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Could the Night King and the White Walkers Be Game of Thrones’s Most Misunderstood Heroes?

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Before we get into any of this, if you’re not fully caught up on HBO's Game of Thrones, we’re about to unleash a whole lot of spoilers. So if you haven’t finished watching all of the first seven seasons (what are you waiting for?), bookmark this page and come back once you’re done.

If there’s one thing HBO viewers have come to expect from the creators of Game of Thrones, it’s that they’re not afraid to kill off characters—even the most beloved ones. (Though it doesn’t always mean they’ll stay dead.) And if there’s one thing we’ve learned about fans of the epic series, based on George R.R. Martin’s equally epic books, it’s that they have a real talent for coming up with elaborate theories about where the show’s narrative might be heading, some of them plausible, some of them … not so plausible. The most recent of these theories to catch our attention comes from Redditor MrSilenceT, which Esquire wrote about, and is particularly intriguing because it deals with some of the show's most fascinating characters, the Night King and his creepy band of White Walkers.

Part of what makes these blue-eyed creatures so captivating is that we actually don’t know a lot about them. We know that the White Walkers are slow-moving ice monsters and are devoted followers of the Night King (who some fan theorists believe is, in fact, Bran Stark). But in his extremely detailed (and three-part) analysis of what we might expect to see in Game of Thrones’s final season, tackling everything from “The Fate of Arya Stark” to “The Fate of Daenerys Targaryen,” MrSilenceT devotes a good chunk of time to trying to better understand the Night King and the White Walkers, but makes his main point up front: “[I]f you think this story leads up to someone defeating the Night King and the Wights, you haven’t been paying attention …”

To begin his argument, he quotes George R.R. Martin, who has repeatedly made it known that he’s not interested in clear black-and-white distinctions between heroes and villains, noting that, “If everybody thinks your character is a hero or if everybody thinks your character is a villain, then you are writing cardboards.” Which is certainly not a charge anyone could ever honestly lodge against Martin or the TV series' showrunners David Benioff and D.B. Weiss.

According to MrSilenceT:

“You’ve been told by the Children of the Forest, ancient tales and various manuscripts that the White Walkers are a weapon of mass destruction and are here to kill all of the living and you have seen with your own eyes the mass murder they afflicted upon the Wildlings at Hardhome. But has anyone in Westeros taken the time to thoroughly think through how they operate and clarify what their goal is?

Is the Night King’s goal really to wipe out all form of life in the world? Does he have any conscience at all?”

To answer those questions in the most expedient way, he puts forth this scene by way of an example, noting how, "A White Walker looks into the unharmful and fearful eyes of Sam and does not kill him but rather keeps on marching south. This shows that there is some degree of free will in the White Walkers (or in the Night King, since he is most likely controlling them) or at least, that they can refrain from killing anyone alive (probably as long as they do not express any harmful intent towards them)." He contrasts this with the behavior of the wights, who "attack anyone without hesitation. These are mere tools, animated and controlled by the power of the White Walkers and solely programmed to attack on sight. Wights have no conscience."

In his summation of MrSilenceT's theory, Esquire's Matt Miller writes:

"Here's what we know about the White Walkers: They were created to protect the Children of the Forest from the First Men, who were at war thousands of years ago. The Children of the Forest lost control of their creation and after the War for the Dawn built the Wall to keep the White Walkers from destroying all humanity.

But we've never learned anything from the White Walkers' perspective. They were once men created with the purpose to kill evil men by the Children of the Forest. Bran has seen the Children create the Night King in a violent ritual where dragonglass is plunged into his chest."

And if those theories about Bran Stark and the Night King being one are, in fact, founded, wouldn't it follow that what he's actually attempting to do is reverse the events that started all this killing in the first place? Or, as MrSilenceT puts it:

"How do you protect life when you know the only thing you can do is bring death and when you know that no one has the power to stop you from inflicting it? The answer is by killing. Killing and destroying is the only tool and form of free will at the disposal of the Night King in his current state of existence. Destroying the source of magic that keeps him bound to the curse: the main Heart tree at the Isles of Faces that is at the center of all Weirwood trees in Westeros ... and killing himself by killing Bran.

This is why the army of the dead completely turns around and goes back North when the Night King marks Bran. Because killing Bran is the priority. This is why the White Walkers have been specifically trying to march south past the Wall and this is why they had been trying to communicate their intentions to whoever could see by forming symbols on the ground using the only pen they could, dead bodies ... Had they known, all Westerosi people had to do was let the Night King and the White Walkers pass through. As a result, who would be the villain in this scenario? Is it the Night King and the White Walkers that killed tens of thousands so they could stop themselves from endlessly killing life? Or is it Jon/Bran & co. [who] sent tens of thousands to their death instead of stepping aside like Sam did in his first encounter with a White Walker?

One thing is for certain, knowledge would have been their true savior. Even with the most unlikely kind of people or thing, there may be common ground. In this case, both the Night King & Jon Snow were fighting for the same cause without realizing it: to protect the living."

There's a lot more to MrSilenceT's theories, which you can read in full here. And if it turns out that we're all cheering for the Night King in the end, you know who saw it coming.

[h/t: Esquire]

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10 Things You Might Not Know About Tina Fey
Jenny Anderson, Getty Images for Tony Awards Productions
Jenny Anderson, Getty Images for Tony Awards Productions

Tina Fey has transformed modern comedy more than just about anyone else. From the main stage of Second City to the writer’s room of SNL to extremely fetch comedy blockbusters, Elizabeth Stamatina Fey has built a national stage with a dry, eye-popping sarcasm and political satire where no one is safe. She has a slew of Emmys, Golden Globes, SAG, PGA, and WGA awards to prove it—plus a recent Tony nomination (her first). But, more importantly, she’s the closest thing we have to a national comic laureate.

Here are 10 facts about a fantastically blorft American icon.

1. SHE DID A BOOK REPORT ON COMEDY WHEN SHE WAS 11.

Fey got a very early start in comedy, watching a lot of The Mary Tyler Moore Show, Bob Newhart, and Norman Lear shows as a kid. Her father and mother sneaked her in to see Young Frankenstein and would let her stay up late to watch The Honeymooners. So it’s no surprise that she chose comedy as the subject of a middle school project. The only book she could get her hands on was Joe Franklin’s Encyclopedia of Comedians, but at least she made a friend. "I remember me and one other girl in my 8th grade class got to do an independent study because we finished the regular material early, and she chose to do hers on communism, and I chose to do mine on comedy," Fey told The A.V. Club. "We kept bumping into each other at the card catalog."

2. THE SCAR ON HER FACE CAME FROM A BIZARRE ATTACK THAT OCCURRED WHEN SHE WAS A CHILD.

Fey’s facial scar had been recognizable but unexplained for years until a profile in Vanity Fair revealed that the mark on her left cheek came from being slashed by a strange man when she was five years old. “She just thought somebody marked her with a pen,” her husband Jeff Richmond said. Fey wrote in Bossypants that it happened in an alleyway behind her Upper Darby, Pennsylvania, home when she was in kindergarten.

3. HER FIRST TV APPEARANCE WAS IN A BANK COMMERCIAL.

Saturday Night Live hired Fey as a writer in 1997. In 1995 she had the slightly more glamorous job of pitching Mutual Savings Bank with a radical floral applique vest and a handful of puns on the word “Hi.” In a bit of life imitating art, just as Liz Lemon’s 1-900-OKFACE commercial was unearthed and mocked on 30 Rock, the internet discovered Fey’s stint awkwardly cheering on high interest rates a few years ago and had a lot to say about her '90s hair.

4. SHE WAS THE FIRST WOMAN TO BE NAMED HEAD WRITER OF SNL.

Four years after that commercial and two after she joined Saturday Night Live’s writing staff, Fey earned a promotion to head writer. Up until that point, the head writers were named Michael, Herb, Bob, Jim, Steve. You get the picture. She acted as head writer for six seasons until moving on to write and executive produce 30 Rock. Since her departure, two more women (Paula Pell and Sara Schneider) have been head writers for the iconic show.

5. SHE’S THE YOUNGEST MARK TWAIN PRIZE WINNER.

Established in 1998, the Kennedy Center’s hilarious honor has mostly been awarded to funny people in the twilight of their careers. Richard Pryor was the first recipient, and comedians who made their marks decades prior like Lily Tomlin, Whoopi Goldberg, and George Carlin followed. Fey earned the award in 2010 when she was 40 years old, and the age of her successors (Carol Burnett, Bill Murray, Eddie Murphy, David Letterman ...) signals that she may hold the title of youngest recipient for some time.

6. SHE WROTE SATIRE FOR HER HIGH SCHOOL NEWSPAPER.

Fey was an outstanding student who was involved in choir, drama, and tennis, and co-edited the school’s newspaper, The Acorn. She also wrote a satirical column addressing “school policy and teachers” under the pun-tastic pseudonym “The Colonel.” Fey also recalled getting in trouble because she tried to make a pun on the phrase “annals of history.” Cheeky.

7. SHE MADE HER RAP DEBUT WITH CHILDISH GAMBINO ON "REAL ESTATE."

Donald Glover (a.k.a. Childish Gambino) first gained notice as a member of Derrick Comedy in college, and Fey hired him at the age of 23 to write for 30 Rock. Before jumping from that show to Community, Glover put out his first mixtape under his stage name. After releasing his debut album, Camp, in 2011, Gambino dropped a sixth mixtape called Royalty that featured Fey rapping on a song called “Real Estate.” “My president is black, and my Prius is blue!"

8. SHE VOICED PRINCESSES IN A BELOVED PINBALL GAME.

Between the bank commercial and Saturday Night Live, Fey has an intriguing credit on her resume: the arcade pinball machine “Medieval Madness.” Most of the game’s Arthurian dialogue was written by Second City members Scott Adsit (Pete Hornberger on 30 Rock) and Kevin Dorff, who pulled in fellow Second City castmate Fey to voice for an “Opera Singer” princess, Cockney-speaking princesses, and a character with a southern drawl. (You can hear some of the outtakes here.)

9. SHE USED MEAN GIRLS TO PUSH BACK AGAINST STEREOTYPES OF WOMEN IN MATH.

Tina Fey and Lindsay Lohan in 'Mean Girls' (2004)
Paramount Home Entertainment

There’s a ton of interesting trivia about Mean Girls, Fey’s first foray into feature film screenwriting. She bid on the rights to Rosalind Wiseman’s book that inspired the movie without realizing it didn’t have a plot. She initially wrote a large part for herself but kept whittling it down to focus on the teenagers, and her first draft was “for sure R-rated.” Fey also chose to play a math teacher to fight prejudice. “It was an attempt on my part to counteract the stereotype that girls can’t do math. Even though I did not understand a word I was saying.” Fey used a friend’s calculus teacher boyfriend’s lesson plans in the script.

10. SHE SET UP A SCHOLARSHIP IN HER FATHER’S NAME TO HELP VETERANS.

Fey’s father Donald was a Korean War veteran who also studied journalism at Temple University. When he died in 2015, Fey and her brother Peter founded a memorial scholarship in his name that seeks to aid veterans who want to study journalism at Temple.

"He was really inspiring," Fey said. "A lot of kids grow up with dreams of doing those things and their parents are fearful and want them to get a law degree and have things to fall back on, but he and our mom always encouraged us to pursue whatever truly interested us." Fey also supports Autism Speaks, Mercy Corps, Love Our Children USA, and other charities.

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Deadpool Fans Have a Wild Theory About Who Cable Really Is
Twentieth Century Fox Film Corporation
Twentieth Century Fox Film Corporation

Deadpool 2 is officially in theaters and ruling the box office just like its predecessor did back in 2015. But this installment is about more than just crude jokes and over-the-top action scenes; it also includes the debut of a longtime Marvel character that fans have been clamoring to see on the big screen since 2000’s X-Men hit theaters: Cable.

But the Cable in Deadpool 2 isn’t quite the one fans have gotten used to in the books—for starters, his powers and backstory are reined in considerably. While it’s easy to assume that’s by design, so that audiences can better relate to the character (which is played by Josh Brolin), some fans have speculated that the changes are because, well, this character isn’t really Cable at all; instead, Screen Rant has a theory that this version of the character is actually none other than an older Wolverine from the future.

So how can Wolverine be Cable? Well, it’s actually quite easy, considering that Wolverine was Cable in Marvel’s Ultimate Universe comics, which was a series of books in the 2000s that completely reimagined the regular Marvel Universe. In this reality, a grizzled, aged Wolverine takes on the Cable nickname and travels back in time to prevent a takeover of Earth from the villain Apocalypse.

We were already introduced to Apocalypse in 2016’s X-Men: Apocalypse, and while he was defeated in the end, Screen Rant theorizes that he could return like he does in the Ultimate X-Men comics: by inhabiting the body of Nathaniel Essex, a.k.a. Mister Sinister. Essex was already name-dropped in Apocalypse and Deadpool 2, so it stands to reason that there might be some larger story on the horizon for him.

This would, of course, lead to more X-Men movies down the road, with Cable revealing his true nature and teaming with a crew of mutants that includes the classic X-Men cast as well as their younger selves to battle a newly formed Apocalypse. It’d also allow the character of Wolverine to live on in Brolin, leaving Hugh Jackman to enjoy a retired life without claws.

Obviously this is just one fan theory based on a comic storyline from over a decade ago. It would also have to ignore a whole host of continuity problems—including the events of Logan. But having a twist with Cable actually being Wolverine from the future (and likely from a different reality) is the type of headache-inducing madness the comics are known for.

[h/t: Screen Rant]

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