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9 Films Punched up by Famous Screenwriters

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Whether a script needs to be completely re-written or simply have its dialogue punched up, Hollywood isn't wanting for scribes who can get the job done—including a few well-known names who have worked on projects you might not expect. Here are nine famous screenwriters who helped write other people's movies. 

1. She’s All That (1999) — M. Night Shyamalan

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Before Hollywood writer/director M. Night Shyamalan dazzled audiences with his films The Sixth Sense and Unbreakable, the Indian-American filmmaker had a career as a screenwriter, ghostwriting scripts that needed additional work. The most notable (and inexplicable) screenplay Shyamalan had a hand in crafting was the teen movie She’s All That in 1999. 

While promoting his film After Earth, Shyamalan told Movies.com that he co-wrote the Robert Iscove-directed film. Although Shyamalan had already revealed his contribution to She’s All That during the press tour of the film Signs in 2002, the teen movie’s credited screenwriter, R. Lee Fleming, Jr., took umbrage with Shyamalan’s claims. The reality is Fleming wrote the original screenplay, but Shyamalan was hired to re-write and punch up the story and dialogue. Shyamalan didn’t receive a film credit for his rewrites, but Iscove mentioned his work on the film’s DVD commentary.

2. It’s Pat: The Movie (1994) — Quentin Tarantino

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Director Quentin Tarantino and Saturday Night Live alumna Julia Sweeney are good friends. They met through Harvey Keitel when he was hosting SNL in 1993, and the pair got along so well that Tarantino wrote a part specifically for Sweeney in his 1994 film Pulp Fiction.

Tarantino was also a big fan of Sweeney’s recurring SNL character Pat, an androgynous person who searches for love in Los Angeles. Tarantino co-wrote the film adaptation's script, but refused credit and considered helping with the script as a favor to his friend.

3. Kung-Fu Panda 2 (2011) — Charlie Kaufman

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Academy Award-winning screenwriter Charlie Kaufman is mostly known for writing weighty films featuring introverted, self-doubting characters. So when news broke that he was hired to consult during the early development on the screenplay for Kung-Fu Panda 2, DreamWorks’ decision almost made sense considering the fragile emotional state of the animated film’s protagonist Po (voiced by Jack Black). Kaufman only worked on the film for two weeks and merely polished the screenplay.

4. The Rock (1996) — Aaron Sorkin

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During the mid-'90s, after the success of A Few Good Men, Academy Award-winning screenwriter Aaron Sorkin worked as a script doctor in Hollywood. He was one of many screenwriters hired to re-write and polish Michael Bay’s sophomore effort The Rock in 1996. While it’s unclear which parts of the action film Sorkin was personally responsible for, there are a number of scenes involving the White House that are reminiscent of his TV series The West Wing.

Screenwriters Jonathan Hensleigh and Quentin Tarantino were also brought on to re-write The Rock, while British screenwriters and long-time Connery collaborators Dick Clement and Ian La Frenais were hired to punch up Sean Connery’s dialogue.

5. Speed (1994) — Joss Whedon

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Before director Joss Whedon delivered the third highest-grossing movie of all time with Marvel’s The Avengers in 2012, the geek icon spent a majority of the '90s as a screenwriter and script doctor. While Whedon worked on scripts for X-Men, Waterworld, and Twister, the 1994 runaway action film Speed was Whedon’s most notable uncredited work.

Although screenwriter Graham Yost received the only writing credit on the film, Whedon wrote almost all of its dialogue and contributed some of its characters. Ultimately, Whedon’s writing credit was arbitrated off the final version of the film, but the 49-year-old filmmaker owns one of the few movie posters of Speed that includes his name. 

6. Fun with Dick and Jane (2005) — Joel & Ethan Coen

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The film remake of the 1977 film Fun with Dick and Jane had been floating around Hollywood for years until screenwriters Judd Apatow and Nicolas Stoller and director Dean Parisot brought the Jim Carrey and Téa Leoni starring vehicle to the big screen in 2005. But in 2003, director Barry Sonnenfeld was attached to the film along with The Mask co-star Cameron Diaz, who was slated to play the housewife-turned-criminal with Jim Carrey as her on-screen husband. The screenplay also received an uncredited re-write from Joel & Ethan Coen, who had a knack for writing comedies featuring criminals with The Ladykillers, O Brother, Where Art Thou?, and Raising Arizona

7. Lethal Weapon 3 (1992) — Carrie Fisher

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While Carrie Fisher is best known for playing Princess Leia in Star Wars, she branched off into professional writing after the success of the series' original trilogy. She showed off her razor-sharp wit with the novel and film Postcards From the Edge and the soul-piercing memoir Wishful Drinking. Fisher also worked as a script doctor on the films Hook, Sister Act, and The Wedding Singer, among others.

Her unexpected work on Lethal Weapon 3 was her most notable job as a ghostwriter in Hollywood. The strange pairing received mostly mixed reviews, but garnered hefty box office receipts with $321.7 million worldwide in 1992.

8. Coyote Ugly (2000) — Kevin Smith

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In the late '90s, writer/director Kevin Smith was the toast of Hollywood, known as a writer producing sharp and snappy dialogue. After the success of Dogma in 1999, he was hired as a script doctor on the film Coyote Ugly. While Smith admitted that there were eight writers brought on to revamp the screenplay, only one, Gina Wendkos, received credit.

Smith also mentioned that he’s usually brought on to punch up a screenplay’s dialogue, but on Coyote Ugly, a number of Smith’s contributions involved scenarios and set pieces.

9. Star Wars: Episode III – Revenge of the Sith (2005) — Tom Stoppard

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Thanks to Rosencrantz & Guildenstern are Dead and Shakespeare in Love, British playwright-turned-screenwriter Tom Stoppard is mostly known for putting a post-modern spin on the work of William Shakespeare—but he's also worked as an uncredited script doctor, notably on Indiana Jones and the Last Crusade, for which he wrote a majority of the dialogue. While the dialogue and wordplay in the third movie in the Indiana Jones film series is punchy and clever, Stoppard’s unexpected re-write and polish on Star Wars: Episode III – Revenge of the Sith is mind-boggling. Sith is flat and wooden, until its third act encounter between Obi-Wan Kenobi and Darth Vader (formerly Anakin Skywalker) in an epic lightsaber battle. Stoppard’s characteristic pathos can be felt as a struggle between good and evil unfolding on the big screen.

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16 Geeky Coasters to Keep Your Coffee Table Safe
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Avoid unsightly ring stains on your coffee table with this delightful selection of coasters:

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Build your own coaster with this LEGO-esque design.

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This ceramic set celebrates all the best ships from Star Trek.

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Just make sure you don’t accidentally send your glass into a different time period when you set it down.

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Cover your counter space with the cute face of Rilakkuma.

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All the houses are present in this set of wood coasters.

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Just because it’s the end of the world doesn’t mean all manners go out the door: Never forget to use a coaster!

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This set comes with 10 coasters, each with a slice of brain specimen. When you’re not using them, you can stack them together to create a full brain.

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These coasters feature scenes from the classics My Neighbor Totoro, Princess Mononoke, Spirited Away, and Howl's Moving Castle.

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15 Educational Facts About Old School
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Old School starred Luke Wilson as Mitch Martin, an attorney who—after catching his girlfriend cheating, and through some real estate and bitter dean-related circumstances—becomes the leader of a not-quite-official college fraternity. Along with his fellow thirtysomething friends Bernard (Vince Vaughn) and newlywed Frank (Will Ferrell), they end up having to fight for their right to maintain their status as a party-loving frat on campus.

The film, which was released 15 years ago today, marked Vaughn’s return to major comedies and Ferrell’s first major starring role after seven years on Saturday Night Live. Here are some facts about the movie for everyone, but particularly for my boy, Blue.

1. THE IDEA ORIGINATED WITH AN AD GUY.

Writer-director Todd Phillips was talking to a friend of his from the advertising industry named Court Crandall one day. Crandall had seen and enjoyed Phillips's movie Frat House (1998) and told his director buddy, “You know what would be funny is a movie about older guys who start a fraternity of their own.” After being told by Phillips to write it, he presented Phillips with a “loose version” of the finished product.

2. SOME OF THE FRAT SHENANIGANS WERE REAL.

While Crandall received the story credit for Old School, Phillips and Scot Armstrong received the credit for writing the script. Armstrong put his own college fraternity experiences into the script. “We were in Peoria, Illinois, so it was up to us to entertain ourselves," Armstrong shared in the movie's official production notes. "A lot of ideas for Old School came from things that really happened. When it was cold, everyone would go stir crazy and it inspired some moments of brilliance. Of course, my definition of ‘brilliance' might be different from other people's.”

3. IVAN REITMAN HELPED OUT.

Ivan Reitman, director of Stripes and Ghostbusters, was an executive producer on the film. Phillips and Armstrong wrote and rewrote every day for two months at Reitman’s house, an experience Phillips described as comedy writing “boot camp.”

4. THE STUDIO DIDN’T WANT VINCE VAUGHN.

Vince Vaughn in 'Old School' (2003)
DreamWorks

It didn’t seem to make a difference to DreamWorks that Phillips and Armstrong had written the role of Bernard with Vince Vaughn in mind—the studio didn't want him. After his breakout success in Swingers, Vaughn had taken roles in dramas like the 1998 remake of Psycho. “So when Todd Phillips wanted me for Old School, the studio didn’t want me,” Vaughn told Variety in 2015. “They didn’t think I could do comedy! They said, ‘He’s a dramatic actor from smaller films.’ Todd really had to push for me.”

5. RECYCLED SHOTS OF HARVARD UNIVERSITY WERE USED.

The film was mainly shot on the Westwood campus of UCLA. The aerial shots of the fictitious Harrison University, however, were of Harvard; they had been shot for Road Trip (2000).

6. VINCE VAUGHN FANS MIGHT RECOGNIZE THE CHURCH.

In the film, Frank gets married at Westminster Presbyterian Church in Pasadena, California. Vaughn and Owen Wilson were in that same church two years later for Wedding Crashers (2005).

7. WILL FERRELL SCARED MEMBERS OF A 24-HOUR GYM.

Frank’s streaking scene was shot on a city street. As Ferrell remembered it, one of the storefronts was a 24-hour gym with Stairmasters and treadmills in the window. “I was rehearsing in a robe, and all these people are in the gym, watching me. I asked one of the production assistants, ‘Shouldn’t we tell them I’m going to be naked?’ Sure enough, I dropped my robe and there were shrieks of pure horror. After the first take, nobody was at the window anymore. I took that as a sign of approval.”

8. FERRELL REALLY WAS NAKED.

Ferrell justified it by saying it showed his character falling off the wagon. “The fact that it made sense was the reason I was really into doing it, and why I was able to commit on that level," Ferrell told the BBC. "If it was just for the sake of doing a crazy shot, then I don't think it makes sense.” Still, Ferrell needed some liquid courage, and was intimidated by the presence of Snoop Dogg.

9. ROB CORDDRY WAS NOT NAKED, BUT HE STILL HAD TO SIGN AWAY HIS NUDITY RIGHTS.

Old School marked the first major film role for Rob Corddry, who at the time was best known as a correspondent for The Daily Show. He had a jewel bag around his private parts for his nude scene, but his butt made it into the final cut. He had to sign a nudity clause, which gave the film the right to use his naked image “in any part of the universe, in any form, even that which is not devised.”

10. SNOOP DOGG AGREED TO CAMEO SO HE COULD PLAY HUGGY BEAR IN STARSKY & HUTCH.

Phillips admitted to essentially bribing the hip-hop artist/actor, using Snoop Dogg’s desire to play the street informant in the modern movie adaptation of the classic TV show (which Phillips was also directing) to his advantage. “So when I went to him I said, 'I want you to do Huggy Bear,' he was really excited. And I said, 'Oh yeah, also will you do this little thing for me in Old School a little cameo?' So he kind of had to do it I think."

11. SNOOP WANTED TO HANG OUT WITH VINCE VAUGHN ON SET, BUT NOT LUKE WILSON.

Snoop Dogg in 'Old School' (2003)
Richard Foreman, Dreamworks

Vaughn and his friends accepted an invitation to hang out in Snoop Dogg’s trailer to play video games on the last day of shooting. Vaughn recalled seeing Luke Wilson later watching the news alone in his trailer; he had not been informed of the get-together.

12. WILSON WAS TEASED BY HIS CO-STARS.

Vaughn, Wilson, and Ferrell dubbed themselves “The Wolfpack”—years before Phillips directed The Hangover—because they would always make fun of each other. A particularly stinging exchange had Ferrell refer to Legally Blonde (which Wilson had starred in) as Legally Bland. Wilson said it didn’t make him feel great. Wilson retorted by telling Ferrell that "the transition from TV to the movies isn't a very easy one, so you might just want to keep one foot back in TV just in case this whole movie thing falls through!"

13. TERRY O’QUINN SCARED HIS SONS INTO THINKING THEY WERE TRIPPING.

Terry O’Quinn (who went on to play John Locke on Lost the following year) agreed to play Goldberg, uncredited, in what was a two-day job for him. He neglected to inform his sons he was in the movie, and when they saw it, one of them called their father. “I got a call from my sons one night, and they said, ‘What were you doing in Old School? We didn’t even know you were in it!’ They said, ‘We’re sitting there, and the first time we see you, it’s, like, in a reflection in a window. And when we saw it, and we both thought we were, like, tripping or something!’”

14. THE EARMUFFS WERE IMPROVISED.

Before filming, Vaughn worked with Ferrell to figure out their characters' backstories and how they knew each other; he credited that with helping him figure out who Bernard was, which led to several ad-libbed moments. “The earmuff scene where he swears in front of the kids, and then I tell the kid to earmuff, that all is off the cuff. But that stuff is a lot easier to do when you know who you are and your circumstances, and who your characters are,” Vaughn explained.

15. FERRELL AND VAUGHN DIDN’T LOVE A SCRIPT FOR A SEQUEL.

Armstrong had written Old School Dos in 2006, which saw the frat going to Spring Break. Ferrell said that he and Vaughn read the script but felt like they would just be “kind of doing the same thing again.” Wilson, on the other hand, was excited over the new script.

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