Why You Shouldn't Trust the New Study That Supports Putting Two Spaces After a Period

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Writers, style guides, and people who spend a lot of time reading generally agree that one space after a period is highly preferable to two, but there remains a small group of people who refuse to let go of this convention left over from the typewriter era. Now, two-space devotees have a scientific study on their side. As The Verge reports, a new paper from Skidmore College psychologists suggests that adding two spaces after each period makes text easier to read.

For the study, researchers gathered 60 college students and had them write out a paragraph to determine if they were one-spacers or two-spacers. Next, they asked them to read a sample text while wearing eye-tracking devices. They found that subjects who read the paragraphs styled with two spaces spent less time focusing on the punctuation at the end of each sentence (likely because the extra space made it clearer where the sentence stopped). Students who used two spaces in their own writing read faster when given the two-spaced text.

But don't expect the new findings to shake up style standards any time soon. The study authors admit that while reading text with just one space after each sentence leads to more time spent scanning for periods, the effects are minimal. People in the one-space camp read the paragraphs just as fast regardless of how the text was styled, and the difference in spacing didn't impact reading comprehension in either group. The researchers also used a monospaced font for the study, which may be good for an experiment that requires consistency, but isn't exactly representative of the fonts readers encounter in everyday life.

The question of spacing is as old as typesetting itself. The first printers had two space sizes: a regular one for separating words and a slightly larger one—the emspace—for separating sentences. When typewriters hit the scene, the emspace was replaced with two spaces, and this style of writing was standard for decades. A divide emerged with the advent of more advanced typesetting technology around the mid-1900s. It got easier for printing companies to achieve uniform spacing, and adding two spaces after periods, which many people agree looks sloppy and jarring, started to fall out of fashion. But while the typewriter has disappeared from desks, the two-space method has stuck around. This new study suggests it will likely be with us for a bit longer.

[h/t The Verge]

6 Grammar Lessons Hidden in Christmas Songs

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iStock/georgeclerk

Understand the grammar in your favorite carols.

1. Round yon virgin

The “round” in “Silent Night” might call up imagery of the soft, maternal kind, but in the phrase “round yon virgin,” it simply means “around.” “Yon” is an antiquated word for “that one” or “over there.” The meaning of the phrase in the song depends on the line before it. It should be understood in the context “all is calm, all is bright round yon virgin mother and child.” In other words “Everything is calm and bright around that virgin mother over there and her child.” In technical terms, “round yon virgin mother and child” is a prepositional phrase.

2. Troll the ancient Yuletide carol

Trolling a carol might sound like some obnoxious attempt to undermine it, but it’s actually a great way to get in the holiday spirit. According to the OED, one of the meanings of “troll,” in use since the 16th century, is “to sing in a full, rolling voice; to chant merrily or jovially.” It’s related to the sense of rolling, or passing around, and probably came to be used to mean singing because of rounds, where the melody is passed from one person to the next. The modern, obnoxious sense of troll comes from a much later importation from Scandinavian mythology. People have increasingly been changing this line to “toll the ancient Yuletide carol” (now over 17,000 hits on Google). Don’t let the trolls win! Let’s troll the trolls by dragging this word back to the cheery side!

3. The little Lord Jesus laid down his sweet head

“Away in a manger, no crib for a bed / The little Lord Jesus laid down his sweet head.” This line is a perfect storm of lay/lie confusion. The correct form here is “laid,” but it often gets changed to “lay,” and with good reason. “Laid” is the past tense of “lay,” which should be used here because the little Lord Jesus isn’t simply reposing (lying), but setting something down (laying), namely, his head.

If it were in the present tense, you could say he “lays down his sweet head.” But in the past tense “lay” is the form for “lie.” I know. It’s a rule that seems rigged just to trip people up. But here, it gets even worse, because the word right after “laid” is “down.” There’s a word ending with ‘d’ followed by a word beginning with ‘d.’ When you say “laid down,” it’s hard to tell whether that first ‘d’ is there or not. As a practical matter, both “lay” and “laid” sound exactly the same in this context. So you can fudge it when you sing it. Just be careful how you write it.

4. You better watch out, you better not cry

That’s right, Santa Claus is coming to town, so you better watch out. Or is it “you’d better watch out?” Many grammar guides advise that the proper form is “you’d better” because the construction comes from “you had better,” and it doesn’t make sense without the “had.” The problem is, it doesn’t make much sense with the “had” either, if you want to do a picky word-by-word breakdown.

Though the “had better” construction has been a part of English for 1000 years, it came from a distortion of phrases like “him were better that he never were born,” where “were” was a subjunctive (“it would have been better”) and “him” (or “me,” “you,” “us”) was in the dative case (“him were better” = “it would have been better for him”). People started changing the dative to the subject case (“he were better”) and then changed the “were” to “had.”

That was all hundreds of years ago. Then, in the 1800s, people started dropping the “had.” The grammar books of the late 1800s tried mightily to shore up the “had” (some even making up a rule from nowhere that it should be “would,” as in “he would better”), but these days the bare form is considered correct, if a bit casual for formal contexts. Clearly, “Santa Claus is Coming to Town” wants nothing to do with fancy formality. So “you better watch out” is the way to go.

5. With the kids jingle belling and mistletoeing

There is a lot of verbing going on in “It’s the Most Wonderful Time of the Year.” First, “With the kids jingle belling/And everyone telling you ‘Be of good cheer',” and then, “There’ll be much mistletoeing/And hearts will be glowing when loved ones are near.” Of course, in a song, concessions to rhythm and rhyme need to be made, and sometimes this involves making up a few words. But the practice of turning nouns into verbs is as old as English itself. Many of our verbs started when someone decided to use a noun to stand for some verbal notion related to that noun. First we had “hammer,” and from that we made “hammering.” First we had “message,” and now we have “messaging.” Oil, oiling, sled, sledding, battle, battling. The meaning of the verb is built off some context involving the noun, which could be almost anything (pounding with a hammer, sending a message, putting oil on, riding a sled, engaging in a battle). So verbs for “ringing jingle bells” or “kissing under the mistletoe” aren’t so strange at all. At least no more strange than “gifting” or “dialoguing.”

6. God rest you merry, gentlemen

Notice the comma placement there? The gentlemen in this phrase are not necessarily taken to be merry already. It’s not “Hey, you! You merry gentlemen! God rest you!” It’s “Hey, you gentlemen over there! May God rest you merry!”

In Shakespeare’s time, “rest you merry” was a way to express good wishes, to say something like “peace and happiness to you.” Other versions were “rest you fair” or “rest you happy.” It came from a sense of “rest” meaning “be at ease,” which we still use in the phrase “rest assured.” In “God rest you merry,” “you” is the object of “rest,” so when people make the song sound more old-timey by substituting “ye” for “you,” they are messing up the original grammar because “ye” was the subject form.

Actually, that’s not quite true, because even in Shakespeare’s time, “ye” was sometimes used as the object form. However, if you want to go that way, you should be consistent with your pronouns and sing “God rest ye merry gentlemen/Let nothing ye dismay.” In the second line “you” is also an object, as in “Let nothing dismay you.”

So rest you merry this season, and enjoy your jingle belling, mistletoeing, and trolling.

40 Dandy D-Words To Deepen Your Vocabulary

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iStock/gazanfer gungor

It’s thought that the earliest ancestor of our humble letter D was an Ancient Egyptian hieroglyph representing a door, which is where D get its hollowed-out shape from. Over time, that hieroglyph became a Phoenician letter, dalet, which then became the Greek letter delta, and finally the Roman letter D, which arrived in England (along with most of the rest of the modern alphabet) from continental Europe more than 1500 years ago.

Before then, English was written using a runic writing system called futhorc, a number of the letters of which—like thorn (Þ þ) and wynn (Ƿ ƿ)—survived into the Old English period before dying out later. The Old English letter eth(Ð ð), however, effectively went the other way: it was invented in Britain (or perhaps Ireland) after the introduction of the Latin alphabet to England, and is actually a derivative of the Roman letter D. Although it too eventually fell out of use, it still survives in modern-day Icelandic.

Nowadays, D is one of the most frequently used letters of our alphabet, accounting for just over 4 percent of a standard page of English text (or one out of every 25 letters), and roughly 2.5 percent of all the words in a standard dictionary—including the 40 delicious D words listed here…

1. DAB-DUMP

An old Yorkshire dialect word for a pool of water left on the beach after the tide retreats.

2. DABERLICK

Daberlick or dabberlack is an old dialect name for long, straggly seaweed. Figuratively, it can be used as a nickname for greasy, lank hair, or for a tall, gangly person.

3. DABSTER

An astute or especially skilled worker.

4. DAFFLED

If you’re daffled, then you’re bewildered or disorientated by a sensory overload.

5. DANDIE-CLAW

A dandie-claw is an easily completed task or, when used in the phrase, “to give it the dandie-claw,” it essentially means “that won’t last long,” or “that won’t take long to finish off.” No one is quite sure where the phrase comes from, but it’s possible that a dandy or dandie-claw was originally a small brush used to groom horses, which at some point in time might have become synonymous with a brief or undemanding chore.

6. DANDLE

To bounce a baby on your knee is to dandle it.

7. DANG-SWANG

To do something dang-swang is to do it vigorously, or with great energy or enthusiasm.

8. DANGLEMENT

An 18th century word either for a finger, or for a dangling decoration, or trim on a garment. A danglet—literally a “little dangle”—is an icicle.

9. DAPPERPYE

An old adjective meaning “variegated” or “multi-colored.”

10. DAPPERWIT

A quick-witted, lively young man.

11. DARING-HARDY

A Shakespearean invention meaning “recklessly bold,” or “foolhardy.”

12. DAWK

A thick fog or mist.

13. DAYLIGAUN

An old Scots word for twilight, dayligaun literally means “daylight-going.”

14. DEAD-HORSE

As a metaphor for something that has ceased to be useful, the term dead horse is today more often than not used in the phrase “flogging a dead horse,” meaning “to fruitlessly continue with something all interest has been lost in.” Before then, however, dead-horse was a 17th-century term for work for which you’d been paid in full in advance—and so to work the dead-horse or for a dead horse meant “to busy yourself in work that at the end of which you won’t be paid.” A dead-man, incidentally, is an old English nickname for an empty liquor bottle, so being down among the dead-men meant “passed out drunk on the floor” in 18th-century English.

15. DEAD-NIP

18th-century slang for a failed idea.

16. DEAMBULATE

To walk about, or to stray away from home.

17. DECIDOPHOBIA

If you’re decidophobic, then you hate making decisions. Other D phobias include dendrophobia (trees), dromophobia (running, or crossing roads), didaskaleinophobia (school), dipsophobia (alcohol), and doraphobia (animal furs).

18. DEDOLEATE

A 17th-century word meaning “to cease to be unhappy.”

19. DEJERATE

To swear a solemn oath. Someone who does precisely that is a dejerator.

20. DEONERATE

To unpack cargo or to remove someone’s burden is to deonerate them. To depauperate them is to impoverish them, while to depulse them would be to drive them off.

21. DEPECULATE

Peculation is an old 17th-century legal term for embezzlement—in particular, the embezzlement of funds belonging to a country or head of state. To peculate or depeculate, ultimately, is an old-fashioned word meaning “to steal by peculation,” which was typically used to refer to public officials pilfering state funds for their own personal use.

22. DEPEDITATE

In medical terminology, a depeditation is the amputation of a foot. Thankfully, the relative verb depeditate can simply be used to mean “to be deprived of the use of your feet”—worth remembering next time you go deambulating in a new pair of shoes.

23. DEPROELIATION

Derived from a Latin word meaning “to engage violently in war,” deproeliation is just a 17th-century word for a battle.

24. DIABLERIE

The perfect word for Dr. Faustus: diablerie is work or business done with, or for, the Devil. Figuratively, it can mean recklessness or audaciousness, or else any underhand, shady dealing.

25. DIABLOTIN

Borrowed into English from French in the 1800s, a diablotin is a tiny devil or imp. It’s also, because of its unusual appearance, a nickname for the oilbird.

26. DIAL-PLATE

An 18th century nickname for a person’s face (derived from the dial or “face” of a clock).

27. DILLYALL

An old English dialect word for anything owned because it looks nice, not because it’s useful or functional.

28. DILORICATE

To diloricate something is to rip or tear it. It derives from a Latin word, lorica, for a Roman soldier’s leather cuirass or breastplate—and so might originally have referred to injuries suffered in battle that were bad enough to puncture armor.

29. DIMBER

Dimber was a 17th-century word meaning “pretty” or “smart,” while a dimber-damber was the leader or “face” of a gang of rogues or vagabonds.

30. DISCALCEATE

To discalceate is to remove your shoes. Worth remembering once you’ve deambulated and depeditated.

31. DO-NO-BETTER

The slightly less complimentary Edwardian equivalent of bae—a do-no-better or do-nae-better was “a sweetheart whom one has to be content with, for want of a better.”

32. DOATY

When your head nods up and down while you’re trying to stay awake? That’s doatying.

33. DOCH-AN-DORRIS

A doch-an-dorris or deochandorus is a “stirrup-cup”—a drink or toast made with, or in honor of, someone about to leave. It derives from an old 17th-century Scots Gaelic phrase, deoch an doruis, that literally means “door-drink.”

34. DOCK-WALLOPER

Originally a nickname for someone who hangs around dockyards looking for work, dock-walloper is an old 19th-century American slang word for a loafer or idler.

35. DOLLYMAWKIN

A frivolous, scatterbrained young woman.

36. DOODLE-SHOP

An old dialect nickname for a sweetshop.

37. DRAGGLETAIL

In 18th-century English, an untidily or slatternly dressed woman. Literally, a woman who has let the tails of her dress drag through the rain or mud.

38. DULCILOQUY

A soft or sweet manner of speaking. Likewise, if you’re dulciloquent, then you have a pleasant voice.

39. DUTCH CONCERT

The incomprehensibleness of Dutch to speakers of English is the origin of double Dutch, meaning “gibberish” or “nonsense,” and Dutch concert, an old nickname for an incongruous or cacophonous mishmash of noises or sounds.

40. DWINE

To dwindle or pine away.

This article originally ran in 2016.

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