Portions of the 16th-century Craignethan Castle in Scotland were shut down last week after a less-than-friendly badger holed up there and refused to leave. Historic Environment Scotland, which manages the site in South Lanarkshire, sent out a tweet last Friday notifying visitors that the property's cellar tunnel would remain closed over the weekend “due to the presence of a very angry badger.” Staff tried to coax it out with cat food and honey, but the badger did what it wanted, and they were unable to move the mammal.
A spokesman for HES told the BBC, "The castle is surrounded by woodland and we believe the badger may have become lost. Staff first spotted some dug-out earth on Wednesday evening, and later spotted the badger on closer inspection."
On Saturday, staff used a GoPro camera to check out the tunnel from a safe distance and learned that the badger had left voluntarily, but not before making a mess. The critter dug through both soil and stonework, according to The Scotsman. The castle, an artillery fortification erected around 1530, is already partly in ruins.
Badgers are not typically dangerous, but they can become aggressive if they feel cornered or threatened. They can be seen year-round in Scotland, especially during spring and summer. Earthworms, bird eggs, small mammals, fruit, and roots are among their favorite meals, and they can even be “tempted into your garden by leaving peanuts out—a tasty snack for our striped friends,” the Scottish Wildlife Trust says.
In 1988, the British heist comedy A Fish Called Wanda had audiences in the UK and across the pond rolling in the aisles. Thirty years later, the Oscar-winning ensemble movie about a clueless (but don’t call him stupid) weapons expert, a bumbling barrister, a quick-witted femme fatale, and a stuttering con artist remains a cult favorite. Starring John Cleese, Kevin Kline, Michael Palin, Jamie Lee Curtis, and of course, the eponymous fish, the film is packed with smart writing, silly slapstick, and some of the strongest comic performances of its starring actors’ careers. Here are 11 facts about A Fish Called Wanda for your unreserved enjoyment (just don’t ask us to repeat the part in the middle).
1. IT WAS DIRECTOR CHARLES CRICHTON’S FIRST FILM IN TWO DECADES.
Back in the 1950s, Charles Crichton was a famous director of Ealing Comedies—a series of comedy films produced by London’s Ealing Studios—who was known for his work on films like The Titfield Thunderbolt (1953), Hue and Cry (1947), and The Lavender Hill Mob (1951). By 1988, however, he hadn’t directed a feature film in two decades (though he had worked on TV shows and documentary shorts). He came out of semi-retirement to work on what would become his final film at the behest of John Cleese.
2. CRICHTON AND JOHN CLEESE SPENT FIVE YEARS WRITING THE FILM.
A Fish Called Wanda was years, even decades, in the making. Cleese and Crichton first met and began discussing ideas for a comedy heist film, inspired by The Lavender Hill Mob, all the way back in 1969. Though they parted ways professionally, Cleese continued to look for opportunities to collaborate on a film with Crichton. More than a decade later, he finally got his chance when he found himself working with Crichton on a series of business management training videos.
Though Crichton was already in his late seventies, Cleese managed to convince the semi-retired director to brainstorm ideas for a feature film with him. For the next few years, the two met periodically to throw around ideas and work on the script. All in all, the entire scriptwriting and pre-production process took more than five years and cost $150,000 of Cleese’s own money.
3. IT WAS INSPIRED BY THE EALING COMEDIES.
Unsurprisingly, A Fish Called Wanda was heavily indebted to the Ealing Comedies, especially Crichton’s own The Lavender Hill Mob, a heist comedy which starred Alec Guinness and Stanley Holloway as a pair of bumbling bank robbers. Cleese, however, claimed the parallels between the Ealing Comedies and A Fish Called Wanda were unintentional, but embraced the comparison.
“I knew that my memory of all these great Ealing films was very present, although I wasn’t consciously trying to write an Ealing comedy,” Cleese explained. “But I do remember when we interviewed Johnny Jympson when we were looking for an editor, and Johnny’d read it, and he came in and sat down, and Charlie said, ‘What’d you think?’ and Johnny was almost nervous and he hemmed and hawed a little bit and then he said very uncertainly, ‘Well, it’s an Ealing comedy, isn’t it?’ and we both said, ‘Yes!’”
4. THE ACTORS HELPED SHAPE THEIR CHARACTERS.
Cleese encouraged Kevin Kline, Michael Palin, and Jamie Lee Curtis to contribute ideas and help develop their characters. Curtis, in particular, was responsible for major changes to Wanda’s personality. "She was a sexually brazen, cold-hearted manipulator, who simply wanted money,” Curtis told The New York Times. “I didn't find that real. I decided she didn't altogether know what she wanted, but finds a wonderful power in manipulating people and feels personal satisfaction in trying to fool them. She plays a slightly different role for each man, yet she enjoys being herself, and she's not cold-hearted, not vicious.''
Curtis told The New York Times she reveled in the rare opportunity to shape her own character: ''Most films, one person is in charge, and you're afraid even to raise your hand with a suggestion,'' she explained. ''That's frustrating if you're a bright person and trust your instincts. But this was totally a collaborative effort, and I'm afraid it's spoiled me.'' She was, apparently, so enthusiastic a contributor over the course of a two-week rehearsal period that Palin gave her a shirt that read, “Wait, I have an idea.”
5. KEVIN KLINE’S CHARACTER WAS INSPIRED BY A LOS ANGELES SELF-HELP GURU.
In A Fish Called Wanda, Kline’s Otto is a pseudo-intellectual who constantly misinterprets everything from the teachings of Buddhist philosophy to the writings of Nietzsche. According to Cleese, his character was inspired by the real-life self-help guru Zen Master Rama, sometimes called the “yuppie guru.”
“I got the real key to the character out of Los Angeles Magazine,” Cleese explained in an interview. “I found a double-page spread for a guru, and I’m pretty sure his name was Zen Master Rama, and he looked about 32 and very unsure of himself, and he had a funny sort of hairstyle like a dandelion at the end of September. But the key thing was the line across the top of this two page advertisement for the seminars he ran at weekends, which was ‘Buddhism gives you the competitive edge.’ And I thought this was unbelievably funny.”
6. CLEESE’S CHARACTER WAS NAMED AFTER CARY GRANT.
Cleese named his character Archie Leach after movie star Cary Grant, who was born Archibald Leach. Though Cleese’s bumbling lawyer has little in common with the famously debonair Grant, Cleese explained that he chose the name because he and Grant shared a hometown, and because it was the closest he would ever get to “being Cary Grant.”
7. THE ORIGINAL ENDING WAS MUCH DARKER.
A Fish Called Wanda started off as a much darker comedy, but test audiences in America were apparently uncomfortable with the film’s cruelty, and lack of romantic payoff, so Crichton and his cast went in for a few re-shoots. In addition to softening Palin’s character a bit, they ended up re-shooting the film’s ending three times.
“We played the whole movie with this very sort of dark intent—it was a very black comedy—and of course, when they tested the movie in America, it tested very funny, except that people didn’t like that there was no real love story,” Curtis said, further explaining:
“The original ending of the movie was much darker. The costume designer and I had a really great time costuming this character, and in a department store in London on sale, we found a pair of shark shoes, and we bought them because we just thought, ‘Well, she’s just a shark.’ And we wore them in that last scene, and literally the last shot of the movie was going down my leg and freeze framing on the shark shoe. And right then, you knew she was going to take him for everything. The minute they got off the plane, she was going to bop him on the head, take the stuff, and leave.”
8. CLEESE CUT A BIG CHUNK OF THE CATHCART TOWERS SCENE.
In addition to changing the ending, Cleese cut several minutes from the film’s penultimate scene, in which Archie tries to get the stuttering Ken (Palin) to telling him where Wanda, Otto, and the diamonds are. Ken, whose stutter gets worse under pressure, can’t seem to utter the two words “Cathcart Towers.”
Initially, the scene was a Monty Python-esque series of increasingly absurd stunts—Ken attempting to sing the words (which remains in the final film), Archie trying to feed a tissue through a typewriter, Ken writing in toothpaste on a window—but Cleese worried the scene, which arrives at the climax of the film, was overly long and dragging the plot down, and so deleted most of it.
9. ONE AUDIENCE MEMBER LAUGHED HIMSELF TO DEATH.
Ole Bentzen, a Belgian audience member, was so tickled by the scene in which Ken has French fries stuck up his nose, that he actually laughed himself to death. The scene reminded him of a similar experience at a family dinner, in which his family had shoved cauliflower up their noses to great comic effect. He began laughing so hard, his heart rate escalated dangerously, causing a fatal heart attack.
10. IT WAS NOMINATED FOR THREE OSCARS.
Comedy movies rarely fare well at the Oscars, but A Fish Called Wanda was an exception. The film was nominated for three awards: for Best Original Screenplay (for Cleese and Crichton), Best Director, and Best Supporting Actor for Kevin Kline, who took home the statuette.
11. IT WAS THE TOP VIDEO RENTAL OF 1989.
A Fish Called Wanda beat a number of higher-budget blockbuster movies, including Die Hard (1988) and Coming to America (1988), as well as the Oscar-winning Rain Man (1988), to become the top video rental of 1989. Its success was due, in part, to an advertising partnership with Cadbury Schweppes, which plastered grocery stores for weeks with ads for the film.
If you start investing in a retirement plan early in your career, you don’t have to bring home an insanely high salary to become a millionaire—eventually. (Thank you, compound interest.) The average age when bank accounts reach the seven-figure mark is in a person’s late 50s, according to Business Insider and The New York Times.
The average age when women become millionaires is slightly lower than the average age for men, despite the persistent wage gap in the workforce. For women, the average age is 58.5 years old, while for men, the age is 59.3. Or at least that’s the case for people with Fidelity 401(k) retirement plans, according to the investment firm’s research. That means that millionaires are reaching that milestone several years before the usual retirement age of 66 to 67 years old.
Nevertheless, how much money you need to retire comfortably varies based on your current salary, your expenses, and the number of years you’ll be living off your nest egg. Many financial advisers say you should aim for $1 million or more, which will hopefully last you through a 30-year retirement.
Reaching that million-dollar mark may seem like a long shot, but Fidelity has found that more and more of its savings plan customers have become millionaires in recent years. One of the firm’s recent analyses found that 133,000 of its customers had $1 million or more in their accounts in 2017, compared to 89,000 in 2016. (The company oversees 401(k) accounts for around 15 million people, so that’s not exactly a huge portion of its customers, though.) Between 2005 and 2017, the number of women who had $1 million in their retirement accounts doubled.
Fidelity attributes this increase to people putting more money away for retirement than in past decades. On average, the firm’s customers making less than $150,000 a year become millionaires by saving around 22 to 25 percent of their salaries in retirement funds, including employer matches. That may seem like a lot if you aren’t making a six-figure salary, but keep in mind that the earlier you start saving, the more your money grows. Investing just a little money in your 20s is a more effective way to save for retirement than investing a lot of money in your 30s and 40s. So if you want to become a millionaire (and who doesn’t?), now would be a good time to start investing in that 401(k).