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Nobrow Press

5 Most Interesting Comics of the Week

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Nobrow Press

Every Wednesday, I preview the 5 most interesting new comics hitting comic shops, Comixology, Kickstarter and the web. If there's a release you're excited about, let's talk about it in the comments.

1. Freud

Written by Corinne Maier; art by Anne Simon
Nobrow Press

It's a little surprising there haven't been more comics devoted to Sigmund Freud considering that his life's work centered around dreams, free association, and the unconscious—all of which are ripe for a cartoonist's visual treatment. Nobrow Press, a London-based publisher that focuses on high quality art books and graphic novels, has just released an English translation of Corrinne Maier and Anne Simon's 2012 French graphic album (as they're called in France) titled simply Freud, which shows just how perfect comics can be for illustrating and explaining a concept like psychoanalysis.

At a mere 55 pages, Freud is a cursory run-through of the legendary figure's life, allotting just as much space on explaining the theories he originated and illustrating some of the cases that defined his work as it does to particular milestones in his biography. It is purposefully breezy, with Freud himself presented as the amusing cartoon narrator to his own life, traipsing from one vignette to another—whether they be real-life settings like his home in Vienna or Dali-esque dreamscapes—puffing on his cigar and pondering his own career. As a character in his own story, he is opinionated and at times flippant. He is also reflective and sometimes inconclusive about his own ideas.

It's probably worth noting that this book was made by two women, and Freud's own complicated relationship with women and feminism is at times addressed in the book, showing him wrestling with trying to understand how the female mind works. He labels them "the dark continent of psychoanalysis" while shown separated by a continental rift from a group of naked and perturbed women. The book is never fully critical or sympathetic when dealing with subjects like this; instead it presents him as a conflicted and complicated thinker who may not have all the answers.

Corinne Maier is a psychoanalyst herself and has written over 15 books on a diverse range of subjects. Two of her best selling books in France conveyed the type of controversial opinions sure to raise the cockles of American talk show punditry. One was about how hard work doesn't pay off and the other outlined 40 reasons why you shouldn't have kids. The real star of this book, however, is Anne Simon. A winner of the 2004 "New Talent" award at the Angoulême Festival, Simon has worked on a number of children's comics for European publishers, but her work has been little seen in the States. She draws in a whimsical style reminiscent of the classic French gag cartoonists like Jean-Jacques Sempé, bringing humor and an easy accessibility to Freud's work. She uses a very modern and striking color palette that changes with each vignette, and the quality of printing Nobrow has lent to this makes her work here just a pleasure to look at.


Some preview images and info from the publisher here.

2. Woman Rebel: The Margaret Sanger Story

By Peter Bagge
Drawn & Quarterly

Peter Bagge is one of the popular indie comics creators who rose to prominence in the early '90s, due primarily to his satirical grunge/slacker comic Hate. In recent years he's been as prolific as ever with comics like 2012's Reset, about a washed up comedian who participates in a virtual reality experiment to relive past events, as well as his ongoing essays and comics for the libertarian magazine Reason

In somewhat of an unexpected step for someone who is known mostly for his biting humor, Bagge's latest graphic novel, Woman Rebel: The Margaret Sanger Story, is a biography of an important figure in American feminism. Margaret Sanger, the birth control activist and founder of the Planned Parenthood movement, fought tirelessly to educate and provide birth control options to the economically underprivileged in the early 20th century. She was instrumental in the legalization of contraception in the United States and opened the first birth control clinic in the U.S., preaching the use of contraception to give women the choice of when they should have children. She was opposed to abortions and fought to prevent unsafe, back-alley procedures. 

Sanger was a controversial political figure, and Bagge himself is no stranger to controversial political opinions, yet his rubbery, Warner Brothers-influenced art style seems at first incongruous with the serious subject matter of Sanger's life story. However, like with Anne Simon's cartoony take on Sigmund Freud, Bagge's use of humor here brings an approachability to the biography and to the "character" of Margaret Sanger that you wouldn't necessarily get from a written biography. In one scene, as Sanger heads off to the Lower East Side of New York to work as a nurse, her children protest that "other mommies don't work!" With a furrowed brow she leans forward and heads out the door retorting "Yes, well, THIS ONE does…You'll just have to get used to it." She very much becomes a Bagge character and a principled, driven person that you want to learn more about.



Drawn & Quarterly has a preview on the website here. This book looks like it will be getting a lot of praise in the coming months.

3. "Our Toyota Was Fantastic"


Boulet
Bouletcorp.com

France's most popular webcomic creator has done it again. It wasn't that long ago that I featured Boulet's long, vertically scrolling "Le Long Voyage" on this list and already he's back on it with "Notre Toyota Était Fantastique" ("Our Toyota Was Fantastic"). That's not to say he hasn't done a number of comics in between "Voyage" and "Toyota"; he's even done a few since posting this one last week.

In this beautiful webcomic, Boulet revisits a childhood memory that many of us can probably relate to—riding in the backseat of his parent's car while dozing off to sleep. He conveys many precious details—the pulsing glow of his father's cigarette from the front seat, the abrupt flood of light from passing through a tunnel—and presents them through poetic first person narration, charmingly rendered drawings, and the best use of animation I've seen in a webcomic.

Many comic purists balk at seeing animation in a comic. So much of the power of a good comic comes from the reader's own imagination when reading the story and some feel that adding motion crosses the line from comics into something else entirely, something where the reader becomes more of a passive participant. All of the lackluster attempts at what are called "Motion Comics" have fallen into this trap and produced something that is less effective than the "still" version. Plus, adding motion to still imagery can often result in an awkwardness that actually makes the drawings seem less alive, the opposite of its intent. 

With clever use of animated gifs, Boulet shows how adding motion to a comic is done here. Although this story might be just as effective and poignant without it, the little bits of movement he adds (passing reflections, shimmering lights and shadows, even the gentle flickering of the hand drawn lettering) is done with true purpose and it brings the reader right into the backseat of that car, helping to evoke their own similar memories.

Give the comic a read here and marvel at how gorgeous it looks.

4. Best American Comics 2013


Edited by Jeff Smith with series editors Jessica Abel and Matt Madden
Houghton Mifflin Harcourt

Well, this is probably a no-brainer inclusion for a column about notable comics. The latest edition of the Best American Comics series contains short comics and excerpts from longer comics from North American cartoonists that were published last year and, as it has done since 2006, gives you an eye-opening tour of the wide range of staggeringly good comics that are out there. The series to date has been shepherded by cartoonists and comics educators Jessica Abel and Matt Madden, who, every year, pool together over 100 of the best comics they can and bring in a guest editor to select the cream of the crop (this year it's Jeff Smith of Bone and RASL fame). This will be the last volume of BAC that Abel and Madden edit, as they step down to focus on their own work while on extended residency in Angoulême, France (there is a definite French connection running through most of this week's books, if you haven't noticed). 


Among the comics that Abel, Madden and Smith have selected this year are:
- Becky Cloonan's horror fantasy The Mire (one of the best mini comics I read last year)
- An excerpt from Darywn Cooke's latest Parker graphic novel, The Score
- The initial chapters from Charles Forsman's teenage angst/killers on the run mini comic The End of The F***king World
- Matt Forsythe's wordless adaptation of a Korean folk tale Jinchalo
- Laura Terry's Overboard (I picked this book up at SPX last year and it is gorgeous)
- Joe Hill and Gabriel Rodriguez' Locke & Key one shot "Open The Moon"
- Jeff Jensen and Jonathan Case's award-winning true crime story Green River Killer
- An excerpt from Jeff Lemire's haunting graphic novel about a father and son, Underwater Welder
- Ramon Perez' Eisner award winning adaptation of a Jim Henson screenplay Tales of Sand
- Ben Towle's swashbuckling webcomic Oyster War
- The latest chapter in Jason Lutes' long running Berlin

And many, many more. In fact you can just peruse the whole list here.

For those that teach comics, there's also a lesson plan for this this book that you can find here.

[EDIT: As I noted in the comments below, I mistakenly listed selections that were part of the "Notable" list but not the actual book. The actual list of comics in the book edition are here. ]

5. SPX '13 Journal


by Jared Cullum
JaredLovesToDraw.com

For many independent cartoonists, The Small Press Expo in Bethesda, Maryland is the biggest event of the year. It's an inspiring and creatively validating experience where up-and-coming cartoonists can be in the same room with indie comic superstars, everyone selling their handmade mini comics or self-published graphic novels to the same crowd of fans who are eager to discover what's new in this creatively burgeoning sector of comics publishing. Cartoonists being cartoonists, it's not unusual to find many of them in the weeks after the show making comics about their SPX experience as a way of processing it.

One that stood out to me recently is by newcomer Jared Cullum (whom I've had the pleasure of meeting on a couple of occasions). After attending his second SPX this year, Cullum painted this beautiful 8 page watercolor comic depicting himself and the other attendees as cute, anthropomorphic animals. If you are familiar enough with the small press scene you'll recognize a number of the cartoonists depicted here like Jim Rugg, Dustin Harbin, Rob Ullman, Ed Piskor and more. And if you are a cartoonist, you may be able to relate to Cullum's experience and his feelings about it. As a part-time cartoonist myself, I know I sure did. 

This little comic gives a great insight into some common insecurities cartoonists have about themselves and their place among other artists, while also showing how motivating the social aspect of a show like SPX can be for them. Making comics is a time-consuming, often isolating profession, yet the act of making something personal and selling it to strangers requires a level of comfort with publicness that conflicts with that isolation. Cullum taps into this very well here.  He also shows off some impressive watercolor skills and a keen sense of comedic timing that has me excited to see what he'll do next.

He says he plans to do more of these anthropomorphic journal comics in the future so follow his Tumblr and read this comic here.

HONORABLE MENTIONS

Blue is the Warmest Color
French week continues as Julie Maroh's 2010 graphic novel about lesbian love and youthful rebellion, originally called Blue Angel, is released in English with a title that matches its 2013 film adaptation, the winner of the coveted Palme d'Or at the Cannes Film Festival. Preview here.

Fran
Jim Woodring's latest graphic novel involving his long-running character Frank is actually about Frank's soul-mate, Fran. Somewhat of a sequel to 2011's Congress of Animals, though you're also encouraged to read this first and Congress second. Preview here.

Love and Rockets: New Stories #6
It's that time of year when the annual release of new stories from Jaime and Gilbert Hernandez arrives in the digest-sized form of a new Love and Rockets book. Gilbert returns to one of his most famous characters, Luba, while Jaime continues to explore one of his newer characters, Tonta. Preview pages.

The Art of Charlie Adlard
The Walking Dead fans are well aware of the greatness of artist Charlie Adlard. He's been the artist on that book since issue #7 and has been consistently outstanding. This oversized hardcover takes a look at his career, providing lots of behind the scenes extras.
More info here.

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Ernest Hemingway’s Guide to Life, In 20 Quotes
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Though he made his living as a writer, Ernest Hemingway was just as famous for his lust for adventure. Whether he was running with the bulls in Pamplona, fishing for marlin in Bimini, throwing back rum cocktails in Havana, or hanging out with his six-toed cats in Key West, the Nobel and Pulitzer Prize-winning author never did anything halfway. And he used his adventures as fodder for the unparalleled collection of novels, short stories, and nonfiction books he left behind, The Sun Also Rises, A Farewell to Arms, Death in the Afternoon, For Whom the Bell Tolls, and The Old Man and the Sea among them.

On what would be his 118th birthday—he was born in Oak Park, Illinois on July 21, 1899—here are 20 memorable quotes that offer a keen perspective into Hemingway’s way of life.

ON THE IMPORTANCE OF LISTENING

"I like to listen. I have learned a great deal from listening carefully. Most people never listen."

ON TRUST

"The best way to find out if you can trust somebody is to trust them."

ON DECIDING WHAT TO WRITE ABOUT

"I never had to choose a subject—my subject rather chose me."

ON TRAVEL

"Never go on trips with anyone you do not love."

Ernest Hemingway Photograph Collection, John F. Kennedy Presidential Library and Museum, Boston. [1], Public Domain, Wikimedia Commons

ON THE RELATIONSHIP BETWEEN INTELLIGENCE AND HAPPINESS

"Happiness in intelligent people is the rarest thing I know."

ON TRUTH

"There's no one thing that is true. They're all true."

ON THE DOWNSIDE OF PEOPLE

"The only thing that could spoil a day was people. People were always the limiters of happiness, except for the very few that were as good as spring itself."

ON SUFFERING FOR YOUR ART

"There is nothing to writing. All you do is sit down at a typewriter and bleed."

ON TAKING ACTION

"Never mistake motion for action."

ON GETTING WORDS OUT

"I wake up in the morning and my mind starts making sentences, and I have to get rid of them fast—talk them or write them down."

Photograph by Mary Hemingway, in the Ernest Hemingway Photograph Collection, John F. Kennedy Presidential Library and Museum, Boston., Public Domain, Wikimedia Commons

ON THE BENEFITS OF SLEEP

"I love sleep. My life has the tendency to fall apart when I'm awake, you know?"

ON FINDING STRENGTH 

"The world breaks everyone, and afterward, some are strong at the broken places."

ON THE TRUE NATURE OF WICKEDNESS

"All things truly wicked start from innocence."

ON WRITING WHAT YOU KNOW

"If a writer knows enough about what he is writing about, he may omit things that he knows. The dignity of movement of an iceberg is due to only one ninth of it being above water."

ON THE DEFINITION OF COURAGE

"Courage is grace under pressure."

ON THE PAINFULNESS OF BEING FUNNY

"A man's got to take a lot of punishment to write a really funny book."

By Ernest Hemingway Photograph Collection, John F. Kennedy Presidential Library and Museum, Boston. - JFK Library, Public Domain, Wikimedia Commons

ON KEEPING PROMISES

"Always do sober what you said you'd do drunk. That will teach you to keep your mouth shut."

ON GOOD VS. EVIL

"About morals, I know only that what is moral is what you feel good after and what is immoral is what you feel bad after."

ON REACHING FOR THE UNATTAINABLE

"For a true writer, each book should be a new beginning where he tries again for something that is beyond attainment. He should always try for something that has never been done or that others have tried and failed. Then sometimes, with great luck, he will succeed."

ON HAPPY ENDINGS

"There is no lonelier man in death, except the suicide, than that man who has lived many years with a good wife and then outlived her. If two people love each other there can be no happy end to it."

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12 Fantastic Facts About A Wrinkle in Time
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istock (blank book) / Taeeun Yoo (cover art)

Madeleine L’Engle’s acclaimed science fantasy novel A Wrinkle in Time has been delighting readers since its 1962 release. Whether you’ve never had the chance to read this timeless tale or haven’t picked it up in a while, here are some facts that are sure to get you in the mood for a literary journey through the universe—not to mention its upcoming big-screen adaptation.

1. THE AUTHOR’S PERSISTENCE PAID OFF.

She’s a revered writer today, but Madeleine L’Engle’s early literary career was rocky. She nearly gave up on writing on her 40th birthday. L’Engle stuck with it, though, and on a 10-week cross-country camping trip she found herself inspired to begin writing A Wrinkle in Time.

2. EINSTEIN SPARKED L'ENGLE'S INTEREST IN QUANTUM PHYSICS AND TESSERACTS.

L’Engle was never a strong math student, but as an adult she found herself drawn to concepts of cosmology and non-linear time after picking up a book about Albert Einstein. L’Engle adamantly believed that any theory of writing is also a theory of cosmology because “one cannot discuss structure in writing without discussing structure in all life." The idea that religion, science, and magic are different aspects of a single reality and should not be thought of as conflicting is a recurring theme in her work.

3. L’ENGLE BASED THE PROTAGONIST ON HERSELF.

L’Engle often compared her young heroine, Meg Murry, to her childhood self—gangly, awkward, and a poor student. Like many young girls, both Meg and L’Engle were dissatisfied with their looks and felt their appearances were homely, unkempt, and in a constant state of disarray.

4. IT WAS REJECTED BY MORE THAN TWO DOZEN PUBLISHERS.

L’Engle weathered 26 rejections before Farrar, Straus & Giroux finally took a chance on A Wrinkle in Time. Many publishers were nervous about acquiring the novel because it was too difficult to categorize. Was it written for children or adults? Was the genre science fiction or fantasy?

5. L’ENGLE DIDN'T KNOW HOW TO CATEGORIZE THE BOOK, EITHER.

To compound publishers’ worries, L’Engle famously rejected these arbitrary categories and insisted that her writing was for anyone, regardless of age. She believed that children could often understand concepts that would baffle adults, due to their childlike ability to use their imaginations with the unknown.

6. MEG MURRY WAS ONE OF SCIENCE FICTION'S FIRST GREAT FEMALE PROTAGONISTS ...

… and that scared publishers even more. L’Engle believed that the relatively uncommon choice of a young heroine contributed to her struggles getting the book in stores since men and boys dominated science fiction.

Nevertheless, the author stood by her heroine and consistently promoted acceptance of one’s unique traits and personality. When A Wrinkle in Time won the 1963 Newbury Award, L’Engle used her acceptance speech to decry forces working for the standardization of mankind, or, as she so eloquently put it, “making muffins of us, muffins like every other muffin in the muffin tin.” L’Engle’s commitment to individualism contributed to the very future of science fiction. Without her we may never have met The Hunger Games’s Katniss Everdeen or Divergent’s Tris Prior.

7. THE MURKY GENRE HELPED MAKE THE BOOK A SUCCESS.

Once A Wrinkle in Time hit bookstores, its slippery categorization stopped being a drawback. The book was smart enough for adults without losing sight of the storytelling elements kids love. A glowing 1963 review in The Milwaukee Sentinel captured this sentiment: “A sort of space age Alice in Wonderland, Miss L’Engle’s book combines a warm story of family life with science fiction and a most convincing case for nonconformity. Adults who still enjoy Alice will find it delightful reading along with their youngsters.”

8. THE BOOK IS ACTUALLY THE FIRST OF A SERIES.

Although the other four novels are not as well known as A Wrinkle in Time, the “Time Quintet” is a favorite of science fiction fans. The series, written over a period of nearly 30 years, follows the Murry family’s continuing battle over evil forces.

9. IT IS ONE OF THE MOST FREQUENTLY BANNED BOOKS OF ALL TIME.

Oddly enough, A Wrinkle in Time has been accused of being both too religious and anti-Christian. L’Engle’s particular brand of liberal Christianity was deeply rooted in universal salvation, a view that some critics have claimed “denigrates organized Christianity and promotes an occultic world view.” There have also been objections to the use of Jesus Christ’s name alongside figures like Buddha, Shakespeare, and Gandhi. Detractors feel that grouping these names together trivializes Christ’s divine nature.

10. L’ENGLE LEARNED TO SEE THE UPSIDE OF THIS CONTROVERSY.

The author revealed how she felt about all this sniping in a 2001 interview with The New York Times. She brushed it aside, saying, “It seems people are willing to damn the book without reading it. Nonsense about witchcraft and fantasy. First I felt horror, then anger, and finally I said, 'Ah, the hell with it.' It's great publicity, really.''

11. THE SCIENCE FICTION HAS INSPIRED SCIENCE FACTS.

American astronaut Janice Voss once told L’Engle that A Wrinkle in Time inspired her career path. When Voss asked if she could bring a copy of the novel into space, L’Engle jokingly asked why she couldn’t go, too.

Inspiring astronauts wasn’t L’Engle’s only out-of-this-world achievement. In 2013 the International Astronomical Union (IAU) honored the writer’s memory by naming a crater on Mercury’s south pole “L’Engle.”

12. A STAR-STUDDED MOVIE ADAPTATION WILL HIT THEATERS IN 2018.

Although L’Engle was famously skeptical of film adaptations of the novel, Oscar-nominated filmmaker Ava DuVernay (13th; Selma) is bringing a star-filled version of the book to the big screen next year. Oprah Winfrey, Reese Witherspoon, Chris Pine, Mindy Kaling, and Zach Galifianakis are among the film's stars. It's due in theaters on March 9, 2018.

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