CLOSE
Original image
Getty Images

12 Famous Novelists Who Became Hollywood Screenwriters

Original image
Getty Images

Just because an author can write a best-selling and critically acclaimed novel doesn’t necessarily mean he can make the transition to screenwriter. Some novelists who take the leap find success in Hollywood, while others are defeated. Here are 12 popular novelists who tried their hands at screenwriting—and how their attempts fared.

1. F. Scott Fitzgerald / Screenplay: Three Comrades (1938)

In 1937, F. Scott Fitzgerald moved to Hollywood, just one in a mass exodus of novelists trying out a new career in screenwriting. He ended up with just one screenplay credit to his name, for the 1938 film Three Comrades (and even then, the script was heavily rewritten by Joseph L. Mankiewicz). But the Great Gatsby author produced a large number of treatments, re-writes, and screenplay polishes in the Hollywood movie studio system. Fitzgerald’s work was either not used or recognized; most producers and directors considered his work not suitable for the big screen.

Most notably, Fitzgerald worked on the screenplay for Gone With the Wind, but ultimately, the pages he turned in to the film’s producer David O. Selznick were not used or filmed. It was reported that he was instructed to only use the text that was featured in Margaret Mitchell’s novel and not stray away from the original source material. 

2. William Faulkner / Screenplay: The Big Sleep (1946)

In 1932, critically acclaimed author William Faulkner signed a screenwriting contract with MGM Studios that would give him financial stability after his breakthrough novels The Sound and the Fury, As I Lay Dying, and Sanctuary failed to gain commercial success with a mass audience. While he worked on more than 50 films during his 22-year career as a screenwriter for 20th Century Fox and then Warner Bros, Faulkner’s work with Leigh Brackett and Jules Furthman on Howard Hawks’ The Big Sleep is his most notable. The big-screen adaptation of fellow novelist Raymond Chandler’s book of the same name, the movie is a seminal and important work in the film noir genre.    

3. John Steinbeck / Screenplay: Lifeboat (1944)

Regarded as one of the greatest American novelists of the 20th century, John Steinbeck took up a career in Hollywood as a screenwriter after he returned from World War II. He wrote the film Lifeboat for director Alfred Hitchcock in 1943. Despite being nominated for an Academy Award for Best Original Screenplay, Steinbeck demanded his name taken off of Lifeboat because he felt that Alfred Hitchcock introduced an underlying racist quality into the film and he therefore didn't want to be associated with the project.

4. Dave Eggers / Screenplay: Away We Go (2009), Where The Wild Things Are (2009)

New Sincerity movement author and McSweeney’s founder Dave Eggers started a new career as a Hollywood screenwriter in the late 2000s. He co-wrote the Sam Mendes-directed film Away We Go with his wife Vendela Vida, and penned the film adaptation of Maurice Sendak’s Where The Wild Things Are with director Spike Jonze, both in 2009. As he wrote and edited highly acclaimed works of fiction and non-fiction, Eggers also continued to write screenplays for small independent films, including Promised Land with co-screenwriters Matt Damon and John Krasinski for director Gus Van Sant.

5. Nick Hornby / Screenplay: An Education (2009)

British novelist and essayist Nick Hornby is mostly known for his heart-felt books High Fidelity, About A Boy, and How to be Good. In 2009, Hornby took a stab at screenwriting, penning the British coming-of-age film An Education for director Lone Scherfig. The movie stayed close to its source material, a memoir from journalist Lynn Barber about her early life attending Lady Eleanor Holles School. An Education garnered three Academy Award nominations including Best Picture, Best Actress for Carey Mulligan, and Best Adapted Screenplay for Nick Hornby.

Currently, Hornby is working on adapting Cheryl Strayed‘s bestselling memoir Wild for Canadian director Jean-Marc Vallée.

6. Cormac McCarthy / Screenplay: The Counselor (2013)

Cormac McCarthy's novels were the basis for some of the best films produced in the last 10 years, including All the Pretty Horses, The Road, and the Academy Award-winning film No Country for Old Men for directors Joel and Ethan Coen. Earlier this year, the author made his first attempt at an original screenplay, The Counselor, directed by Ridley Scott. Although the film was mostly critically panned, The Counselor saw moderate box office success with $60 million in worldwide earnings.

7. Kazuo Ishiguro / Screenplay: The Saddest Music in the World (2003), The White Countess (2005)

Although two of his novels—The Remains of the Day and Never Let Me Go—were adapted for the big screen, novelist Kazuo Ishiguro didn’t have a hand in writing their screenplays. He did, however, write the original story for Guy Maddin’s masterpiece The Saddest Music in the World in 2003 and the James Ivory film The White Countess in 2005. Though Ishiguro found moderate success as a screenwriter, the 59-year-old author is better known as a well-regarded novelist.

8. Joan Didion / Screenplay: Up Close & Personal (1996), A Star Is Born (1976)

Novelist and literary journalist Joan Didion started a career in screenwriting when she moved to Hollywood with her husband, screenwriter John Gregory Dunne, in the early '70s.  Didion and Dunne worked extensively on the rock musical version of A Star Is Born, starring Barbara Streisand and Kris Kristofferson, in the '70s, and also adapted journalist Jessica Savitch’s memoir Up Close & Personal in 1996. In an interview with The Paris Review in 2004, Didion said of screenwriting, "It's not writing. You're making notes for the director—for the director more than the actors." 

9. Truman Capote / Screenplay: Beat The Devil (1953)

In 1953, novelist and playwright Truman Capote teamed up with director John Huston to make a loose film adaptation of Claud Cockburn’s novel Beat the Devil. While John Huston wanted the film to be a parody of The Maltese Falcon, a film that Huston directed a decade earlier in 1941, Beat the Devil was met with a poor critical reception upon its release. However, the late Roger Ebert praised the film, as he put it on his “Great Movies” list. Ebert also recognized the film in the year 2000 as the first “camp” film.

10. Michael Chabon / Screenplay: Spider-Man 2 (2004), John Carter (2012)

Michael Chabon took the plunge into Hollywood screenwriting after film producer Scott Rudin bought the film rights to the Pulitzer Prize and Hugo Award winning novels Wonder Boys, The Amazing Adventures of Kavalier and Clay, and The Yiddish Policemen's Union in the early 2000s. While he was only a consultant on the film adaptations of his novels, Chabon was an author on an early version of Spider-Man 2 for director Sam Raimi in 2004 and Disney’s John Carter in 2009. He once described his attitude toward Hollywood filmmaking as "pre-emptive cynicism.”

11. Raymond Chandler / Screenplay: Double Indemnity (1944)

Crime author and pulp fiction writer Raymond Chandler made the transition from novelist to screenwriter when the critical and commercial success of film adaptations based on his work redefined the film noir genre. Although Chandler’s work on the films The Blue Dahlia and Alfred Hitchcock’s Strangers on a Train are of note, his collaboration with Billy Wilder on the film noir Double Indemnity earned the pair an Academy Award nomination for Best Writing in 1944.    

12. Ray Bradbury / Screenplay: Moby Dick (1956)

In 1953, sci-fi author Ray Bradbury joined forces with director John Huston to adapt Herman Melville’s classic novel Moby Dick for the big screen. Famously, Bradbury and Huston did not get along during the film’s production due to Huston’s attitude towards the science fiction pioneer’s work. In fact, Bradbury was so traumatized from how he was treated while making Moby Dick that he wrote two fictionalized accounts of the contentious encounters in the novel Green Shadows, White Whale and the short story “Banshee.” Moby Dick would later go over budget and fail to gain an audience when it was released.

Original image
iStock
arrow
Live Smarter
8 Tricks to Help Your Cat and Dog to Get Along
Original image
iStock

When people aren’t debating whether cats or dogs are more intelligent, they’re equating them as mortal foes. That’s a stereotype that both cat expert Jackson Galaxy, host of the Animal Planet show My Cat From Hell, and certified dog trainer Zoe Sandor want to break.

Typically, cats are aloof and easily startled, while dogs are gregarious and territorial. This doesn't mean, however, that they can't share the same space—they're just going to need your help. “If cats and dogs are brought up together in a positive, loving, encouraging environment, they’re going to be friends,” Galaxy tells Mental Floss. “Or at the very least, they’ll tolerate each other.”

The duo has teamed up in a new Animal Planet series, Cat Vs. Dog, which airs on Saturdays at 10 p.m. The show chronicles their efforts to help pet owners establish long-lasting peace—if not perfect harmony—among cats and dogs. (Yes, it’s possible.) Gleaned from both TV and off-camera experiences, here are eight tips Galaxy and Sandor say will help improve household relations between Fido and Fluffy.

1. TAKE PERSONALITY—NOT BREED—INTO ACCOUNT.

Contrary to popular belief, certain breeds of cats and dogs don't typically get along better than others. According to Galaxy and Sandor, it’s more important to take their personalities and energy levels into account. If a dog is aggressive and territorial, it won’t be a good fit in a household with a skittish cat. In contrast, an aging dog would hate sharing his space with a rambunctious kitten.

If two animals don’t end up being a personality match, have a backup plan, or consider setting up a household arrangement that keeps them separated for the long term. And if you’re adopting a pet, do your homework and ask its previous owners or shelter if it’s lived with other animals before, or gets along with them.

2. TRAIN YOUR DOG.

To set your dog up for success with cats, teach it to control its impulses, Sandor says. Does it leap across the kitchen when someone drops a cookie, or go on high alert when it sees a squeaky toy? If so, it probably won’t be great with cats right off the bat, since it will likely jump up whenever it spots a feline.

Hold off Fido's face time with Fluffy until the former is trained to stay put. And even then, keep a leash handy during the first several cat-dog meetings.

3. GIVE A CAT ITS OWN TERRITORY BEFORE IT MEETS A DOG.

Cats need a protected space—a “base camp” of sorts—that’s just theirs, Galaxy says. Make this refuge off-limits to the dog, but create safe spaces around the house, too. This way, the cat can confidently navigate shared territory without trouble from its canine sibling.

Since cats are natural climbers, Galaxy recommends taking advantage of your home’s vertical space. Buy tall cat trees, install shelves, or place a cat bed atop a bookcase. This allows your cat to observe the dog from a safe distance, or cross a room without touching the floor.

And while you’re at it, keep dogs away from the litter box. Cats should feel safe while doing their business, plus dogs sometimes (ew) like to snack on cat feces, a bad habit that can cause your pooch to contract intestinal parasites. These worms can cause a slew of health problems, including vomiting, diarrhea, weight loss, and anemia.

Baby gates work in a pinch, but since some dogs are escape artists, prepare for worst-case scenarios by keeping the litter box uncovered and in an open space. That way, the cat won’t be cornered and trapped mid-squat.

4. EXERCISE YOUR DOG'S BODY AND MIND.

“People exercise their dogs probably 20 percent of what they should really be doing,” Sandor says. “It’s really important that their energy is released somewhere else so that they have the ability to slow down their brains and really control themselves when they’re around kitties.”

Dogs also need lots of stimulation. Receiving it in a controlled manner makes them less likely to satisfy it by, say, chasing a cat. For this, Sandor recommends toys, herding-type activities, lure coursing, and high-intensity trick training.

“Instead of just taking a walk, stop and do a sit five times on every block,” she says. “And do direction changes three times on every block, or speed changes two times. It’s about unleashing their herding instincts and prey drive in an appropriate way.”

If you don’t have time for any of these activities, Zoe recommends hiring a dog walker, or enrolling in doggy daycare.

5. LET CATS AND DOGS FOLLOW THEIR NOSES.

In Galaxy's new book, Total Cat Mojo, he says it’s a smart idea to let cats and dogs sniff each other’s bedding and toys before a face-to-face introduction. This way, they can satisfy their curiosity and avoid potential turf battles.

6. PLAN THE FIRST CAT/DOG MEETING CAREFULLY.

Just like humans, cats and dogs have just one good chance to make a great first impression. Luckily, they both love food, which might ultimately help them love each other.

Schedule the first cat-dog meeting during mealtime, but keep the dog on a leash and both animals on opposite sides of a closed door. They won’t see each other, but they will smell each other while chowing down on their respective foods. They’ll begin to associate this smell with food, thus “making it a good thing,” Galaxy says.

Do this every mealtime for several weeks, before slowly introducing visual simulation. Continue feeding the cat and dog separately, but on either side of a dog gate or screen, before finally removing it all together. By this point, “they’re eating side-by-side, pretty much ignoring each other,” Galaxy says. For safety’s sake, continue keeping the dog on a leash until you’re confident it’s safe to take it off (and even then, exercise caution).

7. KEEP THEIR FOOD AND TOYS SEPARATE.

After you've successfully ingratiated the cat and dog using feeding exercises, keep their food bowls separate. “A cat will walk up to the dog bowl—either while the dog’s eating, or in the vicinity—and try to eat out of it,” Galaxy says. “The dog just goes to town on them. You can’t assume that your dog isn’t food-protective or resource-protective.”

To prevent these disastrous mealtime encounters, schedule regular mealtimes for your pets (no free feeding!) and place the bowls in separate areas of the house, or the cat’s dish up on a table or another high spot.

Also, keep a close eye on the cat’s toys—competition over toys can also prompt fighting. “Dogs tend to get really into catnip,” Galaxy says. “My dog loves catnip a whole lot more than my cats do.”

8. CONSIDER RAISING A DOG AND CAT TOGETHER (IF YOU CAN).

Socializing these animals at a young age can be easier than introducing them as adults—pups are easily trainable “sponges” that soak up new information and situations, Sandor says. Plus, dogs are less confident and smaller at this stage in life, allowing the cat to “assume its rightful position at the top of the hierarchy,” she adds.

Remain watchful, though, to ensure everything goes smoothly—especially when the dog hits its rambunctious “teenage” stage before becoming a full-grown dog.

arrow
Animals
10 Juicy Facts About Sea Apples

They're both gorgeous and grotesque. Sea apples, a type of marine invertebrate, have dazzling purple, yellow, and blue color schemes streaking across their bodies. But some of their habits are rather R-rated. Here’s what you should know about these weird little creatures.

1. THEY’RE SEA CUCUMBERS.

The world’s oceans are home to more than 1200 species of sea cucumber. Like sand dollars and starfish, sea cucumbers are echinoderms: brainless, spineless marine animals with skin-covered shells and a complex network of internal hydraulics that enables them to get around. Sea cucumbers can thrive in a range of oceanic habitats, from Arctic depths to tropical reefs. They're a fascinating group with colorful popular names, like the “burnt hot dog sea cucumber” (Holothuria edulis) and the sea pig (Scotoplanes globosa), a scavenger that’s been described as a “living vacuum cleaner.”

2. THEY'RE NATIVE TO THE WESTERN PACIFIC OCEAN.

Sea apples have oval-shaped bodies and belong to the genus Pseudocolochirus and genus Paracacumaria. The animals are indigenous to the western Pacific, where they can be found shuffling across the ocean floor in shallow, coastal waters. Many different types are kept in captivity, but two species, Pseudocolochirus violaceus and Pseudocolochirus axiologus, have proven especially popular with aquarium hobbyists. Both species reside along the coastlines of Australia and Southeast Asia.

3. THEY EAT WITH MUCUS-COVERED TENTACLES.

Sea cucumbers, the ocean's sanitation crew, eat by swallowing plankton, algae, and sandy detritus at one end of their bodies and then expelling clean, fresh sand out their other end. Sea apples use a different technique. A ring of mucus-covered tentacles around a sea apple's mouth snares floating bits of food, popping each bit into its mouth one at a time. In the process, the tentacles are covered with a fresh coat of sticky mucus, and the whole cycle repeats.

4. THEY’RE ACTIVE AT NIGHT.

Sea apples' waving appendages can look delicious to predatory fish, so the echinoderms minimize the risk of attracting unwanted attention by doing most of their feeding at night. When those tentacles aren’t in use, they’re retracted into the body.

5. THE MOVE ON TUBULAR FEET.

The rows of yellow protuberances running along the sides of this specimen are its feet. They allow sea apples to latch onto rocks and other hard surfaces while feeding. And if one of these feet gets severed, it can grow back.

6. SOME FISH HANG OUT IN SEA APPLES' BUTTS.

Sea apples are poisonous, but a few marine freeloaders capitalize on this very quality. Some small fish have evolved to live inside the invertebrates' digestive tracts, mooching off the sea apples' meals and using their bodies for shelter. In a gross twist of evolution, fish gain entry through the back door, an orifice called the cloaca. In addition expelling waste, the cloaca absorbs fresh oxygen, meaning that sea apples/cucumbers essentially breathe through their anuses.

7. WHEN THREATENED, SEA APPLES CAN EXPAND.

Most full-grown adult sea apples are around 3 to 8 inches long, but they can make themselves look twice as big if they need to escape a threat. By pulling extra water into their bodies, some can grow to the size of a volleyball, according to Advanced Aquarist. After puffing up, they can float on the current and away from danger. Some aquarists might mistake the robust display as a sign of optimum health, but it's usually a reaction to stress.

8. THEY CAN EXPEL THEIR OWN GUTS.

Sea apples use their vibrant appearance to broadcast that they’re packing a dangerous toxin. But to really scare off predators, they puke up some of their own innards. When an attacker gets too close, sea apples can expel various organs through their orifices, and some simultaneously unleash a cloud of the poison holothurin. In an aquarium, the holothurin doesn’t disperse as widely as it would in the sea, and it's been known to wipe out entire fish tanks.

9. SEA APPLES LAY TOXIC EGGS.

These invertebrates reproduce sexually; females release eggs that are later fertilized by clouds of sperm emitted by the males. As many saltwater aquarium keepers know all too well, sea apple eggs are not suitable fish snacks—because they’re poisonous. Scientists have observed that, in Pseudocolochirus violaceus at least, the eggs develop into small, barrel-shaped larvae within two weeks of fertilization.

10. THEY'RE NOT EASILY CONFUSED WITH THIS TREE SPECIES.

Syzgium grande is a coastal tree native to Southeast Asia whose informal name is "sea apple." When fully grown, they can stand more than 140 feet tall. Once a year, it produces attractive clusters of fuzzy white flowers and round green fruits, perhaps prompting its comparison to an apple tree.

SECTIONS

arrow
LIVE SMARTER
More from mental floss studios