WWI Centennial: Germans Reopen Eastern Offensive, Americans Support Unified Command

Wikimedia Commons // Public Domain
Wikimedia Commons // Public Domain

Erik Sass is covering the events of the war exactly 100 years after they happened. This is the 302nd installment in the series. Read an overview of the war to date here.

After three disastrous years, the 1000-mile muddy morass that was the Eastern Front enjoyed a brief respite from fighting from December 1917 to February 1918, as both sides agreed to an armistice while representatives of the Central Powers and the Soviets (dominated by Lenin’s Bolsheviks) began peace negotiations at Brest-Litovsk. Along with the Central Powers’ stunning victory over Italy at Caporetto in the fall of 1917, the armistice allowed the Germans to begin transferring around a million men to the Western Front, in preparation for one final knockout blow against the Allies in the spring of 1918, before American troops began to arrive in large numbers.

Europe, February 1918
Erik Sass

The situation on the Eastern Front, however, was far from settled. Although eager for peace, the Soviet representatives believed that the war should be ended without annexations or reparations, and were scarcely more willing than the previous short-lived Republic to give up Russian territory and population to foreign reactionary imperialists. Angry, chaotic peace negotiations at Brest-Litovsk repeatedly broke up due to intractable disagreements (and produced an icy social atmosphere, as the Soviet representatives ceased to dine with their fellow negotiators in protest over their aggressive demands).

Seeing the Central Powers set on dismembering and dominating Russia’s former territories in Ukraine, Poland, and the Baltic, Lenin aimed to drag out negotiations in the hope that the communist revolution would spread to Germany and its allies (no longer a far-fetched notion). To gain time he dispatched Trotsky, a master prevaricator, to hold up the talks, while Bolshevik commissars encouraged Russian troops to fraternize with their foes across no man’s land, with an eye to spreading revolutionary incitement as well as undermining their morale and will to fight.

But the Germans soon lost patience with Trotsky’s delaying tactics, and on January 18, 1918, they presented an ultimatum with sweeping territorial demands, prompting Trotsky to walk out in a rage. To symbolize Russia’s determination to resist the unreasonable peace terms, he issued a new slogan, “no war, no peace,” meaning that Russia would continue passively resisting the Central Powers, in effect doubling down on the strategy of delay and exhaustion.

But Germany's next moves showed just how little leverage the Russian negotiators really had. Rather than reaching a compromise peace with the Soviet regime, the Central Powers simply recognized Russia’s former subject states as independent nations and signed peace treaties with them—converting them to client states along the way. In fact, Germany’s plan to reorganize Eastern Europe as “mitteleuropa,” an economic bloc under its hegemony, had been in the works for several years, and the opening moves came even before formal peace negotiations at Brest-Litovsk began on December 20, 1917.

On December 8, under German and Austro-Hungarian prompting, Polish nationalists led by Jan Kucharzewski formed a regency council to rule the country until a suitable monarch could be found. On December 11 the Lithuanian “national council” declared its independence from Russia, and the following day German nobles in Estonia officially requested German “assistance” in the form of an army of occupation. On December 12-13 the German-backed Ukrainian Rada, or national council, rejected the Soviet seizure of power in Russia and headed off a planned Bolshevik coup in Kiev, prompting the Ukrainian Bolsheviks to establish a rival national government in Kharkiv, setting the stage for civil war in Ukraine. On December 27 the municipal council of Riga, Latvia declared independence and sought German “protection.” And on January 1, 1918, the Bolsheviks reluctantly recognized Finnish independence, although fighting raged between Finnish communist Red Guards and anti-communist White Guards in a civil war lasting from January to May 1918.

Diagram of the Russian Civil War, February 1918
Erik Sass

Peace negotiations with the new puppet states followed immediately, and on February 9, 1918 the Central Powers struck a separate peace deal with the embattled Ukrainian Rada, which desperately needed German help against the Ukrainian Bolsheviks. They signed the treaty over the bitter protests of Trotsky, who was completely powerless to stop them. The old Russian Army was no longer capable of offering resistance and the new Red Army, organized in February 1918, also faced spreading civil war behind the lines as new anti-communist White movements coalesced across Russia.

But even after stripping Russia of Poland, the Baltic states, Finland, and Ukraine, the German delegation led by Eastern Front chief of staff Max Hoffmann wanted more, including vast swaths of Russian territory in what is now Belarus and the Caucasus. For his part, in February 1918 Trotsky clung hopefully to his slogan of “no war, no peace,” still believing it might be possible to wear the Germans down and foment international revolution.

But German chief strategist Erich Ludendorff’s plans for a massive spring offensive on the Western Front sometime in March would require a total of a million troops, meaning Germany had to bring matters to a conclusion on the Eastern Front immediately to free up the necessary numbers. On February 18, the Germans resumed the offensive on the Eastern Front, effectively “pushing at an open door,” as there was no longer much in the way of defenders in most of the trenches, while local nationalist movements more or less welcomed the Germans.

On February 21, slowly advancing Central Powers forces captured Minsk and Rovno, followed by Pskov, Reval (Tallin), and Dorpat on February 25. The Germans correctly calculated that eventually the Bolsheviks would cede significant territory rather than face the loss of core Russian lands: on February 26, with imperialist troops menacing the capital Petrograd, Lenin decided to capitulate to the German peace terms (top, Germans occupy Kiev in March 1918).

AMERICANS SUPPORT UNIFIED COMMAND

America’s vast new influence over European affairs made itself felt in military matters early on, as the top U.S. commander demanded a big shake-up of the joint arrangements previously made by Britain, France, Belgium, and Italy for the prosecution of the war—and the European allies hurried to comply.

After arriving in France in June 1917 and setting up the American Expeditionary Force headquarters at Chaumont, U.S. General of the Armies John “Black Jack” Pershing clearly indicated his determination to preserve American control of its own soldiers in the European conflict, as demanded by the United States of America’s absolute sovereignty and total freedom from all entangling alliance obligations. But he was willing to allow American divisions and regiments to fight alongside British and French troops, provided they remained under their own officers.

The Americans also recognized that the sheer size and complexity of the war on the Western Front required a high degree of coordination between Allied forces if they were to obtain victory, and also had soldiers’ traditional fear of “divided councils” resulting in confusion, wasted effort, and needless loss. To lead this vast effort, President Wilson and General Pershing supported the creation of a Supreme War Council, followed not long after by the appointment a Supreme Allied Commander (the post went to the aggressive but pragmatic Ferdinand Foch, one of the heroes of the Miracle on the Marne).

America’s growing control over Allied policy was reflected in the fact that, after the disastrous Battle of Caporetto in November 1917, British Prime Minister David Lloyd George first went to Wilson to drum up support for the creation of the new Supreme War Council. At a subsequent meeting in Versailles from January 30-February 2, 1918, Pershing and American representatives then supported the granting of executive powers to the Supreme War Council.

In a speech on February 19, 1918, Lloyd George confirmed that the new concentration of power in the Supreme War Council came at the Americans’ behest, while reassuring his fellow Parliamentarians that the Allies were broadly in agreement on the prosecution of the war:

"There is absolutely no difference between our policy and the policy of France, Italy, and America in this respect. In fact, some of the conclusions to which we came at Versailles were the result of very powerful representations made by the representatives of other governments, notably the American government. That policy is a policy which is based on the assumption that the Allies hitherto have suffered through lack of concerted and coordinated effort … That is the reason why, after the Italian defeat, the Allied governments, after a good deal of correspondence and of conference, came to the conclusion that it was necessary to set up some central authority, for the purpose of coordinating the strategy of the Allies. At the last conference at Versailles it was decided, after days of conference, to extend the powers of that body."

Later, in Parliament's House of Commons, Lloyd George returned to the American role in empowering the Supreme War Council, though in necessarily opaque terms:

"I hesitated for some time as to whether I should not read to the House the very cogent document submitted by the American delegation, which put the case for the present proposal. It is one of the most powerful documents—I think my right honorable friends who have had the advantage of reading it will agree with me—one of the ablest documents ever submitted to a military conference, in which they urged the present course, and gave grounds for it. I think it is absolutely irresistible, and the only reason I do not read it to the House is because it is so mixed up with the actual plan of operations that it will be quite impossible for me to read it without giving away what is the plan of operations."

See the previous installment or all entries, or read an overview of the war.

Laura Yeager Is Making History as the First Woman to Lead a U.S. Army Infantry Division

iStock/MivPiv
iStock/MivPiv

For over 100 years, the California National Guard’s 40th Infantry Division has been led by a male officer. That’s set to change at the end of this month as Brigadier General Laura Yeager becomes the first woman to oversee a U.S. Army infantry division.

A career military officer, Yeager entered active duty in 1986 and saw combat as a UH-60 Black Hawk helicopter pilot in Iraq. According to CNN, she’s the recipient of the Legion of Merit and Bronze Star, among other accolades. Her appointment to the National Guard’s 40th Infantry comes as Major General Mark Malanka retires.

Yeager’s father, Major General Robert Brandt, served two tours in Vietnam as a helicopter pilot. Yeager is also a member of Whirly-Girls, a nonprofit dedicated to increasing the roles for women in helicopter aviation.

The 40th Infantry has served in virtually every major conflict of the past century, including the two World Wars and the Korean War. They’ve most recently been dispatched to Iraq and Afghanistan. Yeager is expected to assume her post on June 29.

[h/t CNN]

10 Surprising Facts About Band of Brothers

HBO
HBO

In 1998, HBO—then a still-fledgling cable network that had not yet completely broken through with hits like The Sopranos and Sex and the City—decided to take on its biggest project ever: a massive 10-hour World War II miniseries executive produced by Steven Spielberg and Tom Hanks.

Three years, more than $100 million, and thousands of work hours later, Band of Brothers was brought to the world. The true story of a single paratrooper company making their way through the last year of the war in Europe, Band of Brothers dwarfed other TV dramas of its era with its budget, its cast, its effects, and its extraordinary attention to period detail. The result was one of the most acclaimed World War II dramas ever filmed.

So, from the sheer scale of the production to the cast’s boot camp to some actors you may have forgotten about, here are 10 things you might not have known about Band of Brothers.

1. Band of Brothers's budget was unheard of at the time.

When Band of Brothers began its journey to the screen in the late 1990s, one of HBO’s chief concerns in agreeing to produce the series was its budget. Today, in the wake of Game of Thrones, it seems natural for the network to foot the bill for such an epic undertaking, but at the time the amount of money called for was almost unheard of. When discussions first began, it became clear that the miniseries would cost at least $125 million to produce, which meant $12 million per episode. That’s a figure that dwarfed even the most prestigious and popular TV dramas at the time, and it didn’t even factor in the massive marketing budget (at least $15 million) the network was considering to promote the event. So, what convinced HBO to put up the money? A number of factors, but having Hanks and Spielberg on board certainly helped.

''I'm not saying they didn't bat an eye,'' Hanks told The New York Times in 2001. ''Oh, they did bat an eye. But the reality is this was expensive. You had to have deep pockets. And HBO has deep pockets."

2. Jeep helped promote Band of Brothers.

The promotional campaign for Band of Brothers was almost as massive as its budget, with HBO attempting to draw the curiosity of as many non-subscribers as possible. One of the ways they achieved this was by forming the network's first ever partnership with another company to launch a series of commercials. That company was Jeep, which was celebrating the 60th anniversary of its signature vehicle at the time. The classic military Jeep figures prominently in Band of Brothers—it appears more than 1000 times throughout the series—so it was a natural fit.

Together, HBO and Jeep shot a series of six commercials tying into the series, filmed on Utah Beach in Normandy, France (not a place commercials are usually allowed to shoot). The spots aired on broadcast television, allowing HBO a rare chance (at the time) to get its products before an audience that large.

3. The miniseries caused some controversy in the United Kingdom.

Though Band of Brothers was largely well-received by audiences both in the United States and abroad, it did cause some controversy in the United Kingdom before it even aired there. According to The Guardian, the furor was stirred up by The Daily Mail, which published a condemnation of the miniseries for its lack of British soldiers. The series, of course, is meant to follow a single company of American troops as they navigate the last year of the war in Europe, but that didn’t stop The Daily Mail from decrying the show’s narrow focus. The publication called forward various British veterans who declared Band of Brothers "an absolute disgrace and an insult to the millions of brave Britons who helped win the war,” the implication being that the series essentially depicted only Americans as winning the war in Europe. The controversy, while noteworthy, was short-lived.

4. The miniseries's production was massive.

Band of Brothers, a 10-hour miniseries set entirely during World War II, would be a massive undertaking even now, but it was particularly gargantuan when it was produced. Some figures that prove just how big it was: According to the documentary The Making of Band of Brothers, the production required 2000 American and German military uniforms; 1200 vintage costumes (that’s not counting the newly made ones); more than 10,000 extras; more than 14,000 rounds of ammunition a day; and 500 speaking roles. The special effects alone were so massive that, by the time the third episode was completed, the production had already used more pyrotechnics than Saving Private Ryan, which is particularly impressive given that much of the first episode is taken up by boot camp sequences.

5. Band of Brothers was largely filmed in one location.

A still from 'Band of Brothers' (2001)
HBO

The story of Band of Brothers takes the men of Easy Company across half the European continent, through several different countries and even seasons. Despite the vivid depiction of all of these varied places on the journey, the miniseries (aside from certain location shoots) was largely filmed in one place. Thanks to a large tax break from the UK government, the production was headquartered at the Hatfield Aerodrome, an old British aerospace factory that had been converted into a massive, 1100-acre backlot. The various hangars from the factory were used to house the costumes, props, weapons, tanks, and other equipment used to shoot the series, and some hangars even housed various sets.

6. A single village set played nearly a dozen different towns.

Because Band of Brothers was mostly shot on the Hatfield backlot, the crew had to make certain accommodations to portray much of Europe in a small space. One key factor was the 12-acre village set constructed on the lot. A set that size is a massive undertaking anyway, but to depict the various places Easy Company visits, the village had to be constantly redressed to show England, Holland, Belgium and other locations. In all, the village ended up playing 11 different towns throughout the miniseries. 

7. The Bastogne sequences were actually films indoors.

One of the most harrowing segments of Band of Brothers takes place in the sixth episode, “Bastogne.” Caught in the middle of the Battle of the Bulge and low on supplies, Easy Company faces its toughest challenge yet as they try to hold off a massive German force even as they’re starving and freezing to death. It’s a powerful episode, but most of the time the actors were faking the hardship. The sequences in which the company is huddled down in foxholes, scrounging for whatever food and medicine they can get, were largely filmed on a massive indoor set constructed in one of the hangars at Hatfield. The production used real trees and numerous fiberglass trees (which could be broken apart to simulate German shells) to create the forest, and paper mixed with various polymers to create artificial snow. It’s estimated that more than a third of a million pounds of paper were used to make snow throughout the sequence, and it took four weeks to completely cover the set.

“It’s the biggest amount ever used on one set, for anything,” snow effects supervisor David Crownshaw said. “It should be in the Guinness Book of Records.”

8. The guns in Band of Brothers were the real thing.

Every major character in Band of Brothers wields at least one firearm throughout the entire production, and many of the men of Easy Company are never without their trusty M1 Garand rifles. The World War II-era weapons were key to the production, and Hanks and Spielberg insisted on authenticity, so they went to an arms dealer and picked up 700 authentic period weapons for the production. Numerous other guns (including pistols largely kept in holsters) were made of rubber, but very often when you see the men of Easy Company firing their rifles at the enemy, they were firing the real thing.

9. The Band of Brothers cast featured several up-and-coming actors who went on to become major stars.

Because Band of Brothers includes hundreds of speaking roles, including dozens of American soldiers, the production had to recruit a virtual army of young actors, many of whom were relatively unknown at the time. If you go back and watch the series now, you’ll see several young faces that are now recognizable as major movie stars. Among the now-big names: James McAvoy, Tom Hardy, Simon Pegg, Michael Fassbender, Colin Hanks, Dominic Cooper, Jimmy Fallon, and Andrew Scott.

10. The cast trained together, and bonded, during a 10-day boot camp.

To develop a better understanding of the military culture their characters were involved in, and to get them in the right physical and mental shape for the miniseries, the cast portraying Easy Company embarked on an intensive 10-day boot camp before shooting, training 18 hours a day under the watchful eye of Captain Dale Dye.

Dye, a former Marine and Vietnam veteran who came to Hollywood after he left the military to become a technical advisor, served as the senior military advisor on the production and also portrayed Colonel Robert Sink in the series. Dye led the boot camp and even helped direct key battle sequences in an effort to get the cast as close to real soldiers as possible. According to the men who portrayed Easy Company, the experience brought them closer together, and made them more like a real unit.

“You hit walls in boot camp," Scott Grimes, who played Sergeant Malarkey, said. "You hit these personal mental, physical walls that you have to go over, basically. There were guys the first night at boot camp that cried themselves to sleep that I was there for, and they were there for me.”

In addition to boot camp, the Easy Company cast also undertook a version of paratrooper training to ensure authenticity. Among the challenges: jumping out of a mock-up plane fuselage, while strapped to a harness simulating a parachute, from a height of 40 feet.

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