5 Obscure Looney Tunes Cartoons

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Youtube

We’re all familiar with Bugs Bunny, Daffy Duck, and Porky Pig, but what about Owl Jolson, Ralph Phillips, or the Dover Boys of Pimento University? Between the 1930s and 1960s, Looney Tunes and its sister series Merrie Melodies produced a number of animated shorts that don't feature any of the usual reoccurring characters. These cartoons are often visually experimental, entertaining, and downright weird. Here are five obscure Looney Tunes cartoons.

1. The Dover Boys of Pimento University (1942)

Steampunk Looney Tunes? Okay not quite, but this parody of the now-forgotten children’s series The Rover Boys is full of stylized early-20th-century goodness. The three Dover boys, Tom, Dick, and Larry, are playing hide-and-seek with “their” fiancée Dora Standpipe during a “gay outing in the park” when Dora is abducted by Dan Backslide, a mustache-twirling villain voiced loudly by Mel Blanc.

But while Dora may act like a damsel in distress, it’s Dan Backslide who needs saving in the end. This cartoon broke away from earlier animation styles by having the characters hold theatrical poses for a longer-than-usual time on screen. Between that and the all-human cast, the cartoon seemed so strange to Warner Brothers that it almost got director Chuck Jones fired.

2. The Three Little Bops (1957)

A version of “The Three Little Pigs” done all in jazz by trumpeter Shorty Rogers. The Three Little Bops are swinging jazz musicians and the Big Bad Wolf is a square who can’t jam, so the pigs throw him out. This makes the Wolf mad, so he tries to destroy the clubs the pigs are performing in, which are made of—you guessed it—hay, sticks, and bricks. The story doesn’t end well for the Wolf, but then again, it never does. Trivia on this cartoon: the movie Pulp Fiction references The Three Little Bops when Mia Wallace, played by Uma Thurman, tells John Travolta’s Vincent Vega, “Don’t be [square]” and draws an imaginary square in the air.

3. I Love To Singa (1936)

Another jazz-related Looney Tunes, this time a spoof of The Jazz Singer starring Al Jolson. A little owl named Owl Jolson loves to sing jazz, but his stern German parents want him to sing classical. Family strife ensues until a radio contest changes the father’s mind about his “jazz crooner,” turning I Love To Singa into an endearing tale about a family learning to love a child despite his differences. Al Jolson and Cab Calloway also performed the catchy song “I Love To Singa” in the movie The Singing Kid, which came out the same year. (Many years later, South Park also featured it in the episode "Cartman Gets an Anal Probe.") The cartoon hits some insensitive notes, making fun of stuttering and showing what seems to be a sexual assault between a telegram deliverer and a secretary, but man, that owl is cute.

4. From A to Z-Z-Z-Z (1954)

Ralph Phillips is a boy who can’t stop daydreaming.

Instead of paying attention in class, he imagines he can fly, fights his math problems on the chalkboard, flees from attacking Indians, deep sea dives, wins a boxing match, and turns into Douglas MacArthur. The cartoon, which seems modeled after the James Thurber’s short story “The Secret Life of Walter Mitty,” has a sequel, Boyhood Daze, where Ralph daydreams after being sent to his room for punishment. In fact, the Looney Tunes crew seemed to like Ralph Phillips. A grown-up version of the character appears in two army recruitment films: Drafty, Isn’t It? and 90 Days Wondering. It seems that Ralph becomes a military man in the end.

5. The Bear That Wasn’t (1967)

A morality tale about a bear whose habitat is replaced by a factory and who is convinced by Corporate America that he’s a “silly little man who needs a shave and wears a fur coat." While the cartoon, directed by Chuck Jones, was originally made for MGM, it was based on a children’s book of the same name written by Looney Tunes animator Frank Tashlin. Though the book was published in 1946, Tashlin waited 20 years to animate it, turning down Disney in the process. Unfortunately, he didn’t like the cartoon, feeling it ruined the message of his book and calling it a “terrible experience” in an interview. Be that as it may, the animation alone is worth watching here.

14 Things You Might Not Have Known About James K. Polk

Matthew Brady/Getty Images
Matthew Brady/Getty Images

James K. Polk may have served just one term, but he was one of history’s most consequential U.S. presidents. Polish up on Young Hickory, America's 11th Commander in Chief.

1. James K. Polk had surgery to remove urinary bladder stones when he was 16.

Born on November 2, 1795, James Knox Polk was the oldest of 10 children born to Samuel Polk, a farmer and surveyor, and his wife, Jane. When James was 10, the family moved to Tennessee and settled on a farm in Maury County. As a child, James was too ill to attend formal school; just before he turned 17, he had urinary bladder stones surgically removed by Ephraim McDowell, a prominent Kentucky surgeon. Anesthesia wasn’t available at that time, so the future president reportedly dulled the pain with brandy. The surgery allowed the formerly ill Polk to attend formal schooling for the first time. He entered the University of North Carolina as a sophomore after just 2.5 years of formal schooling. According to Britannica, "as a graduating senior in 1818 he was the Latin salutatorian of his class—a preeminent scholar in both the classics and mathematics." After graduation, he returned to Tennessee to study law and eventually opened up his own practice.

2. James K. Polk won a seat on the Tennessee Legislature at 27, and the U.S. House of Representatives at 29.

During his time in the state legislature, he met—and befriended—future president Andrew Jackson. He also began courting his future wife, Sarah Childress. The daughter of a prominent planter, she had been educated at the prestigious Moravian Female Academy in Salem, North Carolina, and was an eager and active participant in his political campaigns. Polk and Sarah married in 1824. In 1825, Polk was elected to the U.S. House of Representatives; he was speaker of the House from 1835 until he left in 1839 to become governor of Tennessee.

3. James K. Polk's nomination for president surprised everyone—including himself.

Months before the democratic national convention of 1844, Polk was at a low point. He had just lost his bid to be re-elected governor of Tennessee (he had been voted out of office in 1841 and tried—and failed—to be elected again in 1843). But when the delegates at the convention couldn’t agree on a nominee—the party was deadlocked between Martin Van Buren and Lewis Cass—they eventually decided to compromise by picking a “dark horse” candidate: Polk.

4. Everyone thought James K. Polk would lose his bid for the presidency.

Despite being a seven-time congressman, a former Speaker of the House, and an ex-governor, Polk was a relative nobody. His opponent Henry Clay lamented that Democrats had failed to choose someone “more worthy of a contest.” Despite the doubts, Polk won the popular vote by nearly 40,000 and the Electoral College 170-105.

5. During James K. Polk's White House "office hours," any American could stop by.

During Polk’s day, anybody was permitted to visit the White House for “office hours.” For two days every week, concerned citizens and lobbyists could drop by to vouch for a cause or ask for political favors. “Job seekers were the worst, in Polk’s view, and he found their incessant interruptions far more annoying than his Whig opponents in Congress,” writes Walter R. Borneman in his book Polk: The Man Who Transformed the Presidency and America.

6. James K. Polk was remarkably boring.

Polk had as much charisma as a puddle of mud. He was straight-laced, somber, and humorless. As Speaker, an editor in Washington called him the "most unpretending man, for his talents, this, or perhaps any country, has ever seen." Some attributed Polk’s boringness to his refusal to drink socially. The politician Sam Houston supposedly called him “a victim of the use of water as a beverage.” (Sarah banned hard liquor—and dancing—from the White House.)

7. James K. Polk worked 12 hour days and didn't take much time off from the presidency.

Polk regularly spent 12 hours a day at the office. He rarely left Washington, took advice, or delegated. When he wanted to lobby for policy, he’d visit Congress and do it himself. Over the course of his single term, Polk took a total of just 27 days off. “No President who performs his duty faithfully and conscientiously can have any leisure,” Polk wrote.

8. James K. Polk acquired America's first patch of Pacific coastline.

In the early 19th century, the Pacific Northwest was jointly occupied by British and American settlers. But as the century progressed, Americans began to outnumber the British, and they increasingly felt like the rightful owners of the “Oregon Country.” Thankfully, neither country was interested in battling over the land. In 1846, Polk and the British drew a border at the 49th parallel (with some adjustment for Vancouver Island)—what is now Washington State’s boundary with Canada. With that, the United States obtained its first uncontested patch of Pacific coastline.

9. James K. Polk waged a controversial—and consequential—war with Mexico.

In the 1840s, Mexico’s border encompassed California, the American southwest, and even parts of Colorado and Wyoming. Polk wanted this land. In 1845, he offered to buy some disputed territory near the Texas-Mexico border, as well as land in California; when Mexico refused, Polk sent troops into the disputed territory. Mexico retaliated. Polk then requested Congress to declare war. His critics (including a young Abraham Lincoln) complained that Polk had deliberately provoked Mexico. Whatever Polk’s motivations, the United States lost 13,000 men and approximately $100 million in the ensuing war—but succeeded in taking one-third of Mexico’s land.

10. James K. Polk is the reason the United States stretches from the Atlantic Ocean to the Pacific Ocean.

In the course of just one term, Polk oversaw one of the greatest territorial expansions of any president—an increase of 1.2 million square miles. His administration extended the United States boundary to the Pacific Ocean and laid the groundwork for states such as California, Utah, Nevada, Arizona, New Mexico, Colorado, Washington, Idaho, Oregon, and Montana.

11. James K. Polk's ambivalence toward the issue of slavery may have sparked the Civil War.

When Polk’s administration began pushing westward, debate raged over how these new territories could alter the power balance between free and slave states. Polk, who considered slavery a side issue, refused to give the rancor much time or attention. (No doubt because of his own relationship with slavery. He owned more than 20 enslaved people and brought them to the White House.) Polk’s ambivalence helped sow so much discord that historians now consider his rapid expansion westward as the first steps toward the Civil War.

12. James K. Polk signed bills that reshaped Washington, D.C.

Polk accomplished a lot in just four years. During his tenure, he signed the Smithsonian Institution into law. He was instrumental to the construction of the Washington Monument and helped establish the U.S. Naval Academy in Annapolis, Maryland. He also re-established an independent U.S. Treasury, which was partly intended to reduce the role of speculation in the economy.

13. James K. Polk's administration introduced Americans to the postage stamp.

One of Polk’s unofficial campaign managers was a Nosferatu-lookalike named Cave Johnson, who Polk rewarded with a job as Postmaster General. It was a tough gig. The post office’s budget was swimming in red ink. (At the time, mail recipients paid postage: If a mail carrier failed to find a recipient, no money was made. This happened a lot.) Johnson fixed the financial problem by introducing the prepaid postage stamp, which flipped the responsibility of paying to senders. According to historian C. L. Grant, in 1845, Johnson estimated that the department would have a deficit of over a million dollars. By the time he left that was down to $30,000.

14. The location of James K. Polk's grave is causing a stir in Tennessee.

Polk died, likely of cholera, in 1849, just months after leaving office. Because he died of an infectious disease, the president was hastily buried in a city cemetery near the outskirts of Nashville. Months later, he was re-interred near his Nashville mansion, Polk Place. In 1893, his tomb was moved again to the state Capitol grounds. Today, Tennessee legislators are actively debating whether to move Polk’s bones a fourth time, this time to his old family home in Columbia, Tennessee.

10 Complicated Facts About Shaft

Richard Roundtree stars in Shaft (1971).
Richard Roundtree stars in Shaft (1971).
MGM

On July 2, 1971, moviegoers caught their first glimpse of John Shaft, the "black private dick that’s a sex machine to all the chicks." Today, Shaft is considered one of the grandfathers of the blaxploitation genre—and it’s got one of the most recognizable soundtracks of all time. While Samuel L. Jackson has taken on the role for a new generation here are some interesting facts about the original film's creation and release. If you picked up on why Shaft and his associates call everyone "mother," you’re smarter than at least one unfortunate reporter.

1. A white newspaper reporter created Shaft.

John Shaft made his debut in Shaft, a novel by Ernest Tidyman. Tidyman was a reporter for The Cleveland News, The New York Post, and The New York Times before he began writing the Shaft series, which included seven detective stories. Along with John D.F. Black, he adapted his first Shaft book into the screenplay for the first film. He would later go on to write the screenplays for The French Connection (1971) and High Plains Drifter (1973) as well as Shaft’s Big Score! (1972) and the Shaft TV series (1973-1974). His work earned him an NAACP Image Award.

2. The studio wanted to shoot Shaft in Los Angeles.

Shaft was filmed entirely in New York City, which is clearly illustrated by the shots of Times Square and Greenwich Village. But it nearly wasn’t. In his autobiography, Voices in the Mirror, director Gordon Parks recalled how he received word from MGM mere hours before he was set to commence filming that he was to return to Los Angeles and shoot the movie there. Apparently it was a budgetary issue, but Parks wasn’t having it. He flew back to the West Coast and essentially told the studio heads he would quit if he couldn’t shoot in Manhattan. "It has to have the smell of New York," Parks insisted. The director won out, and his nightmare of a Harlem in Hollywood was never realized.

3. Shaft's mustache was non-negotiable.

The Los Angeles fiasco was behind him, but Parks immediately faced another scare when he spied his star, Richard Roundtree, heading to the bathroom with a towel and razor. Producer Joel Freeman had asked him to get rid of his soon-to-be legendary mustache. Parks told Roundtree emphatically, “Shave it off and you’re out of a job.” And with that, the ‘stache stayed in the picture.

4. Gordon Parks put his magazine in the movie.

In the movie’s opening sequence, Shaft stops to talk to a blind newsstand vendor. The magazine Essence is prominently displayed—and that’s no accident; Parks helped found the publication and served as its editorial director for its first three years in print.

5. Bumpy Jonas was based on a real mobster.

Shaft spends most of the movie tracking down a kidnapped girl. She’s the daughter of Harlem crime kingpin Bumpy Jonas, and Bumpy was not a Hollywood invention. He was based on Ellsworth “Bumpy” Johnson, who ruled the Harlem crime scene from the 1930s through the 1960s. He had ties to the infamous murder of Dutch Schultz and mentored Frank Lucas, the notorious heroin dealer Denzel Washington played in American Gangster. Fictionalized versions of Johnson have also appeared in movies like The Cotton Club and Hoodlum.

6. Gordon Parks made a cameo.

Parks appears briefly in the montage of Shaft searching for Ben Buford. He’s the landlord with the pipe, who complains that he’s also looking for Buford, who owes him six months of rent.

7. Muhammad Ali's trainer had a bit role.

Drew Bundini Brown was a well-known member of Muhammad Ali’s entourage. He worked as an assistant trainer, and was famous for the “float like a butterfly, sting like a bee” bit he performed with Ali for the cameras. But when he wasn’t in Ali’s corner, Brown was busy racking up movie credits. His first was Shaft, where he played one of Bumpy Jonas's men.

8. "Skloot Insurance" was a nod to a crew member.

Shaft’s office is sandwiched in between Acme Imports Exports Inc. and Skloot Insurance. The latter is a reference to Steven P. Skloot, the movie’s unit production manager.

9. Parks had to explain what "shaft" and "mother" meant to a reporter.

When Parks flew to London to do publicity for the film, he ended up giving an impromptu vocabulary lesson. At a press screening, a confused British reporter asked the director what “shaft” really meant. Parks replied by smiling and sticking his middle finger up in the air, explaining that was “the most honest answer” he could give. But the reporter was persistent and followed up by asking why the characters called each other “mother.” Parks really didn’t know how to answer that one, but luckily, a woman in the audience swooped in. “You’ve heard of Smucker’s jam, young man,” she said. “Just snip out the first two letters and add an ‘f’ and you’ll get the message.”

10. Isaac Hayes was the first black composer to win an Oscar.

Isaac Hayes’s ubiquitous “Theme from Shaft” earned him a 1972 Academy Award for Best Original Song. This win was historic for many reasons: For one, Hayes was the first black composer to score an Oscar. But he was also only the third African American to win an Oscar, period. Prior to 1973, the only other black Academy Award winners were Hattie McDaniel (Best Supporting Actress for Gone with the Wind) and Sidney Poitier (Best Actor for Lilies of the Field).

This story has been updated for 2019.

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