12 Fun Facts About The Jon Stewart Show

On October 25, 1993, late-night viewers of MTV caught a glimpse of the future of talk television when The Jon Stewart Show—a frenetically paced mash-up of celebrity chats, musical performances, and comedy sketches—made its debut. Stewart, who was then just 30 years old, was a mostly unknown face at the time. But his reputation on the standup comedy circuit had caught the attention of MTV executives, who were looking to make their first foray into late-night programming.

Though it was canceled in 1995, Stewart's unique abilities did not go unnoticed by the television world at large. From 1996 to 1998, Stewart—playing an exaggerated version of himself—was the guy being eyed as the next host of The Larry Sanders Show, HBO's brilliant parody of the late-night talk show world. Perhaps it was prophetic, as Stewart did indeed land a real talk show of his own a year later when he took over hosting duties of The Daily Show from Craig Kilborn in early 1999, and stuck around for 16 years.

In celebration of The Jon Stewart Show's 25th anniversary, we're looking back at some fun facts about the MTV series that gave birth to a late-night icon.

1. STEWART WAS CONSIDERED AS A REPLACEMENT FOR LETTERMAN.

When David Letterman announced he would be moving his show from NBC to CBS in 1993, Stewart was actually a contender to replace the late-night great. The gig, of course, famously went to Conan O’Brien and Stewart instead launched The Jon Stewart Show.

2. THE SHOW WAS AN INSTANT HIT ON MTV.

The Jon Stewart Show quickly became one of the most-watched programs on MTV, second only to Beavis and Butt-Head in the channel’s ratings. Courteney Cox, Conan O’Brien, Alicia Silverstone, David Blaine, and Quentin Tarantino were among the show’s celebrity guests.

“Letterman's got a show he's doing, whereas this is much more casual,” Tarantino told Entertainment Weekly in 1994, when he appeared on The Jon Stewart Show just one night after doing Letterman. “This wasn't like doing a talk show. It was like we were just bulls***ting." (During the interview, Stewart had asked Tarantino whether he got his acting role in Pulp Fiction by sleeping with the director.)

3. STEWART'S DREAM GUEST: HELENA BONHAM CARTER.

In a 1994 interview with People, Stewart confessed his desire to have actress Helena Bonham Carter appear on the show. “She’s adorable,” he said. “I’m waiting for her to get fed up with this whole English accent thing and come home to Papa.”

4. THE SHOW MADE A HABIT OF INTRODUCING HOT MUSICAL GUESTS.

When Stewart described the show to USA Today as “Just an odd show with really cool music,” he wasn’t kidding. Being on MTV, music was a given. But Stewart helped to give a more mainstream platform to dozens of musicians who never would’ve made the cut on a network late-night show. 

Among his menagerie of guests were Blind Melon, Slayer, Warren Zevon, Buffalo Tom, Naughty by Nature, White Zombie, Faith No More, Notorious B.I.G., and Marilyn Manson (who famously ended his set by trashing the musical stage and getting a piggyback ride from Stewart).

5. THE SHOW WAS REVAMPED AS A SUCCESSOR TO THE ARSENIO HALL SHOW.

Based on its popularity with MTV audiences, at the end of its first season The Jon Stewart Show was revamped by parent company Paramount to replace Arsenio, whose show had been canceled in May of 1994. The show was extended from 30 minutes to an hour and put into syndication. A poster of Arsenio hung on the wall of Stewart’s office at the time, with a word bubble that read: “Good Luck, Motherf*cker.”

6. STEWART DID NOT WANT TO MAKE A BIG DEAL ABOUT THE SHOW’S ARRIVAL.

Not a lot of publicity was given to Stewart’s move from MTV to syndication, and that was by Stewart’s design. “Some people here wanted to do a big press conference and make some announcement,” Stewart told the Sun Sentinel in 1994. “And I said ‘Why? Are we invading someone?’ I didn’t think fanfare was appropriate.”

7. STEWART’S LIFE IN SYNDICATION DID NOT LAST LONG.

Stewart quickly learned that success on MTV does not necessarily translate to success with the masses. The Jon Stewart Show was canceled in 1995. The show’s failure on that larger scale was not a complete surprise to Stewart, who shared his mixed feelings about the move to syndication with the Chicago Tribune. “There are going to be people in the audience who are 20 years old that think it sucks and don't get it or don't like it. And there are going to be people who are 50 and do,” he said. “I had to make peace with the fact that if this works, great, and if it doesn't, you have to be OK with that, too. You can't go into it thinking, ‘If I do this and they take this away, what's going to happen to me?' You have to know that you can always open an ice-cream store.”

8. STEWART ANNOUNCED THE SHOW’S CANCELLATION ON LETTERMAN.

Stewart used an appearance on The Late Show on June 7, 1995 to announce that his own show had been canceled.

9. LETTERMAN RETURNED THE FAVOR BY APPEARING ON STEWART’S FINAL SHOW.

Two weeks later, Letterman was sitting on Stewart’s couch as a guest on the final episode, which aired on June 23, 1995. Buffalo Tom provided the musical sendoff. Guests were served margaritas and given taxi rides home.

10. RUMORS ABOUNDED THAT STEWART WOULD BE HIRED BY ABC OR FOX.

But the rumors turned out to be just that—rumors. The Larry Sanders Show poked fun at this common talk show scenario by casting Stewart—as himself—as a possible replacement to the series’ fictional host (played by Garry Shandling).

11. THE SHOW’S WRITERS AND DIRECTORS WENT ON TO DO GREAT THINGS.

The Jon Stewart Show’s cancellation was only the beginning for many of the talented writers and directors behind the scenes: director Beth McCarthy-Miller has gone on to receive eight Emmy nominations for her work on Saturday Night Live and 30 Rock. Writers Chris Albers and Janine Ditullio were quickly hired by Conan O’Brien, and Brian Hartt went to Jay Leno. Dennis McNicholas, Andrew Steele, and Steve Higgins went to Saturday Night Live. Tom Hertz, Alan Higgins, Josh Lieb, and Cliff Schoenberg moved into sitcoms and film. Brian Posehn, one of the Comedians of Comedy, and Dave Attell, host of Insomniac for Comedy Central, stepped in front of the camera.

12. STEWART DIDN'T MAKE OUT SO BADLY EITHER.

In 1999, you might recall, Stewart took over hosting duties on Comedy Central’s The Daily Show from Craig Kilborn. The now-married 55-year-old father of two is also a bestselling author, producer, and occasional actor. He has hosted the Grammys and the Oscars and has won 22 Emmys (and counting), plus two Grammys. Not bad for the guy who once caused a scene by sitting on Captain Kirk’s lap.

This post originally appeared in 2013.

15 Facts About Bill & Ted’s Excellent Adventure on Its 30th Anniversary

MGM
MGM

In 1989, a couple of slackers from San Dimas, California hopped inside a time-traveling phone booth and gathered a gaggle of key figures from the past so they wouldn’t fail their high school history class. In 1991, they were at it again. Now, 30 years after Keanu Reeves and Alex Winter first cemented their place in sci-fi history as the lovable duo, the long-awaited threequel—Bill & Ted Face the Music—has been officially confirmed. Here are 15 things you might not know about the most excellent original film.

1. Bill and Ted were born in an improv class.

The idea for the characters of Bill and Ted came about in 1983, when UCLA classmates Ed Solomon and Chris Matheson formed a student improv workshop with a few of their peers. “One day, we decided to do a couple of guys who knew nothing about history, talking about history,” Solomon recalled to Cinemafantastique in a 1991 interview. “The initial improv was them studying history, while Ted’s father kept coming up to ask them to turn their music down.” (Solomon played Ted, Matheson was Bill.)

2. Originally, it was Bill & Ted & Bob.

When the skit originated, there was a third character, Bob. But “Bob” wasn’t as into it as Solomon and Matheson, so the trio became a duo.

3. Bill wanted to be Ted and Ted wanted to be Bill.

It’s hard to imagine anyone but Keanu Reeves playing Ted Logan, or another actor besides Alex Winter in the role of Bill S. Preston, Esq., but each actor actually auditioned for the opposite role. But when Solomon and Matheson saw their audition tapes, they thought the opposite would work better. In an online chat with Moviefone, Reeves claimed that he didn’t even know their roles had been switched until after he had been cast. “I got a call saying that I got the part,” Reeves recalled. “So I went to the wardrobe fitting… assuming I was playing Bill, and I get there and Alex Winter, who eventually played Bill, went to the wardrobe fitting thinking he was playing Ted. Then we were informed that that wasn't the case.”

4. Pauly Shore also wanted to be Ted.


Getty Images

Pauly Shore was among the hundreds of actors who auditioned for the role of Ted. In 1991, Shore hosted an MTV special, Bill & Ted’s Bogus Premiere Party, in which Shore corners Reeves in a back room to talk about his failed audition. Lucky for America, Shore did go on to find fame apart from Bill & Ted, and bring the phrase, “Hey, Bu-ddy!” into the popular lexicon.

5. No, Bio-Dome is not Bill & Ted's threequel.

Speaking of Pauly Shore ... For years, rumors circulated that the script for 1996’s Bio-Dome—starring Shore and Stephen Baldwin—was actually written as the third film in the Bill & Ted franchise. In 2011, Winter laid this rumor to rest when he told /Film that the story is “total urban legend as far as I know. No one involved in that movie had anything to do with Bill & Ted. So unless they were just going to try and reboot the franchise with that concept and different actors, I can’t see a connection.”

6. Keanu Reeves and Alex Winter weren't quite nerdy enough.

The casting of Reeves and Winter posed a problem for the script. “Bill and Ted were conceived in our minds as these 14-year-old skinny guys, with low-rider bellbottoms and heavy metal T-shirts,” Solomon told Cinefantastique. “We actually had a scene that was even shot, with Bill and Ted walking past a group of popular kids who hate them. But once you cast Alex and Keanu, who look like pretty cool guys, that was hard to believe.”

7. George Carlin was a happy accident.


Getty Images

In a 2013 Reddit AMA, Alex Winter called the casting of George Carlin (as Rufus, Bill and Ted’s mentor) “a very happy accident. They were going after serious people first. Like Sean Connery. And someone had the idea, way after we started shooting, of George. That whole movie was a happy accident. No one thought it would ever see the light of day.”

8. The time machine was originally a van.

In Solomon and Matheson’s original script, it was a 1969 Chevy van that served as Bill and Ted’s time machine. But in the course of rewriting the script for Warner Bros., who showed early interest in producing the project, there was concern that a motor vehicle as time machine would ring too closely as a rip-off of Back to the Future, which arrived in theaters in 1985. It was director Stephen Herek who suggested a phone booth, as he thought it could lend itself to something akin to a roller coaster in the visuals. (The phone booth’s similarity to Doctor Who’s TARDIS was apparently not a big concern to the studio.)

9. Some Nintendo lover has that phone booth.

As part of a promotion for 1991’s Bill & Ted's Excellent Video Game Adventure, Nintendo Power magazine gave away Bill & Ted’s phone booth as a contest prize. The lucky winner was one Kenneth Grayson, who Reddit tracked down for an AMA in 2011. Grayson spent much of the chat answering questions about whether or not any X-rated activities had ever taken place in the phone booth.

10. The script was written in four days. By hand.

In 1984, Solomon and Matheson wrote the script over the course of just four days. They wrote it by hand, on note paper, during a series of meetings at a couple of local coffee shops. The 2005 box set, Bill & Ted’s Most Excellent Collection, features some of their handwritten notes.

11. Sci-fi wasn't part of the plan.

Keanu Reeves, Dan Shor, and Alex Winter in Bill & Ted's Excellent Adventure (1989)
MGM

Though Matheson is the son of legendary sci-fi writer Richard Matheson, author of I Am Legend, he didn’t intend for Bill & Ted to be a science-fiction movie. “I try to consciously fight it, out of a desire to break away, but maybe I have a predilection toward that because of my dad,” Matheson told Starlog Magazine of the inevitable fantasy elements that emerged. “He’s a great writer and craftsman, and always has suggestions.” In fact, it was the elder Matheson’s idea that the time travel story be its own movie. “We were going to write a sketch film, with this as one of the skits, but my dad said, ‘That sounds like a whole movie,’” Matheson recalled, “And he was right!”

12. Bill and Ted almost traveled straight to television.

Shortly after principal photography on the film was completed in 1987, the film’s financiers, De Laurentiis Entertainment Group, went bankrupt. A straight-to-cable release was the most likely path for the time-traveling comedy until Orion Pictures and Nelson Entertainment bought the rights in 1988 for a 1989 release. Because of the delay to theaters, references to the year—which had been filmed as “1987”—had to be dubbed for 1988, resulting in a few scenes where the actors’ lips don’t quite match the sound.

13. Their journeys continued in a variety of media.

In addition to the 1991 sequel, Bill & Ted’s Bogus Journey, the Bill & Ted franchise includes 1990’s Bill & Ted’s Excellent Adventures, an animated series for which Reeves, Winter, and Carlin provided the voices. It lasted for one season. The title was revived as a live-action series in 1992, which included none of the original cast and ran for just seven episodes. In 1991, Marvel Comics launched Bill and Ted’s Excellent Comic Book, written by Evan Dorkin.

14. Back in the late 1980s, you could eat Bill and Ted.

As a tie-in to the animated series, you could—for a short while—actually start your morning with a bowl of Bill & Ted’s Excellent Cereal, which was touted as “A Most Awesome Breakfast Adventure.”

15. Bill and Ted will ride again.

Over the past several years there has been a lot of buzz about a third Bill & Ted movie coming to theaters. In 2011, Winter tweeted that the script had been completed and that he was getting ready to read it. When asked about the possibility of a threequel in 2013, Reeves told the Today Show, “I'm open to the idea of that. I think it’s pretty surreal, playing Bill and Ted at 50. But we have a good story in that. You can see the life and joy in those characters, and I think the world can always use some life and joy.” Several references to the possible project have been made since then, and it's now been confirmed that the third film, Bill and Ted Face the Music, is currently in pre-production.

According to The Hollywood Reporter, via a report from the Cannes Film Festival, Matheson and Solomon co-wrote the script and Dean Parisot (Galaxy Quest) is attached to direct. Reeves and Winter will, of course, be reprising their roles, which "will see the duo long past their days as time-traveling teenagers and now weighed down by middle age and the responsibilities of family. They’ve written thousands of tunes, but they have yet to write a good one, much less the greatest song ever written." Excellent!

6 Times There Were Ties at the Oscars

getty images (March and Beery)/ istock (oscar)
getty images (March and Beery)/ istock (oscar)

Only six ties have ever occurred during the Academy Awards's more than 90-year history. The Academy of Motion Picture Arts and Sciences (AMPAS) members vote for nominees in their corresponding categories; here are the six times they have come to a split decision.

1. Best Actor // 1932

Back in 1932, at the fifth annual Oscars ceremony, the voting rules were different than they are today. If a nominee received an achievement that came within three votes of the winner, then that achievement (or person) would also receive an award. Actor Fredric March had one more vote than competitor Wallace Beery, but because the votes were so close, the Academy honored both of them. (They beat the category’s only other nominee, Alfred Lunt.) March won for his performance in horror film Dr. Jekyll and Mr. Hyde, and Beery won for The Champ (writer Frances Marion won Best Screenplay for the film), which was remade in 1979 with Ricky Schroder and Jon Voight. Both Beery and March were previous nominees: Beery was nominated for The Big House and March for The Royal Family of Broadway. March won another Oscar in 1947 for The Best Years of Our Lives, also a Best Picture winner. Fun fact: March was the first actor to win an Oscar for a horror film.

2. Best Documentary Short Subject // 1950

By 1950, the above rule had been changed, but there was still a tie at that year's Oscars. A Chance to Live, an 18-minute movie directed by James L. Shute, tied with animated film So Much for So Little. Shute’s film was a part of Time Inc.’s "The March of Time" newsreel series and chronicles Monsignor John Patrick Carroll-Abbing putting together a Boys’ Home in Italy. Directed by Bugs Bunny’s Chuck Jones, So Much for So Little was a 10-minute animated film about America’s troubling healthcare situation. The films were up against two other movies: a French film named 1848—about the French Revolution of 1848—and a Canadian film entitled The Rising Tide.

3. Best Actress // 1969

Probably the best-known Oscars tie, this was the second and last time an acting award was split. When presenter Ingrid Bergman opened up the envelope, she discovered a tie between newcomer Barbra Streisand and two-time Oscar winner Katharine Hepburn—both received 3030 votes. Streisand, who was 26 years old, tied with the 61-year-old The Lion in Winter star, who had already been nominated 10 times in her lengthy career, and won the Best Actress Oscar the previous year for Guess Who’s Coming to Dinner. Hepburn was not in attendance, so all eyes fell on Funny Girl winner Streisand, who wore a revealing, sequined bell-bottomed-pantsuit and gave an inspired speech. “Hello, gorgeous,” she famously said to the statuette, echoing her first line in Funny Girl.

A few years earlier, Babs had received a Tony nomination for her portrayal of Fanny Brice in the Broadway musical Funny Girl, but didn’t win. At this point in her career, she was a Grammy-winning singer, but Funny Girl was her movie debut (and what a debut it was). In 1974, Streisand was nominated again for The Way We Were, and won again in 1977 for her and Paul Williams’s song “Evergreen,” from A Star is Born. Four-time Oscar winner Hepburn won her final Oscar in 1982 for On Golden Pond.

4. Best Documentary Feature // 1987

The March 30, 1987 telecast made history with yet another documentary tie, this time for Documentary Feature. Oprah presented the awards to Brigitte Berman’s film about clarinetist Artie Shaw, Artie Shaw: Time is All You’ve Got, and to Down and Out in America, a film about widespread American poverty in the ‘80s. Former Oscar winner Lee Grant (who won the Best Supporting Actress Oscar in 1976 for Shampoo) directed Down and Out and won the award for producers Joseph Feury and Milton Justice. “This is for the people who are still down and out in America,” Grant said in her acceptance speech.

5. Best Short Film (Live Action) // 1995

More than 20 years ago—the same year Tom Hanks won for Forrest Gump—the Short Film (Live Action) category saw a tie between two disparate films: the 23-minute British comedy Franz Kafka’s It’s a Wonderful Life, and the LGBTQ youth film Trevor. Doctor Who star Peter Capaldi wrote and directed the former, which stars current Oscar nominee Richard E. Grant as Kafka. The BBC Scotland film envisions Kafka stumbling through writing The Metamorphosis.

Trevor is a dramatic film about a gay 13-year-old boy who attempts suicide. Written by James Lecesne and directed by Peggy Rajski, the film inspired the creation of The Trevor Project to help gay youths in crisis. “We made our film for anyone who’s ever felt like an outsider,” Rajski said in her acceptance speech, which came after Capaldi's. “It celebrates all those who make it through difficult times and mourns those who didn’t.” It was yet another short film ahead of its time.

6. Best Sound Editing // 2013

The latest Oscar tie happened in 2013, when Zero Dark Thirty and Skyfall beat Argo, Django Unchained, and Life of Pi in sound editing. Mark Wahlberg and his animated co-star Ted presented the award to Zero Dark Thirty’s Paul N.J. Ottosson and Skyfall’s Per Hallberg and Karen Baker Landers. “No B.S., we have a tie,” Wahlberg told the crowd, assuring them he wasn’t kidding. Ottosson was announced first and gave his speech before Hallberg and Baker Landers found out that they were the other victors.

It wasn’t any of the winners' first trip to the rodeo: Ottosson won two in 2010 for his previous collaboration with Kathryn Bigelow, The Hurt Locker (Best Achievement in Sound Editing and Sound Mixing); Hallberg previously won an Oscar for Best Sound Effects Editing for Braveheart in 1996, and in 2008 both Hallberg and Baker Landers won Best Achievement in Sound Editing for The Bourne Ultimatum.

Ottosson told The Hollywood Reporter he possibly predicted his win: “Just before our category came up another fellow nominee sat next to me and I said, ‘What if there’s a tie, what would they do?’ and then we got a tie,” Ottosson said. Hallberg also commented to the Reporter on his win. “Any time that you get involved in some kind of history making, that would be good.”

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