10 Fascinating Facts About W.E.B. Du Bois

Hulton Archive/Getty Images
Hulton Archive/Getty Images

William Edward Burghardt Du Bois was born just three years after the end of the Civil War and lived to see the incipient days of the Civil Rights movement. A thinker, scientist, and activist, Du Bois was an integral part of moving from one era to the next, not only by contributing a remarkable amount to the public discourse on racial inequity but also by putting his beliefs into practice as an organizer. His legacy is cemented by his social scientific efforts and the groups he founded to fight for social justice. Here are 10 facts about W.E.B. Du Bois, who was born on this day in 1868.

1. W.E.B. Du Bois was the first African American to get a Ph.D. from Harvard.

Du Bois attended the historically black college Fisk University from 1885 to 1888 before seeking a second bachelor’s degree from Harvard College. In 1892, he earned a John F. Slater Fund grant to study at the University of Berlin, but he wasn't tired of academia yet. He returned to the United States and, in 1895, became the first African American to earn a Ph.D. from Harvard with his dissertation, "The Suppression of the African Slave Trade in the United States of America: 1638-1871." During his undergrad years at Harvard, Du Bois was taught by the preeminent American philosopher and pioneer in psychology William James, who had an effect on Du Bois’s thinking and writing.

2. Du Bois conducted the first major case study of a black community in the United States.

Published in 1899, “The Philadelphia Negro: A Social Study” was the result of Du Bois’s survey of the city’s black population from 1896 to 1897. The study, which involved 5000 personal interviews, sought to identify the social problems unique to the black population. Not only was it the first case study of any black community, it was also an early effort of sociological research as a data-driven, statistically-based social science. Du Bois’s conclusion was that the root of the multivariate problems lay in how black Americans were perceived, noting that the problems would ease if whites would see their black neighbors as peers instead of inferior: “Again, the white people of the city must remember that much of the sorrow and bitterness that surrounds the life of the American Negro comes from the unconscious prejudice and half-conscious actions of men and women who do not intend to wound or annoy.” He also noted the historical causes of the so-called “Negro Problem,” including the legacy of systemic slavery and biased housing policies that left black members of society paying more rent for worse accommodations.

3. Du Bois published The Souls of Black Folk in 1903.

In The Souls of Black Folk, Du Bois discussed his concept of “double consciousness,” an existential state experienced by persecuted groups in oppressive societies, marked by sensing your identity is divided. Du Bois wrote, “One ever feels his two-ness—an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder."

Du Bois's former professor, James, praised The Souls of Black Folk upon its release. He also reportedly sent a copy of Du Bois’s landmark work to his brother, the iconic American novelist Henry James.

4. Du Bois founded the Niagara Movement and opposed Booker T. Washington.

During the Reconstruction Era in the South, African Americans experienced a greater amount of social freedom and political participation, but nearing the turn of the century, southern states began restricting voting rights and segregating facilities. Eventually, in response, Booker T. Washington helped lay out the Atlanta Compromise—a principle that black Americans should avoid protesting for civic rights so long as they had access to criminal justice and jobs. In response to Washington’s tactic of capitulation, Du Bois and newspaper editor William Monroe Trotter led a group to found the Niagara Movement in 1905, which advocated for equal treatment, equal economic opportunities, equal educational opportunities, and “manhood suffrage.”

5. Du Bois's views gained larger support after the Atlanta Race Riots of 1906.

Between September 22 and 24, 1906, in response to unsupported reports about black men raping four white women, more than 10,000 whites stormed through Atlanta, beating every black person they could find. The riots resulted in a number of deaths (the exact number could be as low as 10 or as high as 100) and, as an outright betrayal of justice, spat in the face of Washington’s brand of going along to get along.

After the riots, Du Bois wrote the poem “A Litany of Atlanta” and bought a shotgun in response. Du Bois and others felt that Roosevelt and his Secretary of War William Howard Taft should have sent in troops to prevent more violence. Coupled with an incident involving soldiers in Brownsville, Texas that same year, in 1908 Du Bois proclaimed that if Taft received the Republican nomination blacks should drop their support for the Republicans (a party they’d been faithful to since Abraham Lincoln), proclaiming an “avowed enemy [is] better than false friends.”

6. Du Bois co-founded the NAACP.

Four years after the Niagara meeting, Du Bois co-founded the National Association for the Advancement of Colored People (NAACP) alongside figures such as journalist Mary White Ovington and lawyer Moorfield Storey. It was created as a biracial organization that would protest and lobby for equality (much like its forerunner, the Niagara Movement). Its earliest battles included fighting Jim Crow laws in the South (which segregated public facilities), opposing President Woodrow Wilson's segregation in federal workplaces, and lobbying for the right of African Americans to serve as military officers in WWI. Five years after its founding, it had 6000 members in 50 branches. From 1910 to 1934, Du Bois acted as the director of publicity and research, was on the board of directors, and edited its monthly magazine, The Crisis, which covered arts and politics.

7. Du Bois was a Civil Rights activist on a global scale.

Du Bois’s interest in equality extended beyond his own national borders. He helped organize multiple Pan-African Conferences after attending his first in 1900 in London. There, he penned the “Address to the Nations of the World,” which urged the United States and European nations to fight systemic racism and to end colonialism. He was also a member of the three-person delegation from the NAACP to the United Nations’ founding conference in 1945. As a writer and activist, he fought for freedom and equality for the whole of the African diaspora and for Africans themselves.

8. He was a victim of McCarthyism.

The FBI started a file on Du Bois—an avowed Socialist—in 1942. In the 1950s—when McCarthyism was at its peak—Du Bois, who served as chairman of the anti-nuke Peace Information Center, and four others were charged with failing to register the organization with the government. If they had been convicted, they could have faced five years in prison and a fine of $10,000.

The jury didn’t get to render a verdict, however, because the judge threw the case out after defense attorney Vito Marcantonio informed him that Albert Einstein would testify as a character witness for Du Bois. (The two were pen pals, and Einstein even wrote an essay for The Crisis.)

9. Du Bois became a citizen of Ghana but never renounced his United States Citizenship.

The fallout from the McCarthy-era government repression was profound. Several of Du Bois’s colleagues kept their distance, including the NAACP, which never rose publicly to his defense. Plus, despite the lack of a conviction, the government still revoked Du Bois’s passport for eight years. After getting it back, Du Bois traveled to Ghana in 1961 (at the age of 93) to work on an encyclopedia of the African diaspora. When the United States refused to renew his passport in 1963, Du Bois became a citizen of Ghana in symbolic protest. He’s sometimes erroneously included in lists of famous people who have renounced their American citizenship, but Du Bois never formally did so.

10. He died the day before the “I Have A Dream” speech.

Du Bois was 95 when he died in Accra, Ghana, on August 27, 1963. (Du Bois’s house in Accra, where he’s buried, was turned into the W.E.B. Du Bois Center, a small museum to his time in Ghana.) The next day, Martin Luther King, Jr. gave the famous speech at the March on Washington for Jobs and Freedom where he shared his dream. It seems fate isn’t without a sense of poetry.

9 Facial Reconstructions of Famous Historical Figures

A facial reconstruction of King Richard III unveiled by the Richard III Society in 2013
A facial reconstruction of King Richard III unveiled by the Richard III Society in 2013
Dan Kitwood/Getty Images

Why look at a painting of a historical figure when you can come face to face with one? Forensic facial reconstruction using scans of skeletal remains allows researchers to create 3D models of the face through a combination of science, history, and artistic interpretation. The results may be somewhat subjective, but they’re fascinating anyway. Here are nine facial reconstructions of famous people.

1. Richard III

In 2012, King Richard III’s skeleton was found below a parking lot in Leicester, England, where in 1485 he was hurriedly buried after dying in battle. A reconstruction (above) shows a young man, only 32 years old, with a gentle, approachable face. It’s a far cry from the child-murdering villain portrayed by Shakespeare and other writers. One thing they said does seem accurate, however: The skeleton had a curved spine from scoliosis, suggesting that Richard’s humpback may have been real.

2. Bach

J.S. Bach’s bust has sat on innumerable pianos for centuries, but he only posed for one portrait in his lifetime. So this reconstruction of his face—which was taken from a bronze cast of his skull—offers an interesting glimpse into the man beneath the 18th century wig. You get the same thick neck, underbite, and stern brow you see in the painting, but the reconstruction’s friendly, confused stare lacks the soul of the real man … and his music, for that matter.

3. Shakespeare

Apparently, no one knows anything about Shakespeare for sure—his hair color, his sexual orientation, how he spelled his name, whether he liked his wife, etc. Some people aren’t even sure whether he wrote his plays or not. So this rendering, taken from a death mask found in Germany, is bound to be controversial. But if it is Shakespeare, it’s pretty intriguing. It shows a man who suffered from cancer and had a sad, soulful face.

4. Dante

Maybe it’s because The Divine Comedy dealt with the ugliness of sin that Dante Alighieri is usually depicted as unattractive, with a pointy chin, buggy eyes, and enormous hooked nose. But a reconstruction done from measurements of the skull taken in 1921—the only time the remains have been out of the crypt—reveals a much more attractive Dante. The face has a rounder chin, pleasant eyes, and smaller nose than previously thought. It’s a face with character.

5. King Henri IV

The mummified head of France’s King Henri IV was lost after the French Revolution until a few years ago, when it showed up in a tax collector’s attic. In his day, Henri was beloved by everyone except the Catholic fundamentalists who murdered him in 1610. The hard-living king looks a bit old for his 56 years, but there’s a twinkle in his eyes. What the model cannot show, however, was how much the king stank—apparently he smelled of ”garlic, feet and armpits.”

6. Cleopatra’s Sister

Cleopatra hated her half-sister Arsinoe IV so much she had her dragged out of the temple of Artemis and murdered. In 2013, researchers said they had discovered what may be Arisone’s body, based on the shape of the tomb, carbon dating, and other factors. The resulting facial reconstruction shows a petite teenager of European and African blood. And yeah, maybe this is closer to what Arsinoe would look like if she were trapped in The Sims, but since Cleopatra’s remains are long gone, this may be the closest we get to knowing what she looked like.

7. King Tut

King Tutankhamun, whose famous sarcophagus has traveled far more than the “boy king” did in his 19-year lifetime, had buckteeth, a receding chin, and a slim nose, according to 3D renderings of his mummy. His weird skull shape is just within range of normal and was probably genetic—his father, Akhenaten, had a similarly shaped head. Tut’s body also had a broken leg, indicating he may have died from falling off a horse or chariot.

8. Copernicus

Nicolaus Copernicus, who challenged the belief that the sun revolved around the earth, died in 1543 at age 70. When his body was found in 2006 in a Polish church and confirmed by matching DNA to strands of his hair left in a book, the Polish police used their forensic laboratory to make this portrait. They made sure to include Copernicus’s broken nose and the scar above his left eye. Who knew that the Father of Astronomy looked so much like the actor James Cromwell?

9. Santa Claus

The remains of St. Nicholas, i.e. Santa Claus, have been in a church in Bari, Italy, since they were stolen from Turkey in 1087. This reproduction, taken from measurements of his skull, reveal that St. Nicholas had a small body—he was only 5’6”—and a huge, masculine head, with a square jaw and strong muscles in the neck. He also had a broken nose, like someone had beaten him up. This is consistent with accounts of St. Nicholas from the time: It turns out that Santa Claus had quite a temper.

A version of this list was first published in 2013.

11 Fun Facts About Them!

Joan Weldon and James Arness star in Them! (1954).
Joan Weldon and James Arness star in Them! (1954).
Warner Home Video

In the 1950s, Elvis was king, hula hooping was all the rage, and movie screens across America were overrun with giant arthropods. Back then, Tarantula (1955), The Deadly Mantis (1957), and other “big bug” films starring colossal insects or arachnids enjoyed a surprising amount of popularity. What kicked off this creepy-crawly craze? An eerie blockbuster whose impossible premise reflected widespread anxieties about the emerging atomic age. Grab a Geiger counter and let’s explore 1954's Them!.

1. Them!'s primary scriptwriter once worked for General Douglas MacArthur.

When World War II broke out, the knowledge Ted Sherdeman had gained from his career as a radio producer was put to good use by Uncle Sam, landing him a position as a radio communications advisor to General MacArthur. However, the fiery conclusion of the war left Sherdeman with a lifelong disdain for nuclear weapons. In an interview he revealed that upon hearing about the 1945 bombing of Hiroshima, he “just went over to the curb and started to throw up."

Shifting his focus from radio to motion pictures, Sherdeman later joined Warned Bros. as a staff producer. One day he was given a screenplay that really made his eyes bug out. George Worthing Yates, best known for his work on the Lone Ranger serials, had decided to take a stab at science fiction and penned an original script about giant, irradiated ants attacking New York City. "The idea appealed to me very much,” Sherdeman told Cinefantastique, "because, aside from man, ants are the only creatures in the world that plan to wage war, and nobody trusted the atomic bomb at that time.” (His statement about animal combat is debatable: chimpanzee gangs will also take organized, warlike measures in order to annex their rivals’ territories.)

Although he loved the basic concept, Sherdeman felt that the script needed something more. Screenwriter Russell S. Hughes was asked to punch up the script, but died of a heart attack after completing the first 50 pages. With some help from director Gordon Douglas, Sherdeman took it upon himself to finish the screenplay. Thus, Them! was born.

2. Two main ants were built for the movie.

Them! brought its spineless villains to life using a combination of animatronics and puppetry, courtesy of an effects artist by the name of Dick Smith. He constructed two fully functional mechanical ants for the production, with the first of these being a 12-foot monster filled with gears, levers, motors, and pulleys. Operating the big bug was a job that required a small army of technicians who’d pull sophisticated cables to control the ant’s limbs off-camera. These guys worked in close proximity and often crashed into each other as a result, prompting Douglas to call them “a comedy team.”

The big insect mainly appears in long shots, and for close-ups, Smith built the front three quarters of a second large-scale ant and mounted it onto a camera crane. During scenes that required swarms of ants, smaller, non-motorized models were used. Blowing wind machines moved the little units’ heads around in a lifelike manner.

3. Them! features the Wilhelm Scream.

Fifty-nine minutes in, the ants board a ship and one of them grabs a sailor, who unleashes the so-called "Wilhelm Scream." You can also hear it when James Whitmore’s character is killed, and the sound bite rings out once again during the movie’s climax. Them! was among the first movies to reuse this distinctive holler, which was originally recorded three years earlier for the 1951 western Distant Drums. Since then, it’s become something of an inside joke for sound recording specialists. The scream has appeared in Titanic (1997), Toy Story (1995), Reservoir Dogs (1992), Batman Returns (1992), the Star Wars saga (1977-present), all three The Lord of the Rings movies (2001-2003), and countless other films.

4. Leonard Nimoy makes an appearance.

In one brief scene, future Star Trek star Leonard Nimoy plays an Army man who receives a message about an alleged “ant-shaped UFO” sighting over Texas. He then proceeds to poke fun at the Lone Star State, because, as everybody knows, insectile space vessels are highly illogical.

5. Many different sounds were combined to produce the screeching ant cries.

Throughout the movie, the monsters announce their presence with a haunting wail. Douglas’s team created this unforgettable shriek by mixing assorted noises, including bird whistles, which were artificially pitched up by sound technicians.

6. Sandy Descher had to sniff a mystery liquid during her signature scene.

Like Steven Spielberg’s Jaws, Them! has a deliberate pace and the massive insects don’t make an onscreen appearance until the half hour mark. Douglas took credit for this restrained approach, saying, “I told Ted, let’s tease [the audience] a little bit before you see the ant. Let’s build up to it."

So instead of showing off the big bugs, the opening scene follows a little girl as she wanders through the New Mexican desert, listlessly clutching her favorite doll. That stunning performance was delivered by child actress Sandy Descher. Later, in one of the most effective title drop scenes ever orchestrated, a vial of formic acid is held under her character’s nose. Suddenly recognizing the aroma, the traumatized youngster screams “Them! Them!” Descher never found out what sort of liquid was really sloshing around in that container.

“They used something that did smell quite strange. It wasn’t ammonia, it was something else,” she told an interviewer. Still, the mysterious brew had a beneficial effect on her performance. “They tried to create something different and it helped me a lot with that particular scene,” Descher said.

7. Them! was originally going to be filmed in 3D and in color.

To hear Douglas tell it, the insect models looked a lot scarier in person. “I put green and red soap bubbles in the eyes,” he once stated. “The ants were purple, slimy things. Their bodies were wet down with Vaseline. They scared the bejeezus out of you.” For better or for worse, though, audiences never got the chance to savor the bugs’ color scheme.

At first, Warner Bros. had planned on shooting the movie in color. Furthermore, to help Them! compete with Universal’s brand-new, three-dimensional monster movie, Creature From the Black Lagoon, the studio strongly considered using 3D cameras. But in the end, the higher-ups at Warner Bros. didn’t supply Douglas with the money he’d need to shoot it in this manner. Shortly before production started on Them!, the budget was greatly reduced, forcing the use of two-dimensional, black and white film.

8. The setting of the climactic scene was changes—twice.

Yates envisioned the final battle playing out in New York City’s world-famous subway tunnels. Hughes moved the action westward, conjuring up an epic showdown between human soldiers and the last surviving ants at a Santa Monica amusement park. Finally, for both artistic and budgetary reasons, Sherdeman set the big finale in the sewers of Los Angeles.

9. Warner Bros. encouraged theaters to use Them! as a military recruitment tool.

The film’s official pressbook advised theater managers who were screening Them!& to contact their nearest Armed Forces recruitment offices. “Since civil defense in the face of an emergency figures in the picture, make the most of it by inviting [a] local agency to set up a recruiting booth in the lobby,” the filmmakers advised. Also, the document suggested that movie houses post signs reading: “What would you do if (name of city) were attacked by THEM?! Prepare for any danger by enlisting in Civil Defense today!”

10. The movie was a surprise hit.

Studio head Jack L. Warner predicted that Them!, with its far-fetched plot, wouldn’t fare well at the box office. So imagine his surprise when it raked in more than $2.2 million—enough to make the picture one of the studio's highest-grossing films of 1954.

11. Them! landed Fess Parker the role of TV's Davy Crockett.

When Walt Disney went to see Them!, he had a specific objective in mind: Scout a potential Davy Crockett. At the time, Disney was developing a new television series that would chronicle the life and times of the iconic frontiersman, and James Arness, who plays an FBI agent in Them!, was on the short list of candidates for the role. Yet as the sci-fi thriller unfolded, it was actor Fess Parker who grabbed Disney’s attention. Director Gordon Douglas had hired Parker to portray the pilot who ends up in a psych ward after an aerial encounter with a gargantuan flying ant. And while his character only appears in one scene, the performance impressed Disney so much that the struggling actor was soon cast as Crockett.

By the Texan’s own admission, his good fortune may’ve been the product of bargain hunting. “Walt probably asked, ‘How much would Arness cost?’ and then ‘This fellow [Parker], we ought to be able to get him real economical,” Parker once said.

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