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Warner Bros.

The Original Reviews of 10 Classic Christmas Movies

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Warner Bros.

Whether you’re a fan of Buddy the Elf or prefer the retro allure of Bedford Falls, there are certain movies that just make the holidays complete—but not all of them were always so popular. Here’s what the critics originally thought of 10 classic Christmas movies.

1. IT'S A WONDERFUL LIFE (1946)

It seems that the Jimmy Stewart-Donna Reed classic was beloved from the start. Variety was positively ebullient when it reviewed the film on December 18, 1946, saying:

It’s a Wonderful Life will enjoy just that at the b.o., and eminently deserves to do so. In the wake of the billowing ballyhoo which has preceded the first entry from Liberty Films, will come resurging word-o’-mouth to accelerate the whirring of theatres’ wickets. After a somewhat clammy cycle of psychological pix and a tortured trend of panting propaganda vehicles, the April-air wholesomeness and humanism of this natural bring back vividly the reminder that, essentially, the screen best offers unselfconscious, forthright entertainment.

In fact, Variety’s critic had kind words for everyone. Frank Capra “again proves he can fashion what ordinarily would be homilizing hokum into gleaming, engaging entertainment for all brows—high, low or beetle,” Jimmy Stewart “hasn’t lost a whit of his erstwhile boyish personality (when called to turn it on) and further shows a maturity and depth he seems recently to have acquired,” and Donna Reed “will reach full-fledged stardom with this effort.” He was even impressed with the film's state-of-the-art simulated snow technology.

2. MIRACLE ON 34TH STREET (1947)

It’s no miracle that this film has endured the decades: Like It’s a Wonderful Life, moviegoers and critics alike have loved the plight of Kris Kringle since its 1947 debut. It was even nominated for a Best Picture Oscar. Though it didn’t win that category, Edmund Gwenn won for Best Actor; Valentine Davies won for Best Writing, Original Story; and George Seaton won for Best Writing, Screenplay. It seems the only people who didn’t like the movie were those in the Catholic League of Decency, who downgraded the film to a “B” rating due to the “morally objectionable” fact that the mother was divorced.

3. WHITE CHRISTMAS (1954)

Since the smash song “White Christmas” came from Holiday Inn, a 1942 Bing Crosby movie scored by Irving Berlin, everyone had big hopes for White Christmas, a similarly-themed movie that came out 12 years later. Bing Crosby and Irving Berlin were both on board as before, but “Oddly enough,” The New York Times critic Bosley Crowther wrote, “the confection is not so tasty as one might suppose. The flavoring is largely in the line-up and not in the output of the cooks. Everyone works hard at the business of singing, dancing, and cracking jokes, but the stuff that they work with is minor. It doesn't have the old inspiration and spark.” He concedes that the film looks great, in part thanks to “VistaVision,” a then-new process of projecting onto a large screen. “It is too bad that it doesn't hit the eardrums and the funnybone with equal force,” Crowther concluded.

4. A CHARLIE BROWN CHRISTMAS (1965)

Snoopy and his pals overcame a lot of troubles to make it to the small screen in 1965. Executives didn’t like the slow pace of the show. They didn’t want Linus to recite Bible verses. They hated that there was no laugh track. And they thought having the children be voiced by real children instead of adult voice actors was the worst idea in broadcast history.

Turns out they were wrong about all of it. It’s been estimated that nearly 50 percent of households with televisions tuned in to watch A Charlie Brown Christmas that November, and they’ve been coming back ever since.

5. HOW THE GRINCH STOLE CHRISTMAS (1966) / (2000)

The original TV special got mixed (if apathetic) reviews. One critic shrugged that it was “probably as good as most of the other holiday cartoons. I can’t see why anybody would dislike it.” The Jim Carrey remake wishes the reviews were that kind.

From Entertainment Weekly’s Ty Burr:

The reason Dr. Seuss' original "How the Grinch Stole Christmas!" is a slender classic of antimaterialism comes down to one line: "'Maybe Christmas,' he thought, 'doesn't come from a store.'" The season, Ted Geisel was saying, is not about stuff. Ron Howard's "Dr. Seuss' How the Grinch Stole Christmas" is all about stuff. From the bric-a-brac Styrofoam sets to the ugly "Twilight Zone" faces of the Whos to Jim Carrey's hairy man-breasts, the movie substitutes audiovisual megakill for emotion. And that's just on screen; act now, and you can buy the "Grinch" video-and-plush-doll pack, or the Collector's Edition DVD with fold-out sets and Faith Hill video, or the Grinch Shower Radio! ... But listen, go ahead and let the kids watch it eight times a week. Just turn up the volume so you can't hear Ted spinning.

6. A CHRISTMAS STORY (1983)

Siskel and Ebert both loved everything about this Jean Shepherd adaptation. “It’s the kind of movie that everyone can identify with,” Ebert said, and judging by the annual 24-hour marathon on TBS, he was right.

7. SCROOGED (1988)

You know who’s immune to the charms of Bill Murray? Critics. The Los Angeles Times said the modern-day adaptation of A Christmas Carol was “as over-inflated as its own Ghost of Christmas Yet to Come and as funny as a mugging.” All of the fine actors in the movie, critic Sheila Benson mused, were “Wasted, all wasted, some of them under circumstances that make you squirm for them.” And she’s not alone in her opinion. Ebert called it “disquieting, unsettling” and “forced and depressing,” with scenes that are “desperate” and “embarrassing.”

8. NATIONAL LAMPOON'S CHRISTMAS VACATION (1989)

Suffice it to say that The New York Times movie critic Janet Maslin isn’t among the millions of us who gather around the TV every year to giggle at Clark Griswold and his 25,000 twinkle lights:

The screenplay for "National Lampoon's Christmas Vacation," by John Hughes, makes no pretense at being anything other than a disjointed collection of running gags; if it weren't for a calendar that marks the approach of Christmas Day, the film would have no forward momentum at all. The film also looks tacky, what with flimsy props and occasionally blurry cinematography, and the direction by Jeremiah S. Chechik displays comic timing that is uncertain at best.

She did see one bright spot in the film, though: “The best thing the new film does is to bring back Cousin Eddie, the wily, scene-stealing slob whose disgusting habits are a source of considerable amusement.”

9. HOME ALONE (1990)

Ebert was definitely not a fan of Home Alone—though he did like Macaulay Culkin. He wrote:

The plot is so implausible that it makes it hard for us to really care about the plight of the kid. What works in the other direction, however, and almost carries the day, is the gifted performance by young Macaulay Culkin, as Kevin. He's such a confident and gifted little actor that I'd like to see him in a story I could care more about.

"Home Alone" isn't that story. When the burglars invade Kevin's home, they find themselves running a gamut of booby traps so elaborate they could have been concocted by Rube Goldberg—or by the berserk father in "Last House on the Left." Because all plausibility is gone, we sit back, detached, to watch stunt men and special effects guys take over a movie that promised to be the kind of story audiences could identify with.

10. ELF (2003)

Unexpectedly, Ebert really enjoyed Elf—and no one was more surprised by that turn of events than Ebert himself:

If I were to tell you "Elf" stars Will Ferrell as a human named Buddy who thinks he is an elf and Ed Asner as Santa Claus, would you feel an urgent desire to see this film? Neither did I. I thought it would be clunky, stupid and obvious, like "The Santa Clause 2" or "How the Grinch Stole Christmas." It would have grotesque special effects and lumber about in the wreckage of holiday cheer, foisting upon us a chaste romance involving the only girl in America who doesn't know that a man who thinks he is an elf is by definition a pervert.

That's what I thought it would be. It took me about 10 seconds of seeing Will Ferrell in the elf costume to realize how very wrong I was. This is one of those rare Christmas comedies that has a heart, a brain and a wicked sense of humor, and it charms the socks right off the mantelpiece.

He ends the review with, “... Let's hope Buddy persuades enough people to believe. It should be easy. He convinced me that this was a good movie, and that's a miracle on 34th street right there.”

This post originally appeared in 2014.

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Kevork Djansezian/Getty Images for PCA
12 Surprising Facts About Robin Williams
Kevork Djansezian/Getty Images for PCA
Kevork Djansezian/Getty Images for PCA

Robin Williams had a larger-than-life personality. On screen and on stage, he embodied what he referred to as “hyper-comedy.” Offscreen, he was involved in humanitarian causes and raised three children—Zak, Zelda, and Cody. On July 16, HBO debuts the documentary Robin Williams: Come Inside My Mind, directed by Marina Zenovich. The film chronicles his rise on the L.A. and San Francisco stand-up comedy scenes during the 1970s, to his more dramatic roles in the 1980s and '90s in award-winning films like Dead Poets Society; Good Morning, Vietnam; Awakenings; The Fisher King; and Good Will Hunting. The film also focuses on August 11, 2014, the date of his untimely death. Here are 12 surprising facts about the beloved entertainer.

1. ROBIN WILLIAMS GOT HIS START AT A COMEDY WORKSHOP INSIDE A CHURCH.

A still from 'Robin Williams: Come Inside My Mind' (2018)
HBO

After leaving Juilliard, Robin Williams found himself back in his hometown of San Francisco, but he couldn’t find work as an actor. Then he saw something for a comedy workshop in a church and decided to give it a shot. “So I went to this workshop in the basement of a Lutheran church, and it was stand-up comedy, so you don’t get to improvise with others, but I started off doing, ostensibly, it was just like improvising but solo," he told NPR. "And then I started to realize, ‘Oh.’ [I started] building an act from there."

2. HE FORMED A FRIENDSHIP WITH KOKO THE GORILLA.

In 2001, Williams visited Koko the gorilla, who passed away in June, at The Gorilla Foundation in Northern California. Her caregivers had shown her one of his movies, and she seemed to recognize him. Koko repeatedly signed for Williams to tickle her. “We shared something extraordinary: laughter,” Williams said of the encounter. On the day Williams died, The Foundation shared the news with Koko and reported that she fell into sadness.

3. FOR A TIME, HE WAS A MIME IN CENTRAL PARK.

In 1974, photographer Daniel Sorine captured photos of two mimes in New York's Central Park. As it turned out, one of the mimes was Williams, who was attending Juilliard at the time. “What attracted me to Robin Williams and his fellow mime, Todd Oppenheimer, was an unusual amount of intensity, personality, and physical fluidity,” Sorine said. In 1991, Williams revisited the craft by playing Mime Jerry in Bobcat Goldthwait’s film Shakes the Clown. In the movie, Williams hilariously leads a how-to class in mime.

4. HE TRIED TO GET LYDIA FROM MRS. DOUBTFIRE BACK IN SCHOOL.

As a teen, Lisa Jakub played Robin Williams’s daughter Lydia Hillard in Mrs. Doubtfire. “When I was 14 years old, I went on location to film Mrs. Doubtfire for five months, and my high school was not happy,” Jakub wrote on her blog. “My job meant an increased workload for teachers, and they were not equipped to handle a ‘non-traditional’ student. So, during filming, they kicked me out.”

Sensing Jakub’s distress over the situation, Williams typed a letter and sent it to her school. “A student of her caliber and talent should be encouraged to go out in the world and learn through her work,” he wrote. “She should also be encouraged to return to the classroom when she’s done to share those experiences and motivate her classmates to soar to their own higher achievements … she is an asset to any classroom.”

Apparently, the school framed the letter but didn’t allow Jakub to return. “But here’s what matters from that story—Robin stood up for me,” Jakub wrote. “I was only 14, but I had already seen that I was in an industry that was full of back-stabbing. And it was entirely clear that Robin had my back.”

5. HE WASN’T PRODUCERS' FIRST CHOICE TO PLAY MORK ON MORK & MINDY.

Anson Williams, Marion Ross, and Don Most told The Hallmark Channel that a different actor was originally hired to play Mork for the February 1978 Happy Days episode “My Favorite Orkan,” which introduced the alien character to the world. “Mork & Mindy was like the worst script in the history of Happy Days. It was unreadable, it was so bad,” Anson Williams said. “So they hire some guy for Mork—bad actor, bad part.” The actor quit, and producer Garry Marshall came to the set and asked: “Does anyone know a funny Martian?” They hired Williams to play Mork, and from September 1978 to May 1982, Williams co-headlined the spinoff Mork & Mindy for four seasons.

6. HE “RISKED” A ROLE IN AN OFF-BROADWAY PLAY.

Actor Robin Williams poses for a portrait during the 35th Annual People's Choice Awards held at the Shrine Auditorium on January 7, 2009 in Los Angeles, California
Michael Caulfield, Getty Images for PCA

In 1988, Williams made his professional stage debut as Estragon in the Mike Nichols-directed Waiting for Godot, which also starred Steve Martin and F. Murray Abraham. The play was held off-Broadway at Mitzi E. Newhouse Theater at Lincoln Center. The New York Times asked Williams if he felt the show was a career risk, and he responded with: “Risk! Of never working on the stage again! Oh, no! You’re ruined! It’s like you're ruined socially in Tustin,” a town in Orange County, California. “If there’s risk, you can’t think about it,” he said, “or you’ll never be able to do the play.”

Williams had to restrain himself and not improvise during his performance. “You can do physical things,” he said, “but you don’t ad lib [Samuel] Beckett, just like you don’t riff Beethoven.” In 1996, Nichols and Williams once again worked together, this time in the movie The Birdcage.

7. HE USHERED IN THE ERA OF CELEBRITY VOICE ACTING.

The 1992 success of Aladdin, in which Williams voiced Genie, led to more celebrities voicing animated characters. According to a 2011 article in The Atlantic, “Less than 20 years ago, voice acting was almost exclusively the realm of voice actors—people specifically trained to provide voices for animated characters. As it turns out, the rise of the celebrity voice actor can be traced to a single film: Disney’s 1992 breakout animated hit Aladdin.” Since then, big names have attached themselves to animated films, from The Lion King to Toy Story to Shrek. Williams continued to do voice acting in animated films, including Aladdin and the King of Thieves, Happy Feet, and Happy Feet 2.

8. HE FORGOT TO THANK HIS MOTHER DURING HIS 1998 OSCAR SPEECH.

In March 1998, Williams won a Best Supporting Actor Oscar for his performance as Sean Maguire in Good Will Hunting. In 2011, Williams appeared on The Graham Norton Show, and Norton asked him what it was like to win the award. “For a week it was like, ‘Hey congratulations! Good Will Hunting, way to go,'” Williams said. “Two weeks later: ‘Hey, Mork.’”

Then Williams mentioned how his speech accidentally left out one of the most important people in his life. “I forgot to thank my mother and she was in the audience,” he said. “Even the therapist went, ‘Get out!’ That was rough for the next few years. [Mom voice] ‘You came through here [points to his pants]! How’s the award?’”

9. HE COMFORTED STEVEN SPIELBERG DURING THE FILMING OF SCHINDLER’S LIST.

At this year’s 25th anniversary screening of Schindler’s List, held at the Tribeca Film Festival, director Steven Spielberg shared that Williams—who played Peter Pan in Spielberg’s Hook—would call him and make him laugh. “Robin knew what I was going through, and once a week, Robin would call me on schedule and he would do 15 minutes of stand-up on the phone,” Spielberg said. “I would laugh hysterically, because I had to release so much.”

10. HE HELPED ETHAN HAWKE GET HIS AGENT.

During a June 2018 appearance on The Graham Norton Show, Ethan Hawke recalled how, while working on Dead Poets Society, Williams was hard on him. “I really wanted to be a serious actor,” Hawke said. “I really wanted to be in character, and I really didn’t want to laugh. The more I didn’t laugh, the more insane [Williams] got. He would make fun of me. ‘Oh this one doesn't want to laugh.’ And the more smoke would come out of my ears. He didn’t understand I was trying to do a good job.” Hawke had assumed Williams hated him during filming.

After filming ended, Hawke went back to school, but he received a surprising phone call. It was from Williams’s agent, who—at Williams's suggestion—wanted to sign Hawke. Hawke said he still has the same agent today.

11. HE WAS ALMOST CAST IN MIDNIGHT RUN.

In February 1988, Williams told Rolling Stone how he sometimes still had to audition for roles. “I read for a movie with [Robert] De Niro, [Midnight Run], to be directed by Marty Brest,” Williams said. “I met with them three or four times, and it got real close, it was almost there, and then they went with somebody else. The character was supposed to be an accountant for the Mafia. Charles Grodin got the part. I was craving it. I thought, ‘I can be as funny,’ but they wanted someone obviously more in type. And in the end, he was better for it. But it was rough for me. I had to remind myself, ‘Okay, come on, you’ve got other things.’”

In July 1988, Universal released Midnight Run. Just two years later, Williams finally worked with De Niro, on Awakenings.

12. BILLY CRYSTAL AND WILLIAMS USED TO TALK ON THE PHONE FOR HOURS.

Actors Robin Williams (L) and Billy Crystal pose at the afterparty for the premiere of Columbia Picture's 'RV' on April 23, 2006 in Los Angeles, California
Kevin Winter, Getty Images

Starting in 1986, Williams, Billy Crystal, and Whoopi Goldberg co-hosted HBO’s Comic Relief to raise money for the homeless. Soon after Williams’s death, Crystal went on The View and spoke with Goldberg about his friendship with Williams. “We were like two jazz musicians,” Crystal said. “Late at night I get these calls and we’d go for hours. And we never spoke as ourselves. When it was announced I was coming to Broadway, I had 50 phone messages, in one day, from somebody named Gary, who wanted to be my backstage dresser.”

“Gary” turned out to be Williams.

Robin Williams: Come Inside My Mind premieres on Monday, July 16 at 8 p.m. ET on HBO.

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Walt Disney Pictures
10 Facts About Hocus Pocus
Walt Disney Pictures
Walt Disney Pictures

In a 2014 Reddit AMA, Bette Midler said she'd be interested in doing a Hocus Pocus sequel. "You have to go to send in your cards to the Walt Disney company," she said. "The ball's in their court." While you get those cards ready, here are some facts about the original, which arrived in theaters 25 years ago today.

1. THE STORY ORIGINATED AS A BEDTIME STORY.

The story for Hocus Pocus came about after writer David Kirschner invented a bedtime story for his kids. He later wrote the story up and submitted it to Muppet Magazine (why does this not still exist?), where it gained recognition.

2. THE WRITERS USED PROPS TO PITCH IT TO STUDIO EXECUTIVES.

Bette Midler in 'Hocus Pocus' (1993)
Walt Disney Pictures

To pitch the story to Disney, the writers had execs enter a dark room with broomsticks and a vacuum cleaner hanging from the ceiling. They also scattered 15 pounds of candy corn throughout the room in an effort to invoke Halloween nostalgia. It obviously worked!

3. IT WAS NOT AN IMMEDIATE HIT.

Though it’s a cult classic now, Hocus Pocus didn’t do that well when it first came out in 1993, perhaps because it was released in July instead of September or October. Though it didn’t have a terrible opening—$8,125,471, putting it in fourth place at the box office that weekend—it fell to $2,017,688 a few weeks later, and bad reviews from the critics didn’t help matters.

Entertainment Weekly was particularly put off by the movie, calling it a “piece of corny slapstick trash” and saying that “It’s acceptable scary-silly kid fodder that adults will find only mildly insulting. Unless they’re Bette Midler fans. In which case it’s depressing as hell.”

4. BETTE MIDLER LOVES IT.

Bette Midler, by the way, has said that Hocus Pocus is her favorite film out of all of the films she’s ever done. (At least as of 2008.) Thora Birch agreed, recently saying, “The most fun I ever had on a film was Hocus Pocus.”

5. KATHY NAJIMY LOVES IT, TOO.

Midler isn't the only star of the film who isn't immune to its allure: Kathy Najimy has said she watches the movie with her family every year on August 15.

6. IT COULD HAVE STARRED LEONARDO DICAPRIO.

The role of Max was originally offered to Leonardo DiCaprio. He turned it down to do What’s Eating Gilbert Grape.

7. SARAH JESSICA PARKER IS RELATED TO A WOMAN FAMOUSLY ACCUSED OF BEING A WITCH.

Had Sarah Jessica Parker known then what she knows now, she might have approached the role of Sarah Sanderson a little differently. When the actress went on the show Who Do You Think You Are to trace her family history, Parker discovered that one of her ancestors was Esther Elwell, one of the women accused of being a witch during the Salem Witch Trials. After a young girl said she saw Esther’s “spectre” strangling neighbor Mary Fitch, Elwell was arrested, but escaped going to trial.

8. THORA BIRCH REVISITED THE NEIGHBORHOOD IN AMERICAN BEAUTY.

While the kids are prematurely celebrating victory against the Sanderson sisters after locking them in the kiln, they’re shown talking in front of a house as they walk to a park. The house was later used as the house Thora Birch’s character lived in for American Beauty.

9. THE KIDS WEREN'T HUGE FANS OF THE CATS.

The kids all hated working with the cats. Many different cats were used to represent Binx, and each one served a different purpose—one was good at cuddling with the kids, one would jump on command, etc. Every time a new cat was used, the children would have to coerce the kitty to trust them by using treats and a clicker. They got sick of it.

10. MUCH OF THE ORIGINAL CAST REUNITED FOR A 20TH REUNION.

Most of the cast participated in a 20th anniversary event for D23 (the Disney fan club) members. Sarah Jessica Parker and Bette Midler were not in attendance, but pretty much everyone else was, including Kathy Najimy (Mary Sanderson), Vinessa Shaw (Allison), Omri Katz (Max), Thora Birch (Dani), and Doug Jones (Billy Butcherson). You can watch some of that reunion above.

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