15 Fascinating Facts About Alfred Hitchcock

Peter Dunne, Express/Getty Images
Peter Dunne, Express/Getty Images

The shower scene in Psycho. The biplane chase in North by Northwest. The gas station attack in The Birds. They’re some of the most memorable and terrifying scenes in cinema history—and they came from the mind of one man: Alfred Hitchcock. The Master of Suspense, who went by the nickname “Hitch,” is also one of the most recognizable Hollywood icons, and his life was as fascinating as his films. Here are 15 things you might not have known about the legendary filmmaker.

1. HE WAS AFRAID OF LAW ENFORCEMENT ... AND BREAKFAST.

Hitchcock’s mastery of thrillers may have earned him the nickname the “Master of Suspense,” but the plucky filmmaker had phobias of his own.

His lifelong fear of police stemmed from an incident in his childhood when his strict father, William, punished him by sending him to the local Leytonstone police station on the outskirts of his family's home in east London. “I was just sent along with a note, I must have been four or five years of age, and the head of the police read it and then put me into the cell and said, ‘That’s what we do to naughty boys,’” Hitchcock later recalled of the experience.

Also, omelettes were decidedly not his favorite breakfast food. "I'm frightened of eggs, worse than frightened, they revolt me," he once said in an interview. "That white round thing without any holes … Have you ever seen anything more revolting than an egg yolk breaking and spilling its yellow liquid? Blood is jolly, red. But egg yolk is yellow, revolting. I've never tasted it."

2. HIS BEGAN HIS WORK IN SILENT FILMS.

Known for the complex title sequences in his own films, Hitchcock began his career in cinema in the early 1920s, designing the art title cards featured in silent films. The gig was at an American company based in London called the Famous Players-Lasky Company (it would later become Paramount Pictures, which produced five Hitchcock-directed films). As Hitchcock later told French filmmaker François Truffaut in their infamous Hitchcock/Truffaut conversations, “It was while I was in this department, you see, that I got acquainted with the writers and was able to study the scripts. And, out of that, I learned the writing of scripts.” The experience also led Hitch to try his hand at actual filmmaking. “If an extra scene was wanted, I used to be sent out to shoot it,” he told Truffaut.

3. HE LEARNED FROM ANOTHER CINEMA MASTER.

In 1924, Hitchcock and his wife Alma were sent to Germany by Gainsborough Pictures—the British production company where he was under contract—to work on two Anglo-German films called The Prude’s Fall and The Blackguard. While working in Neubabelsberg, Hitchcock was taken under the wing of expressionist filmmaker F.W. Murnau, who created the chilling Dracula adaptation Nosferatu, and was shooting a silent film called The Last Laugh. “From Murnau,” Hitchcock later said, “I learned how to tell a story without words.”

4. MOST OF HIS EARLY FILMS ARE LOST, BUT A 1923 SILENT MELODRAMA WAS FOUND IN NEW ZEALAND.

Only nine of Hitchcock’s earliest silent films still exist. The earliest surviving film he worked on, a 1923 melodrama titled The White Shadow—about twin sisters, one good, one evil—was thought lost until three of the film’s six reels were found sitting unmarked in the New Zealand Film Archive in 2011. The film reels were originally donated to the Archive in 1989 by the grandson of a Kiwi projectionist and collector.

While the film was technically directed by leading 1920s filmmaker Graham Cutts, the 24-year-old Hitchcock served as the film’s screenwriter, assistant director, and art director.

5. HE BROUGHT SOUND TO BRITISH MOVIES.

The 1929 movie Blackmail, about a murder investigation headed up by the murderer’s fiance, was Hitchcock’s first hit film, and also the first “talkie” film released in Britain. (The first full-length talkie, The Jazz Singer, was released in the U.S. in 1927.)

While Blackmail was originally conceived and created as a silent film, the final cut was dubbed with synchronized sound added in post-production using then-state of the art audio equipment imported from the U.S.

6. HE POPPED UP ON SCREEN ALL THE TIME.

The most constant image in Hitchcock’s films seem to be Hitchcock himself. The filmmaker perfected the art of the cameo, making blink-and-you’ll-miss-them appearances in 39 of his own films.

His trickier appearances include the single-location film Lifeboat, where he appears in a weight-loss advertisement in a newspaper read by one of the film’s characters. The only film he actually speaks in is 1956’s The Wrong Man; his traditional cameo is replaced by a silhouetted narration in the introduction. That replaced a scrapped cameo of the director exiting a cab in the opening of the film.

7. HE WAS AS SUCCESSFUL IN FRONT OF THE CAMERA ON THE SMALL SCREEN AS HE WAS BEHIND THE CAMERA ON THE BIG SCREEN.

By 1965, Hitchcock was a household name. That was the same year his long-running anthology TV series, Alfred Hitchcock Presents—which began in 1955 and was later renamed The Alfred Hitchcock Hour after episode lengths were stretched from 25- to 50-minute runtimes—came to an end.

The series was known for its title sequence featuring a caricature of Hitchcock's distinctive profile, which was replaced by Hitchcock himself in silhouette. But Hitchcock also appeared after the title sequence to introduce each new story. At least two versions of the opening were shot for every episode: An American opening specifically poked fun at the show’s network advertisers, while Hitchcock usually used the European opening to poke fun at American audiences in general.

7. HE LITERALLY WROTE THE ENCYCLOPEDIA ENTRY ON HOW TO MAKE MOVIES.

The filmmaker would write (at least part of) the book on the medium that made him famous.

Hitchcock personally contributed to writing a portion of the “Motion Pictures, Film Production” entry in the 14th edition of the Encyclopedia Britannica, giving typically cheeky first-hand insight into the fundamentals and technical aspects of filmmaking.

On the practice of moving the camera during a shot, Hitchcock wrote, “it is wrong to suppose, as is all too commonly the case, that the screen of the motion picture lies in the fact that the camera can roam abroad, can go out of the room, for example, to show a taxi arriving. This is not necessarily an advantage and it can so easily be merely dull.”

8. HE POPULARIZED THE MACGUFFIN.

Even if you don’t know it by name, you know what it is. The MacGuffin is the so-called motivating element that drives a movie’s plot forward. Think: the eponymous statue in The Maltese Falcon, or the briefcase in Pulp Fiction, or the airplane engine plans in Hitch’s own The 39 Steps.

The term was coined by Angus MacPhail (note the prefix in his surname), Hitchcock’s screenwriting collaborator on films like Spellbound and The Man Who Knew Too Much. Even though such plot details were supposed to be important, Hitchcock didn’t seem to think they truly mattered. “The main thing I've learned over the years is that the MacGuffin is nothing. I'm convinced of this, but I find it very difficult to prove it to others,” Hitchcock told Truffaut in 1962, highlighting how the audience never finds out why the government secrets (a.k.a. the MacGuffin) in North by Northwest truly matter. “Here, you see,” Hitchcock said, “the MacGuffin has been boiled down to its purest expression: nothing at all!”

9. HE SCRAPPED HIS OWN DOCUMENTARY ABOUT THE HOLOCAUST.

Hitch’s films flirted with mentioning the escalating tensions in Europe that would spark World War II, like in the shocking plane crash climax of 1940’s Foreign Correspondent. But the film Hitchcock collaborated on about the explicit horrors of the war would go unseen for decades.

Memory of the Camps, a 1945 documentary filmed by crews who accompanied the Allied armies that liberated those in the Nazi death camps at the end of the war, was stored in a vault in the Imperial War Museum in London until 1985. Originally commissioned by the British Ministry of Information and the American Office of War Information, Hitchcock served as a “treatment advisor” at the behest of his friend Sidney Bernstein, who is the credited director of the film. But the final film was scrapped because it was deemed counterproductive to German postwar reconstruction.

The film was put eventually together as an episode of PBS’s FRONTLINE, and aired on May 7, 1985 to mark the 40th anniversary of the liberation of the camps.

10. HE DIDN’T WANT YOU TO SEE FIVE OF HIS MOST FAMOUS FILMS FOR DECADES.

Vertigo may have topped many best-of movie polls, but for over 20 years, between 1961 and 1983, it and four other Hitchcock classics were almost virtually impossible to see. It turns out it was Hitchcock’s fault that Vertigo, Rear Window, Rope, The Trouble with Harry, and The Man Who Knew Too Much were purposefully unavailable to the general public.

The filmmaker personally secured full ownership to the rights of the five films per a contingency clause in the multi-film deal he made with Paramount Pictures in 1953. Eight years after the release of each film, the rights reverted back to Hitchcock, which, in the years before Blu-ray and DVD, seemed like a financially savvy move on Paramount’s part. Three years after Hitch’s death in 1980, Universal Pictures acquired the film rights to all five classics, making them available once again.

11. HE DIDN’T WANT TO WORK WITH JIMMY STEWART AFTER VERTIGO.

Everyman actor Jimmy Stewart worked with Hitchcock a number of times, including as the nosy, wheelchair-bound photographer in Rear Window, and as the dastardly murderer in the “one-take” film Rope. After Stewart appeared in Vertigo in 1958, the actor prepared to appear in Hitchcock’s follow-up a year later, North by Northwest. But Hitch had other plans.

The director felt that one of the main reasons Vertigo wasn’t more of a smash hit was because of its aging star, and vowed to never use Stewart in any film ever again. Hitch wanted actor Cary Grant instead, and, according to author Marc Eliot’s book, Jimmy Stewart: A Biography, “Hitchcock, as was his nature, did not tell Jimmy there was no way he was going to get North by Northwest.” But when Stewart grew tired of waiting, and took a part in the movie Bell Book and Candle instead, “Hitchcock used that as his excuse, allowing him to diplomatically avoid confronting Jimmy and maintaining their personal friendship, which both valued.”

12. HE PERSONALLY FUNDED PSYCHO.

When Hitchcock approached Paramount Pictures—where he was under contract—to put up the money to make Psycho, the studio balked at the salacious story. So Hitchcock financed the movie himself, foregoing his normal salary in exchange for 60 percent ownership of the rights to the film; Paramount agreed to distribute the film. To cut costs even more, the filmmaker enlisted his relatively cheaper Alfred Hitchcock Presents TV crew and shot the film on less pricey black and white film. Hitch’s gamble worked: He reportedly personally earned $6 million from Psycho—about $50 million in today's dollars.

13. HE WOULDN'T ALLOW THEATERS TO LET ANYONE—NOT EVEN THE QUEEN OF ENGLAND—IN TO SEE PSYCHO ONCE IT HAD STARTED.

Psycho (1960) has one of the best twists in movie history—and Hitchcock went to great lengths to not only make sure audiences didn’t spoil that twist, but to make sure they enjoyed the entire movie before the twist.

Hitchcock attempted to buy all copies of author Robert Bloch’s source novel to keep the twist under wraps in cities where the movie opened. The promotional rollout of the film was controlled by Hitchcock himself, and he barred stars Janet Leigh and Anthony Perkins from doing interviews about the movie. He also demanded that theaters in New York, Chicago, Boston, and Philadelphia adhere to strict theatrical showtimes and not allow admittance after the movie had started.

Marketing materials for Psycho included lobby cards meant to be prominently displayed with the message, “We won't allow you to cheat yourself. You must see PSYCHO from the very beginning. Therefore, do not expect to be admitted into the theatre after the start of each performance of the picture. We say no one—and we mean no one—not even the manager's brother, the President of the United States, or the Queen of England (God bless her)!”

14. HE LOVED MOVIES THAT WERE NOT "HITCHCOCKIAN."

The filmmaker had a habit of screening films in his studio lot office every Wednesday, and his daughter Patricia revealed that one of his favorite films—and, in fact, the last movie he personally screened before his death—was the 1977 Burt Reynolds movie Smokey and the Bandit.

15. HE NEVER WON AN OSCAR.

Hitchcock is in the bittersweet class of venerable filmmakers like Stanley Kubrick, Orson Welles, Charlie Chaplin, Ingmar Bergman, and more who never received their industry’s highest honor as Best Director. Hitchcock did get Oscar nominations for directing Rebecca (which took home Best Picture), Lifeboat, Spellbound, Rear Window, and Psycho. But he personally went home empty-handed every time.

When the Academy finally honored him with the Irving G. Thalberg Memorial Award in 1967, his long-time-coming speech was only five words long: “Thank you, very much indeed.”

12 Things We Know About The Crown Season 3

Sophie Mutevelian, Netflix
Sophie Mutevelian, Netflix

Between the birth of Prince Louis, Prince Harry and Meghan Markle's wedding, and the Duke and Duchess of Sussex's announcement that they're expecting their first child in the spring, 2018 was a busy year for England's royal family. But the next big royal event we're most looking forward to is season three of The Crown.

Since making its premiere on November 4, 2016, the Netflix series—which won the 2017 Golden Globe for Best Drama—has become an indisputable hit. The streaming series, created by two-time Oscar nominee Peter Morgan, follows the reign of Queen Elizabeth II and the ups and downs of the royal family.

Now that you’ve surely binge-watched both of the first two seasons, we’re looking ahead to season three. Here’s everything we know about The Crown’s third season so far.

1. Olivia Colman will play the Queen.

Olivia Colman in 'The Crown'
Netflix

From the very beginning, creator Peter Morgan made it clear that each season of The Crown would cover roughly a decade of history, and that the cast would change for season three and again in season five (to more accurately represent the characters 20 and 40 years later). In October 2017, it was announced that Olivia Colmanwho just won a Golden Globe for Best Performance by an Actress in a Motion Picture - Musical or Comedy for The Favourite—would take over the role of Queen Elizabeth II.

When discussing her replacement with Jimmy Fallon, Claire Foy praised her successor, joking that "You'll forget all about me and the rest of the cast. You'll be like, ‘Who are they?' We're the warm-up act."

Though she might be best known to American audiences for her roles in Broadchurch and The Night Manager (the latter of which earned her a Golden Globe in 2017), Colman is no stranger to playing a member of the royal family. In addition to her award-winning role as Queen Anne in The Favourite, she played Elizabeth Bowes-Lyon—wife of King George VI and the mother of Queen Elizabeth II and Princess Margaret—in Hyde Park on Hudson (2012).

2. We may not seen a third season until later in the year.

While no official release date for season three has been given, the BBC reported that we wouldn't see Colman as Queen Elizabeth II until this year. But we could have some more waiting to do. The good news, however, is that Morgan confirmed they're shooting seasons three and four "back-to-back. I’m writing them all at the moment," he said in February. Meaning we may not have to wait as long for season four to arrive.

3. Tobias Menzies is taking over as Prince Philip.

Tobias Menzies in 'The Crown'
Sophie Mutevelian, Netflix

Between Outlander and The Terror, Tobias Menzies is keeping pretty busy these days. In late March 2017 it was announced that he’d be taking over Matt Smith’s role as Prince Philip for the next two seasons of The Crown—and Smith couldn't be happier.

Shortly after the announcement was made, Smith described his replacement as "the perfect casting," telling the Observer: "He’s a wonderful actor. I worked with him on The History Boys, and he’s a totally fantastic actor. I’m very excited to see what he does with Prince Philip." Of course, passing an iconic role on to another actor is something that former Doctor Who star Smith has some experience with. "It was hard to give up the Doctor—you want to play it for ever. But with this, you know you can’t," Smith told The Times.

For his part, Menzies said that, "I'm thrilled to be joining the new cast of The Crown and to be working with Olivia Colman again. I look forward to becoming her 'liege man of life and limb.'"

4. Paul Bettany came very close to having Menzies's role.

If you remember hearing rumblings that Paul Bettany would be playing the Duke of Edinburgh, no, you're not imagining things. For a while it seemed like the London-born actor was a shoo-in for the part, but it turned out that scheduling was not in Bettany's favor. When asked about the rumors that he was close to signing a deal to play Philip, Bettany said that, "We discussed it. We just couldn’t come to terms on dates really. [That] is all that happened."

5. Helena Bonham Carter will play Princess Margaret.

Honoured @thecrownnetflix

A post shared by Vanessa Kirby (@vanessa__kirby) on

After months of speculation—and one big hint via Instagram (see above)—in May 2018, Netflix finally confirmed the previously "all but confirmed" rumor that Helena Bonham Carter would play Princess Margaret in The Crown's next season. "I’m not sure which I’m more terrified about—doing justice to the real Princess Margaret or following in the shoes of Vanessa Kirby’s Princess Margaret,” Bonham Carter said of the role. “The only thing I can guarantee is that I’ll be shorter [than Vanessa]."

Like Colman, Bonham Carter also has some experience playing a royal: She played Elizabeth Bowes-Lyon, a.k.a. the Queen Mother, in the Oscar-winning The King's Speech.

6. Princess Diana will notappear in season 3.

As The Crown moves forward, time will, too. Though fans worried that, based on the current time jumps between seasons, it would take another few years to see Princess Diana be introduced, Morgan told People Magazine that Princess Diana would make her first appearance toward the end of season three and that she will be heavily featured in the two seasons that follow. However, casting director Nina Gold later dispelled that notion.

"Diana’s not in this season," Gold told Vanity Fair. "When we do get to her, that is going to be pretty interesting." Charles and Diana did not meet until 1977, when the Prince began dating Diana's older sister, Sarah. According to Variety, season three will only cover the years 1964 to 1976.

7. Camilla Parker Bowles will be featured.

Lady Diana Spencer and Camilla Parker-Bowles at Ludlow Races where Prince Charles is competing, 1980
Express Newspapers/Archive Photos/Getty Images

As it’s difficult to fully cover the relationship between Prince Charles and Princess Diana without including Camilla Parker Bowles as part of the story, the current Duchess of Cornwall will make her first appearance in season three.

“Peter [Morgan]’s already talking about the most wonderful things,” The Crown producer Suzanne Mackie revealed during the BFI & Radio Times Television Festival in April 2017. “You start meeting Camilla Parker Bowles in season three,” she said, noting that they were then in the process of mapping out seasons three and four.

8. Buckingham Palace will be getting an upgrade.

Though it's hard to imagine a more lavish set design, Left Bank—the series's production company—requested more studio space for its sets at Elstree Studios in late 2017, and received approval to do just that in April. According to Variety, Left Bank specifically "sought planning permission for a new Buckingham Palace main gates and exterior, including the iconic balcony on which the royals stand at key moments. The Downing Street plans show a new Number 10 and the road leading up to the building itself. The sketches for the new work, seen by Variety, show an aerial view of Downing Street with a Rolls Royce pulling up outside Number 10."

9. Princess Margaret's marriage to Lord Snowdon will be a part of the story.

Vanessa Kirby as Princess Margaret in 'The Crown'
Alex Bailey/Netflix

Princess Margaret’s roller-coaster relationship with Antony Armstrong-Jones played a major part of The Crown’s second season, and the dissolution of their marriage will play out in season three.

“We’re now writing season three," Robert Lacey, the series’s history consultant and the author of The Crown: The Official Companion, Volume 1, told Town & Country in December. “And in season three, without giving anything away—it’s on the record, it’s history—we’ll see the breakup of this extraordinary marriage between Margaret and Snowdon. This season, you see how it starts, and what a strange character, a brilliant character Snowdon was.”

10. Vanessa Kirby would like to see Princess Margaret get a spinoff.

While Kirby, who played Princess Margaret in the first two seasons, knows that the cast will undergo a shakeup, she’s not afraid to admit that she’s jealous of all the juicy drama Bonham Carter will get to experience as the character.

“I was so desperate to do further on,” Kirby told Vanity Fair, “because it’s going to be so fun [to enact] when their marriage starts to break down. You see the beginnings of that in episode 10. I kept saying to [Peter Morgan], ‘Can’t you put in an episode where Margaret and Tony have a big row, and she throws a plate at his head?’ I’m so envious of the actress who gets to do it.”

Kirby even went so far as to suggest that Margaret’s life could be turned into its own series, telling Morgan, “‘We need to do a spinoff.’ You actually could do 10 hours on Margaret because she’s so fascinating. There’s so much to her, and she’s such an interesting character. I know that parts like this hardly ever come along."

11. Jason Watkins will play prime minister Harold Wilson.

At the same time Netflix confirmed Bonham Carter's casting, the network announced that BAFTA-winning actor Jason Watkins had been cast as Harold Wilson, who was prime minister between 1964 and 1970 and again between 1974 and 1976. "I am delighted to become part of this exceptional show,” Watkins said. “And so thrilled to be working once again with Peter Morgan. Harold Wilson is a significant and fascinating character in our history. So looking forward to bringing him to life, through a decade that transformed us culturally and politically."

12. Gillian Anderson will play Margaret Thatcher.

Gillian Anderson speaks onstage at The X-Files panel during 2017 New York Comic Con -Day 4 on October 8, 2017 in New York City
Dia Dipasupil, Getty Images

Ok, so this might be a fourth season tidbit—but it's still very worth talking about. In January 2019 it was announced that The Crown had cast its Iron Lady: former The X-Files star Gillian Anderson will play former Prime Minister Margaret Thatcher in The Crown's fourth season.

One Key Stranger Things Death Was Originally Much Darker

Netflix
Netflix

While many Stranger Things fans rallied for #JusticeForBarb after Nancy Wheeler’s best friend was abducted to the Upside Down in the first season, season two packed even more of an emotional punch with the death of Bob Newby. The character, played by Sean Astin, was Joyce Byers’s quirky and sweet new boyfriend, who ultimately died a hero when saving the gang from a terrifying group of Demodogs.

As upsetting as the scene was, it turns out it could have been a lot worse. Producers Dan Cohen and Shawn Levy previously revealed the original, much darker plan they had for the beloved character.

“We had talked about the death of some major characters, that may or may not happen in the future near or far. But that was never part of the discussion for Season 2,” Levy said. “The death of Bob was initially much earlier. In fact, in an early outline, Evil Will kill[ed] him in like Episode 3.”

The pair went on explain that Bob’s death was supposed to take place during the scene where in which he and Will are in the car, and Bob is attempting to give Will advice.

“Will just straight-up murders Bob in that car,” Levy said. The scene in question turned out to be pretty sweet, as Bob tells Will what he was afraid of growing up, even making him laugh. Thankfully, they decided to change the original plan.

Stranger Things will return to Netflix on July 4, 2019.

SECTIONS

arrow
LIVE SMARTER