15 Fun Facts About Mystery Science Theater 3000

Shout! Factory
Shout! Factory

While the rest of America was slipping into a turkey coma on Thanksgiving Day in 1988, Minneapolis area residents lucky enough to get clear reception of local UHF channel KTMA were getting the first taste of what would soon become a Turkey Day tradition: Mystery Science Theater 3000, the classic cult television show which made a sport out of mocking schlocky movies of the past. The premise was simple: two mad scientists, Dr. Clayton Forrester and Dr. Laurence Erhardt, launch a janitor (local comedian Joel Hodgson, as Joel Robinson) into space to study the effect bad movies have on the human mind in order to determine the single film that can help them in their efforts toward world domination.

But as it turns out, human beings can withstand a whole lot of bad acting, sloppy pacing, and ridiculous dialogue. Rather than drive them to the brink of insanity, Joel and the robot friends he built while orbiting Earth—Tom Servo, Crow T. Robot, Gypsy, and Cambot—found a certain amount of pleasure in having to endure these B-movies, spending the bulk of the show offering their own bitingly funny analyses of the on-screen happenings. It didn’t take long for audiences to catch on, or for MST3K to migrate to a national stage. As we celebrate the long-running series' 30th anniversary, here are 15 things you might not have known about Mystery Science Theater 3000.

1. MYSTERY SCIENCE THEATER 3000 WAS BORN FROM FINANCIAL RESTRAINTS.

After trying his luck on the grander Hollywood stage for a few years, comedian Joel Hodgson moved back to Minneapolis with the idea of launching his own television show. There was just one problem: he had no budget. “Basically, Mystery Science Theater came from me saying, ‘What’s the cheapest possible show I could create that would still be novel and bring something new, [and] kind of have a new angle of doing something funny?’” Hodgson told Flavorwire of the show’s origins. “It all just came together, basically, at that point when I realized it could be like hosting a movie show, and if I utilized the silhouette thing, the characters will kind of run not only through the host segments, but through the entire movie, and they’ll be, like, companions.” 

2. THE “3000” IN THE TITLE WAS MEANT TO BE CONFOUNDING.

“The 3000 was a joke on all the people that were attaching the year 2000 to various programs,” Hodgson said in a 2011 interview with Art of the Title. “In the late ’80s it was everywhere: ‘America 2000’ was something that George Bush Sr. was talking about a lot so I thought, ‘Wouldn’t it be cool if I name it 3000 just to confound people?’ But there was a lot of confusion about it. I never meant for the show to take place in the year 3000. That simply makes no sense! If it is the year 3000, then why are all the films and the references about the end of the 20th century? For the concept of the show, it’s just a series number like Galaxie 500 or HAL 9000. Fords aren’t from the year 500 and the HAL wasn’t from the year 9000. In hindsight, I think it’s likely that the Mads were trying to snazz up the name of the show by tacking on the 3000.” 

3. IN ORDER TO GAUGE THE AUDIENCE’S REACTION, THE PRODUCERS SET UP A PHONE LINE.

Even after its initial debut, the creators of MST3K had no idea whether the show had connected with audiences. So writer-producer Jim Mallon (who voiced Gypsy) suggested they set up a viewer hotline and run the number during the next airing. “When we checked the answering machine on Monday, it was full,” Hodgson told Flavorwire. “So people just reacted to it.” This led Hodgson and company to set up a local fan club for the show, which quickly acquired 1000 members.

4. MST3K’S (FIRST) CANCELLATION WAS ALSO BORN FROM FINANCIAL RESTRAINTS.

As MST3K’s popularity was rising, the fortunes of its broadcaster—KTMA—were moving in the opposite direction, which led to the show’s (first) cancellation in May of 1989. As a thank you to the many local fans who had tuned in religiously, the cast put on a live version of the show at the Comedy Gallery, which attracted an audience of more than 600.

As MST3K neared the end of its run on KTMA, the producers put together a short “best of” reel in order to pitch it to other networks. The show caught the attention of executives at The Comedy Channel, a brand-new, 24-hour comedy network owned by HBO, which premiered on November 15, 1989. Three days later, Mystery Science Theater 3000 made its national debut as one of the channel’s anchor programs.

5. AS PART OF THE COMEDY CHANNEL DEAL, HODGSON AND MALLON INSISTED ON KEEPING ITS PRODUCTION IN MINNEAPOLIS.

While the bulk of The Comedy Channel’s programming was produced on site in New York City, the channel agreed to let Hodgson and Mallon continue shooting in Minneapolis. They did, however, spruce up the look of the show with new sets, revamped robots, and a new opening title sequence. 

6. THE BIGGEST CHANGE TO THE MST3K FORMULA WAS IN TURNING TO A SCRIPTED FORMAT.


Shout! Factory

The early episodes of MST3K were ad-libbed, but in 1989, Hodgson decided that the show should take a turn for the scripted. As part of this change, Hodgson hired writer (and future host) Michael J. Nelson. “I hired Mike based on his act at an open mic and a recommendation from Josh [Weinstein],” Hodgson told Mental Floss. “Also writing the episodes was my call.”

7. IN 1991, MST3K BEGAN A NEW THANKSGIVING DAY TRADITION.

MST3K became Comedy Central’s signature series, with executives nearly doubling its run from 13 to 24 episodes per year in 1991. On Thanksgiving of the same year it launched what would become an annual event: a 30-hour MST3K marathon that came to be known as “Turkey Day,” featuring back-to-back episodes plus behind-the-scenes spots and interviews. In the four years it ran, several of the stars of the films the series mocked—including Adam West (star of Zombie Nightmare), Robert Vaughn (of Teenage Cave Man), and Mamie van Doren (of Untamed Youth and Girls Town)—hosted “Turkey Day.” In honor of the show’s 25th anniversary, Hodgson brought back “Turkey Day” in 2013. For the past few years, the marathon has streamed online via Shout! Factory.

8. JOEL’S DEPARTURE IN 1993 WAS THE RESULT OF CREATIVE DIFFERENCES.

After sitting through his final test of cinematic endurance (Mitchell, starring Joe Don Baker—a skewering that led Baker to claim that if he ever met anyone from the show he would “kick their asses”), Joel managed to escape the Satellite of Love with the help of an office temp, Mike Nelson, who the Mads then captured in place of Joel. In a 1999 interview with The A.V. Club, Hodgson admitted that his decision to leave the show was because of disagreements with Jim Mallon.

“You can't really be fighting with someone and doing all the stuff you have to do,” Hodgson said. “I think what made the show work for me was that I really loved it. I really liked the audience, and the whole process was ... I was really happy doing it, and I realized that I'd turn into Jerry Lewis or something if I started to kind of hate it. And that was starting to happen, just because of these conflicts I was having internally with Jim … The thing would have blown up if we both would have stayed there. I like to look at it like the story of King Solomon, when the baby was brought before him.”

9. WHEN COMEDY CENTRAL CANCELED MST3K IN 1996, FANS (A.K.A. MSTIES) TOOK IT UPON THEMSELVES TO RESURRECT THE SERIES.

Viewers put pen to paper and began a massive letter-writing campaign to save the series. The fan outburst didn’t change Comedy Central’s mind, but executives at the Sci-Fi Channel (now Syfy) understood their plight. And so on February 1, 1997, MST3K began its eighth season on its third network. The episode introduced audiences to Professor Bobo, an ape from the year 2525.

In 1999, Mystery Science Theater 3000 was canceled again, and fans once again launched a campaign to see the show resurrected, with Entertainment Weekly reporting that “efforts to save the show include more than a dozen ‘Save MST3K’ websites, a letter-writing push, and a pledge drive for ‘Save MST3K’ print ads.” The campaign led to a full-page ad in Daily Variety, but Sci-Fi Channel decision-makers remained unmoved, with then-VP of programming Bonnie Hammer citing low ratings coupled with the rising costs of securing film rights (for movies to be ridiculed by the cast) as the problem. Sensing the end was truly near, Nelson admitted: “I'm hoping to find a rich guy to just keep me in his living room and heckle live.” 

10. KURT VONNEGUT, JR. WASN’T A FAN.

In 1996, Jim Mallon and writers Trace Beaulieu and Kevin Murphy released the ultimate fan guide, Mystery Science Theater 3000: The Amazing Colossal Episode Guide. In it, Murphy shares the story about meeting his literary hero, Kurt Vonnegut, Jr., and telling him about the show and its premise. Vonnegut was not impressed, telling Murphy that every artist deserves respect, even those who produce a bad movie. Still, Murphy couldn’t resist the opportunity to invite Vonnegut out to dinner, which the author politely declined, stating he had other plans. At dinner that night, Murphy and Vonnegut ended up dining at the same restaurant—except Vonnegut was alone, prompting Murphy to admit that he had been “faced ... but nicely faced.”

11. FRANK ZAPPA WAS A FAN.

Frank Zappa was an admitted monster movie fanatic, and wasn’t shy about his love of Mystery Science Theater 3000 during its run. A 1997 article in Total TV Online noted: “MST3K … made the late Frank Zappa an instant convert when he channel surfed into ‘this guy wearing a clown nose and a beanie copter roasting a puppet over an open fire.’ The clown was now-departed (and much beloved) Founding Father Joel Hodgson; the roasted puppet was plucky Tom Servo; and Zappa was equally bemused by the cinematic turkeys being roasted for the main course. ‘He just loved crummy old science fiction movies,’ says writer and voice of Servo Kevin Murphy, who thought ‘Frank Zappa on line one’ was a joke until he picked up the phone.” The show’s producers and Zappa had even discussed plans to collaborate on a giant spider movie; episode 523 was dedicated to Zappa following his passing. 

12. A HUMAN-LESS MST3K WEB SERIES DEBUTED IN 2007.

On November 5, 2007, Mallon debuted an animated Web series, The Bots Are Back!, which followed Tom Servo, Crow and Gypsy’s adventures in space. Fan response was not positive, and only four episodes were ever released.

13. THE WORLD HAS MST3K TO THANK FOR HOBGOBLINS 2.

While not every filmmaker whose worked featured on the series was happy about the development, Hobgoblins director Rick Sloane came to see the positive side of the skewering. "I met Mary Jo Pehl a number of years later and she said I was the only director who ever liked the MST3K treatment of their own film," Sloane told Esquire. "They improved the film dramatically. It was barely watchable in its original version. While I enjoyed every joke that was at an actor's expense, I was seriously horrified when they did the fake interview with me over the end credits. It's become a fan-favorite joke and is constantly quoted on the Internet." But there was an upside to the notoriety: Hobgoblins became so widely known, that it led to the opportunity for a sequel. "I admitted from day one that Hobgoblins 2 was only possible because of the success of MST3K's revival of the original," said Sloane. "I submitted Hobgoblins 2 to both Cinematic Titanic and Rifftrax, but they both thought it was too easy of a target."

14. THE SHOW'S TITLE SPAWNED A VERB.

MSTing” is a practice that exists in the fan fiction universe, typically written in a transcript format, in which the characters of one piece of fic (or MST3K’s own characters) commentate another piece of fic. The process is also referred to as sporking.

15. THE RIFFING LIVES ON.

When new episodes of Mystery Science Theater 3000 stopped being produced, the original cast kept riffing. In 2006, Mike Nelson, Kevin Murphy, and Bill Corbett introduced a Web series called RiffTrax, which allows customers to download commentary tracks to sync with a movie. Throughout the year, the group also presents several RiffTrax Live performances at cinemas around the country. In 2007, Joel Hodgson, Trace Beaulieu, Josh Weinstein, Frank Conniff, and Mary Jo Pehl launched Cinematic Titanic, offering a selection of riffed DVDs and a series of live events.

In 2017, a new generation of fans were introduced to Mystery Science Theater 3000 when—after a successful Kickstarter campaign to bring the series back—Netflix debuted Mystery Science Theater 3000: The Return, with Jonah Ray hosting. The second season just dropped on Netflix.

An earlier version of this post originally appeared in 2013.

The Psychology Behind Kids' L.O.L. Surprise! Doll Obsession

Jack Taylor, Getty Images
Jack Taylor, Getty Images

Isaac Larian, the founder and CEO of toymaker MGA Entertainment, is an insomniac. Fortunately for him, that inability to sleep forced him to get up out of bed one night—a move that ended up being worth $4 billion.

Larian’s company is the architect of L.O.L. Surprise!, a line of dolls with a clever conceit. The product, which retails for about $10 to $20, is encased in a ball-shaped plastic shell and buried under layers of packaging, forcing children to tear through a gauntlet of wrapping before they’re able to see it. The inspiration came on that highly profitable sleepless night, which Larian spent watching unboxing videos on YouTube. It resulted in the first toy made for a generation wired for delayed gratification.

The dolls first went on sale in test markets at select Target stores in late 2016. MGA shipped out 500,000 of them, all of which sold out within two months. A Cabbage Patch Kid-esque frenzy came the following year. By late 2018, L.O.L. Surprise! (the acronym stands for the fancifully redundant Little Outrageous Little) had moved 800 million units, accounted for seven of the top 10 toys sold in the U.S., and was named Toy of the Year by the Toy Association. Videos of kids and adults unboxing them garner millions of views on YouTube, which is precisely where Larian knew his marketing would be most effective.

A woman holds a L.O.L. Surprise doll and packaging in her hand
Cindy Ord, Getty Images for MGA Entertainment

The dolls themselves are nothing revolutionary. Once freed from their plastic prisons, they stare at their owner with doe-eyed expressions. Some “tinkle,” while others change color in water. They can be dressed in accessories found in the balls or paired with tiny pets (which also must be "unboxed"). Larger bundles, like last year’s $89.99 L.O.L. Bigger Surprise! capsule, feature a plethora of items, each individually wrapped. It took a writer from The New York Times 59 minutes to uncover everything inside.

This methodical excavation is what makes L.O.L. Surprise! so appealing to its pint-sized target audience. Though MGA was advised that kids wouldn’t want to buy something they couldn’t see, Larian and his executives had an instinctual understanding of what child development experts already knew: Kids like looking forward to things.

Dr. Rachel Barr, director of Georgetown University’s Early Learning Project, told The Atlantic that unboxing videos tickle the part of a child’s brain that enjoys anticipation. By age 4 or 5, they have a concept of “the future,” or events that will unfold somewhere other than the present. However, Barr said, they’re also wary of being scared by an unforeseen outcome. In an unboxing video, they know the payoff will be positive and not, say, a live tarantula.

L.O.L. Surprise! is engineered to prolong that anticipatory joy, with kids peeling away wrapping like an onion for up to 20 minutes at a time. The effect is not entirely novel—baseball card collectors have been buying and unwrapping card packs without knowing exactly what’s inside for decades—but paired with social media, MGA was able to strike oil. The dolls now have 350 licensees making everything from bed sheets to apparel. Collectors—or their parents—can buy a $199.99 doll house. So-called “boy toys” are now lurking inside the wrappers, with one, the mohawk-sporting Punk Boi, causing a mild stir for being what MGA calls “anatomically correct.” His tiny plastic genital area facilitates a peeing function.

Whether L.O.L. Surprise! bucks conventional toy trends and continues its popularity beyond a handful of holiday seasons remains to be seen. Already, MGA is pushing alternative products like Poopsie Slime Surprise, a unicorn that can be fed glitter and poops a viscous green slime. An official unboxing video has been viewed 4.2 million times and counting.

The 8 Most Anticipated Horror Movies of 2019

Jessica Rothe in Happy Death Day 2U (2019)
Jessica Rothe in Happy Death Day 2U (2019)
Michele K. Short, Universal Pictures

Between Hereditary, A Quiet Place, and Halloween, 2018 was a killer year for horror moviesand 2019 is shaping up to be just as impressive. While remakes seem to be dominating the schedule in the coming months, there are plenty of sequels, adaptations, and even a few promising original titles coming out as well. Here are some of the scary movies we're most looking forward to seeing this year.

1. Us

In 2017, Jordan Peele revolutionized the horror genre with Get Out. The Academy Award-winning filmmaker plans to do the same again with Us, which features a predominantly black cast—a rarity for a horror movie. "I dedicated a lot of myself to creating a new horror mythology and a new monster," Peele said of the film. "I think that monsters and stories about monsters are our best ways of getting at deeper truths and facing our fears as a society ... It’s also important to note that this movie, unlike Get Out, is not about race. It is instead about something I feel has become an undeniable truth. That is the simple fact that we are our own worst enemies." Us, which stars Elisabeth Moss and Lupita Nyong'o, arrives in theaters on March 22, 2019.

2. IT: Chapter 2

Stephen King fans were thrilled with 2017's IT, the second adaptation of the horror master's beloved 1986 novel. Andy Muschietti is sitting in the director's chair again for the second chapter, which will follow the Losers Club as they return to Derry, Maine in their adult years. While Bill Skarsgård will reprise his role as Pennywise, impressive new additions to the cast include Jessica Chastain, Bill Hader, and James McAvoy. The film debuts on September 6, 2019.

3. Scary Stories to Tell in the Dark

If you’ve been a horror fiend since childhood, you’ll no doubt remember Alvin Schwartz's Scary Stories to Tell in the Dark book series. The books included memorable illustrations by Stephen Gammell, some of which no doubt haunted many children’s nightmares. The film adaptation will be released on August 9, 2019.

4. Zombieland 2

Venom director Ruben Fleischer's feature debut, 2009's Zombieland, was an instant hit with both horror and comedy fans. And they've been waiting 10 years for a sequel. Finally, we’ll be getting a second film this year with Fleischer directing and Emma Stone, Woody Harrelson, Jesse Eisenberg, Abigail Breslin, and even Bill Murray all confirmed to return. Zombieland 2 is set to hit theaters on October 11, 2019.

5. Happy Death Day 2U

The hilariously bad-but-fun Happy Death Day (2017) surprised audiences with how flat-out entertaining it was, so much so that fans were thrilled to hear there were plans for a sequel. Much like the original movie, the second film will follow protagonist Tree Gelbman (Jessica Rothe) as she’s killed every single day. But this time, the killer is coming for her friends, too. Happy Death Day 2U premieres on February 14, 2019.

6. Pet Sematary

Though Mary Lambert's original Pet Sematary (1989) was not met with much critical acclaim, fans of the Stephen King novel were pleased with the adaptation, and are excited to see the story come to life again. The remake, which is directed by Kevin Kölsch and Dennis Widmyer and stars John Lithgow and Jason Clarke, debuts on April 5, 2019.

7. Child’s Play

When rumors began swirling that there was going to be another Chucky movie, and that it would be a remake of the original Child’s Play at that, people—including the original series creator Don Mancini—didn't initially seem too excited.

But as more details—including a cast list that includes Aubrey Plaza and Brian Tyree Henry—were made public, interest in the project seemed to grow. Child’s Play hits theaters June 21, 2019.

8. The Prodigy

Creepy kids will never fail to make terrifying horror movie villains. In The Prodigy, Taylor Schilling’s character discovers something supernatural might be happening to her son when he starts acting as if he’s possessed. (Spoiler alert: He probably is). The film will be released on February 8, 2019.

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