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10 Book Sequels Not Written by the Original Authors

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1. Pride and Prejudice

There are a host of sequels to and adaptations of Jane Austen’s most famous work, but the one that turns the beloved story on its head is P.D. James’ Death Comes to Pemberley. The celebrated mystery writer sets a murder at the home of Elizabeth and Fitzwilliam Darcy with the dastardly Mr. Wickham cast as the prime suspect.

2. Peter Pan; or, The Boy Who Never Grew Up

J.M. Barrie left the rights to all his works—including Peter Pan, published in 1911—to the Great Ormond Street Hospital in London. In 2004, the hospital held a competition to write the official sequel, which it awarded to Geraldine McCaughrean for her manuscript, Peter Pan in Scarlet. The book follows the adventures of Peter Pan, the Darlings, and the Lost Boys in 1926. Captain Hook, having escaped the crocodile, makes his malevolent appearance as well; the book ends with Pan and Hook still in Neverland, Hook plotting his revenge.

3. Gone with the Wind

The zaniest of the four sequels to Margaret Mitchell’s Civil War saga is Scarlett, the authorized follow-up by Alexandra Ripley. In it, Scarlett endures Mammy’s death, sex in a cave following a shipwreck, and a return to her roots when she moves to Ireland and rebuilds the old family estate, Ballyhara. 

4. The Godfather

In 2004, author Mark Winegardner wrote The Godfather Returns, which picked up immediately where The Godfather left off and has the events of the film The Godfather: Part II as its background. Two years later, Winegardner wrote The Godfather’s Revenge. Just as the first book’s Johnny Fontaine was an analogue of Frank Sinatra, Winegardner’s books feature analogues of Joseph, John, and Robert Kennedy.

5. Rebecca

In Susan Hill's Mrs. De Winter, the ever-nameless narrator of Daphne du Maurier’s Rebecca returns to England with her husband 10 years after the burning of Manderley. The couple continues to feel the weight of Rebecca’s ghostly presence and find themselves threatened by a revenge-seeking Mrs. Danvers. In essence, nothing has changed.

6. The James Bond series

Just like in the movies, Ian Fleming’s super-spy never ages—he just adapts to the technology and weaponry of the times. Since Fleming’s death in 1964, authorized sequels have been written by seven different authors ranging from the literary lion Kingsley Amis to the latest, novelist and screenwriter William Boyd.

7. Wuthering Heights

Emily Brontë’s only novel gets a follow-up as labyrinthine as the original in Nicola Thorne’s Return to Wuthering Heights. In it, Catherine’s nephew Hareton and daughter Cathy wed, only to have their passion disrupted by the arrival of Heathcliff’s secret son. Romantic (and melodramatic) troubles ensue. 

8. The Boxcar Children

In 1924, Gertrude Chandler Warner wrote the first of 19 books about the Boxcar Children, a family of four orphans who fashion a home from an abandoned boxcar in the forest. When they are adopted by their grandfather, he moves the boxcar to his own property so that they can use it as a playhouse. There are now more than 150 books in the series, including two scheduled for publication next year. While the original books were set in the 1920s and 1930s, the recent books are set in the present day. 

9. The Foundation Series

Isaac Asimov wrote the Hugo Award-winning Foundation trilogy about the rise and fall of two empires, a thousand years apart. He later expanded it with four other titles and peripherally encompassed within it the Robot series and the Empire series. Following Asimov’s death in 1992, seven additional novels were written by other authors to expand the series, lengthening the time covered in the original series by more than 20,000 years.

10. The Catcher in the Rye

The Salinger Trust took a dim view of Swedish author Frederik Colting’s sequel to the famed novel of teenage angst.  In 60 Years Later: Coming Through the Rye, a septuagenarian “Mr. C.” escapes from a nursing home to return to the Manhattan haunts of his youth. The book cannot be published in the United States or Canada until the copyright on The Catcher in the Rye has expired.

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Hamilton Broadway
A Hamilton-Themed Cookbook is Coming
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Hamilton Broadway

Fans of Broadway hit Hamilton will soon be able to dine like the Founding Fathers: As Eater reports, a new Alexander Hamilton-inspired cookbook is slated for release in fall 2017.

Cover art for Laura Kumin's forthcoming cookbook

Called The Hamilton Cookbook: Cooking, Eating, and Entertaining in Hamilton’s World, the recipe collection by author Laura Kumin “takes you into Hamilton’s home and to his table, with historical information, recipes, and tips on how you can prepare food and serve the food that our founding fathers enjoyed in their day,” according to the Amazon description. It also recounts Hamilton’s favorite dishes, how he enjoyed them, and which ingredients were used.

Recipes included are cauliflower florets two ways, fried sausages and apples, gingerbread cake, and apple pie. (Cue the "young, scrappy, and hungry" references.) The cookbook’s official release is on November 21—but until then, you can stave off your appetite for all things Hamilton-related by downloading the musical’s new app.

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New Tolkien-Themed Botany Book Describes the Plants of Middle-Earth
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While reading The Lord of the Rings saga, it's hard not to notice J.R.R. Tolkien’s clear love of nature. The books are replete with descriptions of lush foliage, rolling prairies, and coniferous forests. A new botany book builds on that knowledge: Entertainment Weekly reports that Flora of Middle-Earth: Plants of J.R.R. Tolkien's Legendarium provides fantasy-loving naturalists with a round-up of plants that grow in Middle-earth.

Cover art for botanist Walter Judd's book
Oxford University Press

Written by University of Florida botanist Walter Judd, the book explores the ecology, etymology, and importance of over 160 plants. Many are either real—coffee, barley, wheat, etc.—or based on real-life species. (For example, pipe-weed may be tobacco, and mallorns are large trees similar to beech trees.)

Using his botany background, Judd explores why Tolkien may have felt compelled to include each in his fantasy world. His analyses are paired with woodcut-style drawings by artist Graham Judd, which depict Middle-earth's flowers, vegetables, fruits, herbs, and shrubs in their "natural" environments.

[h/t Entertainment Weekly]


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