CLOSE
Original image
YouTube

16 Things You Might Not Know About Mystery Science Theater 3000

Original image
YouTube

While the rest of America was slipping into a turkey coma on Thanksgiving Day in 1988, Minneapolis area residents lucky enough to get clear reception of local UHF channel KTMA were getting the first taste of what would soon become a Turkey Day tradition: Mystery Science Theater 3000, the classic cult television show which made a sport out of mocking schlocky movies of the past. The premise was simple—two mad scientists, Dr. Clayton Forrester and Dr. Laurence Erhardt, launch a janitor (local comedian Joel Hodgson, as Joel Robinson) into space to study the effect bad movies have on the human mind in order to determine the single film that can help them in their efforts toward world domination.

But as it turns out, human beings can withstand a whole lot of bad acting, sloppy pacing, and ridiculous dialogue. Rather than drive them to the brink of insanity, Joel and the robot friends he built while orbiting Earth—Tom Servo, Crow T. Robot, Gypsy, and Cambot—find a certain amount of pleasure in having to endure these B-movies, spending the bulk of the show offering their own bitingly funny analyses of the on-screen happenings. It didn’t take long for audiences to catch on, or for MST3K to migrate to a national stage.

1. MYSTERY SCIENCE THEATER 3000 WAS BORN FROM FINANCIAL RESTRAINTS.

After trying his luck on the grander Hollywood stage for a few years, comedian Joel Hodgson moved back to Minneapolis with the idea of launching his own television show. There was just one problem: he had no budget. “Basically, Mystery Science Theater came from me saying, ‘What’s the cheapest possible show I could create that would still be novel and bring something new, [and] kind of have a new angle of doing something funny?’” Hodgson told Flavorwire of the show’s origins. “It all just came together, basically, at that point when I realized it could be like hosting a movie show, and if I utilized the silhouette thing, the characters will kind of run not only through the host segments, but through the entire movie, and they’ll be, like, companions.” 

2. THE “3000” IN THE TITLE WAS MEANT TO BE CONFOUNDING.

“The 3000 was a joke on all the people that were attaching the year 2000 to various programs,” said Hodgson in a 2011 interview with Art of the Title. “In the late ’80s it was everywhere: ‘America 2000’ was something that George Bush Sr. was talking about a lot so I thought, ‘Wouldn’t it be cool if I name it 3000 just to confound people?’ But there was a lot of confusion about it. I never meant for the show to take place in the year 3000. That simply makes no sense! If it is the year 3000, then why are all the films and the references about the end of the 20th century? For the concept of the show, it’s just a series number like Galaxie 500 or HAL 9000. Fords aren’t from the year 500 and the HAL wasn’t from the year 9000. In hindsight, I think it’s likely that the Mads were trying to snazz up the name of the show by tacking on the 3000.” 

3. IN ORDER TO GAUGE THE AUDIENCE’S REACTION, THE PRODUCERS SET UP A PHONE LINE.

Even after its initial debut, the creators of MST3K had no idea whether the show had connected with audiences. So writer-producer Jim Mallon (who voiced Gypsy) suggested they set up a viewer hotline and run the number during the next airing. “When we checked the answering machine on Monday, it was full,” Hodgson told Flavorwire. “So people just reacted to it.” This led Hodgson and company to set up a local fan club for the show, which quickly acquired 1000 members.

4. MST3K’S (FIRST) CANCELLATION WAS ALSO BORN FROM FINANCIAL RESTRAINTS.

As MST3K’s popularity was rising, the fortunes of its broadcaster—KTMA—were moving in the opposite direction, which led to the show’s (first) cancellation in May of 1989. As a thank you to the many local fans who had tuned in religiously, the cast put on a live version of the show at the Comedy Gallery, which attracted an audience of more than 600.

As MST3K neared the end of its run on KTMA, the producers put together a short “best of” reel in order to pitch it to other networks. The show caught the attention of executives at The Comedy Channel, a brand-new, 24-hour comedy network owned by HBO, which premiered on November 15, 1989. Three days later, Mystery Science Theater 3000 made its national debut as one of the channel’s anchor programs.

5. AS PART OF THE COMEDY CHANNEL DEAL, HODGSON AND MALLON INSISTED ON KEEPING ITS PRODUCTION IN MINNEAPOLIS.

While the bulk of The Comedy Channel’s programming was produced on site in New York City, the channel agreed to let Hodgson and Mallon continue shooting in Minneapolis. They did, however, spruce up the look of the show with new sets, revamped robots, and a new opening title sequence. 

6. THE BIGGEST CHANGE TO THE MST3K FORMULA WAS IN TURNING TO A SCRIPTED FORMAT.

The early episodes of MST3K were ad-libbed, but in 1989, Hodgson decided that the show should take a turn for the scripted. As part of this change, Hodgson hired writer (and future host) Michael J. Nelson. “I hired Mike based on his act at an open mic and a recommendation from Josh [Weinstein],” Hodgson told mental_floss. “Also writing the eps was my call.”

7. IN 1991, MST3K BEGAN A NEW THANKSGIVING DAY TRADITION.

MST3K became Comedy Central’s signature series, with executives nearly doubling its run from 13 to 24 episodes per year in 1991. On Thanksgiving of the same year it launched what would become an annual event: a 30-hour MST3K marathon that came to be known as “Turkey Day,” featuring back-to-back episodes plus behind-the-scenes spots and interviews. In the four years it ran, several of the stars of the films the series mocked—including Adam West (star of Zombie Nightmare), Robert Vaughn (of Teenage Cave Man), and Mamie van Doren (of Untamed Youth and Girls Town)—hosted “Turkey Day.” In honor of the show’s 25th anniversary, Hodgson brought back “Turkey Day” in 2013. For 2015, the marathon will stream live at BringBackMST3K.com, beginning at 12 pm ET.

8. JOEL’S DEPARTURE IN 1993 WAS THE RESULT OF CREATIVE DIFFERENCES.

After sitting through his final test of cinematic endurance (Mitchell, starring Joe Don Baker—a skewering that led Baker to claim that if he ever met anyone from the show he would “kick their asses”), Joel managed to escape the Satellite of Love with the help of an office temp, Mike Nelson, who the Mads then captured in place of Joel. In a 1999 interview with The A.V. Club, Hodgson admitted that his decision to leave the show was because of disagreements with Jim Mallon. “You can't really be fighting with someone and doing all the stuff you have to do,” said Hodgson. “I think what made the show work for me was that I really loved it. I really liked the audience, and the whole process was ... I was really happy doing it, and I realized that I'd turn into Jerry Lewis or something if I started to kind of hate it. And that was starting to happen, just because of these conflicts I was having internally with Jim … The thing would have blown up if we both would have stayed there. I like to look at it like the story of King Solomon, when the baby was brought before him.”

9. WHEN COMEDY CENTRAL CANCELLED MST3K IN 1996, FANS (A.K.A. MSTIES) TOOK IT UPON THEMSELVES TO RESURRECT THE SERIES.

Viewers put pen to paper and began a massive letter-writing campaign to save the series. The fan outburst didn’t change Comedy Central’s mind, but executives at the Sci-Fi Channel (now Syfy) understood their plight. And so on February 1, 1997, MST3K began its eighth season on its third network. The episode introduced audiences to Professor Bobo, an ape from the year 2525.

In 1999, Mystery Science Theater 3000 was cancelled again, and fans once again launched a campaign to see the show resurrected, with Entertainment Weekly reporting that “efforts to save the show include more than a dozen ‘Save MST3K’ websites, a letter-writing push, and a pledge drive for ‘Save MST3K’ print ads.” The campaign led to a full-page ad in Daily Variety, but Sci-Fi Channel decision-makers remained unmoved, with then-VP of programming Bonnie Hammer citing low ratings coupled with the rising costs of securing film rights (for movies to be ridiculed by the cast) as the problem. Sensing the end was truly near, Nelson admitted: “I'm hoping to find a rich guy to just keep me in his living room and heckle live.” 

10. KURT VONNEGUT, JR. WASN’T A FAN.

In 1996, Jim Mallon and writers Trace Beaulieu and Kevin Murphy released the ultimate fan guide, Mystery Science Theater 3000: The Amazing Colossal Episode Guide. In it, Murphy shares the story about meeting his literary hero, Kurt Vonnegut, Jr., and telling him about the show and its premise. Vonnegut was not impressed, telling Murphy that every artist deserves respect, even those who produce a bad movie. Still, Murphy couldn’t resist the opportunity to invite Vonnegut out to dinner, which the author politely declined, stating he had other plans. At dinner that night, Murphy and Vonnegut ended up dining at the same restaurant—except Vonnegut was alone, prompting Murphy to admit that he had been “faced ... but nicely faced.”

11. FRANK ZAPPA WAS A FAN.

Frank Zappa was an admitted monster movie fanatic, and wasn’t shy about his love of Mystery Science Theater 3000 during its run. A 1997 article in Total TV Online noted: “MST3K … made the late Frank Zappa an instant convert when he channel surfed into ‘this guy wearing a clown nose and a beanie copter roasting a puppet over an open fire.’ The clown was now-departed (and much beloved) Founding Father Joel Hodgson; the roasted puppet was plucky Tom Servo; and Zappa was equally bemused by the cinematic turkeys being roasted for the main course. ‘He just loved crummy old science fiction movies,’ says writer and voice of Servo Kevin Murphy, who thought ‘Frank Zappa on line one’ was a joke until he picked up the phone.” The show’s producers and Zappa had even discussed plans to collaborate on a giant spider movie; episode 523 was dedicated to Zappa following his passing. 

12. A HUMAN-LESS MST3K WEB SERIES DEBUTED IN 2007.

On November 5, 2007, Mallon debuted an animated Web series, The Bots Are Back!, which followed Tom Servo, Crow and Gypsy’s adventures in space. Fan response was not positive, and only four episodes were ever released.

13. THE WORLD HAS MST3K TO THANK FOR HOBGOBLINS 2.

While not every filmmaker whose worked featured on the series was happy about the development, Hobgoblins director Rick Sloane came to see the positive side of the skewering. "I met Mary Jo Pehl a number of years later and she said I was the only director who ever liked the MST3K treatment of their own film," Sloane told Esquire. "They improved the film dramatically. It was barely watchable in its original version. While I enjoyed every joke that was at an actor's expense, I was seriously horrified when they did the fake interview with me over the end credits. It's become a fan-favorite joke and is constantly quoted on the Internet." But there was an upside to the notoriety: Hobgoblins became so widely known, that it led to the opportunity for a sequel. "I admitted from day one that Hobgoblins 2 was only possible because of the success of MST3K's revival of the original," said Sloane. "I submitted Hobgoblins 2 to both Cinematic Titanic and Rifftrax, but they both thought it was too easy of a target."

14. THE SHOW'S TITLE SPAWNED A VERB.

“MSTing” is a practice that exists in the fan fiction universe, typically written in a transcript format, in which the characters of one piece of fic (or MST3K’s own characters) commentate another piece of fic. The process is also referred to as sporking.

15. THE RIFFING LIVES ON.

Just because new episodes of Mystery Science Theater 3000 aren’t being produced doesn’t mean you can’t keep up with the original cast’s attempts at riffing. In 2006, Mike Nelson, Kevin Murphy, and Bill Corbett introduced a Web series called RiffTrax, which allows customers to download commentary tracks to sync with a movie. Throughout the year, the group also presents several RiffTrax Live performances at cinemas around the country. In 2007, Joel Hodgson, Trace Beaulieu, Josh Weinstein, Frank Conniff, and Mary Jo Pehl launched Cinematic Titanic, offering a selection of riffed DVDs and a series of live events. 

16. NEW EPISODES MAY BE ON THE WAY.

Earlier this month, Hodgson launched a Kickstarter campaign to bring the series back. It took just days for the project to hit its $2 million goal, which means that new riffs on bad movies may coming your way soon.

This post originally appeared in 2013.

Original image
IFC Films
arrow
entertainment
10 Surprising Facts About The Babadook
Original image
IFC Films

In 2014, The Babadook came out of nowhere and scared audiences across the globe. Written and directed by Aussie Jennifer Kent, and based on her short film Monster, The Babadook is about a widow named Amelia (played by Kent’s drama schoolmate Essie Davis) who has trouble controlling her young son Samuel (Noah Wiseman), who thinks there’s a monster living in their house. Amelia reads Samuel a pop-up book, Mister Babadook, and Samuel manifests the creature into a real-life monster. The Babadook may be the villain, but the film explores the pitfalls of parenting and grief in an emotional way. 

“I never approached this as a straight horror film,” Kent told Complex. “I always was drawn to the idea of grief, and the suppression of that grief, and the question of, how would that affect a person? ... But at the core of it, it’s about the mother and child, and their relationship.”

Shot on a $2 million budget, the film grossed more than $10.3 million worldwide and gained an even wider audience via streaming networks. Instead of creating Babadook out of CGI, a team generated the images in-camera, inspired by the silent films of Georges Méliès and Lon Chaney. Here are 10 things you might not have known about The Babadook (dook, dook).

1. THE NAME “BABADOOK” WAS EASY FOR A CHILD TO INVENT.

Jennifer Kent told Complex that some people thought the creature’s name sounded “silly,” which she agreed with. “I wanted it to be like something a child could make up, like ‘jabberwocky’ or some other nonsensical name,” she explained. “I wanted to create a new myth that was just solely of this film and didn’t exist anywhere else.”

2. JENNIFER KENT WAS WORRIED PEOPLE WOULD JUDGE THE MOTHER.

Amelia isn’t the best mother in the world—but that’s the point. “I’m not a parent,” Kent told Rolling Stone, “but I’m surrounded by friends and family who are, and I see it from the outside … how parenting seems hard and never-ending.” She thought Amelia would receive “a lot of flak” for her flawed parenting, but the opposite happened. “I think it’s given a lot of women a sense of reassurance to see a real human being up there,” Kent said. “We don’t get to see characters like her that often.”

3. KENT AND ESSIE DAVIS TONED DOWN THE CONTENT FOR THE KID.

Noah Wiseman was six years old when he played Samuel. Kent and Davis made sure he wasn’t present for the more horrific scenes, like when Amelia tells Samuel she wishes he was the one who died, not her husband. “During the reverse shots, where Amelia was abusing Sam verbally, we had Essie yell at an adult stand-in on his knees,” Kent told Film Journal. “I didn’t want to destroy a childhood to make this film—that wouldn’t be fair.”

Kent explained a “kiddie version” of the plot to Wiseman. “I said, ‘Basically, Sam is trying to save his mother and it’s a film about the power of love.’”

4. THE FILM IS ALSO ABOUT “FACING OUR SHADOW SIDE.”

IFC Films

Kent told Film Journal that “The Babadook is a film about a woman waking up from a long, metaphorical sleep and finding that she has the power to protect herself and her son.” She noted that everybody has darkness to face. “Beyond genre and beyond being scary, that’s the most important thing in the film—facing our shadow side.”

5. THE FILM SCARED THE HELL OUT OF THE DIRECTOR OF THE EXORCIST.

In an interview with Uproxx, William Friedkin—director of The Exorcist—said The Babadook was one of the best and scariest horror films he’d ever seen. He especially liked the emotional aspect of the film. “It’s not only the simplicity of the filmmaking and the excellence of the acting not only by the two leads, but it’s the way the film works slowly but inevitably on your emotions,” he said.

6. AN ART DEPARTMENT ASSISTANT SCORED THE ROLE AS THE BABADOOK.

Tim Purcell worked in the film’s art department but then got talked into playing the titular character after he acted as the creature for some camera tests. “They realized they could save some money, and have me just be the Babadook, and hence I became the Babadook,” Purcell told New York Magazine. “In terms of direction, it was ‘be still a lot,’” he said.

7. THE MOVIE BOMBED IN ITS NATIVE AUSTRALIA.

Even though Kent shot the film in Adelaide, Australians didn’t flock to the theaters; it grossed just $258,000 in its native country. “Australians have this [built-in] aversion to seeing Australian films,” Kent told The Cut. “They hardly ever get excited about their own stuff. We only tend to love things once everyone else confirms they’re good … Australian creatives have always had to go overseas to get recognition. I hope one day we can make a film or work of art and Australians can think it’s good regardless of what the rest of the world thinks.”

8. YOU CAN OWN A MISTER BABADOOK BOOK (BUT IT WILL COST YOU). 

IFC Films

In 2015, Insight Editions published 6200 pop-up books of Mister Babadook. Kent worked with the film’s illustrator, Alexander Juhasz, who created the book for the movie. He and paper engineer Simon Arizpe brought the pages to life for the published version. All copies sold out but you can find some Kent-signed ones on eBay, going for as much as $500.

9. THE BABADOOK IS A GAY ICON.

It started at the end of 2016, when a Tumblr user started a jokey thread about how he thought the Babadook was gay. “It started picking up steam within a few weeks,” Ian, the Tumblr user, told New York Magazine, “because individuals who I presume are heterosexual kind of freaked out over the assertion that a horror movie villain would identify as queer—which I think was the actual humor of the post, as opposed to just the outright statement that the Babadook is gay.” In June, the Babadook became a symbol for Gay Pride month. Images of the character appeared everywhere at this year's Gay Pride Parade in Los Angeles.

10. DON'T HOLD YOUR BREATH FOR A SEQUEL.

Kent, who owns the rights to The Babadook, told IGN that, despite the original film's popularity, she's not planning on making any sequels. “The reason for that is I will never allow any sequel to be made, because it’s not that kind of film,” she said. “I don’t care how much I’m offered, it’s just not going to happen.”

Original image
Getty Images
arrow
History
15 Fascinating Facts About Amelia Earhart
Original image
Getty Images

Amelia Earhart was a pioneer, a legend, and a mystery. To celebrate what would be her 120th birthday, we've uncovered 15 things you might not know about the groundbreaking aviator.

1. THE FIRST TIME SHE SAW AN AIRPLANE, SHE WASN'T IMPRESSED.

In Last Flight, a collection of diary entries published posthumously, Earhart recalled feeling unmoved by "a thing of rusty wire and wood" at the Iowa State Fair in 1908. It wasn't until years later that she discovered her passion for aviation, when she worked as a nurse's aide at Toronto's Spadina Military Hospital. She and some friends would spend time at hangars and flying fields, talking to pilots and watching aerial shows. Earhart didn't actually get on a plane herself until 1920, and even then she was just a passenger.

2. SHE WAS A GOOD STUDENT WITH NO PATIENCE FOR SCHOOL.

After working with the Voluntary Aid Detachment in Toronto, Earhart took pre-med classes at Columbia University in 1919. She made good grades, but dropped out after just a year. Earhart re-enrolled at Columbia in 1925 and left school again. She took summer classes at Harvard, but gave up on higher education for good after she didn't get a scholarship to MIT.

3. ANOTHER PIONEERING FEMALE AVIATOR TAUGHT EARHART HOW TO FLY.

Wikimedia Commons // Public Domain

Neta Snook was the first woman to run her own aviation business and commercial airfield. She gave Earhart flying lessons at Kinner Field near Long Beach, California in 1921, reportedly charging $1 in Liberty Bonds for every minute they spent in the air.

4. EARHART BOUGHT HER FIRST PLANE WITHIN SIX MONTHS OF HER FIRST FLYING LESSON.

Wikimedia Commons // Public Domain

She named it The Canary. The used yellow Kinner Airster biplane was the second one ever built. Earhart paid $2000 for it, despite Snook's opinion that it was underpowered, overpriced, and too difficult for a beginner to land.

5. AMY EARHART ENCOURAGED HER DAUGHTER'S PASSION. HER FATHER, ON THE OTHER HAND, WAS AFRAID OF FLYING.

Earhart's mom used some of her inheritance to pay for The Canary. She was a bit of an adventurer herself: the first woman to ever climb Pikes Peak in Colorado.

6. EARHART HAD A LOT OF ODD JOBS.

In addition to volunteering as a nurse's aide, Earhart also worked early jobs as a telephone operator and tutor. Earhart was a social worker at Denison House in Boston when she was invited to fly across the Atlantic for the first time (as a passenger) in 1928. At the height of her career, Earhart spent time making speeches, writing articles, and providing career counseling at Purdue University's Department of Aeronautics. Oh, and flying around the world.

7. SHE WASN'T SURE ABOUT MARRIAGE, BUT SHE DEFINITELY BELIEVED IN PRE-NUPS.

When promoter George Putnam contacted Earhart about flying across the Atlantic Ocean in 1928, it was her first big break ... and the beginning of their love story. The two began a working relationship, which soon turned into attraction. When Putnam's marriage to Dorothy Binney fell apart, he eventually proposed to Earhart. She said yes, albeit reluctantly.

Earhart wasn't worried about safeguarding financial assets so much as she wanted the two of them to maintain separate identities. Earhart asked Putnam to agree to a trial marriage. If they weren't happy after a year, they'd be free to go their separate ways, no hard feelings. He agreed. They lived happily until her disappearance.

8. SHE WROTE ABOUT FLYING FOR COSMOPOLITAN.

In 1928, Earhart was appointed Cosmopolitan's Aviation Editor. Her 16 published articles—among them "Shall You Let Your Daughter Fly?" and "Why Are Women Afraid to Fly?"—recounted her adventures and encouraged other women to fly, even if they just did so commercially. (Commercial flights date back to 1914, but they wouldn't really take off until after World War II.)

9. FIRST LADY ELEANOR ROOSEVELT WAS SO INSPIRED BY EARHART THAT SHE SIGNED UP FOR FLYING LESSONS.

The two became friends in 1932. Roosevelt got a student permit and a physical examination, but never followed through with her plan.

10. EARHART WAS THE FIRST WOMAN TO GET A PILOT'S LICENSE FROM THE NATIONAL AERONAUTIC ASSOCIATION (NAA).

That was in 1923, when pilots and aircrafts weren't legally required to be licensed. Earhart was the sixteenth woman to get licensed by the Fédération Aéronautique Internationale (FAI), which was required to set flight records. Still, the FAI didn't maintain women's records until 1928.

11. SHE ACCOMPLISHED A LOT OF "FIRSTS."

Earhart eventually became the first woman to fly across the Atlantic as a passenger (1928) and then solo (1932) and nonstop from coast to coast (1932) as a pilot. She also set records, period: Earhart was the first person to ever fly solo from Honolulu to Oakland, Los Angeles to Mexico City, and Mexico City to Newark, all in 1935.

What do John Glenn, George H.W. Bush, and Amelia Earhart have in common? They all earned an Air Force Distinguished Flying Cross. But only Earhart was the first woman—and one of few civilians—to do so.

12. SHE WAS ONE OF THE FIRST CELEBRITIES TO LAUNCH A CLOTHING LINE.

Amelia Earhart Fashions were affordable separates sold exclusively at Macy's and Marshall Field's. The line's dresses, blouses, pants, suits, and hats were made of cotton and parachute silk and featured aviation-inspired details, like propeller-shaped buttons. Earhart studied sewing as a girl and actually made her own samples.

13. THE U.S. GOVERNMENT SPENT $4 MILLION SEARCH FOR EARHART.

At the time, it was the most expensive air and sea search in history. Earhart's plane disappeared July 2, 1937. The official search ended a little over two weeks later on July 19. Putnam then financed a private search, chartering boats to the Phoenix Islands, Christmas Island, Fanning Island, the Gilbert Islands, and the Marshall Islands.

14. THE SEARCH ISN'T OVER.

There are several theories about what happened to Earhart's plane during her last flight. Most people believe she ran out of fuel and crashed into the Pacific Ocean. Others believe she landed on an island and died of thirst, starvation, injury, or at the hands of Japanese soldiers in Saipan. In 1970, one man even claimed that Earhart was alive and well and living a secret life in New Jersey.

The International Group for Historic Aircraft Recovery (TIGHAR) has explored the theory that Earhart and her navigator Fred Noonan lived as castaways before dying on Gardner Island, now called Nikumaroro, in the western Pacific. Over the years, they've found a few potential artifacts, including evidence of campfire sites, pieces of Plexiglas, and an empty jar of the brand of freckle cream that Earhart used.

In early July 2017, a photo surfaced that seemed to confirm the theory that Earhart and Noonan crashed and were captured by Japanese soldiers, but that photo was quickly debunked.

15. TODAY, ANOTHER AMELIA EARHART IS MAKING HISTORY.

In 2014, another pilot named Amelia Earhart took to the skies to set a world record. The then-31-year-old California native became the youngest woman to fly 24,300 miles around the world in a single-engine plane. Her namesake never completed the journey, but the younger Earhart landed safely in Oakland on July 11, 2014. We think "Lady Lindy" would be proud.

SECTIONS

More from mental floss studios