CLOSE
Spencer Arnold/Getty Images
Spencer Arnold/Getty Images

The Color Dictionary Darwin Used to Describe the Natural World, Pre-Pantone

Spencer Arnold/Getty Images
Spencer Arnold/Getty Images

Today, naturalists who want to capture the precise color of a certain specimen can rely on color photography, safe in the knowledge that the hues can be preserved for exact recreation or reference. But in centuries past, naturalists and others working out in the field would consult a color dictionary—a sort of pre-Pantone reference guide—to accurately describe a specimen they were sketching. That way, even if the color of the drawing might fade, the shade from the shared nomenclature of colors would remain as a guide for illustrators recreating the image back home.

One of the most famous and widely used color guides was Patrick Syme’s Werner’s Nomenclature of Colors, first published in 1814 and recently reissued by Smithsonian Books. Abraham Gottlob Werner was a German geologist who, toward the end of his long and distinguished career, threw himself into creating a new color dictionary with which to describe the cornucopia of hues found in rocks and minerals. Scottish botanical artist Patrick Syme was entranced by Werner’s work, which had been published at the end of the 18th century, and felt he could improve it further by adding painted color swatches—Werner used only written descriptions—and examples from flora and fauna alongside the mineral comparisons.

The cover of the reissue of Werner’s Nomenclature of Colours
Smithsonian Books

Not all colors received an example from each kingdom in Syme's work, but many did. For example, brownish orange was noted as existing in “the eyes of the largest flesh-fly,” the “style of the orange lily,” or in “dark Brazillian topaz.” Blueish green was recorded as existing in “egg of thrush,” “under disk of wild rose leaves,” and the mineral beryl. Ash gray was to be seen in the “breast of long-tailed Hen Titmouse,” “Fresh Wood ashes,” and “Flint." Syme ultimately created a reference work of 110 named colors, providing a whole new language with which to portray nature.

It was Werner’s Nomenclature of Colors that Charles Darwin took on his round-the-world voyage on the HMS Beagle from 1831–36. During the trip, Darwin spent a great deal of time collecting and recording natural history specimens, many of which would be dried and pressed or pickled in vinegar for preservation—processes that often caused the true colors to fade. Darwin consulted Werner’s Nomenclature frequently, confiding in fish expert Leonard Jenyns that “a comparison was always made with the book in hand, previous to the exact color in any case being noted.” Darwin’s written descriptions of the animals and plants he encountered are littered with color terms from the book, as when he describes the shades pulsating across the body of a cuttlefish as "varying in tint between a hyacinth red and a chestnut brown.”

A page from Werner’s Nomenclature of Colours
A page from Werner’s Nomenclature of Colours
Smithsonian Books

It was not only the specimens that Darwin described using the color dictionary, but also the ever-changing hues of the sea. On March 28, 1832 he wrote, “During this day the colour of sea varied, being sometimes black ‘Indigo blue’, in evening very green.” Numerous other naturalists, such as Arctic explorer Sir William Edward Parry, botanist Sir William Hooker, and explorer and naturalist Sir John Richardson, also used Werner’s Nomenclature to standardize their description of color, with the evocative names like Orpiment Orange, Verditer Blue, and Gallstone Yellow adding a certain poetry to an otherwise functional description.

The reissue from Smithsonian Books recreates Syme's work in CMYK printing, bringing new vibrancy to the original and sometimes-faded shades. The book provides modern readers with an exploration of color through the eyes of 19th-century naturalists, whose perception of each hue would have been informed by the natural world around them. The lyrical descriptions offer a now-almost-forgotten language for color—less useful, perhaps, than a Pantone number, but a little more evocative.

nextArticle.image_alt|e
iStock
arrow
Lists
12 Solid Facts About New Hampshire's Old Man of the Mountain
iStock
iStock

On May 3, 2003, the craggy rock face known as New Hampshire's Old Man of the Mountain tumbled to the ground in spectacular fashion. For a landmark that had been in the state's DNA for generations, its collapse was like a death in the family to some. The day after it fell, people left flowers at the base of Cannon Mountain in Franconia Notch State Park as a sort of funeral tribute, and plans were immediately launched to create a longer-lasting memorial. So what was so great about the Old Man of the Mountain, pre- and post-crumble? Read on for the stone-cold facts.

1. THANKS TO NATHANIEL HAWTHORNE, THE OLD MAN WAS ALSO KNOWN AS “THE GREAT STONE FACE.”

Although not explicitly named, it’s widely believed Hawthorne based his 1850 short story "The Great Stone Face"—which was set in an anonymous state that happens to look like New Hampshire—on the Old Man. At that time, the mountainous figure was already a tourist draw to the Granite State. Hawthorne described it as an “enormous giant, or a Titan,” with a “broad arch of the forehead,” a long-bridged nose, and having “vast lips.” Eventually Hawthorne’s nickname stuck, along with other loving titles like “Old Man” and “the Profile.”

2. THE "FACE" WAS ACTUALLY A SERIES OF LEDGES.

These granite cliff ledges, 40 feet tall and 25 feet wide, when viewed from the north at certain angles looked like a jagged face. Hawthorne corroborated this, writing in “The Great Stone Face”: “If the spectator approached too near, he lost the outline of the gigantic visage, and could discern only a heap of ponderous and gigantic rocks ... Retracing his steps, however, the wondrous features would again be seen; and the farther he withdrew from them, the more like a human face, with all its original divinity intact, did they appear."

3. HE COULD HAVE BEEN 12,000 YEARS OLD.

An 1856 postcard of The Old Man of the Mountain
Public Domain, Wikimedia Commons

The Old Man was first discovered and recorded in 1805 by road surveyors Francis Whitcomb and Luke Brooks, which put the landmark at nearly 200 years old by the time it fell. But it likely first formed when water inside cracks in the granite bedrock froze and thawed following the retreat of glaciers about 12,000 years ago. (This freezing and thawing process was what hastened its eventual collapse.) According to geologist Brian Fowler in a research report by the Old Man of the Mountain Legacy Fund, the lower ledge—or chin—of the Old Man is assumed to have fallen first. Once that support was gone, the rest of the rock fell in formation.

4. CANNON MOUNTAIN WAS SO NAMED BECAUSE IT LOOKS LIKE ANTIQUE ARTILLERY.

The Old Man jutted from a cliff in Cannon Mountain in New Hampshire’s White Mountains, within Franconia Notch State Park. Originally named Profile Mountain, it took on a new name since its granite dome resembles a cannon from select vantage points. There are even three sub-peaks, nicknamed “The Cannon Balls.”

5. SOME OF THE STRONGEST SURFACE WINDS EVER IN THE U.S. WERE RECORDED ON TOP OF CANNON MOUNTAIN.

The gusts measured 199.5 mph on April 2, 1973. While impressive, they were likely even higher since 199.5 mph was the limit of what the researchers' instruments could record at the time. The highest surface wind gust in the U.S. still belongs in-state, though, with New Hampshire's Mount Washington recording 231 mph winds in 1934.

6. A SERIES OF TURNBUCKLES AND IRON TIES WERE PLACED WITHIN ITS FACE TO KEEP IT TOGETHER.

By 1916, as it became clear the Old Man might not live forever, the first efforts to protect the rock formation were made. By the 1920s, a crack in the Old Man’s "forehead" was clearly noticeable, and residents who were worried about its safety used chains, turnbuckles, and iron ties to keep the crack from separating. Many of those metal rods used to hold the Old Man together were still attached to the mountain years later.

7. THE STATE EVENTUALLY SPENT A SMALL FORTUNE TRYING TO SAVE IT.


Julius Hall, Public Domain, Wikimedia Commons

In 1957, the New Hampshire state legislature passed a $25,000 appropriation for the necessary repairs to slow the Old Man's deterioration. These steps included quick-drying cement and steel rods meant to fill in and fortify cracks. The rocky Band-Aids were maintained every summer.

8. THE CARETAKERS’ MAINTENANCE ROUTINES WERE METICULOUS.

One longtime caretaker, Niels Nielsen, took great pains to keep the Old Man clean since 1965. Nielsen would spray bleach on the rock face and in its cracks, then carefully remove moss and lichen in an effort to prevent cracks from spreading further. He would even clean out the Old Man’s ear with a garden hoe. When Nielsen retired, he passed the job on to his son, David. The face continued to be groomed until its collapse.

9. NIELS NIELSEN SAW THE OLD MAN AS A GIFT FROM GOD.

According to Yankee Magazine, Nielsen was rather enchanted by the rock formation. “I had sailed around the world as a merchant seaman, yet I had never seen anything like the Old Man," he said. "I don’t believe anyone can be up there and not feel the presence of God."

10. BUT EVEN NIELSEN KNEW IT MIGHT FALL SOME DAY.

Nielsen was asked by Yankee what would happen if the Old Man ever fell. “The Lord put him here, and the Lord will take him down," Nielsen replied. Research concluded its collapse was natural—that the freezing-thawing process and subsequent erosion over time caused its downfall.

11. YOU CAN STILL "SEE" THE OLD MAN.


Rob Gallagher, Public Domain, Wikimedia Commons

The image of the Old Man has lived on as a state emblem since 1945, appearing on highway signs, on the back of drivers licenses, and on the reverse of the state quarter. But residents weren’t done with honoring the now-deceased rock face. At Old Man of the Mountain Profile Plaza and Historic Site in Franconia, special viewfinders and steel “profilers” at vantage points near Profile Lake offer a glimpse of what the formation used to look like.

12. THERE’S EVEN AN OLD MAN OF THE MOUNTAIN FLOWER.

Old-Man-of-the-Mountain, or tetraneuris grandiflora, is found in the Intermountain Regions and Rocky Mountains in states like Wyoming, Montana, Utah, Colorado, and Idaho. It’s sometimes called an alpine sunflower and got its common name from the wooly hairs that cover its leaves.

nextArticle.image_alt|e
arrow
Stones, Bones, and Wrecks
Take a Closer Look at the $17 Billion 'Holy Grail of Shipwrecks'

Feast your eyes on these new images of the treasure among the wreckage of the Spanish ship San José, often called the "holy grail of shipwrecks." When it sank on June 8, 1708, it was carrying gold, silver, jewels, and other precious cargo worth roughly $17 billion today. Now, Woods Hole Oceanographic Institution (WHOI) is revealing the major role it played in the 2015 expedition to find the San José.

The three-masted, 62-gun Spanish galleon exploded and sank at the hands of the British during the War of the Spanish Succession. It was carrying its riches to the Colombian city of Cartegena to finance the war. Archaeologists had been trying to find the San José for decades before it was finally located on November 27, 2015, during an expedition organized by Colombia, Maritime Archaeology Consultants (MAC), and WHOI. The multibillion-dollar treasure, which still sits nearly 2000 feet below the surface of the ocean near Cartegena, is just now being revealed.

WHOI's autonomous underwater vehicle REMUS 6000 was responsible for finding the elusive wreck. REMUS has been with the project since the beginning: The machine created the first side-scan sonar images of the site. After that, REMUS journeyed to a point 30 feet above the site and captured high-resolution photos of the ship's distinctive bronze cannons, which are engraved with dolphins. REMUS's documentation of this defining feature allowed scientists to positively identify the wreck as the fabled San José. (Thanks to whoever had the idea to put dolphins on the cannon in the first place.)

WHOI also released REMUS's photos of the wreckage, which show details of the horde, including ceramics and those famous cannons. "This constitutes one of the greatest—if not the biggest, as some say—discoveries of submerged patrimony in the history of mankind,” Colombian president Juan Manuel Santos said back when the treasure was discovered.

The San José's treasure is the subject of a legal battle for ownership between Colombia and U.S. salvage company Sea Search Armada, which helped look for the wreck. In 2011, four years before the San José was even found, the court ruled that the booty belongs to Colombia, but the dispute is ongoing. Because of the legal drama, the exact location of the wreck remains a government secret.

Below, check out the newly released pictures for a closer look at cannons, teacups, and other ceramics.

cannons from the San Jose
Woods Hole Oceanographic Institution

pots from the San Jose
Woods Hole Oceanographic Institution

teacups from the San Jose
Woods Hole Oceanographic Institution

REMUS 6000
REMUS 6000
Mike Purcell, Woods Hole Oceanographic Institution


A mosaic of images taken by the REMUS 6000 depicts the whole site.
A mosaic of images taken by the REMUS 6000 depicts the whole site.
Jeff Kaeli, Woods Hole Oceanographic Institution

SECTIONS

arrow
LIVE SMARTER
More from mental floss studios