one thing when you’re eight, but when you’re 38, it gets really exhausting. After three or four minutes, you’re fried.” Practicing at his side was Stiller’s wife, Christine Taylor, who plays Kate Veatch of the Average Joe’s squad in DodgeBall.

3. Ben Stiller took Christine Taylor down with a dodgeball ... twice.

As a general rule, it’s never a good idea to hit one’s spouse in the face with a rubber ball while playing any sport, but that’s exactly what Stiller did to Christine Taylor—twice. Blow number one came during the boot camp; the second strike occurred while filming the epic Globo Gym/Average Joe’s showdown. The latter ball was intended to strike Vaughn, who reflexively flinched to get out of the way. In any event, Stiller admits that those two incidents put a temporary damper on the couple’s marital harmony “for like a week, because there’s no way to not get upset with somebody after you’ve done that. It just sent us both back to eighth grade." (Though the couple announced that they were divorcing in 2017, the split has never been made official, and the couple is still regularly seen together—sparking rumors of a reconciliation.)

4. Stiller borrowed much of his character's personality from 1995's Heavyweights.

The fact that Stiller borrowed some of White Goodman’s traits from Tony Perkis, the fanatical fat camp owner he played in 1995’s Heavyweights, won’t surprise anyone who has seen both films. DodgeBall’s White Goodman (as played by Stiller) is a bombastic, egomaniacal fitness guru with some inherited wealth and major insecurities. The same description also applies to Perkis. A lighthearted family comedy, Heavyweights didn’t fare well at the box office, grossing a meager $17.6 million. As such, when Stiller copied a few of Perkis’s mannerisms in DodgeBall, he figured that no one would notice.

"I always thought, ‘Well, nobody ever saw Heavyweights, so I can do this,” Stiller recalled. “But a lot of people saw Heavyweights … Apparently, it shows on the Disney Channel a lot or something.” Regarding the two characters, Stiller has said that Perkis is “definitely a first or second cousin” to Goodman.

5. Justin Long suffered a minor concussion on the set.

Justin Long, who plays Justin in the film, took some hard knocks while making this movie. For starters, a prop wrench made with hard rubber left a nasty cut on his eyebrow when Rip Torn, as Patches O’Houlihan, threw it at his face in one scene. Then, while filming another section of DodgeBall’s training montage, the actor was pelted with enough high-speed balls to render him "slightly concussed."

"They didn’t want me to drive home at the end of the day because I was a little off," Long told Today in 2017. “So next time you’re watching that and laughing, know that you’re laughing at my pain.” Still, the experience wasn’t all bad. According to New York Magazine, Long can often be seen riding a scooter adorned with the words “Average Joe’s,” a gift from Stiller.

6. Hank Azaria and Rip Torn didn't even try to synchronize their Patches O'Houlihan voices.

Early in the film, we get to watch an instructional video about dodgeball (and social Darwinism) hosted by a young Patches O’Houlihan, who is played by Hank Azaria. For the remainder of the film, however, it’s Rip Torn who portrays the seven-time ADAA all-star. You may have noticed that the two actors use very different accents in their respective scenes: Azaria, who joined the cast at Stiller’s invitation, called his performance “essentially a bad Clark Gable impression.” At the time, Torn’s sequences hadn’t been shot yet, leading someone in the crew to pipe up and say “You know, it’d be funny if Rip tries to emulate that voice!” “I was like, ‘Yeah, good luck walking up to Rip Torn and suggesting that he change his vocal quality in any way. Let me know how that goes for you,’” Azaria replied.

7. The Average Joe's team colors are an homage to Hoosiers.

Thurber, a fan of David Anspaugh’s Oscar-nominated Hoosiers (1986), tipped his hat to the Hickory Huskers’ red and yellow uniforms by giving the Average Joe’s squad—led by Vince Vaughn’s Pete LaFleur—an almost identical color scheme. 

8. Chuck Norris was reluctant to make a cameo.

The action star’s only scene was shot in Long Beach, California. Geographically speaking, this was problematic for Norris. “I was in L.A. when they asked me to do the cameo,” Norris told Empire Magazine. “I said no at first because it was a three-hour drive to Long Beach.” Hearing this, Stiller called Norris and begged him to reconsider. “He goes, ‘Chuck, please, you’ve got to do this for me!’” Norris recalled, “My wife said he should send a helicopter for me and that's what happened. I didn't read the screenplay, just did my bit where I stick my thumb up.”

After post-production on DodgeBall wrapped and Norris got around to seeing the finished product, he found himself enjoying most of it. However, there was one little moment in the final credits that really caught him off-guard. “In the end, when Ben’s a big fatty and watching TV, the last line of the whole movie is, 'F***ing Chuck Norris!' My mouth fell open ... I said, 'Holy mackerel!' That was a shock, Ben didn't tell me about that!"

9. One villain was originally supposed to be a robot.

By far the most mysterious player in the Purple Cobras lineup is Fran Stalinovskovichdavidovitchsky, an Eastern European all-star whom Goodman calls “The deadliest woman on earth with a dodgeball.” What’s the secret to her success? Well, in an early version of the screenplay, it’s revealed that Fran is actually a robot in disguise. Thurber ended up dropping the gag, which he considered too ridiculous—even by DodgeBall’s standards. However, when Missi Pyle was cast as Fran, the big twist hadn’t yet been cut.

“Initially, in the first script I read, she was a robot, like a sexy-bodied robot” Pyle explained. The original plan was to slowly pan the camera up over a partly-exposed Robo-Fran—with her metallic face and fake breasts on full display—at some point in the climax.

10. Alan Tudyk weighed in on a fan theory about Steve the Pirate.

In 2012, Redditor Maized made the case Steve the Pirate, Alan Tudyk’s swashbuckling oddball, is actually an “ex-Navy sailor who suffers from PTSD.” As evidence, Maized cited Steve’s tattoos, which bear a striking resemblance to those frequently worn by U.S. Naval recruits. In theory, the Average Joe’s patron uses his pirate persona to cope with his condition.

During a 2016 interview with Screen Crush, Tudyk was asked to offer his thoughts on the theory. With a chuckle, Tudyk replied that it “doesn’t seem like it’s impossible.” Emphasizing that he didn’t wish to “insult Navy sailors who have PTSD,” the actor said he’d consider taking the Redditor’s idea into account if a DodgeBall sequel is ever made.

Game of Thrones Director Said He Wanted to 'Kill Everyone' During the Battle of Winterfell

Iain Glen and Emilia Clarke in Game of Thrones.
Iain Glen and Emilia Clarke in Game of Thrones.
Helen Sloan, HBO

Now that Game of Thrones is over, it’s time to talk about the nitty-gritty of the episodes, particularly “The Long Night.” While the Battle of Winterfell may have been nerve-wracking to watch, there ended up being surprisingly fewer deaths than fans expected, considering the living were fighting the entire army of the dead.

Miguel Sapochnik, who directed the episode, was no beginner with battle scenes before taking on “The Long Night,” as he was also responsible season 6's iconic “The Battle of the Bastards” as well as the memorable season 5 episode “Hardhome.” While his list of Game of Thrones accomplishments is long, it turns out that Sapochnik's choices haven't always been in line with what showrunners David Benioff and D.B. Weiss want.

According to IndieWire, Sapochnik’s aesthetic choices, such as the decision to shoot shoot Cersei and Tommen shadowed by prison-like bars to represent Tommen’s imprisonment in season 5, were not favored by the showrunners. “[Benioff and Weiss] said [it was] ‘so self-conscious and we hate it basically,'” Sapochnik revealed at the time. Because of disagreements like this, the pair “visually policed” the director.

There was a difference of opinion between the director and the creators again for “The Long Night,” Sapochnik revealed on IndieWire's Filmmaker's Toolkit podcast. “I wanted to kill everyone,” the director said, as reported by Esquire. “I wanted to kill Jorah in the horse charge at the beginning. I wanted it to be ruthless, so in the first 10 minutes you could say all bets are off, anyone could die. But David and Dan didn’t want to. There was a lot of back-and-forth on that."

Ultimately, Sapochnik gave in to Benioff and Weiss’s plan for the episode, and the Battle of Winterfell had far fewer casualties than most of the series's other battle scenes.

[h/t Esquire]

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