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A Brief History of The Jon Stewart Show

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On October 25, 1993, late-night viewers of MTV caught a glimpse of the future of talk television when The Jon Stewart Show—a frenetically paced mash-up of celebrity chats, musical performances, and comedy sketches—made its debut. Stewart, who was then just 30 years old, was a mostly unknown face at the time. But his reputation on the standup comedy circuit had caught the attention of MTV executives, who were looking to make their first foray into late-night programming.

Though it was cancelled in 1995, Stewart's unique abilities did not go unnoticed by the television world at large. From 1996 to 1998, Stewart—playing an exaggerated version of himself—was the guy being eyed as the next host of The Larry Sanders Show, HBO's brilliant parody of the late-night talk show world. Perhaps it was prophetic, as Stewart did indeed land a real talk show of his own a year later when he took over hosting duties of The Daily Show from Craig Kilborn in early 1999.

Tonight, more than a decade and a half later, Stewart will bid farewell to what is now known as The Daily Show With Jon Stewart (they may want to fix that). So we're looking back at some fun facts about the MTV series that started it all.

1. STEWART WAS CONSIDERED AS A REPLACEMENT FOR LETTERMAN.

When David Letterman announced he would be moving his show from NBC to CBS in 1993, Stewart was actually a contender to replace the late-night great. The gig, of course, famously went to Conan O’Brien and Stewart instead launched The Jon Stewart Show.

2. THE SHOW WAS AN INSTANT HIT ON MTV.

The Jon Stewart Show quickly became one of the most-watched programs on MTV, second only to Beavis and Butt-Head in the channel’s ratings. Courteney Cox, Conan O’Brien, Alicia Silverstone, David Blaine, and Quentin Tarantino were among the show’s celebrity guests.

“Letterman's got a show he's doing, whereas this is much more casual,” Tarantino told Entertainment Weekly in 1994, when he appeared on The Jon Stewart Show just one night after doing Letterman. “This wasn't like doing a talk show. It was like we were just bulls---ting." (During the interview, Stewart had asked Tarantino whether he got his acting role in Pulp Fiction by sleeping with the director.)

3. STEWART'S DREAM GUEST: HELENA BONHAM CARTER.

In a 1994 interview with People, Stewart confessed his desire to have actress Helena Bonham Carter appear on the show. “She’s adorable,” he said. “I’m waiting for her to get fed up with this whole English accent thing and come home to Papa.”

4. THE SHOW MADE A HABIT OF INTRODUCING HOT MUSICAL GUESTS.

When Stewart described the show to USA Today as “Just an odd show with really cool music,” he wasn’t kidding. Being on MTV, music was a given. But Stewart helped to give a more mainstream platform to dozens of musicians who never would’ve made the cut on a network late-night show. 

Among his menagerie of guests were Blind Melon, Slayer, Warren Zevon, Buffalo Tom, Naughty by Nature, White Zombie, Faith No More, Notorious B.I.G., and Marilyn Manson (who famously ended his set by trashing the musical stage and getting a piggyback ride from Stewart).

5. THE SHOW WAS REVAMPED AS A SUCCESSOR TO THE ARSENIO HALL SHOW.

Based on its popularity with MTV audiences, at the end of its first season The Jon Stewart Show was revamped by parent company Paramount to replace Arsenio, whose show had been canceled in May of 1994. The show was extended from 30 minutes to an hour and put into syndication. A poster of Arsenio hung on the wall of Stewart’s office at the time, with a word bubble that read: “Good Luck, Motherf*cker.”

6. STEWART DID NOT WANT TO MAKE A BIG DEAL ABOUT THE SHOW’S ARRIVAL.

Not a lot of publicity was given to Stewart’s move from MTV to syndication, and that was by Stewart’s design. “Some people here wanted to do a big press conference and make some announcement,” Stewart told the Sun Sentinel in 1994. “And I said ‘Why? Are we invading someone?’ I didn’t think fanfare was appropriate.”

7. STEWART’S LIFE IN SYNDICATION DID NOT LAST LONG.

Stewart quickly learned that success on MTV does not necessarily translate to success with the masses. The Jon Stewart Show was cancelled in 1995. The show’s failure on that larger scale was not a complete surprise to Stewart, who shared his mixed feelings about the move to syndication with the Chicago Tribune. “There are going to be people in the audience who are 20 years old that think it sucks and don't get it or don't like it. And there are going to be people who are 50 and do,” he said. “I had to make peace with the fact that if this works, great, and if it doesn't, you have to be OK with that, too. You can't go into it thinking, ‘If I do this and they take this away, what's going to happen to me?' You have to know that you can always open an ice-cream store.”

8. STEWART ANNOUNCED THE SHOW’S CANCELLATION ON LETTERMAN.

Stewart used an appearance on The Late Show on June 7, 1995 to announce that his own show had been cancelled.

9. LETTERMAN RETURNED THE FAVOR BY APPEARING ON STEWART’S FINAL SHOW.

Two weeks later, Letterman was sitting on Stewart’s couch as a guest on the final episode, which aired on June 23, 1995. Buffalo Tom provided the musical sendoff. Guests were served margaritas and given taxi rides home.

10. RUMORS ABOUNDED THAT STEWART WOULD BE HIRED BY ABC OR FOX.

But the rumors turned out to be just that—rumors. The Larry Sanders Show poked fun at this common talk show scenario by casting Stewart—as himself—as a possible replacement to the series’ fictional host (played by Garry Shandling).

11. THE SHOW’S WRITERS AND DIRECTORS WENT ON TO DO GREAT THINGS.

The Jon Stewart Show’s cancellation was only the beginning for many of the talented writers and directors behind the scenes: director Beth McCarthy-Miller has gone on to receive eight Emmy nominations for her work on Saturday Night Live and 30 Rock. Writers Chris Albers and Janine Ditullio were quickly hired by Conan O’Brien, and Brian Hartt went to Jay Leno. Dennis McNicholas, Andrew Steele, and Steve Higgins (also Jimmy Fallon’s announcer) went to Saturday Night Live. Tom Hertz, Alan Higgins, Josh Lieb, and Cliff Schoenberg moved into sitcoms and film. Brian Posehn, one of the Comedians of Comedy, and Dave Attell, host of Insomniac for Comedy Central, stepped in front of the camera.

12. STEWART DIDN'T MAKE OUT SO BADLY EITHER.

In 1999, you might recall, Stewart took over hosting duties on Comedy Central’s The Daily Show from Craig Kilborn. The now-married father of two—who took a 12-week hiatus from the show in 2013 to direct his first movie, Rosewater—is also a bestselling author, producer and occasional actor. He has hosted the Grammys and the Oscars and has won 20 Emmys (and counting). Not bad for the guy who once caused a scene by sitting on Captain Kirk’s lap.

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This post originally appeared in 2013.

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11 Delicious Facts About Good Burger
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It takes just 14 words—“Welcome to Good Burger, home of the Good Burger, can I take your order?”—to make a ‘90s kid swoon with nostalgia. Good Burger, the beloved Nickelodeon comedy about a couple of daft teens who try to save their fast food joint from corporate greed, was born out of a Kenan Thompson/Kel Mitchell sketch on All That in the mid-'90s. A year later, due to its popularity, it found itself being turned into its own live-action movie, with Brian Robbins at the helm. Today—20 years after its original release—it’s a silly cult hit that’s indelibly a part of Generation Y. Revisit the classic with these facts about Good Burger.

1. KEL MITCHELL AUDITIONED FOR ALL THAT WITH HIS CHARACTER FROM GOOD BURGER.

In an interview with The A.V. Club, Kel Mitchell explained how he came up with Ed. “I did a ‘dude’ voice, and that’s where Ed [from Good Burger] was kind of born,” he said. “I did that there at the audition. They were just cracking up.”

2. ED’S FIRST APPEARANCE WAS IN THE JOSH SERVER SKETCH, “DREAM REMOTE.”

Essentially, Good Burger was born out of a random character decision made during one little sketch. “It was where [Josh] could have a remote control that could control his entire life,” Mitchell told The A.V. Club. “So, he could fast-forward through his sister nagging, he could make pizza come really quickly. I was the pizza guy. I came to the door, and the pizza guy didn’t really have a voice, so I was like, ‘Mleh, here’s your pizza! That was the first time we saw Ed, and so they created Good Burger.”

3. ED’S LOOK WAS INSPIRED BY MILLI VANILLI.

When prepping for Ed’s debut on All That, Kel Mitchell spotted what would become the character’s signature look. “I remember I went to the hair room, and I saw these braids. It was like these early Brandy ’90s Milli Vanilli braids. I put those on, and it came to life,” he told The A.V. Club.

4. THOUSANDS OF POUNDS OF MEAT STUNK UP THE SET.

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For a movie all about burgers, you better believe the production had a ton of them sitting around on set. "At one point, there was over 1750 pounds of meat on the set," Kenan Thompson told The Morning Call. "Some of it was old meat. It was so nasty. Some of the burgers would stay out there for a long time. I felt sorry for the extras who had to eat them with cold, clammy fries. But on screen, those burgers look good."

5. ELMER’S GLUE WAS USED TO KEEP THE FOOD LOOKING FRESH.

In order to keep the food looking good on screen, the production resorted to old, albeit inedible, tricks. "It was so gross, because when I scoop out ice cream in the movie, it was really vegetable shortening with food coloring,” Mitchell told The Morning Call. “When I poured milk on cereal, we used Elmer's Glue so the flakes wouldn't get soggy."

6. KENAN AND KEL CONTRIBUTED TO THE GOOD BURGER SOUNDTRACK.

Good Burger was their baby, so of course Kenan and Kel took the reins on more than just the creation of the characters, according to a 1997 interview with The Morning Call. Specifically, Kel partnered up with Less Than Jake on the hit song, “We’re All Dudes.” Because of this, the soundtrack actually charted at 101 on the Billboard 200.

7. GOOD BURGER WAS LINDA CARDELLINI’S FEATURE FILM DEBUT.

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In an interview with The A.V. Club, the Freaks and Geeks star reminisced about her breakout role in the Nickelodeon movie. “That’s my sister’s favorite role that I’ve ever played! It was so much fun. It was my first film, and it was a fantastic part,” Cardellini said. “I got to play crazy! Nobody knew who I was, and I got the part from the table read.”

8. WRITER DAN SCHNEIDER INTENDED TO GIVE UP ACTING WHEN HE WROTE GOOD BURGER, BUT HE PLAYED MR. BAILY IN THE FILM.

On creating Good Burger, writer/producer/actor Dan Schneider explained to The A.V. Club: “I’ve always wanted to write, and after I was doing All That and Kenan & Kel, I got the opportunity to do another TV show—I was still going on auditions. I realized that if I took that show, I was going to have to give up All That and Kenan & Kel. I really didn’t want to do [that] ... I passed on the acting role, and that was really the turning point, I guess, in 1996, when I was like, ‘You know what? I’m going to put my acting career on the back burner, and I’m going to be a writer-producer.’ Then I wrote the movie Good Burger.” However, if you watch the movie, you’ll notice Schneider starring as Mr. Baily.

9. THE ORIGINAL TRAILER FEATURED A SCENE THAT DIDN’T MAKE THE MOVIE.

For reasons that remain a mystery, a scene where a Good Burger customer orders “a good shake” from Ed (Mitchell), only to receive an actual bodily shaking from the Good Burger employee, didn’t make the final cut. It did, however, feature for a few seconds in the theatrical trailer.

10. KENAN AND KEL REUNITED FOR A GOOD BURGER SKETCH ON THE TONIGHT SHOW.

In 2015, Kenan and Kel reunited for a Good Burger sketch with Jimmy Fallon. This time, however, Fallon played Ed’s co-worker, while Kenan came in as a construction worker as a surprise. "We've been wanting to get back together," Mitchell told E! News. "It was just about the right project ... it felt like home."

11. THE FIRST LINE IN THE FILM IS THE SAME AS THE LAST LINE.

Appropriately, the line is, “Welcome to Good Burger, home of the Good Burger, can I take your order?”—just watch the movie.

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Her Other Forte: Comedian Phyllis Diller Was Also a Concert Pianist
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In 1971, a promising concert pianist made her symphonic debut, her fingers flying over Beethoven's Piano Concerto No. 1. But the concert included a few surprising notes: The pianist was a woman. She was 53 years old. She just happened to be one of America's most famous comedians. And her concert was like nothing the classical music world had ever seen.

Even then, the thought of Phyllis Diller embarking on a career as a classical pianist was laughable. Since the 1950s, Diller—born 100 years ago, as Phyllis Driver, on July 17, 1917—had been breaking ground for women in comedy, morphing from a prop comedian to a TV and musical theater icon. But even though a spoof of a classical concert was one of the acts that propelled her to fame, Diller had long since given up on her dream of playing piano professionally.

As a child growing up in Ohio, Diller trained as a pianist. In her comic memoir Like a Lampshade in a Whorehouse: My Life in Comedy, she recalls her mother pushing her toward piano, and though she was "no Mozart," she took intensive lessons and imagined herself "sitting before a fabulous concert grand" instead of giving performances for a piano teacher and her sleepy dog. She even studied piano in college. But eventually, Diller told a reporter, "I decided it was too stodgy for me. So I gave it up."

Music filtered into her comedy repertoire, though, and when the Pittsburgh Pops came calling in the 1970s in the hopes of having her perform a stand-up routine with the orchestra, she stunned the representative by telling him she would perform on the piano, as well. It's safe to assume nobody from the Pops had seen her on TV with Liberace two years earlier, her fingers flying over a piece she'd written herself called "Phyllis's Fugue." Diller signed on for a show called The Symphonic Phyllis Diller, never suspecting that her concert career was about to begin in earnest.

The show was half-gag, half-serious piano performance. The orchestra would perform without Diller, but eventually she'd make a grand entrance as Dame Illya Dillya, a diva who took forever to begin playing. Dame Dillya wore an 8-foot-long train and opera gloves and performed a 12-minute silent pantomime aping the pretensions of classical musicians.

"During the musical prologue, I'd dust the piano, check the score, and look at the audience through my binoculars—it was a long preamble," Diller later recalled. Then she launched into Beethoven's Piano Concerto No. 1. "Once I was into the music, I was serious," she wrote, "and many in the audience were more than a little surprised."

During her concerts, Diller played selections from Bach, Chopin, and other classical musicians. Over time, she earned a reputation as a solid performer, with one reviewer calling her "a fine concert pianist with a firm touch." Eventually, though, Diller tired of the brutal regimen and retired from the concert circuit. "It became drudgery, it was taxing," Diller told The New York Times. "I needed at least three hours a day of practice and I didn't have the time."

Though her concert career was over, her comedy career certainly wasn't. After retiring from symphonic work in 1982, Diller did stand-up for another 20 years. She died in 2012 at the age of 95—and while her comedy is rightfully her biggest legacy, her surprising skill on the piano is worth a standing ovation as well.

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