The Fiery History of Scandinavia's Yule Goat

In Gävle, Sweden, nothing says “Christmas” like the sight of a four-ton straw goat overlooking the town square. Too bad some jerk usually comes along and lights it on fire.

The first Gävle Goat was put up on December 1, 1966. Financed by a local entrepreneur, the magnificent beast stood 23 feet in length and over four stories tall. But this colossus of holiday cheer went up in smoke that New Year’s Eve at the hands of a nearby pyromaniac. Luckily, the goat was insured and the perpetrator was charged with vandalism. Since then, a new model is built from hay (almost) every year in a tradition that ranks among the country’s most famous.

Unfortunately—as the good people of Gävle know all too well—no goat is hooligan-proof. In 2012, it only took until December 12th for that year's specimen to be burned to a crisp.

But petty arson is hardly the worst fate that can befall a Gävle goat. Other grisly demises include getting kicked to pieces and being hit by a car. In 2010, a pair of schemers planned to kidnap the goat and transport it to Stockholm via helicopter, only to have the guard on duty reject their bribe of 50,000 kronor (about $7350).

Fed up with these malicious acts of violence against fake livestock, in 2013 officials announced that the straw used in that year's incarnation had been treated with fire-proof liquids.

This strange Gävle custom was inspired by the yule goat of Scandinavian lore. Horned herbivores have enjoyed a rich history in the region’s culture and mythology; even the mighty god Thor himself was said to have ridden in a cart pulled by a pair of goats named Tanngniost and Tanngrisnir, who could be killed and devoured before coming back to life the following morning.

This may have inspired the subsequent mid-winter Norwegian custom of Julebukking (“yule-goating”), which involved going door to door dressed like goats while singing carols in pursuit of snacks and alcohol. Modern children have since revived this pre-Christian practice, albeit with slight alterations.

Today, yule goat figurines are a commonly-used Christmas ornament constructed from straw, with braided horns and red ribbons wrapped around their necks. Generally placed under the tree, these can also be mischievously hidden in the house of a friend or neighbor, with the understanding that it’s now their turn to go and plant it in somebody else’s home. For more information on this remarkable piece of Scandinavian heritage, head here.

A Finnish Tourism Company Is Hiring Professional Christmas Elves

iStock.com/kali9
iStock.com/kali9

Finland isn't quite the North Pole, but it will be home to a team of gainfully employed Christmas elves this holiday season. As Travel + Leisure reports, the Scandinavian country's Lapland Safaris is looking for elves to get guests into the holiday spirit.

Lapland Safaris is a tourism company that organizes activities like snowmobiling, Northern Lights-gazing, skiing, and ice-fishing. The elf employees will be responsible for leading guests to their buses and conveying important information, all while spreading holiday cheer. The job listing reads, "An Elf is at the same time an entertainer, a guide, and a mythical creature of Christmas."

Each Lapland Safari elf will receive training through Arctic Hospitality Academy prior to starting the job. There, they will learn "the required elfing and communication skills." Training will be conducted in English, but candidates' knowledge of French, Spanish, or German is a plus.

To apply, aspiring elves can fill out and submit this form through Lapland Safaris's website. The gig lasts from November 2018 to the beginning of next year, with employees having the option to work at any of the company's Finnish destinations (Santa's workshop is unfortunately not included on the list).

[h/t Travel + Leisure]

Aaugh! 10 Facts About It's the Great Pumpkin, Charlie Brown

Warner Home Video
Warner Home Video

Lee Mendelson hadn’t planned on a career in animation. But when television sponsors saw the filmmaker’s documentary about cartoonist Charles Schulz, they asked if the two could team up to produce a Christmas special based on Schulz’s Peanuts strip. The result, A Charlie Brown Christmas, was seen by roughly half of all households watching television during its premiere on CBS on December 9, 1965.

Mendelson went on to produce other Peanuts primetime specials, but 1966’s It’s the Great Pumpkin, Charlie Brown remains one of the most endearing. As you prepare annual sympathy for poor ol' Chuck (“I got a rock”), check out some facts about naked composers, vomiting voice actors, and CBS’s bizarre ultimatum.

1. THE FUTURE OF ANIMATED PEANUTS SPECIALS DEPENDED ON IT.  


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Mendelson and animator Bill Melendez had very high aspirations for A Charlie Brown Christmas. When they screened it prior to its premiere, however, they felt it didn’t live up to its potential—and CBS agreed. The network said it was the last Peanuts special they would buy. But after it delivered huge ratings, CBS changed their mind and asked for more. When the two delivered another hit—the baseball-themed Charlie Brown All-Stars—they thought they had earned the network’s confidence.

Instead, CBS told them they needed a special that could run every year, like A Charlie Brown Christmas. If Mendelson couldn’t provide it, they told him they might not pick up an option for a fourth show. Despite Schulz and his collaborators being annoyed by the network's abrasive attitude, they hammered out a story with a seasonal clothesline that could be rerun in perpetuity.   

2. THE VOICE OF VIOLET PUKED AFTER EVERY RECORDING SESSION.

It’s standard practice these days to use adult actors to mimic juvenile cartoon characters: adults are (presumably) better able to take direction and deliver a performance in line with the director’s wishes. But for many Peanuts specials, children were used to voice Charlie Brown, Lucy, Linus, and the rest. Anne Altieri, who portrayed both Violet and Frieda, was so nervous to be part of the show that she threw up every time she was done with a recording session.

3. IT WAS THE FIRST TIME LUCY SNATCHED THE FOOTBALL FROM CHARLIE BROWN.

In animated form, anyway. When Schulz, Mendelson, and Melendez were brainstorming scene ideas for the special, talk turned to the fact that Lucy’s habit of pulling the football away from Charlie Brown had never been seen in animation. They also decided it would be a good time to introduce Snoopy’s World War I Flying Ace. The joke had appeared in the strip, but Mendelson thought it would work even better in motion. He was right: the sequence with Snoopy in a doghouse dogfight is one of the most memorable in the Peanuts animated canon.

4. IT’S SECRETLY ABOUT SANTA.

The Great Pumpkin saga was adapted from Schulz’s newspaper strip, where he had conceived it as a metaphor for some of the hope (and disappointment) associated with Saint Nick. Schulz disliked the idea kids heard of a jolly fat man who delivered presents all over the world when he knew many families could only afford one or two gifts for the holidays. “The Great Pumpkin is really kind of a satire on Santa Claus,” he told Mendelson. “When [he] doesn’t come, Linus is crushed.”

5. THE MUSIC COMPOSER WAS FOUND NAKED BY COPS.


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The jazzy scores of the early Peanuts specials were the work of composer Vince Guaraldi. When he was busy putting together “The Great Pumpkin Waltz” for the show, he decided to break for a shower. When he came out, he thought he heard noises outside and went to investigate, naked, and locked himself out in the process. Keyless, Guaraldi tried climbing a ladder to a second-floor window when cops spotted him. “Don’t shoot,” he said. “I’m the Great Pumpkin.” Police, who were many months away from getting the joke, let him back inside.  

6. A LISP ALMOST RUINED THE SHOW.

Kathy Steinberg was only four years old when she portrayed Sally for the first time in A Charlie Brown Christmas: her big break came when Mendelson, her neighbor, started work on the specials. While Steinberg had some limitations—like being too young to know how to read a script—things were going well until producers realized she was on the verge of losing a tooth. Fearing a lisp would ruin the voiceover work, they rushed to get her lines done. The day after finishing, the tooth fell out.  

7. KIDS SENT CHARLIE BROWN CANDY FOR YEARS.

One of the most poignant moments of any Peanuts cartoon comes when downtrodden Charlie Brown opens his Halloween goodie sack and discovers he’s been given rocks instead of candy. According to Schulz, this so angered viewers that for years his California office was inundated with sacks of treats addressed to the character.

8. THE ORIGINAL AIRINGS WERE SLIGHTLY DIFFERENT.

Production costs for the early Charlie Brown specials were subsidized by television sponsors Coca-Cola and Dolly Madison snack cakes: the brands appear at the beginning and end of the broadcast. The Coke “bug” appeared for several years before getting phased out. 

9. CBS GOT A LITTLE SALTY ABOUT LOSING THE RIGHTS.

After spending decades at CBS, the rights to three holiday Peanuts installments went up for grabs in 2000. Though CBS could make the first offer, it was ABC who made the winning bid. Privately, CBS executives were not at all pleased about the business decision to take the football away. “It's a shame that a few more dollars meant more to them than years of tradition and loyalty," one network employee anonymously told Variety

10. SOME SCHOLARS THOUGHT THE GREAT PUMPKIN WAS REAL.


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A real myth, at any rate. Talking to the Schenectady Gazette in 1968, Schulz said that since the special began airing two years earlier, he had received a number of letters from academics wondering where the Great Pumpkin story had originated. “A number of professional scholars have written me about the origination of the legend,” he said. “They insist it must be based on something.” Schulz suggested they broach the topic with Linus instead.

This article originally ran in 2015.

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